Visit places where one might expect to find the dark — in a house where love was shared and lost, a milky-white pool in an Australian cave, the trenches of World War I, the deep woods. You would not be surprised to find the dark in a cheap apartment on the wrong side of town, down mean streets, under a gallows-tree, along dank passageways, trapped underground, in the near future, or among the mysteries of old New Orleans. Dunes, lakes, isolated cabins, old books, and Old West saloons — well, the darkness might easily be there. But we've also found locales you thought were safe from shadows — a rib joint with good blues playing, inside an old wardrobe, on a baseball diamond, the Beverly Wilshire Hotel...Travel into the best dark fantasy and horror from 2011 with more than five-hundred pages of tales from some of today's best-known writers of the fantastique as well as new talents — stories that will take you to a diverse assortment of dark placesContents Hair • (2011) • shortstory by Joan AikenRakshasi • (2011) • shortfiction by Kelley ArmstrongWalls of Paper, Soft as Skin • (2011) • shortstory by Adam CallawayThe Lake • (2011) • shortfiction by Tananarive DueTell Me I'll See You Again • (2011) • shortstory by Dennis EtchisonKing Death • (2011) • shortfiction by Paul FinchThe Last Triangle • (2011) • shortfiction by Jeffrey FordNear Zennor • (2011) • novella by Elizabeth HandCrossroads • (2011) • shortstory by Laura Anne GilmanAfter-Words • (2011) • novelette by Glen HirshbergRocket Man • (2011) • shortfiction by Stephen Graham JonesThe Maltese Unicorn • (2011) • shortfiction by Caitlín R. KiernanThe Dune • (2011) • shortfiction by Stephen KingCatastrophic Disruption of the Head • (2011) • shortfiction by Margo LanaganThe Bleeding Shadow • (2011) • shortfiction by Joe R. LansdaleWhy Light? • (2011) • novelette by Tanith LeeConservation of Shadows • (2011) • shortstory by Yoon Ha LeeA Tangle of Green Men • [Chronicles of the Borderlands] • (2011) • novella by Charles de LintAfter the Apocalypse • (2012) • shortfiction by Maureen F. McHugh [as by Maureen McHugh ]Why Do You Linger? • (2011) • shortfiction by Sarah MonetteLord Dunsany's Teapot • (2011) • shortstory by Naomi NovikMysteries of the Old Quarter • (2011) • novelette by Paul ParkVampire Lake • (2011) • shortfiction by Norman PartridgeA Journey of Only Two Paces • (2011) • shortstory by Tim PowersFour Legs in the Morning • (2011) • shortfiction by Norman PrentissThe Fox Maiden • (2011) • shortfiction by Priya SharmaTime and Tide • (2011) • shortstory by Alan Ryan [as by Alan Peter Ryan ]Sun Falls • (2011) • shortstory by Angela SlatterStill • (2011) • shortfiction by Tia V. TravisObjects in Dreams May Be Closer Than They Appear • (2011) • shortstory by Lisa TuttleThe Bread We Eat in Dreams • (2011) • shortstory by Catherynne M. ValenteAll You Can Do Is Breathe • (2011) • shortstory by Kaaron WarrenJosh • (2011) • shortfiction by Gene Wolfe

    Michael Herr’s unsparing, unorthodox retellings of the day-to-day events in Vietnam take on the force of poetry, rendering clarity from one of the most incomprehensible and nightmarish events of our time.Dispatches is among the most blistering and compassionate accounts of war in our literature.

    Nikita Khrushchev was one of the most complex and important political figures of the twentieth century. Ruler of the Soviet Union during the first decade after Stalin's death, Khrushchev left a contradictory stamp on his country and on the world. His life and career mirror the Soviet experience: revolution, civil war, famine, collectivization, industrialization, terror, world war, cold war, Stalinism, post-Stalinism. Complicit in terrible Stalinist crimes, Khrushchev nevertheless retained his humanity: his daring attempt to reform communism prepared the ground for its eventual collapse; and his awkward efforts to ease the cold war triggered its most dangerous crises.This is the first comprehensive biography of Khrushchev and the first of any Soviet leader to reflect the full range of sources that have become available since the USSR collapsed. Combining a page-turning historical narrative with penetrating political and psychological analysis, this book brims with the life and excitement of a man whose story personified his era.

    Lawrence Wright's remarkable book is based on five years of research and hundreds of interviews that he conducted in Egypt, Saudi Arabia, Pakistan, Afghanistan, Sudan, England, France, Germany, Spain, and the United States.The Looming Tower achieves an unprecedented level of intimacy and insight by telling the story through the interweaving lives of four men: the two leaders of al-Qaeda, Osama bin Laden and Ayman al-Zawahiri; the FBI's counterterrorism chief, John O'Neill; and the former head of Saudi intelligence, Prince Turki al-Faisal.As these lives unfold, we see revealed: the crosscurrents of modern Islam that helped to radicalize Zawahiri and bin Laden . . . the birth of al-Qaeda and its unsteady development into an organization capable of the American embassy bombings in Kenya and Tanzania and the attack on the USS Cole . . . O'Neill's heroic efforts to track al-Qaeda before 9/11, and his tragic death in the World Trade towers . . . Prince Turki's transformation from bin Laden's ally to his enemy . . . the failures of the FBI, CIA, and NSA to share intelligence that might have prevented the 9/11 attacks.The Looming Tower broadens and deepens our knowledge of these signal events by taking us behind the scenes. Here is Sayyid Qutb, founder of the modern Islamist movement, lonely and despairing as he meets Western culture up close in 1940s America; the privileged childhoods of bin Laden and Zawahiri; family life in the al-Qaeda compounds of Sudan and Afghanistan; O'Neill's high-wire act in balancing his all-consuming career with his equally entangling personal life--he was living with three women, each of them unaware of the others' existence--and the nitty-gritty of turf battles among U.S. intelligence agencies.Brilliantly conceived and written, The Looming Tower draws all elements of the story into a galvanizing narrative that adds immeasurably to our understanding of how we arrived at September 11, 2001. The richness of its new information, and the depth of its perceptions, can help us deal more wisely and effectively with the continuing terrorist threat.

    Arranged chronologically, it contains almost 200 documents written between 1772, the year after Madison's graduation from Princeton, and his death in 1836. Included are all 29 of Madison's contributions to The Federalist as well as speeches and letters that illuminate his role in framing and ratifying the Constitution. Also represented are early writings on religious freedom; correspondence with figures such as Washington, Jefferson, Hamilton, and Monroe; writings from his terms as secretary of state and president; and letters and essays written during retirement.

    Martin, Charlaine Harris, Chuck Palahniuk, Neil Gaiman, H.P. Lovecraft, Joe R. Lansdale, Angela Carter, David J. Schow, Kathe Koja, Bentley Little, and more. Skipp provides fascinating insight and details, through two nonfiction essays, into the history and presence of shape shifting in popular culture.  Resources at the end of the book include lists of the genre's best long-form fiction, as well as movies, websites, and writers.

    Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul.Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country—and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, “a broken heart . . . A one-hundred-year-old relationship.”Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation—a profound reckoning with what it means to be American in a moment of grave national and global turmoil.

    He was not only "The Greatest Traveler of His Age," but his country's most gifted linguist and most experienced diplomat. John Quincy's world encompassed the American Revolution, the War of 1812, and the early and late Napoleonic Age. As his diplomat father's adolescent clerk and secretary, he met everyone who was anyone in Europe, including America's own luminaries and founding fathers, Franklin and Jefferson. All this made coming back to America a great challenge. But though he was determined to make his own career he was soon embarked, at Washington's appointment, on his phenomenal work abroad, as well as on a deeply troubled though loving and enduring marriage. But through all the emotional turmoil, he dedicated his life to serving his country. At 50, he returned to America to serve as Secretary of State to President Monroe. He was inaugurated President in 1824, after which he served as a stirring defender of the slaves of the Amistad rebellion and as a member of the House of Representatives from 1831 until his death in 1848. In The Remarkable Education of John Quincy Adams, Phyllis Lee Levin provides the deeply researched and beautifully written definitive biography of one of the most fascinating and towering early Americans.

    The eleven novels in The Library of America’s adventurous two-volume collection taps deep roots in the American literary imagination, exploring themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life.James M. Cain’s pioneering novel of murder and adultery along the California highway, The Postman Always Rings Twice (1934), shocked contemporaries with its laconic toughness and fierce sexuality.Horace McCoy’s They Shoot Horses, Don’t They? (1935) uses truncated rhythms and a unique narrative structure to turn its account of a Hollywood dance marathon into an unforgettable evocation of social chaos and personal desperation.In Thieves Like Us (1937), Edward Anderson vividly brings to life the dusty roads and back-country hideouts where a fugitive band of Oklahoma outlaws plays out its destiny.The Big Clock (1946), an ingenious novel of pursuit and evasion by the poet Kenneth Fearing, is set by contrast in the dense and neurotic inner world of a giant publishing corporation under the thumb of a warped and ultimately murderous chief executive.William Lindsay Gresham’s controversial Nightmare Alley (1946), a ferocious psychological portrait of a charismatic carnival hustler, creates an unforgettable atmosphere of duplicity, corruption, and self-destruction.I Married a Dead Man (1948), a tale of switched identity set in the anxious suburbs, is perhaps the most striking novel of Cornell Woolrich, who found in the techniques of the gothic thriller the means to express an overpowering sense of personal doom.Disturbing, poetic, anarchic, punctuated by terrifying bursts of rage and paranoia and powerfully evocative of the lost and desperate sidestreets of American life, these are underground classics now made widely and permanently available.

    Here are 25 stories of science fiction that push the boundaries, by the biggest names in an emerging crop of high-tech futuristic writers including Charles Stross, Robert Reed, Alastair Reynolds, Peter Hamilton and Neal Asher.

    One of baseball’s most valuable franchises, they had suffered an embarrassing late season collapse and two bitter losing seasons. Their GM had made costly mistakes. And their principle owners, two Bernie Madoff investors, were embroiled in the fall-out from the largest financial scam in American history.To whom did they turn? Sandy Alderson, a former marine who served in Vietnam and graduated from Harvard Law. Alderson started in baseball with the Oakland Athletics in 1981. Two years later, he was running the team.With the A’s, Alderson led a revolution in baseball. Partnering with Apple, he introduced the first computers into the sport and used statistical analysis for everything from unorthodox player evaluation to modernizing ticket sales. He attracted bright people and turned the team into a powerhouse, winning the 1989 World Series. When new owners slashed payroll, his creativity and intelligent management were thrust into the spotlight.Best-selling author Steve Kettmann follows Alderson's transformation of baseball over the last thirty years and his attempts to turn the Mets back into contenders. This is a gripping behind-the-scenes look at a Major League team and a fascinating exploration of what it means to be smart.

    Vollmann's growing reputation as the American writer whose books tower over the work of his contemporaries by virtue of their enormous range, huge ambition, stylistic daring, wide learning, audacious innovation, and sardonic wit (Washington Post Book World). All these qualities are in evidence in this collection in which the character of the writer and that of some of his intimates - both real and imaginary - surface and resurface in a series of extraordinary situations and encounters. Two astonishing stories frame this collection. The first, The Ghost of Magnetism, tells about a young man leaving San Francisco to become a sort of literary hobo living on his freeze-dried memories. The last, The Grave of Lost Stories, describes the death of Poe in a fungus-encrusted tomb somewhere deep in the earth. Here is the colorful and disreputable group of people familiar to us from Vollmann's earlier fiction - pimps, tramps, pornographers, witch doctors and massage-parlor girls. Within these stories, Vollmann gives us one of the most searching, bizarre, and subversive views of America today.

    Against a vast backdrop of water and stone, on both sides of a river awash with history, freedom's barricades are once again being erected. Once again justice must be redeemed with men's blood. ?Albert Camus (1913-1960) wrote these words in August 1944, as Paris was being liberated from German occupation. Although best known for his novels including The Stranger and The Plague, it was his vivid descriptions of the horrors of the occupation and his passionate defense of freedom that in fact launched his public fame.Now, for the first time in English, Camus at 'Combat' presents all of Camus' World War II resistance and early postwar writings published in Combat, the resistance newspaper where he served as editor-in-chief and editorial writer between 1944 and 1947. These 165 articles and editorials show how Camus' thinking evolved from support of a revolutionary transformation of postwar society to a wariness of the radical left alongside his longstanding strident opposition to the reactionary right. These are poignant depictions of issues ranging from the liberation, deportation, justice for collaborators, the return of POWs, and food and housing shortages, to the postwar role of international institutions, colonial injustices, and the situation of a free press in democracies. The ideas that shaped the vision of this Nobel-prize winning novelist and essayist are on abundant display.More than fifty years after the publication of these writings, they have lost none of their force. They still speak to us about freedom, justice, truth, and democracy.

    This groundbreaking study shows why five central arguments promoting nuclear weapons are, in essence, myths. It is a myth: • that nuclear weapons necessarily shock and awe opponents, including Japan at the end of World War II • that nuclear deterrence is reliable in a crisis • that destruction wins wars • that the bomb has kept the peace for sixty-five years • and that we can’t put the nuclear genie back in the bottle Drawing on new information and the latest historical research, Wilson poses a fundamental challenge to the myths on which nuclear weapons policy is currently built. Using pragmatic arguments and an unemotional, clear-eyed insistence on the truth, he arrives at a surprising conclusion: nuclear weapons are enormously dangerous, but don’t appear to be terribly useful. In that case, he asks, why would we want to keep them? This book will be widely read and discussed by everyone who cares about war, peace, foreign policy, and security in the twenty-first century.

    His picaresque travels are filled with beguiling and hilarious characters: nineteenth-century author Ambrose Bierce; an unknown group of famous poets; a twenty-first-century treasure hunter in the Gulf of Mexico; an ex-Nazi mechanic shepherding an old Mexican road race; a stenographer who records every passing moment; and various incarnations of the trickster devil.As bold, ambitious, and funny as it is unconventional, Nothing Happened and Then It Did is a deep and lasting pleasure.