an enormous kodiak bear, soon to become her closest friend. But when Katya must suddenly return home to Seattle, the two are torn apart, leaving Kodi to do whatever it takes to reunite with his fragile human friend.

    A charming and inspiring story written and narrated by Criminal Minds actor/director, Matthew Gray Gubler.Rumple Buttercup has five crooked teeth, three strands of hair, green skin, and his left foot is slightly bigger than his right.He is weird.Join him and Candy Corn Carl (his imaginary friend made of trash) as they learn the joy of individuality as well as the magic of belonging.

    At first, things seem marvelous. The food is better than at home, and the toy box is filled with fluttering wind-up angels and dinosaur skulls that crawl and rattle their teeth.But there's another mother there and another father, and they want her to stay and be their little girl. They want to change her and never let her go. Coraline will have to fight with all her wit and all the tools she can find if she is to save herself and return to her ordinary life.This beloved tale has now become a visual feast. Acclaimed artist P. Craig Russell brings Neil Gaiman's enchanting nationally bestselling children's book Coraline to new life in this gorgeously illustrated graphic novel adaptation

    It has pictures. It has a saccharine-sweet title. The main characters are a little girl and her teddy bear. But all of that is just protective coloration. The truth is, this is a book for adults with a dark sense of humor and an appreciation of old-school faerie tales.There are three separate endings to the book. Depending on where you stop, you are left with an entirely different story. One ending is sweet, another is horrible. The last one is the true ending, the one with teeth in it.The Adventures of the Princess and Mr. Whiffle is a dark twist on the classic children's picture-book. I think of it as Calvin and Hobbes meets Coraline, with some Edward Gorey mixed in.Simply said: This is not a book for children.

    Gorey tells the tale of 26 children (each representing a letter of the alphabet) and their untimely deaths in rhyming dactylic couplets, accompanied by the author's distinctive black and white illustrations. It is one of Edward Gorey's best-known books, and is the most notorious amongst his roughly half-dozen mock alphabets.[2] It has been described as a "sarcastic rebellion against a view of childhood that is sunny, idyllic, and instructive". The morbid humor of the book comes in part from the mundane ways in which children die, such as falling down the stairs or choking on a peach. Far from illustrating the dramatic and fantastical childhood nightmares, these scenarios instead poke fun at the banal paranoias that come as a part of parenting.

    After releasing a critically acclaimed graphic novel we're thrilled to share more of The Storyteller's magic. In the spirit of Henson's inventive imagination, this hardcover collects four stories of witches and witchcraft from all over the world. Each story is told by a different writer and artist, exploring classic witch stories and fairy tales through an incredible blend of art styles and storytelling techniques, and taking full advantage of the visual medium. Collects the watercolor story of "The Magic Swan Goose and the Lord of the Forest" from S.M. Vidaurri (Iron: Or, the War After), Spera artist Kyla Vanderklugt's haunting tale of the snow witch, Matthew Dow Smith's tale of a man shipwrecked on an island of witches, and the unproduced The Storyteller teleplay from The Jim Henson Company Archives, adapted by Jeff Stokely (Six-Gun Gorilla). Features an all-new cover illustration by Sonny Liew (The Shadow Hero) and the never-before-seen, unproduced The Storyteller teleplay from The Jim Henson Company Archives.

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    His dad is a fork. And he's a bit of both. He's Spork! Spork sticks out in the regimented world of the cutlery drawer. The spoons think he's too pointy, while the forks find him too round. He never gets chosen to be at the table at mealtimes until one day a very messy ... thing arrives in the kitchen who has never heard of cutlery customs. Will Spork finally find his place at the table? This "multi-cutlery" tale is a humorous and lively commentary on individuality and tolerance. Its high-spirited illustrations capture the experience and emotions of anyone who has ever wondered about their place in the world.

    All her friends were in the same room and she knew what to expect from her life. But now that she's in seventh grade, she's in a new middle school, her friends are in different classes and forming new cliques, and she is completely lost. When Danielle inherits a magical sketchbook from her eccentric great aunt Elma, she draws Madison, an ideal best friend that springs to life right off the page! But even when you create a best friend, it's not easy navigating the ups and downs of relationships, and before long Danielle and Madison are not exactly seeing eye-to-eye.To make matters worse, Danielle has drawn the head of her favorite (and totally misunderstood) cartoon villain, Prince Neptune. He's also come to life and is giving her terrible advice about how to make people like her. When she rejects him and he goes on a rampage during a school pep rally, Danielle and Madison have to set aside their differences to stop him!

    But when Bear suddenly loses his vision, he worries he’s lost his purpose in life—protecting Patrick! Following the misguided advice from some self-serving raccoons, Bear embarks on a transformative journey to regain his eyesight. Out of both necessity and survival, he learns to tap into his other senses and begins to see the world from a new perspective that is at times more rich and colorful than the world he’s always known.  Writer Ben Queen (Disney/Pixar’s Cars 2 and Cars 3) draws inspiration from real life stories of how memory can influence how we recall our own surroundings, and artist Joe Todd-Stanton (A Mouse Called Julian) lovingly renders an unforgettable story of one dog’s grand adventure from the wooded countryside to the heart of Manhattan where he encounters new friends and discovers his true calling.

    She may swim with a teacup balanced on her head and stay north when the rest of the ducks fly south for the winter, but there's nothing so odd about that.  Chad, on the other hand, is one strange bird. Theodora quite likes him, but she can't overlook his odd habits. It's a good thing Chad has a normal friend like Theodora to set a good example for him.  But who exactly is the odd duck here? Theodora may not like the answer. Sara Varon (Robot Dreams) teams up with Cecil Castellucci (Grandma's Gloves) for a gorgeous, funny, and heartwarming examination of the perils and pleasures of friendship.

    He's sure he belongs in the category of bugs with superpower-like abilities. No, he can't carry 50 times his weight, like ants. No, he's not able to spray paralyzing venom, like some termites. No, he can't release a bad smell to repel predators, like stink bugs. What june beetles are known for is chasing porch lights and flailing their legs in the air --- does that count? Hmm ... Maybe Burt will just have to accept the truth. June beetles don't have any special abilities. But when some other bugs find themselves in perilous trouble that even their superpowers can't get them out of, Burt suddenly realizes there is one thing that he can do to save his friends --- and it's something that only a june beetle can do!Bestselling author-illustrator Ashley Spires's signature mix of slapstick and dry humor is front and center in this winning story that highlights how being special is as much about character as it is about abilities. Full of simply drawn panels prominently featuring the ever-plucky Burt, it's a perfect pick for emerging readers and young fans of comics. Burt's positive attitude toward himself and others offers many opportunities for character education lessons on caring, positive thinking and initiative. Snuck into the pages are facts about bugs and their traits, making this a fun choice for a science unit on the characteristics of living things.

    Witness Kristy's eureka moment, when she gets the idea for a "baby-sitters club" and enlists her best friends, shy Mary Anne and artistic Claudia, in an exciting new venture. But the baby-sitting business isn't the only thing absorbing their attention: Kristy is having a hard time accepting her stepdad-to-be, and the newest member of the gang, Stacey, seems to be hiding a secret.

    And together boy and dog are off on a series of adventures through marvelous worlds, powered by Copper's limitless enthusiasm and imagination. Each Copper and Fred story in this graphic novel collection is a complete vignette, filled with richly detailed settings and told with a wry sense of humor. These two enormously likable characters build ships and planes to travel to surprising destinations and have a knack for getting into all sorts of odd situations.

    So begins an intoxicating dream fantasy, described by the artist himself as 'a fantasy ten feet deep in reality'.