It's focal point is the reign of Narasimha Pallavan (Narasimhavarman). The narrative revolves around the struggle of the Pallava Emperor to enhance the prestige of the Pallava dynasty flag.Known for his patronage of the arts, Narasimha Pallavan took great interest in creating the remarkable shore town of Mamallapuram, with its famous Shore temple and the monolithic Rathas. He restored to Hinduism its elements of love and compassion. He succeeded in wiping out the extremist cult of Saivism, which believed in human sacrifice. In Parthiban Kanavu these historic facts are woven around a remarkable narrative, filled with thrill, suspense and romance.Paarthiban Kanavu deals with the attempts of the son of (fictional) Chola king Parthiban, Vikraman, to attain independence from the Pallava ruler, Narasimhavarman.

    Its title translates to "Greek Queen" in English. The story is based on ancient Tamil poetry. It is a love story set around 2000 years ago, focusing on the Commander-in-chief of the Chola Army. The story takes place during the period of Karikalan, one of the greatest kings of the Early Cholas.

    A hunted, haunted Brahmin youth vows revenge for the gruesome murder of his beloved father. Cold, calculating, cruel and armed with a complete absence of accepted morals, he becomes the most powerful political strategist in Bharat and succeeds in uniting a ragged country against the invasion of the army of that demigod, Alexander the Great. Pitting the weak edges of both forces against each other, he pulls off a wicked and astonishing victory and succeeds in installing Chandragupta on the throne of the mighty Mauryan empire.History knows him as the brilliant strategist Chanakya. Satisfied—and a little bored—by his success as a kingmaker, through the simple summoning of his gifted mind, he recedes into the shadows to write his Arthashastra, the ‘science of wealth’. But history, which exults in repeating itself, revives Chanakya two and a half millennia later, in the avatar of Gangasagar Mishra, a Brahmin teacher in smalltown India who becomes puppeteer to a host of ambitious individuals—including a certain slumchild who grows up into a beautiful and powerful woman.Modern India happens to be just as riven as ancient Bharat by class hatred, corruption and divisive politics and this landscape is Gangasagar’s feasting ground. Can this wily pandit—who preys on greed, venality and sexual deviance—bring about another miracle of a united India? Will Chanakya’s chant work again? Ashwin Sanghi, the bestselling author of The Rozabal Line, brings you yet another historical spinechiller.

    T. Vasudevan Nair. It was translated into English as Second Turn in 1997. M. T. Vasudevan Nair won Vayalar Award, given for the best literary work in Malayalam, for the novel in 1985. Later, in the year 1995, Mr. Nair was awarded the highest literary award in India, Jnanpith Award, for his overall contribution to Malayalam literature.The novel is set as a retelling of the Indian epic Mahabharata, from the view of Bhima, the second Pandava.

    In what modern Indians mistakenly call the Indus Valley Civilisation. The inhabitants of that period called it the land of Meluha a near perfect empire created many centuries earlier by Lord Ram, one of the greatest monarchs that ever lived. This once proud empire and its Suryavanshi rulers face severe perils as its primary river, the revered Saraswati, is slowly drying to extinction. They also face devastating terrorist attacks from the east, the land of the Chandravanshis. To make matters worse, the Chandravanshis appear to have allied with the Nagas, an ostracised and sinister race of deformed humans with astonishing martial skills!The only hope for the Suryavanshis is an ancient legend: When evil reaches epic proportions, when all seems lost, when it appears that your enemies have triumphed, a hero will emerge.Is the rough-hewn Tibetan immigrant Shiva, really that hero? And does he want to be that hero at all? Drawn suddenly to his destiny, by duty as well as by love, will Shiva lead the Suryavanshi vengeance and destroy evil?

    Despite being in a loving and sexually satisfying relationship, they are relentlessly hounded by the taunts and insinuations of the people around them. Ultimately, all their hopes and apprehensions come to converge on the chariot festival in the temple of the half-female god Ardhanareeswara and the revelry surrounding it. Everything hinges on the one night when rules are relaxed and consensual union between any man and woman is sanctioned. This night could end the couple’s suffering and humiliation. But it will also put their marriage to the ultimate test. Acutely observed, One Part Woman lays bare with unsparing clarity a relationship caught between the dictates of social convention and the tug of personal anxieties, vividly conjuring an intimate and unsettling portrait of marriage, love and sex.

    Then Llewelyn, Prince of North Wales, secures an uneasy truce with England by marrying the English king's beloved, illegitimate daughter, Joanna. Reluctant to wed her father's bitter enemy, Joanna slowly grows to love her charismatic and courageous husband who dreams of uniting Wales. But as John's attentions turn again and again to subduing Wales--and Llewelyn--Joanna must decide to which of these powerful men she owes her loyalty and love.A sweeping novel of power and passion, loyalty and lives, this is the book that began the trilogy that includes FALLS THE SHADOW and THE RECKONING.

    Exhumed from dust, Manto’s unpublished novel surfaces in Lucknow. Is it real or is it a fake? In this dastan, Manto and Ghalib converse, entwining their lives in shared dreams. The result is an intellectual journey that takes us into the people and events that shape us as a culture. As one writer describes it, ‘I discovered Rabisankar Bal like a torch in the darkness of the history of this subcontinent. This is the real story of two centuries of our own country.’ Rabisankar Bal’s audacious novel, told by reflections in a mirror and forged in the fires of hell, is both an oral tale and a shield against oblivion. An echo of distant screams. Inscribed by the devil’s quill, Dozakhnama is an outstanding performance of subterranean memory.

    The Rajput kingdom of Mewar is at the height of its power. It is locked in war with the Sultanates of Delhi, Gujarat and Malwa. But there is another deadly battle being waged within Mewar itself. who will inherit the throne after the death of the Maharana? The course of history, not just of Mewar but of the whole of India, is about to be changed forever. At the centre of Cuckold is the narrator, heir apparent of Mewar, who questions the codes, conventions and underlying assumptions of the feudal world of which he is a part, a world in which political and personal conduct are dictated by values of courage, valour and courtesy; and death is preferable to dishonour. A quintessentially Indian story, Cuckold has an immediacy and appeal that are truely universal.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    The story revolves around a computer engineer living in Bangalore who is mentally affected by stress which pushes him to a greater extend.

    As the daughter of starving refugees fleeing violent persecution in Persia, her fateful birth in a roadside tent sparked a miraculous reversal of family fortune, culminating in her father's introduction to the court of Emperor Akbar. She is called Mehrunnisa, the Sun of Women. This is her story.Growing up on the fringes of Emperor Akbar's opulent palace grounds, Mehrunnisa blossoms into a sapphire-eyed child blessed with a precocious intelligence, luminous beauty, and a powerful ambition far surpassing the bounds of her family's station. Mehrunnisa first encounters young Prince Salim on his wedding day. In that instant, even as a royal gala swirls around her in celebration of the future emperor's first marriage, Mehrunnisa foresees the path of her own destiny. One day, she decides with uncompromising surety, she too will become Salim's wife. She is all of eight years old -- and wholly unaware of the great price she and her family will pay for this dream.Skillfully blending the textures of historical reality with the rich and sensuous imaginings of a timeless fairy tale, The Twentieth Wife sweeps readers up in the emotional pageant of Salim and Mehrunnisa's embattled love. First-time novelist Indu Sundaresan charts her heroine's enthralling journey across the years, from an ill-fated first marriage through motherhood and into a dangerous maze of power struggles and political machinations. Through it all, Mehrunnisa and Salim long with fiery intensity for the true, redemptive love they've never known -- and their mutual quest ultimately takes them, and the vast empire that hangs in the balance, to places they never dreamed possible.Shot through with wonder and suspense, The Twentieth Wife is at once a fascinating portrait of one woman's convention-defying life behind the veil and a transporting saga of the astonishing potency of love.

    By the time the monsoon broke, almost a million of them were dead, and all of northern India was in arms, in terror, or in hiding. The only remaining oases of peace were a scatter of little villages lost in the remote reaches of the frontier. One of these villages was Mano Majra.”It is a place, Khushwant Singh goes on to tell us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the “ghost train” arrives, a silent, incredible funeral train loaded with the bodies of thousands of refugees, bringing the village its first taste of the horrors of the civil war. Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endured and transcends the ravages of war.Introduction by Arthur Lall

    Economic and social conflict in a north Indian village are brilliantly captured in the story of Hori, a poor farmer and his family’s struggle for survival and self-respect. Hori does everything he can to fulfill his life’s desire: to own a cow, the peasant’s measure of wealth and well-being. Like many Hindus of his time, he believes that making the gift of a cow to a Brahman before he dies will help him achieve salvation. An engaging introduction to India before Independence, Godaan is at once village ethnography, moving human document and insightful colonial history.

    The powerful kingdom is flourishing under its king, who enjoys the support and loyalty of his subjects, down to his lowly slaves. But is everything really as it appears, or is the empire hiding its own dirty secret?Orphaned at a young age and wrenched away from her foster family, Sivagami is waiting for the day she can avenge the death of her beloved father, cruelly branded a traitor. Her enemy? None other than the king of Mahishmathi. With unflinching belief in her father’s innocence, the fiery young orphan is driven to clear his name and destroy the empire of Mahishmathi against all odds. How far can she go in her audacious journey?From the pen of masterful storyteller and bestselling author Anand Neelakantan, comes The Rise of Sivagami, the first book in the series Baahubali: Before the Beginning. A tale of intrigue and power, revenge and betrayal, the revelations in The Rise of Sivagami will grip the reader and not let go.