Soon Siggi is stealing the paintings to keep them safe from his father. Against the great brooding northern landscape. Siggi recounts the clash of father and son, of duty and personal loyalty, in wartime Germany. “I was trying to find out,” Lenz says, "where the joys of duty could lead a people"

    Recalling the works of W. G. Sebald, Bruce Chatwin, and Rebecca Solnit, An Inventory of Losses is a beautiful evocation of twelve specific treasures that have been lost to the world forever, and that, taken as a whole, open mesmerizing new vistas of how to think about extinction and loss.With meticulous research and a vivid awareness of why we should care about these losses, Judith Schalansky, the acclaimed author of Atlas of Remote Islands, lets these objects speak for themselves: she ventriloquizes the tone of other sources, burrows into the language of contemporaneous accounts, and deeply interrogates the very notion of memory.

    As the writer sifts through his memories, he is also under pressure to complete his next novel, but he cannot decide how to come to terms with both the complexity of the world and the inability of his novel to reflect it.

    Set in an unnamed German-occupied ghetto, the story centers on an unlikely hero, Jakob Heym, who accidentally overhears news of vital importance: the Russians are advancing on a city three hundred miles away. As Jakob's tidings rekindle hope and the promise of liberation, he feels compelled to elaborate. Forming a protective bond with a young orphan girl, Jakob becomes caught in his own web of optimistic lies. Awarded Germany's prestigious Heinrich Mann Prize for fiction and in a new translation by Leila Vennewitz, Jakob the Liar is a masterpiece of Kafkaesque comedy which unfolds with the impact of a timeless folk legend.

    Selection includes the following: RALPH WALDO EMERSON: Art, Character, Circles, Compensation, Divinity School Address, Experience, Friendship, Gifts, Heroism, History, Intellect, Literary Ethics, Love, Man the Reformer, Nature, New England Reformers, Nominalist and Realist, Politics, Prudence, Representative Men, Self-Reliance, The American Scholar, The Conservative, The Method of Nature, The Over-Soul, The Poet, The Transcendentalist, The Young American, HENRY DAVID THOREAU: An Excursion to Canada, A Plea for Captain John Brown, A Week on the Concord and Merrimack Rivers, Autumnal Tints, Civil Disobedience, Life Without Principle, Night and Moonlight, Slavery in Massachusetts, The Landlord, Walden, Walking

    And that is by no means a compulsory exercise in so-called "overcoming the past", no thesis novel, but an authentic narration, the story of a grown woman who moves into her childhood and her experiences with the knowledge of today, as the present. As a silent observer, the author as a young girl wants to understand the local people in Lepena suffering from their past. On 13 November 1943, her grandma was deported to Ravensbrück concentration camp...

    In this astonishingly acrobatic work, Paul Auster traces the compulsion to make literature--or art--through essays on Franz Kafka, Samuel Beckett, Paul Celan, Laura Riding, Knut Hamsun, John Ashbury, and other seminal figures of our century.

    Delving deep into the psyches of both East and West Germany, The Sleep of the Righteous reveals a powerful, apocalyptic account of the century-defining nation’s trajectory from 1945 to 1989.From a youth in a war-scarred industrial town to wearying labor as a factory stoker, surreal confrontations with the Stasi, and, finally, a conflicted escape to the West, Hilbig creates a cipher that is at once himself and so many of his fellow Germans. Evoking the eerie bleakness of films like Tarkovsky’s Stalker and The Lives of Others, this titan of German letters combines the Romanticism of Poe with the absurdity of Kafka to create a visionary, somber statement on the ravages of history and the promises of the future.

    How does he manage the new language? Will he find work?Experience daily life in the German capital through the eyes of a newcomer, learn about the city and its people, and improve your German effortlessly and instantly.Learning German Doesn't Have To Be A ChoreJust got started learning the language of poets and thinkers? Memorized a few words but struggle with longer texts? This book is designed to help beginners make the leap from studying isolated words and phrases to reading (and enjoying!) German fiction.Using simplified sentence structures and a very basic vocabulary you can build upon, this German reader of 10 short stories for beginners is carefully crafted to allow even novice learners to fully immerse themselves in an authentic German learning experience.Each chapter comes with a complete German-English dictionary with special emphasis on collocative phrases (high frequency word combinations), short sentences and expressions designed for improved memorization.By working with these building blocks instead of just single words, learners can boost their active usage of new material instantly and make the language learning process more fluid and fun.What You'll Find In This Book 10 Berlin stories about life and culture in the capital a balance between cozy vocabulary and introduction of new words tons of phrases and expressions you will actually use in daily life fun facts about the city of Berlin, its quirks and cuisine a detailed German-English dictionary after every chapter enough support to make following along easy, without spoiling your own efforts fun short quizzes to check your text-comprehension (including answers) a relatable protagonist and other fun characters hand-drawn illustrations by the author the beginning of a grand German learning adventure ...Read, Learn & Collect Them AllYes! That's right. This is only the first episode of a whole series of exciting German short stories for beginners. Follow our protagonist to Frankfurt, Cologne, Munich, Zurich, Vienna and many other cities! Before you know it, you'll have travelled half of Europe and picked up more German than years' worth of expensive courses.Learning German has never been more fun.What You WON'T Find In This Book parallel translations that may seem convenient but don't teach you anything dull characters designed by academics and committees interspersed English sentences that take you out of the reading flow archaic German words and phrases nobody uses in real life a jumble of unrelated places, people and events wordy footnotes that only get in the way of immersion condescending storytelling that insults your intelligence a teaching approach which takes itself too seriously

    S. Johnson was one of the best-known young novelists in Britain. A passionate advocate for the avant-garde in both literature and film, he became famous -- not to say notorious -- both for his forthright views on the future of the novel and for his idiosyncratic ways of putting them into practice. But in November 1973 Johnson's lifelong depression got the better of him, and he was found dead at his north London home. He had taken his own life at the age of forty.Jonathan Coe's biography is based upon unique access to the vast collection of papers Johnson left behind after his death, and upon dozens of interviews with those who knew him best. As unconventional in form as one of its subject's own novels, it paints a remarkable picture -- sometimes hilarious, often overwhelmingly sad -- of a tortured personality; a man whose writing tragically failed to keep at bay the demons that pursued him.

    The red-headed prostitute Rosina; the junk-dealer Aaron Wassertrum; puppeteers; street musicians; and a deaf-mute silhouette artist.Lurking in its inhabitants’ subconscious is the Golem, a creature of rabbinical myth. Supposedly a manifestation of all the suffering of the ghetto, it comes to life every 33 years in a room without a door. When the jeweller Athanasius Pernath, suffering from broken dreams and amnesia, sees the Golem, he realises to his terror that the ghostly man of clay shares his own face...The Golem, though rarely seen, is central to the novel as a representative of the ghetto's own spirit and consciousness, brought to life by the suffering and misery that its inhabitants have endured over the centuries. Perhaps the most memorable figure in the story is the city of Prague itself, recognisable through its landmarks such as the Street of the Alchemists and the Castle.

    When Timothy Dunphy, native of working-class Pawtucket, Rhode Island, is packed off to a fancy prep school, he finds that the privileged elite is hardly immune to life's screwups. Dunphy must reconcile his pedigreed schoolmates with his mongrel friends back home--including Drugs Delaney, whose diet consists mainly of vitamin Qs (Quaaludes), and Bunny Cote, who thinks New England is a state.Not far below Dunphy's comic demeanor churn powerful fears of abandonment by those he loves best: his mother, his girlfriend, and his closest friend. And he must come to terms with his complex relationship with the person he hates most, his father. As he struggles to live with the paradox of somehow loving the same man he blames for his family's tragedies, Dunphy begins to understand and accept life's betrayals, and learns how to trust in love.

    With this work, he created the history of philosophy as a scientific study. He reveals philosophical theory as neither an accident nor an artificial construct, but as an exemplar of its age, fashioned by its antecedents and contemporary circumstances, and serving as a model for the future. The author himself appears to have regarded this book as a popular introduction to his philosophy as a whole, and it remains the most readable and accessible of all his philosophical writings.Eschewing the methods of original history (written during the period in question) and reflective history (written after the period has passed), Hegel embraces philosophic history, which employs a priori philosophical thought to interpret history as a rational process. Reason rules history, he asserts, through its infinite freedom (being self-sufficient, it depends on nothing beyond its own laws and conclusions) and power (through which it forms its own laws). Hegel argues that all of history is caused and guided by a rational process, and God's seemingly unknowable plan is rendered intelligible through philosophy. The notion that reason rules the world, he concludes, is both necessary to the practice of philosophic history and a conclusion drawn from that practice.

    Twain's abundant humor waxes as freely as ever; this time, however, his amusement bears a more cynical cast, as he regards the grand tourist sights of 'Innocents' through older and more experienced eyes.

    But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?