Who feel everything and everything has feeling."In My Head, the debut release of one of Instagram's most popular poets whose writing has been liked by millions, dives below the surface of love, loss, and life.J.M. Storm has crafted a haunting yet hopeful poetry collection that is meant to be felt as much as it is read.

    Pam Ayres’ spiky and wonderful creation reminds us that unless we take steps to prevent it, they will soon be far from ‘common’ indeed: beautifully illustrated by Alice Tait, the poem sees our hero tell of all the terrible ends his family come to at our own hands - and exactly what we can still do to keep them alive, and see them thrive once more.

    Rogue's collection Rouge, the bestselling author shares her original and early typewritten work posted on Instagram, Facebook, and Pinterest. In this collection, you will find writing touching on varying topics such as love, loss, heartache, hope, and tenderness.

    The poems deal with the impossibility of such an endeavor and celebrate our persistence in striving anyway.At its core, the collection is built around a very wise line from a Beatles song: I want to hold your hand. I want to hold your hand with no further expectations. I want to hold your hand instead of telling you I understand when I don’t. I want to hold your hand although we don’t always get along. I want to hold your hand despite the calluses, scratches, and scars that get in the way. I want to hold your hand knowing I’ll have to let it go one day.I just want to hold your hand.

    Lara Glenum was raised in the gothic South, studied at the University of Chicago and the University of Virgina, and now teaches at the University of Georgia. In this entirely unheimlich debut, she enters the stage of American poetry like a Fritz Lang glamor-girl-cum-anatomical-model. Glenum recovers the political intensity and daring of the Surrealist project. The extraordinary precision of these poems is so stunning, we can't help but feel blinded by their visions: sock-monkeys, dollhouses, and a circus made of meat vibrate between the playful and the brutal so deftly, each line is a perfect shard of some fantastic planet, gloriously and sadly like our own. As in Blake's apocalyptic images, the sky rolls itself up like a scroll--brilliant in its colors and infinite in its scope. Glorious!--D.A. Powell.

    Bambrick began writing poems in order to document the forms of violence she witnessed towards the people and the environment of the Columbia River. While working there she found that reservoirs foster a uniquely complex community--from fish biologists to the owners of luxury summer homes--and became interested in the issues and tensions between the people of that place. The idea of power, literal and metaphorical, was present in every action and encounter with bosses and the people using the river. The presence of a young woman on the crew irritated her older, male co-workers who'd logged, built houses, and had to suffer various forms of class discrimination their entire lives. She found throughout this experience that their issues, while not the same, were inherently connected to the suffering of the lands they worked. Introduction by Sharon Olds.

    Nicole Lyons' voice undulates from pain to ecstasy, at breakneck speed. Erotic, soulful and authentic, Nicole has written a raw memoir encapsulated in poems. Stepping off the cliff, delving into HUSH, readers will find themselves breathless and wanting more.

    Smith and more. More and more people are turning to poetry as an antidote to divisiveness, negativity, anxiety, and the frenetic pace of life. How to Love the World: Poems of Gratitude and Hope offers readers uplifting, deeply felt, and relatable poems by well-known poets from all walks of life and all parts of the US, including inaugural poet Amanda Gorman, Joy Harjo, Naomi Shihab Nye, Ross Gay, Tracy K. Smith, and others. The work of these poets captures the beauty, pleasure, and connection readers hunger for. How to Love the World, which contains new works by Ted Kooser, Mark Nepo, and Jane Hirshfield, invites readers to use poetry as part of their daily gratitude practice to uncover the simple gifts of abundance and joy to be found everywhere. With pauses for stillness and invitations for writing and reflection throughout, as well as reading group questions and topics for discussion in the back, this book can be used to facilitate discussion in a classroom or in any group setting.

    The poems in Accepting the Disaster range from lyric miniatures like "The Crossroads," a six-line sketch of an accident scene, to "The Orange Bottle," an expansive narrative page-turner whose main character suffers a psychotic episode after quitting medication. Mehigan blends the naturalistic milieu of such great chroniclers of American life as Stephen Crane and Studs Terkel with the cinematic menace and wonder of Fritz Lang. Balanced by the music of his verse, this unusual combination brings an eerie resonance to the real lives and institutions it evokes. These poems capture with equal tact the sinister quiet of a deserted Main Street, the tragic grandiosity of Michael Jackson, the loneliness of a self-loathing professor, the din of a cement factory, and the saving grandeur of the natural world. This much-anticipated second collection is the work of a nearly unrivaled craftsman, whose first book was called by Poetry "a work of some poise and finish, by turns delicate and robust."

    As he searches for the reason behind this sudden urge, Donaldson examines both the place where he was born and the life he’s building. The result is a hybrid—part memoir, part meditation on nostalgia, part catalog of Kentucky history and myth. Organized according to Kentucky geography, with one passage for each of the commonwealth’s 120 counties, On Homesickness examines whether we can ever return to the places we’ve called home.

    The visionary, sardonic, and often outrageous poems in this bilingual edition represent the first presentation of his work in English. With René Daumal he was the founder of the literary movement and magazine "Le Grand Jeu", the essence of which he defined as "the impersonal instant of eternity in emptiness". "The glimpse of eternity in the void", writes Rattray in the Introduction, "was to send Daumal to Hinduism, the study of Yoga philosophy, and Sanskrit. It sent Lecomte on an exploration of what he called a metaphysics of absence". Rattray, a poet acclaimed for his translations of Artaud, keeps intact the power and originality of Gilbert-Lecomte's work.

    And in the process of building myself back up, I learned that you are allowed to leave some pieces behind-you are allowed to become the person you design yourself to be.'A collection of notes and poetic reflections, journaling how April learned to let go of everything that was holding her back in order to grow into the person she deserved to become.Bloom for Yourself II is a book you can plant in your soul and return to each time you feel ready to let go and grow.April Green's second book in the 'Bloom for Yourself' series gives readers even more help and guidance in overcoming pain and heartache. Her words are shared by thousands of people all over the world, including Jenna Dewan and Shantel Vansanten.The 'Bloom for Yourself' books are written for anyone feeling lost, alone, depressed or unworthy. They are books to be read many times over as you come to experience April's extraordinary gift for helping you understand that you are never truly alone.

    It was filled with hundreds of niches, one over the other. There is a country in each one; they're like boys, they're dead." In this landmark poem, written at the height of the Pinochet dictatorship, major Chilean poet Raul Zurita protests with ferocious invention the extinguishment of a generation and the brutalization of a nation. Of the role of poetry and of his own treatment by the military under this regime, Zurita has said, "You see, the only thing that told me that I wasn't crazy, that I wasn't living in a nightmare, was this file of poems, and then when they threw them into the sea, then I understood exactly what was happening." This elegy refuses to be an elegy, refuses to let the Disappeared disappear.

    Native American Studies. Amongst the poems and prose of OLD SHIRTS & NEW SKINS appear illustrations by Elizabeth Woody, an enrolled member of the Confederated Tribes of Warm Springs, Oregon. In the best tradition of confronting American reality and exacting vision and meaning from it, Sherman Alexie chooses to use poetic power. His vision is an amazing celebration of endurance, intimacy, love, and creative insight; finally, it is a victory that can be known only by a people who refuse to submit to the thieves, liars, and killers that have made them suffer tremendous loss and pain. "Like the woman who pours her life into a stew of survival, Sherman Alexie has created a meal, not for a reader to consume but for a reader to be changed by. Survival is being documented, changes measured"--Linda Hogan.

    He turned his eye to the world, to the cultures and the people around him, and saw reflections of himself. In this collection, he works in both free verse and traditional forms, rendering scenes of exquisite detail that pry into the hearts of his characters and reveal the contradictions that bind father to son, lover to lover, and person to person. From the broken hills and drowsy river valleys around Paducah, Kentucky, to Houston diners and Gulf Coast shrimp boats, to the tropical cityscape of Miami, Bolton creates vivid scenes in which his characters confront the loneliness and the "little music" of their lives. With a richly musical voice and an ear for the cadences of everyday speech, Bolton gives his readers not the trappings of love and grief, but the very things themselves, rendered in lines that reverberate with the authority of sincerity and truth.