She is fiercely intelligent, well respected, and deeply immersed in the nuances of her particular field of law. Often the outcome of a case seems simple from the outside, the course of action to ensure a child's welfare obvious. But the law requires more rigor than mere pragmatism, and Fiona is an expert in considering the sensitivities of culture and religion when handing down her verdicts. But Fiona's professional success belies domestic strife. Her husband, Jack, asks her to consider an open marriage and, after an argument, moves out of their house. His departure leaves her adrift, wondering whether it was not love she had lost so much as a modern form of respectability; whether it was not contempt and ostracism she really fears. She decides to throw herself into her work, especially a complex case involving a seventeen-year-old boy whose parents will not permit a lifesaving blood transfusion because it conflicts with their beliefs as Jehovah's Witnesses. But Jack doesn't leave her thoughts, and the pressure to resolve the case - as well as her crumbling marriage - tests Fiona in ways that will keep readers thoroughly enthralled until the last stunning page.

    High above the mountains of occupied Slovenia an aeroplane drops three British parachutists – brash MP Major Jack Farwell, radio operator Sid Dixon, and young academic Lieutenant Tom Freedman – sent to assist the resistance in their battle against the Axis forces.Greeted upon arrival by a rag-tag group of Partisans, the men are led off into the countryside. It is early summer, and the mountains and forests teem with life and colour. Despite the distant crackle of gunfire, the war feels a long way off for Tom. The Partisans, too, are not what he was expecting – courageous, kind, and alluring, especially Jovan, their commander, and the hauntingly beautiful Marija. Yet after a series of daring encounters, the enemy’s net begins to tighten. They find evidence of massacres, of a dark and terrible band of men pursuing them through the wilderness. As the Partisans stumble their way towards a final, tragic battle, so the relationships within the group begin to fray, with Tom finding himself forced to face up to his deepest, most secret desires.

    Meet Martin, JJ, Jess, and Maureen. Four people who come together on New Year's Eve: a former TV talk show host, a musician, a teenage girl, and a mother. Three are British, one is American. They encounter one another on the roof of Topper's House, a London destination famous as the last stop for those ready to end their lives. In four distinct and riveting first-person voices, Nick Hornby tells a story of four individuals confronting the limits of choice, circumstance, and their own mortality. This is a tale of connections made and missed, punishing regrets, and the grace of second chances. Intense, hilarious, provocative, and moving, A Long Way Down is a novel about suicide that is, surprisingly, full of life. What's your jumping-off point? MaureenWhy is it the biggest sin of all? All your life you're told that you'll be going to this marvelous place when you pass on. And the one thing you can do to get you there a bit quicker is something that stops you getting there at all. Oh, I can see that it's a kind of queue-jumping. But if someone jumps the queue at the post office, people tut. Or sometimes they say "Excuse me, I was here first." They don't say "You will be consumed by hellfire for all eternity." That would be a bit strong. MartinI'd spent the previous couple of months looking up suicides on the Internet, just out of curiosity. And nearly every single time, the coroner says the same thing: "He took his own life while the balance of his mind was disturbed." And then you read the story about the poor bastard: His wife was sleeping with his best friend, he'd lost his job, his daughter had been killed in a road accident some months before . . . Hello, Mr. Coroner? I'm sorry, but there's no disturbed mental balance here, my friend. I'd say he got it just right. JessI was at a party downstairs. It was a shit party, full of all these ancient crusties sitting on the floor drinking cider and smoking huge spliffs and listening to weirdo space-out reggae. At midnight, one of them clapped sarcastically, and a couple of others laughed, and that was it-Happy New Year to you, too. You could have turned up to that party as the happiest person in London, and you'd still have wanted to jump off the roof by five past twelve. And I wasn't the happiest person in London anyway. Obviously. JJNew Year's Eve was a night for sentimental losers. It was my own stupid fault. Of course there'd be a low-rent crowd up there. I should have picked a classier date-like March 28, when Virginia Woolf took her walk into the river, or November 25 (Nick Drake). If anybody had been on the roof on either of those nights, the chances are they would have been like-minded souls, rather than hopeless f*ck-ups who had somehow persuaded themselves that the end of a calendar year is in any way significant.

    There's Pat, a twenty-year-old who has recently moved into a flat with Bruce, an athletic young man with a keen awareness of his own appearance. Their neighbor, Domenica, is an eccentric and insightful widow. In the flat below are Irene and her appealing son Bertie, who is the victim of his mother’s desire for him to learn the saxophone and italian–all at the tender age of five.Love triangles, a lost painting, intriguing new friends, and an encounter with a famous Scottish crime writer are just a few of the ingredients that add to this delightful and witty portrait of Edinburgh society, which was first published as a serial in The Scotsman newspaper.

    But can they truly leave the city that's in their bones?Kate Tempest's novel reaches back through time--through tensely quiet dining rooms and crassly loud clubs--to the first time Becky and Harry meet. It sprawls through their lives and those they touch--of their families and friends and faces on the street--revealing intimacies and the moments that make them. And it captures the contemporary struggle of urban life, of young people seeking jobs or juggling jobs, harboring ambitions and making compromises.The Bricks that Built the Houses is an unexpected love story. It's about being young, but being part of something old. It's about how we become ourselves, and how we effect our futures. Rich in character and restless in perspective, driven by ethics and empathy, it asks--and seeks to answer--how best to live with and love one another.Kate Tempest, a major talent in the poetry and music worlds, sits poised to become a major novelist as well.

     Kingfisher Road - a leafy, peaceful street in the town of Vayhill. But there are whispers behind closed doors. Who is moving into Number 10?Engaged to handsome, wealthy Justin Johnston, Danielle appears to her new neighbours to have the perfect, glossy life. But not everything is as it seems...In fact, each of the other four women who live close by has a secret, and each is nursing their own private heartache.But could a gift be waiting on their doorsteps? And, by opening their front doors, and their hearts, to each other, could the women of Kingfishers Road discover all the help they need? This thirteenth and final novel from the beloved and inspiring Emma Hannigan is a life-affirming, uplifting story that celebrates the strength and joys of female friendship. Acclaim for Emma Hannigan's moving novel Letters to my Daughters: 'Wise, warm and full of joy. Uplifting and magical' Cathy Kelly 'Warm, intelligent and brilliant' Marian Keyes 'A beautiful book by an exceptional author. Lose yourself in her wonderful writing' Sinéad Moriarty

    Alfred Jones, life is a quiet mixture of civil service at the National Centre for Fisheries Excellence and marriage to Mary—an ambitious, no-nonsense financier. But a strange turn of fate from an unexpected direction forces Jones to upend his existence and spend all of his time in pursuit of another man’s ludicrous dream. Can there be salmon in the Yemen? Science says no. But if resources are limitless and the visionary is inspired, maybe salmon fishing in the Yemen isn’t impossible. Then again, maybe nothing is.

    For different reasons, the Brinkleys’ two previous daughters-in-law hadn’t been able to resist Rachel’s maternal control and Anthony’s gentle charm and had settled into their husbands’ family without rocking the boat. But Charlotte—very young, very beautiful, and spoiled—has no intention of falling into step with the Brinkleys and wants to establish her own household. Soon Rachel’s sons begin to think of their own houses as home and of their mother’s house as simply the place where their parents live—a necessary and inevitable shift of loyalties that threatens Rachel’s sense of herself, breaks Anthony’s heart, and causes unexpected consequences in all the marriages. Then a crisis brings these changes to the surface, and everyone has to learn what family love means all over again.

    Mrs. Creasy is missing and the Avenue is alive with whispers. The neighbors blame her sudden disappearance on the heat wave, but ten-year-olds Grace and Tilly aren’t convinced. As the summer shimmers endlessly on, the girls decide to take matters into their own hands. Inspired by the local vicar, they go looking for God—they believe that if they find Him they might also find Mrs. Creasy and bring her home.Spunky, spirited Grace and quiet, thoughtful Tilly go door to door in search of clues. The cul-de-sac starts to give up its secrets, and the amateur detectives uncover much more than ever imagined. As they try to make sense of what they’ve seen and heard, a complicated history of deception begins to emerge. Everyone on the Avenue has something to hide, a reason for not fitting in.In the suffocating heat of the summer, the ability to guard these differences becomes impossible. Along with the parched lawns and the melting pavement, the lives of all the neighbors begin to unravel. What the girls don’t realize is that the lies told to conceal what happened one fateful day about a decade ago are the same ones Mrs. Creasy was beginning to peel back just before she disappeared.

    Her estranged uncle Palmer may be dying, but he is the last person she wants to see, not when she’s made a new life far away from where she lost so much. But on his deathbed he utters a few enigmatic words about a secret locked away and a clue as to its whereabouts. Intrigued, Orla decides to stay, reconnecting with old friends and taking a chance on a long-time dream of opening the homestead to tourists. Continuing the search for her uncle’s elusive secret, she discovers far more than she bargained for – a shocking truth about her parents’ marriage, and the confession of a chilling murder. Set in the stunning countryside north of the Barrier Ranges near Broken Hill, this is an authentic tale of life on the land and a gripping mystery about old family secrets and finding love in the harsh Australian bush.

    While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

    In between, Moore’s stories have been shortlisted for more than a dozen different awards including the Bridport Prize, the Fish Prize, the Lightship Flash Fiction Prize, the Manchester Fiction Prize and the Nottingham Short Story Competition. The title story won first prize in the novella category of The New Writer Prose and Poetry Prizes.

    He is brilliant and strange, and every year something violent seems to happen to him. On his ninth birthday, Louis goes on a picnic with his parents and falls off a cliff. The details are shrouded in mystery. Louis's mother is shell-shocked; his father has vanished. And after some confusion Louis himself, miraculously alive but deep in a coma, arrives at Dr. Pascal Dannachet's celebrated coma clinic…Full of astonishing twists and turns, this is a masterful tale of the secrets the human mind can hide.

    She has never even been on a weekend away with her boyfriend. Everyone knows she is just not the adventurous type.But, when her boyfriend doesn't turn up for their romantic mini-break, Nell has the chance to prove everyone wrong.Alone in Paris, Nell meets the mysterious moped-riding Fabien and his group of carefree friends. Could this turn out to be the most adventurous weekend of her life?

    This is the summer that the bewitching Valentina beckons from her sofa, and Lewis discovers an exquisite new world filled with passion and intrigue, set against the alluring backdrop of Paris. But when Valentina disappears and Lewis takes it upon himself to find her, wondrous secrets suddenly turn sinister. This is the summer that Lewis, caught in a bizarre and dangerous romance, is about to face head-on the perilous force that transforms children into adults.