Like the old master Henry James, Sheila Bosworth uses the chilling device of using the mirror of innocence to reflect evil. It is a lovely achievement, a superior one."-Walker Percy Clay-Lee Calvert is the love child of two people who are as beautiful as models in a magazine but whose similarity ends there. Her father, Rand, is an artist-easygoing, dreamy, principled, and chronically jobless. Her mother, Constance, is the blue-blooded, pampered, delicate but determined daughter of a state supreme court justice. How their intense passion for each other plays out against the sumptuousness and decay of 1950s New Orleans is something to which no innocent should be privy. In Sheila Bosworth's mesmerizing first novel, the era, the place, the people, of Clay-Lee's childhood all form an air as real as our own pasts, alternately dim and indelible, where everyone bears some guilt, and all are almost innocent.

    But after twenty-five years Pete Barrington—having escaped to California on a football scholarship and then established himself as a doctor, only to be brought low by scandal—has come home. Here he finds solace with his closest old friend, opens a new practice, and daily runs into memories he’d rather forget, even as his aggravated wife and unsettled daughter contend with this wholly alien society.Meanwhile, Alan DePoyster has come to revel in his family life and his position in the church and community—the sort of idyll snatched away from him in childhood and won back only with patience and faith. Yet he now feels old grudges against the prodigal Barrington eroding his sense of accomplishment; and as their lives inevitably become intertwined, his rage against the forces chiseling away at his values and beliefs soon threatens to destroy everything he cherishes.            The End of California is a vivid, even shocking, portrait of small-town life, where people turn to booze, gossip, and feckless sex in their struggles with provincial claustrophobia, where fates often hang in the balance of personal history, and where the sins of the fathers and mothers are visited most acutely on their sons and daughters. This is the most expansive, generous, and moving novel thus far from “a confident and elegant prose stylist,” as David Guterson has described him, “a storyteller who knows how empty spaces can resonate with power and meaning.”

    African American Studies. African American women protagonists lose and find love, confront sanity and craziness, and strive to make sense of their lives in North Carolina. A Jehovah's Witness girl goes door-to-door with an expert field-service partner from up north. At a call center, operator Sheila fields a caller's uncomfortable questions under a ruthless supervisor's eye. Forty-something Aunt Ginny surprises the family by finding a husband, but soon she gives them more to talk about. Pulitzer-Prize winner Edward P. Jones writes "Watts offers an impressive debut that promises only wonderful work to come." Fiction writer Marly Swick agrees: "Each story seems, at the same time, to be a breath of fresh air and an instant classic." Author Alyce Miller notes that "Watts writes with a penetrating eye for the extraordinary moments in the lives of ordinary people. As I read, I found myself holding my breath."

    Written by the author of Adventures In Capitalism, this title features twists 'n' turns, sex 'n' violence, and glitz 'n' glamour.

    It captured with devastating accuracy the deep-seated racial conflicts of a tightly knit southern town. The book is as engrossing and incendiary now as the day it was written.

    A young man’s uncanny gift for sculpting statues out of sand makes the women of his village swoon–until the men plot to put a stop to it. A small town of “utter inconsequence” prepares excitedly for a visit from President Clinton. This stunning debut collection offers brilliant snapshots of life’s small reversals and a broad-stroke portrait of our times.

    The Glanville clan includes Edwin, a retired bishop who has lost his faith; his wife Marta, a controversial anthropologist and child of the Warsaw Ghetto; their son, Clement, a celebrated gay painter traumatized by the death of his twin; and their daughter, Susannah, a music publicist recovering from an affair with a convicted murderer. Each of them must face down a personal demon--Clement's work and reputation are violently attacked and his privacy is shattered, Susannah's exploration of the kabbalah transports her into the closed world of Chassidic Jews and a seemingly impossible love, and Edwin's illness forces Marta to confront the horrors of her past. These memorable figures are portrayed with wit, wisdom, and shattering emotional power.

    Inlanders may be skeptical regarding the sometimes miraculous, often horror-filled tales that make up coastal folklore, but Outer Bankers accept the incredible as fact.The phenomena of the Outer Banks range from phosphorescent lights appearing and disappearing over Pamlico Sound to the strange fate of a crewless ship marooned on deadly Diamond Shoals. Legendary heroes such as Captain Jim Baum Gaskill are often truly heroic.. or they may be scurrilous, like Old Quork and Blackbeard. But they all loom larger than life, with deeds and personalities unique to coastal Carolina. But this book is more than a collection of coastal legends. It is an affectionate portrait of the people who daily pull a living out of the treacherous waters of the Atlantic... and a tribute to the hardiness and courage that has made the Banker a rare breed... a breed whose true stories are, indeed, stranger than fiction.

    With a nice house, a son in medical school, and a wife who's become one of the top brokers stoking the heedless real estate rush in north Raleigh, Will has the perfect life. But overnight a nasty conglomerate buys his station and throws him out, he's arrested for running a red light, he badly injures his knee, and he begins to see both that his marriage is in danger of crumbling, and that his son doesn't like him much. Then the past he thought he didn't have comes calling, in the person of his cousin Wingfoot Baggett, who collects a bewildered Will for some R&R back home, on the banks of the Cape Fear River. How Will comes to terms with his history, sorts out his legal dilemmas, reinvents himself, gets to know his son, and maybe, just maybe, reconciles with his wife, is the subject of Bob Inman's graceful, comic, and poignant novel. In a larger sense, this is also a novel about how the New South, with its booming economy and newly minted cities, is stamping out the Old South, losing in the process a sense of tradition and identity.

    Each of the stories takes a new slant on the immigrant experience, something of increasing relevance and importance in Ireland today. The Deportees now brings those stories together for all of Roddy’s devoted readers, ranging from a terrifying ghost story, “The Pram,” in which a Polish nanny grows impatient with her charge’s older sisters and decides–using a phrase she has just learnt–to “scare them shitless,” to the glorious title story itself, where Jimmy Rabbitte, the man who formed the beloved Commitments, decides it’s time to find a new band, and this time no white Irish need apply. Multicultural to a fault, the Deportees specialize not in soul music, but in the songs of Woody Guthrie.

    In "Near-Extinct Birds of the Central Cordillera," an ornithologist being held hostage in the Colombian rain forest finds that he respects his captors for their commitment to a cause, until he realizes that the Revolution looks a lot like big business. In "The Good Ones Are Already Taken," the wife of a Special Forces officer battles a Haitian voodoo goddess with whom her husband is carrying on a not-entirely-spiritual relationship. And in "The Lion's Mouth," a disillusioned aid worker makes a Faustian bargain to become a diamond smuggler for the greater good. With masterful pacing and a robust sense of the absurd, each story in Brief Encounters with Che Guevara is a self-contained adventure, steeped in the heady mix of tragedy and danger, excitement and hope, that characterizes countries in transition.

    A widowed insomniac is roused from malaise when an alligator appears in her backyard. A group of college friends try to stay close after graduation, but are drawn away from-and back toward-each other by the choices they make. A boy's friendship with a pair of identical twins undergoes a strange and tragic evolution over the course of adolescence. A promising academic and her fiancée attempt to finish their dissertations, but struggle with writer's block, a nasty secret, and their own expert knowledge of Freud.From an East Village rooftop to a cabin in Tennessee, from the Florida suburbs to Hong Kong, Taylor covers a vast emotional and geographic landscape while ushering us into an abiding intimacy with his characters. Flings is a commanding work of fiction that captures the contemporary search for identity, connection, and a place to call home.

    With exquisite grace and eloquence, Tóibín writes of men and women bound by convention, by unspoken emotions, by the stronghold of the past. Many are trapped in lives they would not choose again, if they ever chose at all. A man buries his mother and converts his grief to desire in one night. A famous singer captivates an audience, yet cannot beguile her own estranged son. And in "A Long Winter," Colm Tóibín's finest piece of fiction to date, a young man searches for his mother in the snow-covered mountains where she has sought escape from the husband who controls and confines her. Winner of numerous awards for his fifth novel, iThe Master/i -- including the Los Angeles Times Book Prize and the International IMPAC Dublin Literary Award -- Tóibín brings to this stunning first collection an acute understanding of human frailty and longing. These are haunting, profoundly moving stories by a writer who is himself a master.

    . .It's a truth that the newly unhyphenated Maisie Grey has learned the hard way. After getting rid of her mama's-boy husband, she happily settles down with her teenage son, Tommy. But she's still stuck with the hovering presence of her impossible mother-in-law, Tommy's grandmother, who refuses to exit the family stage gracefully.Trying to keep it together with her own business and a new relationship with a man who still lives in—where else but?—his mother's house, Maisie struggles to learn from the MIL-from-hell. She vows that when Tommy brings someone home, she'll be loving, empathetic, and supportive. But then along comes completely unsuitable September Silva—with her too-short skirts, black nail polish, and stay-out-all-night attitude—who is forcing Maisie to take a flinty, clear-eyed new look at what it means to be a mother.

    They know how to fix cars and washing machines, how to shoot and clean game, and how to cook up methamphetamine, but they have not figured out how to prosper in the twenty-first century. Through the complex inner lives of working-class characters, Bonnie Jo Campbell illustrates the desperation of post-industrial America, where wildlife, jobs, and whole ways of life go extinct and the people have no choice but to live off what is left behind. .