When he was three years old, Tito was diagnosed as severely autistic, but his remarkable mother, Soma, determined that he would overcome the problem by teaching him to read and write. The result was that between the ages of eight and eleven he wrote stories and poems of exquisite beauty, which Dr. Oliver Sacks called amazing and shocking. Their eloquence gave lie to all our assumptions about autism.Here Tito goes even further and writes of how the autistic mind works, how it views the outside world and the normal people he deals with daily, how he tells his stories to the mirror and hears stories back, how sounds become colors, how beauty fills his mind and heart. With this work, Tito whom Portia Iversen, co-founder of Cure Autism Now, has described as a window into autism such as the world has never seen gives the world a beacon of hope. For if he can do it, why can't others?Brave, bold, and deeply felt, this book shows that much we might have believed about autism can be wrong. Boston Globe

    She begins with an introduction to the enchanting village of Nelson, where she first meets her house. Sarton finds she must “dream the house alive” inside herself before taking the major step of signing the deed. She paints the walls white in order to catch the light and searches for the precise shade of yellow for the kitchen floor. She discovers peace and beauty in solitude, whether she is toiling in the garden or writing at her desk.This is a loving, beautifully crafted memoir illuminated by themes of friendship, love, nature, and the struggles of the creative life.

    A small pool of reflection in a forest of words is all it takes to escape the worries of the day. Join us for tea in the form of poetry, the wilds are waiting to heal you. A collection of poems to soothe your soul and set free your worry. Sometimes whimsical, sometimes sad, we all need a balance so we don't go mad. This collection of poems is brought to you by a heart that has been through the worst and bloomed again and again. A book full of hope and magic.

    Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer’s adventurous life, focusing on the places and spaces that fired his imagination.Uncovering important new information about Chaucer’s travels, private life, and the early circulation of his writings, this innovative biography documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer’s experiences as a prisoner of war in France, as a father visiting his daughter’s nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer’s writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales.By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant’s son became the poet of The Canterbury Tales.

    "A day in the life of Claude Monet in the summer of 1900...a luminous prose poem of a novel...unhurried, richly descriptive, rarely ornamental or excessive—indeed, a kind of impressionism in words."The New York Times Book Review (as quoted on the back cover)

    In this bonus episode (aftershow) the producers reflect on the making of the documentary, and how the interviewees reacted to the West Cork presentation.

    The famous writers of the past, like Vita Sackville-West, Gertrude Jekyll, Elizabeth von Arnim (author of Enchanted April), and Beverley Nichols rub shoulders with the garden columnists and book authors of today, such as longtime Washington Post columnist Henry Mitchell, Christopher Lloyd, and Ken Druse.As all gardeners know, thinking about plants and gardens leads one to speculate about life, love, triumph and despair, obsession, and death. These authors cover it all, not just in metaphor, although they are expert at the well-turned phrase and the classic image, but in garden practicalities, too. Perhaps only in the best garden essay can the design of shovels, the number of worms in the soil, and raves about the newest kind of perennial co-exist comfortably with ruminations on mortality, the soul, and the nature of beauty. Lest this sound too serious, all is laced with humor; Henry Mitchell's hounds lie about the garden beds, crushing his latest peony, and Charles Kuralt complains about how he missed his favorite daffodil when CBS News had the nerve to send him to Moscow in April for an unfortunately scheduled summit conference."Half the interest of a garden is the constant exercise of the imagination," said Alice Morse Earle in 1897. We are fortunate that these writers had enough imagination to both garden and to write about it and that Jane Garmey had the imagination to gather such a variety of well-chosen garden voices. --Valerie Easton

    This is allied to an account of the garden and its development, and the creation and development of the key areas of the garden. A wonderful selection of full-colour contemporary photographs, archive photographs, illustrated maps and planting plans take the reader through the various garden ‘rooms’, including the Italian Garden, the  Millstone garden, the Orchard, the Vegetable Garden, the Terrace, the Walled Garden, the Fishpond Garden and the Greenhouses and Conservatories. Throughout there are quotations from Virginia and Leonard’s diaries, giving a vivid account of their plans for, views on and activities in the garden.

    Finally, she traces the last 30 years of Potter's life, when she abandoned books to become a working farmer and pioneer of the conservation movement in the early days of the National Trust. Special features throughout the book will show how Beatrix Potter developed many of her most famous characters, including Peter Rabbit, Mrs. Tiggy-winkle, and Jemima Puddleduck.

    This volume brings together her short fiction, as well as hybrid works that include modernized fairy tales, a Socratic dialogue, and a ballet. Loy’s narratives address issues such as abortion and poverty, and what she called “the sex war” is an abiding theme throughout. Stories and Essays of Mina Loy also contains dramatic works that parody the bravado and misogyny of Futurism and demonstrate Loy’s early, effective use of absurdist technique. Essays and commentaries on aesthetics, historical events and religion complete this beguiling collection, cementing Mina Loy’s place as one of the great writers of the twentieth century.

    The couple made a home at their New England farmhouse, where they rejoiced in rituals of writing, gardening, caring for pets, and connecting with their rural community through friends and church. The Best Day the Worst Day presents a portrait of the inner moods of "the best marriage I know about," as Hall has written, against the stark medical emergency of Jane's leukemia, which ended her life in fifteen months. Between recollections of better times, Hall shares with readers the daily ordeal of Jane's dying through heartbreaking but ultimately inspiring storytelling.

    A portrait of one of America's most influential comedians analyzes the complex, sometimes disturbing world of Jerry Lewis, from his rise to fame and his philanthropic work to the dark side of his career and personal life.

    This collection contains, too, many examples of that humorous and epigrammatic genius which captured the London theatre and, by suddenly casting light from an unexpected angle, widened the bounds of truth.

    The tale of a passionate, independent woman and her three suitors, it explores Hardy's trademark themes: thwarted love, the inevitability of fate, and the encroachment of industrial society on rural life.

    With his other 'shorter' collections Black + Blues and Third World Poems, Middle Passages creates a kind of chisel which may well lead us into a projected third trilogy. Here is a political angle to Brathwaite's Caribbean & New World quest, with new notes of protest and lament. It marks a Sisyphean stage of Third World history in which things fall apart and everyone's achievements come tumbling back down upon their heads and into their hearts, like the great stone which King Sisyphus was condemned to keep heaving back up the same hill in hell - a postmodernist implosion already signalled by Baldwin, Patterson, Soyinka and Achebe and more negatively by V.S. Naipaul; but given a new dimension here by Brathwaite's rhythmical and 'video' affirmations. And so Middle Passages includes poems for those modern heroes who are the pegs by which the mountain must be climbed again: Maroon resistance, the poets Nicolas Guillen, the Cuban revolutionary, and Mikey Smith, stoned to death on Stony Hill; the great musicians (Ellington, Bessie Smith); and Third World leaders Kwame Nkrumah, Walter Rodney and Nelson Mandela.