I still think so… From within we are one and the same. Sometimes he wores the mask with my name while at others I do so to fool people.’ A jeep passed by speedily and very closely. It would have brushed up. ‘They are out to kill us!’ the terror in Shreenath’s voice was unmistakable. ‘They are out to kill us! Is this some kind of game that destiny is playing with us? It wants to kill us together; both the original and the duplicate, along with their fiancées.’ Once again the jeep passed by. It symbolized a kite swooping down from high skies upon its prey. As it misses the prey it goes back to get into action. What is going to happen now? We three are set upon the journey. Where? No one knows. How long? No one knows. We are mere puppets in the hands of destiny. Ten breathtaking stories! Each one creating doubt beyond imagination while piling up the tension. Ten stories that would really create doubt! Shaded with games played by human minds these stories take us to immeasurable height and fathomless depth at the same time. Matkari has once again proved that his stories are not just entertaining or pleasing. They take us beyond that where it is impossible to comprehend. They are terribly frightful. They are mysterious. These ten stories once again prove his command over words and themes and excellent manifestation of novel ideas. They underline his authority in writing such dubious stories.

    And at the same time, it is but natural that you are not aware of the experiences I have gone through on a personal level. I also agree that it is not possible to put all my experiences in words. But still I would like to share some of the personal experiences which have the potential of some social cause or the other. I find it my duty to present these experiences before you. Actually, every human being who lives his or her life with open eyes and mind possesses such experiences, but not everybody takes the initiative to make them public. To be frank, you do not have to be born as an author to be able to share your experiences. Some of the experiences themselves have the immense strength of touching the minds, capturing the society; they do not need any so called author to put them into words. You do not have to take any trouble to be a writer, such experience itself starts flowing down in the form of writing. At the end, I would just suggest one thing; do not get tangled in the feelings, just keep in your mind that you want to be happy, the words will automatically follow. Va Pu.

    One awakens the sorrow and one brings cheerfulness. Patil never wrote for the sake of humour, but his stories have many unseen sown seeds of laughter. They are full of the contrast in life, the contrast is the central theme of his stories. Patil must get the credit for adding this caricature type stories to Marathi literature. The humorists are the wise men of the world because the most forcible way to impart truth is through laugh. Yes, Patil proves to this test. He is a very clever, astute, ingenious, naughty and mischievous writer. This book is a proof of his qualities.

    There were 65 blocks on each floor, so in all the four floors had 260 blocks, all the members from each and every block started running towards Ramakant Laghate`s residence. Since many years, nothing so exciting had happened in the building and there was no possibility of anything exciting happening in the near future. This is a peculiarity of Va Pu`s stories; they start with a shock and give us another one at the end, the story it self at its height throughout the book. Every common man feels that something exciting should happen in his or her life. With this as a clue, Va Pu has cleverly woven the stories. Each and every story has a very special plot, which further heightens the suspense making it exciting as well and gives a shock at the end. Why do we get so engulfed in all those stories? Answer is simple. It is Va Pu`s natural, hearttoheart, and yet naughty style and the freshness of the topics.

    The familiar facets of village life like the family feuds,assasinations etc. are certainly tribes of men who charished values more than their own lives and devotedly work

    Only the ideals have changed, the conflict has remained forever. The conflict in the ideals presented in Ulka represent the 1st half of the 20th Century

    The stories in this collection seem sometimes like poetry, sometimes like detective fiction and sometimes like a novella, but in the end the reader knows that it is a after all, a short story.

    No doubt that it is about the sea, storm and adventurous men; but most of all it is the story that probe deep in to the human minds molded by Indian, British, Philippine and Indonesian cultures. It is the drama of these four cultures conflicting, clashing, but living together to fight their destiny, which makes ‘M. T. Aiwa Maru’ the only novel of its kind in the world literature. Many known directors from Indian film industry have an ambition to create a movie based on this novel.

    The book is about how army rule works, how he try to achieve what he desired to do at raarang dhang. Interaction with various peoples from different location and grade. Whether he succeed in his goal.... Do read...

    Nitu Mandke - his ideology, philosophy and the story of his inspiring life. My most heartfelt wish is that this site helps you in some way; whether it is direction, guidance, inspiration or just admiration.

    The same has been narrated in the book.

    The book describes the visit,the Shantiniketan,its people,their lifestyle,work of Ravindranath Tagore,his philosophy and above all, the intense effect this world casts on author,in an encounter with his own ideology and philosophy of life...!

    Soldiers, mercenaries, free-booters. Europeans all, braving the heat and dust of India. They fought for wealth, for glory, and for sheer fun. Their glorious and inglorious exploits are full of thrill, romance, and violence. Ruskin Bond has recreated the turbulent and colourful India of the eighteenth and nineteenth centuries with the soldiers of fortune strutting across the subcontinent. The saga of their lives and loves in Delhi, Jaipur, Aligarh, Sardhana, and Lucknow reads stranger than fiction.

    It does not take a break. If at all there is any change then it is in the form of high tide or overflowing. It is always on the side of worsening. Whenever there are more mouths to feed, a lot of people around this struggle reaches to peak. Whenever sharing land and food becomes inevitable, resistance is unavoidable. Confrontation is at its worst when someone tries to intrude our caste and our system and then tries to break through the impregnable walls of society. Those who are really able to speak, often blurt out their anger and antagonism through words. Those who are not able to speak out, reflect their love and hatred through actions, body language and so on. Once struggle starts, it takes a hideous form. Words appear to be deficient. Weapons take place of words then. Whenever there is a shortage of weapons, then often tusks and nails are used in place. Struggle envelopes everything.

    Part biographical author is describing his journey, where he is not conforming to all strictures demanded by parikramawasi. While he is searching for the ultimate truth he falls in love with a widow. But, falling in love, both for an ascetic and the window is blasphemy in Hinduism . The second half blossoms into love story and ends with sacrifices of protagonists so that societal rules remain intact.