But the city's worst crisis yet (and that's saying something) has managed to do the unthinkable: turn the end of days into a laboratory for the future. Urban planners, land speculators, neo-pastoral agriculturalists, and utopian environmentalists—all have been drawn to Detroit's baroquely decaying, nothing-left-to-lose frontier. With an eye for both the darkly absurd and the radically new, Detroit-area native and Rolling Stone writer Mark Binelli has chronicled this convergence. Throughout the city's "museum of neglect"—its swaths of abandoned buildings, its miles of urban prairie—he tracks the signs of blight repurposed, from the school for pregnant teenagers to the killer ex-con turned street patroller, from the organic farming on empty lots to GM's wager on the Volt electric car and the mayor's realignment plan (the most ambitious on record) to move residents of half-empty neighborhoods into a viable, new urban center.Sharp and impassioned, Detroit City Is the Place to Be is alive with the sense of possibility that comes when a city hits rock bottom. Beyond the usual portrait of crime, poverty, and ruin, we glimpse a future Detroit that is smaller, less segregated, greener, economically diverse, and better functioning—what might just be the first post-industrial city of our new century.

    After all, the year before her father's body was found with his heart missing, and since then everyone has moved on. Even her best friend, Miranda, has become more interested in boys than in spending time at the old ghost tree, the way they used to when they were kids.So when Lauren has a vision of a monster dragging the remains of the girls through the woods, she knows she can't just do nothing. Not like the rest of her town. But as she draws closer to answers, she realizes that the foundation of her seemingly normal town might be rotten at the center. And that if nobody else stands for the missing, she will.

    Its labyrinthine halls, built by her mad ancestors, are filled with echoes of the past: ghosts and memories knotted together as one. In the presence of phantoms, it's all Sam can do to disentangle past from present in her daily life. But when her pregnant sister Elizabeth moves in after a fight with her husband, something in the house shifts. Already navigating her tumultuous relationship with Elizabeth, Sam is even more unsettled by the appearance of a new ghost: a faceless boy who commits disturbing acts—threatening animals, terrorizing other children, and following Sam into the depths of the house wielding a knife. When it becomes clear the boy is connected to a locked, forgotten room, one which is never entered, Sam realizes this ghost is not like the others. This boy brings doom. As Elizabeth's due date approaches, Sam must unravel the mysteries of Wakefield before her sister brings new life into a house marked by death. But as the faceless boy grows stronger, Sam will learn that some doors should stay closed—and some secrets are safer locked away forever.

    The figure hangs for a moment then disappears and the officer is changed forever. Suddenly, a world that made sense has been turned upside down and the terrified family who first called the police remains uncomforted. This family is not alone though, for all over the world, police officers come in contact with the strange and the paranormal. If it were anyone else, we would dismiss these tales as falsehoods by most. But the people in these stories are not unreliable witnesses or fanciful con artists; they are the men and women who serve our communities when terrifying forces seek to harm us. Our patrollers are trained to observe, to remember details, and to never assume things are as they seem; the officers involved in these stories have never been able to find rational explanations for their experiences. These accounts come from officers across the globe, from devout Catholics to staunch Atheists and everyone in between who could not have imagined what they would come across when they took their calls, and many of them wish they could forget their experiences after they did. Delve into these eighteen stories and discover that even those charged with protecting us witness things they were never equipped to deal with. If you are a non-believer, withhold your judgment until you have read the chillingly convincing evidence for yourself. If you already believe, you will know the fear these officers faced. When your job is to confront the evils that people can do to each other, to protect those who are unable to against harm, it is inevitable you will one day find something that you cannot protect. After all, as Nietzsche once said, “And if thou gaze long into an abyss, the abyss will also gaze into thee.” Ready to scare yourself senseless? Scroll to the top of the page and hit buy!

    James to Neil Gaiman, H.H. Munro to Audrey Niffenegger herself, Ghostly reveals the evolution of the ghost story genre with tales going back to the eighteenth century and into the modern era, ranging across styles from Gothic Horror to Victorian, stories about haunting--haunted children, animals, houses. Every story is introduced by Audrey Niffenegger, an acclaimed master of the craft, with some words on its background and why she chose to include it. Audrey's own story is "A Secret Life With Cats."     Perfect for the classic and contemporary ghost story aficionado, this is a delightful volume, beautifully illustrated by Audrey, who is a graphic artist with great vision. Ghostly showcases the best of the best in the field, including Edith Wharton, P.G. Wodehouse, A.S. Byatt, Ray Bradbury, and so many more.

    A spine-chilling exploration of the haunted sites of Britain and Ireland, and an indispensable guide for ghost-hunters everywhere More than 130 haunted sites - and many more ghosts - are described in evocative and atmospheric detail A wealth of biographical information and extracts from original documents place the specters in their historical context Written by inveterate ghost hunter and professional tour guide, Richard Jones, whose detailed research reveals many ghost stories that have never before appeared in print Superb photography and contemporary illustrations supplement the text, and maps pinpoint the sites

    From the mythical beasts of ancient Greece to the hormonal vampires of the Twilight saga, monsters have captivated us for millennia. Matt Kaplan, a noted science journalist and monster-myth enthusiast, employs an entertaining mix of cutting-edge research and a love of lore to explore the history behind these fantastical fictions and our hardwired obsession with things that go bump in the night. Ranging across history, Medusa’s Gaze and Vampire’s Bite tackles the enduring questions that arise on the frontier between fantasy and reality. What caused ancient Minoans to create the tale of the Minotaur and its subterranean maze? Did dragons really exist? What inspired the creation of vampires and werewolves, and why are we so drawn to them? With the eye of a journalist and the voice of a storyteller, Kaplan takes readers to the forefront of science, where our favorite figures of horror may find real-life validation. Does the legendary Kraken, a squid of epic proportions, really roam the deep? Are we close to making Jurassic Park a reality by replicating a dinosaur from fossilized DNA? As our fears evolve, so do our monsters, and Medusa’s Gaze and Vampire’s Bite charts the rise of the ultimate beasts, humans themselves.

    This incredible book invites you to journey into the canyon's most haunted locations and explore first-hand accounts of spirits and unexplainable events.Ghosts of the Grand Canyon is packed with extraordinary true tales from people who have encountered the paranormal in and around this awe-inspiring hotspot. Authors Judy and Brian-James Martinez present the history of these sites, their significance to locals and tourists alike, and the facts, legends, and speculations about what caused such horrific hauntings. Also featuring photos of the canyon's breathtaking views and spookiest sites, this book dares you to look deep into the abyss and discover what lurks there.

    Not because she’s never seen one, but because she saw one too many. Refusing to believe is the only way to protect herself from the ghost that tried to steal her life. Kat’s disbelief keeps her safe until her junior year at McTernan Academy, when a research project for an eccentric teacher takes her to a tiny, private island off the coast of Connecticut. The site of a grisly mystery, the Isle of Acacia is no place for a girl who ignores ghosts, but the ghosts leave Kat little choice. Accompanied by her research partner, Evan Kingsley, she investigates the disappearance of Cassie Mallory and Sebastian Radcliffe on their wedding night in 1886. Evan’s scientific approach to everything leaves Kat on her own to confront a host of unbelievables: ancestral curses, powerful spells, and her strange connection to the ghosts that haunt Castle Creighton. But that’s all before Kat’s yanked through a magic portal and Evan follows her. When the two of them awaken 129 years in the past with their souls trapped inside the bodies of two wedding guests, everything changes. Together, Kat and Evan race to stop the wedding-night murders and find a way back to their own time—and their own bodies—before their souls slip away forever.

    It's in her hair, covering the windowsills, coating the animals in the barn, in the corners of her children's dry, cracked lips. It's 1934 and the Bell farm in Mulehead, Oklahoma is struggling as the earliest storms of The Dust Bowl descend. All around them the wheat harvests are drying out and people are packing up their belongings as storms lay waste to the Great Plains. As the Bells wait for the rains to come, Annie and each member of her family are pulled in different directions. Annie's fragile young son, Fred, suffers from dust pneumonia; her headstrong daughter, Birdie, flush with first love, is choosing a dangerous path out of Mulehead; and Samuel, her husband, is plagued by disturbing dreams of rain.As Annie, desperate for an escape of her own, flirts with the affections of an unlikely admirer, she must choose who she is going to become. With her warm storytelling and beautiful prose, Rae Meadows brings to life an unforgettable family that faces hardship with rare grit and determination. Rich in detail and epic in scope, I Will Send Rain is a powerful novel of upheaval and resilience, filled with hope, morality, and love.

    She had no relatives left, she'd lost her family farm to back taxes, and her doctor had just given her two years to live--but only if she lived restfully. He offered her a spot in the county's charity home. Instead, she decided she wanted to see the Pacific Ocean just once before she died. She bought a cast-off brown gelding named Tarzan, donned men's dungarees, loaded up her horse, and headed out from Maine in mid-November, hoping to beat the snow. She had no map, no GPS, no phone. But she had her ex-racehorse, her faithful mutt, and her own unfailing belief that Americans would treat a stranger with kindness.Between 1954 and 1956, Annie, Tarzan, and her dog, Depeche Toi, journeyed more than 4,000 miles, through America's big cities and small towns, meeting ordinary people and celebrities--from Andrew Wyeth (who sketched Tarzan) to Art Linkletter and Groucho Marx. She received many offers--a permanent home at a riding stable in New Jersey, a job at a gas station in rural Kentucky, even a marriage proposal from a Wyoming rancher who loved animals as much as she did. As Annie trudged through blizzards, forded rivers, climbed mountains, and clung to the narrow shoulder as cars whipped by her at terrifying speeds, she captured the imagination of an apprehensive Cold War America. At a time when small towns were being bypassed by Eisenhower's brand-new interstate highway system, and the reach and impact of television was just beginning to be understood, Annie and her four-footed companions inspired an outpouring of neighborliness in a rapidly changing world.

    According to local lore, the troubled spirit of society belle Ladell Allen, who had mysteriously committed suicide in the master bedroom in 1948, still roamed the grand historic mansion. Yet, Mark remained skeptical--until he and his family began encountering faceless phantoms, a doppelganger spirit, and other paranormal phenomena. Ensuing ghost investigations offered convincing evidence that six spirits, including Ladell, inhabited their home. But the most shocking event occurred the day Mark followed a strange urge to explore the attic and found, crammed under a floorboard, secret love letters that touchingly depict Ladell Allen's forbidden, heart-searing romance--and shed light on her tragic end.This haunting true ghost story includes several photographs of the Allen House.

    Now, armed with his father's mysterious and deadly athame, Cas travels the country with his kitchen-witch mother and their spirit-sniffing cat. They follow legends and local lore, destroy the murderous dead, and keep pesky things like the future and friends at bay.Searching for a ghost the locals call Anna Dressed in Blood, Cas expects the usual: track, hunt, kill. What he finds instead is a girl entangled in curses and rage, a ghost like he's never faced before. She still wears the dress she wore on the day of her brutal murder in 1958: once white, now stained red and dripping with blood. Since her death, Anna has killed any and every person who has dared to step into the deserted Victorian she used to call home.Yet she spares Cas's life.

    Would you know one if you held it in your hand?In Dark Archives, Megan Rosenbloom seeks out the historic and scientific truths behind anthropodermic bibliopegy--the practice of binding books in this most intimate covering. Dozens of such books live on in the world's most famous libraries and museums. Dark Archives exhumes their origins and brings to life the doctors, murderers, innocents, and indigents whose lives are sewn together in this disquieting collection. Along the way, Rosenbloom tells the story of how her team of scientists, curators, and librarians test rumored anthropodermic books, untangling the myths around their creation and reckoning with the ethics of their custodianship.A librarian and journalist, Rosenbloom is a member of The Order of the Good Death and a cofounder of their Death Salon, a community that encourages conversations, scholarship, and art about mortality and mourning. In Dark Archives--captivating and macabre in all the right ways--she has crafted a narrative that is equal parts detective work, academic intrigue, history, and medical curiosity: a book as rare and thrilling as its subject.

    Aunt Charlotte, otherwise a woman of few words, points out a ruined cottage, telling Marcus she had visited it regularly after she'd moved there thirty years ago because it matched the ruin of her own life. Eventually she was inspired to take up painting so she could capture its utter desolation.The islanders call it "Grief Cottage," because a boy and his parents disappeared from it during a hurricane fifty years before. Their bodies were never found and the cottage has stood empty ever since. During his lonely hours while Aunt Charlotte is in her studio painting and keeping her demons at bay, Marcus visits the cottage daily, building up his courage by coming ever closer, even after the ghost of the boy who died seems to reveal himself. Full of curiosity and open to the unfamiliar and uncanny given the recent upending of his life, he courts the ghost boy, never certain whether the ghost is friendly or follows some sinister agenda.Grief Cottage is the best sort of ghost story, but it is far more than that--an investigation of grief, remorse, and the memories that haunt us. The power and beauty of this artful novel wash over the reader like the waves on a South Carolina beach.