But will the prince find Cinderella after her ball gown turns back into rags? This classic tale is retold by Ruth Sanderson with the very youngest of readers in mind.

    Quick-witted Cuy fools Tio Antonio not once, but three times. Combining striking wood block artwork with an authentic South American voice, this sly trickster tale shows that clever thinking is key when you're out-foxing the fox. Discover more about this title and Barbara Knutson at www.barbaraknutson.net.

    The Zemachs have interpreted the folk tale which the play dramatized, recognizable as a version of the widespread Rumpelstiltskin story. Its main themes are familiar, but the character and details of this picture book are entirely Cornish, as robust and distinctive as the higgledy-piggledy, cliff-hanging villages that dot England's southwestern coast from Penzance to Land's End.The language spoken by the Christmas players was a rich mixture of local English dialect and Old Cornish (similar to Welsh and Gaelic), and something of this flavor is preserved in Harve Zemach's retelling. Margot Zemach's pen-and-wash illustrations combine a refined sense of comedy with telling observation of character, felicitous drawing with decorative richness, to a degree that surpasses her own past accomplishments.Duffy and the Devil is a 1973 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, a 1974 National Book Award Finalist for Children's Books, and the winner of the 1974 Caldecott Medal.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    Tom thinks the man is a leprechaun. And Tom knows that leprechauns have gold. Full-color illustrations.

    Instead, this sweet heroine remains steadfast in her kind, gentle ways, and her generosity flows like a mountain stream. This tale of virtue rewarded is as charming and rich as any prince. McClintock's warm, humorous, and lucious artwork that reflects the story's French roots, coupled with her disarming text will insure that this book will be loved and cherished -- happily ever after.

    "Absolutely splendid." -- Kirkuse Reviews. "An extraordinary and powerful book." -- Publisher's Weekly.

    Once upon a time, there was a sweet cowgirl named Cindy Ellen, who lived with the orneriest stepmother west of the Mississippi and two stepsisters who were so nasty, they made rattlesnakes look nice! But when a fast-talkin' fairy godmother teaches Cindy Ellen a little lesson about gumption, Cindy lassos first place at the rodeo and the heart of Joe Prince....You may think you've heard the story before-but you'll get a side-splittin' bellyache after you're through with this hilarious rendition told Wild West-style!

    It had fountains of cool, refreshing water to quench the thirst of the desert, and storytellers to bring the people together. But as the kingdom grew, the people forgot the dangers of the desert, and they forgot about the storytellers, too. All but one young boy, who came to the Great Square for a drink and found something that quenched his thirst even better: wonderful stories. As he listened to the last storyteller recount the Endless Drought, and the Glorious Blue Water Bird, he discovered the power of a tale well told. Acclaimed illustrator Evan Turk has created a stunning multidimensional story within a story that will captivate the imagination and inspire a new generation of young storytellers.

    Readers will squeal with delight all over again during that most memorable scene when Little Red Riding Hood declares, "Oh, Grandmamma, what great teeth you have!"Pinkney's charming, masterfully-wrought illustrations--as warm and cozy as LIttle Red's cloak and as captivating ast he clever wold himself--are sure to lure you into the heart of this treasured tale.

    Under the threat of a witch's fearsome curse, the poor girl seems doomed to a life in captivity. But is Rapunzel frightened? Oh no, not she!

    Lesser and Zelinsky retell the story of a pair of children lost in the woods who run into a witch with a very tasty house.

    When my grandfather came to Americahe made himself a handsome coat!Then he wore it and he wore it and he wore it--until it was all worn out!So what did he do?He snipped and he clipped--and he stitched and he sewed...and out of the still-good cloth of his coat--he made himself a smart jacket!How many things can Grandfather makeout of that old frayed coat?

    . .There was a singing Cinderella?Yes, with a voice as flavorful as licorice.There was also a Crooked Foster Mother and two evil sisters. A Queen Mother Rhythm and a Prince of Music.And while there's no glass slipper to leave behind at the Great Gospel Convention, there is an enchanted melody for the Prince to search for . . . and to find.Award-winning author and poet Joyce Carol Thomas and Caldecott Medal-winning artist David Diaz have infused the classic Cinderella tale with a soulful twist.

    Perrault's Cinderella echoes the elegance and luxury of the French court of King Louis XIV, and it's from his version that we get the famous glass slippers. Sarah L. Thomson's beautiful retelling of the classic fairy tale is matched with the uniquely stunning artwork of Nicoletta Ceccoli. This is a picture book to treasure.