Time to burn and time to kill, time for two young orphans to learn that life isn’t won without a fight. Julian survives only because his older brother, Michael, is fearless and fiercely protective. When tensions boil over and a boy is brutally killed, there is only one sacrifice left for Michael to make: He flees the orphanage and takes the blame with him.To keep her safe...      For two decades, Michael has been an enforcer in New York’s world of organized crime, a prince of the streets so widely feared he rarely has to kill anymore. But the life he’s fought to build unravels when he meets Elena, a beautiful innocent who teaches him the meaning and power of love. He wants a fresh start with her, the chance to start a family like the one he and Julian never had. But someone else is holding the strings. And escape is not that easy. . . . Go to Hell, and come back burning....    The mob boss who gave Michael his blessing to begin anew is dying, and his son is intent on making Michael pay for his betrayal. Determined to protect the ones he loves, Michael spirits Elena—who knows nothing of his past crimes, or the peril he’s laid at her door— back to North Carolina, to the place he was born and the brother he lost so long ago. There, he will encounter a whole new level of danger, a thicket of deceit and violence that leads inexorably to the one place he’s been running from his whole life: Iron House.

    A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar.Until, suddenly, John has a heart attack and Marion is forced to go down to the cellar herself and face the gruesome truth that her brother has kept hidden.As questions are asked and secrets unravel, maybe John isn't the only one with a dark side.

    Luke had been dead for just three days.Rose Wilks' life is shattered when her newborn baby Joel is admitted to intensive care. Emma Hatcher has all that Rose lacks. Beauty. A loving husband. A healthy son. Until tragedy strikes and Rose is the only suspect.Now, having spent nearly five years in prison in Ipswich, Rose is just weeks away from freedom. Her probation officer Cate must decide whether Rose is remorseful for her crime, or whether she remains a threat to society. As Cate is drawn in, she begins to doubt her own judgement.Where is the line between love and obsession, can justice be served and, if so... by what means?

    Sold by her Thai parents along with her little sister, Nason; marooned in America; abused by the men who trafficked them…the only thing that kept Livia alive as a teenager was her determination to find Nason.Livia has never stopped looking. And she copes with her failure to protect her sister by doing everything she can to put predators in prison.Or, when that fails, by putting them in the ground.But when a fresh lead offers new hope of finding Nason and the men who trafficked them both, Livia will have to go beyond just being a cop. Beyond even being a vigilante. She’ll have to relive the horrors of the past. Take on one of the most powerful men in the US government. And uncover a conspiracy of almost unimaginable evil.In every way, it’s an unfair fight. But Livia has two advantages: her unending love for Nason—And a lifelong lust for vengeance.

    To find their way back to civilisation, they must hike along the tracks through a forest…a haunting journey that ends in unimaginable terror.Back in London, Daniel and Laura vow never to talk about what they saw that night. But as they try to fit back into their old lives, it becomes clear that their nightmare is just beginning…Follow You Home is a chilling tale of secrets, lies and deadly consequences from the author of #1 bestsellers The Magpies and Because She Loves Me.

    They’ve intercepted several major drug stashes being smuggled through Atlanta’s airport. But their newfound celebrity has also garnered some unwanted attention.When Creed and one of his dogs are called in to search a commercial fishing vessel, they discover a secret compartment. But the Colombian cartel's latest shipment isn’t drugs. This time, its cargo is human. To make matters worse, Creed helps one of the cartel’s drug mules escape—a fourteen-year-old girl who reminds him of his younger sister who disappeared fifteen years ago.Meanwhile, FBI agent Maggie O’Dell is investigating a series of murders — the victims tortured, killed, and dumped in the Potomac River. She suspects it’s the work of a cunning and brutal assassin, but her politically motivated boss has been putting up roadblocks.By the time she uncovers a hit list with Creed’s name on it, it might be too late. The cartel has already sent someone to destroy Creed and everyone close to him.But Creed and his dogs have a few surprises in store on their compound in Florida. Will it be enough to stop a ruthless cartel determined to remove the thorn in its side once and for all?

    Viridiana spends her days watching the dead sharks piled beside the seashore, as the fishermen pull their nets. There is nothing else to do, nothing else to watch, under the harsh sun. She’s bored. Terribly bored. Yet her head is filled with dreams of Hollywood films, of romance, of a future beyond the drab town where her only option is to marry and have children.Three wealthy American tourists arrive for the summer, and Viridiana is magnetized. She immediately becomes entwined in the glamorous foreigners’ lives. They offer excitement, and perhaps an escape from the promise of a humdrum future.When one of them dies, Viridiana lies to protect her friends. Soon enough, someone’s asking questions, and Viridiana has some of her own about the identity of her new acquaintances. Sharks may be dangerous, but there are worse predators nearby, ready to devour a naïve young woman who is quickly being tangled in a web of deceit.Silvia Moreno-Garcia is one of the most exciting voices in fiction, and with her first crime novel, UNTAMED SHORE, she crafts a blazing novel of suspense with an eerie seaside setting and a literary edge that proves her a master of the genre.

    The two disciplines collide in The Church of Dead Girls, a lyrical novel that inspired Stephen King to comment, "If ever there was a tale for a moonless night, a high wind and a creaking floor, this is it ... I don't expect to read a more frightening novel this year." Aurelius is a drowsy bedroom community in upstate New York that is rocked by a vicious, seemingly random killing. A woman is found murdered in her bed, her left hand missing. Just when the grisly details begin to fade, a young girl vanishes. The only clue: a bag with the girl's washed and folded clothes and a mannequin's left hand. Soon two more girls disappear, and when clues remain elusive, conjecture and rumour take over. The town awakens to a nightmare of suspicion and vigilantism. As the killer spirals in to kill again, the town spins out of control, and The Church of Dead Girls heads to a jolting conclusion. It'll give you goosebumps even if you read it at the beach.

    When she returns only two hours later, she swears the baby in the crib is not her child. Despite her distress, David is adamant that she is wrong.The police are called to the scene. Detective Constable Simon Waterhouse is sympathetic, but he doubts Alice's story. His superior, Sergeant Charlie Zailer, thinks that Alice must be suffering from some sort of delusion brought on by postpartum depressions.With an increasingly hostile and menacing David swearing she must either be mad or lying, how can Alice make the police believe her before it's too late?

    The careful existence they have built for themselves starts to crumble when two murders rock their neighborhood.

    This is the story of Smoak's first outing as the Nowhere Man, where after completing a mission in Northern California, he happens to spot a young woman at a coffee shop. Brutalized and under the control of a very powerful, unscrupulous man, her life is in danger if she doesn't escape. And the only person that can help her do that is a man with the background and skills of the Nowhere Man.

    Peter Brown is an intern at Manhattan's worst hospital, with a talent for medicine, a shift from hell, and a past he'd prefer to keep hidden. Whether it's a blocked circumflex artery or a plan to land a massive malpractice suit, he knows what evil lurks in the hearts of men.Pietro "Bearclaw" Brnwna is a hitman for the mob, with a genius for violence, a well-earned fear of sharks, and an overly close relationship with the Federal Witness Relocation Program. More likely to leave a trail of dead gangsters than a molecule of evidence, he's the last person you want to see in your hospital room.Nicholas LoBrutto, aka Eddy Squillante, is Dr. Brown's new patient, with three months to live and a very strange idea: that Peter Brown and Pietro Brnwa might-just might-be the same person ...Now, with the mob, the government, and death itself descending on the hospital, Peter has to buy time and do whatever it takes to keep his patients, himself, and his last shot at redemption alive. To get through the next eight hours-and somehow beat the reaper.Spattered in adrenaline-fueled action and bone-saw-sharp dialogue, BEAT THE REAPER is a debut thriller so utterly original you won't be able to guess what happens next, and so shockingly entertaining you won't be able to put it down.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    Vic and Melinda Van Allen's loveless marriage is held together only by a precarious arrangement whereby, in order to avoid the messiness of divorce, Melinda is allowed to take any number of lovers as long as she does not desert her family. Eventually, Vic can no longer suppress his jealousy and tries to win back his wife by asserting himself through a tall tale of murder—one that soon comes true. In this complex portrayal of a dangerous psychosis emerging in the most unlikely of places, Highsmith examines the chilling reality behind the idyllic facade of American suburban life.

    Sometimes he even blacks out and awakens only days later. When other women start dying in the same manner as his mother, the finger of suspicion turns to Billy.