Self-discovery in a convent leads her to her confessor, Father Dirrag, and she is soon launched upon the path of reason that convinces her that passion and love of the Deity are equal gifts of God. With additional mentors, Therese learns that sensations are but a part of temperament, as natural as hunger and thirst, and all may be satisfied as long as it does not harm others.

    Byron described her as "the first female writer of this, perhaps of any age," Germaine de Stäel was certainly the most remarkable woman of her time and she remains unique—both for the scope of her artistic and intellectual achievements, and the force of her political influence which helped to bring down Napoleon. Born in Paris in 1766, the daughter of Jacques Necker, Louis XVI's influential and reforming finance minister, Germaine de Stäel was brought up in her mother's salon, amidst the philosophers of the French Enlightenment. A prodigious and disciplined intellect, a need for love and a love of liberty, together with remarkable courage in both public and private life, de Stäel was driven to disregard dangers and conventions alike, often at great cost.

    Laura Thompson has put together a portrait of a courageous and contradictory woman—a woman who expressed anti-feminist views while living a life of financial and emotional independence; a woman who appeared quintessentially English but who was only wholly able to be herself once she moved to France; a woman who believed implacably that the best response to life's pain was laughter. Approaching her subject with wit, perspicacity, and huge affection, Laura Thompson, like Mitford, makes her serious points lightly. Eschewing cliches about the eccentricities of the Mitford clan, Thompson analyzes the contradictions and complexities at the heart of Nancy Mitford's life and work.

    Those first pioneering citizens of the Big Easy were thieves, vagabonds and criminals of all kinds. By the time Louisiana fell under American control, New Orleans had become a city of debauchery and corruption camouflaged by decadence. It was also considered one of the country's most dangerous cities, with a reputation of crime and loose morals. Rampant gambling and prostitution were the norm in nineteenth-century New Orleans, and over one-third of today's French Quarter was considered a hotbed of sin. Tales in this volume include that of the notorious Axeman who plagued the streets of the Crescent City in the early 1900s and Kate Townsend, a prostitute who was murdered by her own lover, a man who later was awarded her inheritance.

    To some he was a monster and a criminal and nothing more; to others, a literary genius; to still others, an apostle of freedom who dared to expose society's hypocrisies in sexual matters. But who was the real Marquis de Sade?In this definitive biography, the first to have complete access to the Sade family archives, Maurice Lever brilliantly reconstructs the life and times of the author of Justine and The 120 Days of Sodom. Bringing the eighteenth century to life as vividly as Simon Schama does in Citizens, Lever paints a minutely detailed portrait of the aristocratic milieu that produced the "divine marquis." The exquisite subtleties of this hierarchy, where Sade was not alone in thinking that his inferiors existed for his pleasure, emerge from hundreds of letters in which the men and women of the past speak in their own voices. In Sade we learn how a count went about seeking a suitable wife for his son; how a libertine courted an opera singer; how a police spy described the debauches of dukes and bishops for the delectation of the king at Versailles.Above all, we find a society headed for ruin. Sade gets caught up in great events. He is imprisoned in the Bastille just before it is stormed. Years later he is incarcerated in a revolutionary prison, sentenced to die on the very day that Robespierre is deposed. He escapes the Reign of Terror only to run afoul of that other tyrant, Napoleon, who is persuaded that this by now elderly, corpulent man of letters poses a mortal danger to the greatest empire the world has ever seen.This was a life, then, of washbuckling adventure, narrow escapes, wild abandon, and bloody crime. Yet the marquis was not unloved. Perhaps the most remarkable aspect of the book is Maurice Lever's analysis of the relation between the marquis and his wife, a demure, religious woman who tried to rescue from persecution the man who betrayed her with her own sister. Freud would have found it fascinating, and so will any reader curious about "dangerous liaisons" and the extremes of human behavior. Irresistibly readable, Sade is a monumental work that offers an extraordinary portrait of a life, a time, and a love—in all its splendor and perversity.To some the Marquis de Sade was a monster, to others an apostle of sexual freedom and a literary genius. Lever reconstructs the life of the "divine marquis" in all its splendor and perversity. Named a Publishers Weekly Best Book of the Year and a New York Times Notable Book of the Year.

    This memoir is Goldin’s passionate and painful account of her childhood in a poor Jewish household and her emigration to the United States in 1975. As she recalls trips to the market and the mikvah, and as she evokes ritual celebrations like weddings, Goldin chronicles her childhood, her extended family, and the lives of the women in her community in Shiraz, a southern Iranian city. Her memoir details her parents’ "courtship" (her father selected her mother from a group of adolescent girls), her mother’s lonely life as a child-bride, and Goldin’s childhood home which was presided over by her paternal grandmother. Goldin’s memoir conveys not just the personal trauma of growing up in a family fraught with discord but also the tragic human costs of religious dogmatism. In Goldin’s experience, Jewish fundamentalism was intensified by an Islamic context. Although the Muslims were antagonistic to Jews, their views on women’s roles and their treatment of women influenced the attitude and practices of some Iranian Jews. In this brave and dispassionate portrayal of a little-known corner of Jewish life, Farideh Goldin confronts profound sadness yet captures the joys of a child’s wonder as she savors the scenes and textures and scents of Jewish Iran. Readers share her youthful adventures and dangers, coming to understand how such experiences shape her choice.

    We see his difficult relationship with his father, Hamet, and the roots of the defiant spirit that fueled Nureyev's unquenchable desire to dance until his final days.

    But to be fashionable in 1700s London meant more than simply being well dressed. Fashion denoted membership of a new type of society - the beau monde, a world where status was no longer determined by coronets and countryseats alone but by the more nebulous qualification of metropolitan 'fashion'. Conspicuous consumption and display were crucial: the right address, the right dinner guests, the right possessions, the right jewels, the right seat at the opera.The Beau Monde leads us on a tour of this exciting new world, from court and parliament to London's parks, pleasure grounds, and private homes. From brash displays of diamond jewelry to the subtle complexities of political intrigue, we see how membership of the new elite was won, maintained - and sometimes lost. On the way, we meet a rich and colorful cast of characters, from the newly ennobled peer learning the ropes and the imposter trying to gain entry by means of clever fakery, to the exile banned for sexual indiscretion.Above all, as the story unfolds, we learn that being a Fashionable was about far more than simply being 'modish'. By the end of the century, it had become nothing less than the key to power and exclusivity in a changed world.

    Standing with her beloved Huguenots, Jeanne steps onto the battlefield of history during the tumultuous years of the Reformation (1517 - 1559). As deadly political events swirl around her tiny Kingdom of Navarre, Queen Jeanne is forced to choose: Will she hide the fleeing Huguenots under the very nose of Catherine de Medicis's henchmen or save her own life? The Chosen Daughters series highlights the lives of ordinary women who by God's grace accomplish extraordinary things.

    Mina Curtiss especially chose them as apt illustrations of Proust's growing sensibility and intellectual power during the gestation of the novel.Indeed, many of the characters in the book are drawn from the men and women we meet here. The letters are also exciting as an unfolding panorama of the Belle Epoque and for their superb insights into literature, art and music.Published by Helen Marx Books and Books & Co.

    It was a dream that would lead him into a nightmare of sexual and physical abuse from which he has still not recovered. Stewart was abused every day for four years by his junior football coach. He suffered in silence and embarked on a successful career that saw him play for Manchester City, Tottenham Hotspur, Liverpool and Sunderland, scoring in an FA Cup final and winning caps for England. Behind it all, he was a broken man – many times he wished he could end his life. He turned to drink and drugs as a way of coping with his devastating secret. In 2016, Stewart was sitting at his office desk one morning when he read a Daily Mirror story about a footballer who had been abused. His world was about to change… Paul Stewart: Damaged is one of the most powerful and emotionally charged football life stories you will read.

    Dazzlingly beautiful and gravely intelligent, she fell in love with Archduke Maximilian of Austria, brother of Habsburg emperor Franz Josef. After their marriage they became viceroys of Lombardy-Venetia -- until Italian unification left them without a future. Meanwhile, Mexico's reformist president Benito Juarez had alienated Europe's rulers by suspending repayment of Mexico's debts. Napoleon III, with England and Spain's help, invaded Mexico to set up an empire, naming Maximilian emperor. In Rome to plead for aid from the pope, Charlotte suddenly went mad, while Maximilian was apprehended by Juarez and executed before a firing squad. Charlotte's life was part romance, part adventure, part mystery. What was her real relationship with Maximilian, and what explains this ambitious woman's sudden breakdown? Why did his family imprison her, after his death, in his fortress castle of Miramar? And what became of her immense fortune? Drawing on previously unpublished documents from the royal families' archives, Prince Michael of Greece answers some of these questions for the very first time. The result is a compelling, historically illuminating portrait of a remarkable woman. "More than a simple biography: this book is a real novel, rich, exciting, and filled with emotion." -- Elle

    When he finally achieved his ambition, becoming one of only a dozen full-time undercover officers, the reality of covert work turned his life into a nightmare.To catch criminals, Christian bought and sold drugs with taxpayers' money, was beaten up, arrested at gunpoint and barricaded in a pub by a gang of marauding travellers - all in a day's work. At one stage, he was running almost a dozen mobile phones to keep track of his different identities and had so many aliases that he nearly forgot who he was. He put his life on the line for the job but was to find that being the 'best of the best' wasn't all it was cracked up to be. The pressure became so intense that he even contemplated suicide.Crossing the Line is a visceral, gripping account of what it really takes to be an undercover cop, going behind the scenes to reveal the harsh realities of modern covert police work.

    (Globe and Mail).Through the Age of Heroic Commerce, from the 17th to the 19th centuries, a rogue's gallery of larger-than-life merchant kings ruled vast tracts of the globe and expanded their far-flung monopolies to generate revenue for their shareholders, feather their own nests and satisfy their vanity and curiosity. Their exploits changed the world during an age of unfettered globalization, mirroring a world we know today. Merchant Kings looks at each ruling monopoly through its greatest merchant king and considers their stories together for the first time.

    From her youth in London high society to a period in the court of Queen Charlotte and her years interned in France with her husband Alexandre d'Arblay during the Napoleonic Wars, she captured the changing times around her, creating brilliantly comic and candid portraits of those she encountered - including the 'mad' King George, Samuel Johnson, Sir Joshua Reynolds, David Garrick and a charismatic Napoleon Bonaparte. She also describes, in her most moving piece, undergoing a mastectomy at fifty-nine without anaesthetic. Whether a carefree young girl or a mature woman, Fanny Burney's forthright, intimate and wickedly perceptive voice brings her world powerfully to life.