Intimate Enemies, however, is the spellbinding true account of this resilient woman's lifeand the three men who most affected its course.Immediately upon marrying C�lestin de Pontalba, Micaela was removed to his family's estate in France. For twenty years her father-in-law attempted to drive her to abandon C�lestin; by law he could then seize control of her fortune. He tried dozens of strategies, including at one point instructing the entire Pontalba household to pretend she was invisible. Finally, in 1834, the despairing elder Pontalba trapped Micaela in a bedroom and shot her four times before turning his gun on himself.Miraculously, she survived. Five years later, after securing both a separation from C�lestin and legal power over her wealth, Micaela focused her attention on building, following in the footsteps of her late, illustrious father, Andr�s Almonester. Her Parisian mansion, the H�tel Pontalba, is today the official residence of the American embassy in France; and her Pontalba Buildings, which flank Jackson's Square in New Orleans, form together with her father's St. Louis Cathedral, Presbytere, and Cabildo one of the loveliest architectural complexes in America.As for C�lestin, he eventually suffered a total physical and mental breakdown and begged Micaela to return. She did so, caring for him for the next twenty-three years until her death in 1874.In Intimate Enemies, Christina Vella embroiders the compelling story of the Almonester-Pontalba alliance against a richly woven background of the events and cultures of two centuries and two vivid societies. She provides a window into the yellow fever epidemics that raged in New Orleans; the rebuilding of Paris, the Paris Commune uprising, and the Second Empire of Napoleon III; European ideas of power, class, money, marriage, and love during the baroness' lifetime and their inflection in the New World setting of New Orleans; medical treatments, legal procedures, imperial court life, banking practices, and much more.Combining the historian's meticulous research with the biographer's exacting knowledge of her subject and the novelist's gift for narrative, Vella has crafted a rare cross-genre work that will capture the imagination and admiration of every reader.

    “Allapattah” means alligator or crocodile, a creature which becomes Toby Tiger’s obsession, and he must wrestle it to set himself free.

    But what is it about New Orleans that makes it more than just the sum of the events that have happened there? What is it about the spirit of the people who live there that could produce a music, a cuisine, an architecture, a total environment, the mere mention of which can bring a smile to the face of someone who has never even set foot there?What is the meaning of a place like that, and what is lost if it is lost?The winds of Hurricane Katrina, and the national disaster that followed, brought with them a moment of shared cultural awareness: Thousands were killed and many more displaced; promises were made, forgotten, and renewed; the city of New Orleans was engulfed by floodwaters of biblical proportions—all in a wrenching drama that captured international attention. Yet the passing of that moment has left too many questions.What will become of New Orleans in the months and years to come? What of its people, who fled the city on a rising tide of panic, trading all they knew and loved for a dim hope of shelter and rest? And, ultimately, what do those people and their city mean to America and the world?In Why New Orleans Matters, award-winning author and New Orleans resident Tom Piazza illuminates the storied culture and uncertain future of this great and most neglected of American cities. With wisdom and affection, he explores the hidden contours of familiar traditions like Mardi Gras and Jazz Fest, and evokes the sensory rapture of the city that gave us jazz music and Creole cooking. He writes, too, of the city's deep undercurrents of corruption, racism, and injustice, and of how its people endure and transcend those conditions. And, perhaps most important, he asks us all to consider the spirit of this place and all the things it has shared with the world—grace and beauty, resilience and soul. "That spirit is in terrible jeopardy right now," he writes. "If it dies, something precious and profound will go out of the world forever."Why New Orleans Matters is a gift from one of our most talented writers to the beloved and important city he calls home—and to a nation to whom that city's survival has been entrusted.

    Can anything...or anyone make her realise she needs to let go of the past and live for today?

    It’s a time to reflect on the year’s good fortunes, and to reminisce about days gone by. Join them around the hearth for the holiday, as memories are shared, and a story is retold of how one young hunter won favor with the woman of his heart during a past season of giving. Other titles in the Yellowstone Romance Series (in recommended reading order Yellowstone Heart Song A Yellowstone Christmas (novella) Yellowstone Redemption Yellowstone Awakening Yellowstone Dawn Yellowstone Deception A Yellowstone Promise (novella) A Yellowstone Season of Giving (short story)

    Inspired by this gift, Thomas forms Coyote Springs, an all-Indian Catholic band who find themselves on a magical tour that leads from reservation bars to Seattle and New York--and deep within their own souls.

    But behind this archetypal small-town landscape lies a complicated past.Starting with the town's founding as a religious promised land, music journalist and poet Daniel Wolff plots a course through 130 years of entwined social and musical history, touching on John Philip Sousa, Count Basie, Frank Sinatra, and Frankie Lymon on the way to the town Bruce was born to run from. Out of the details of local history-the boardwalk in the Gilded Age; the celebrities who passed through, from Stephen Crane to Martin Luther King; sensational murder trials; the birth of Mob control; and a devastating mid-century "race riot"-emerges a universal story of one small town's fortunes. Told with grace and full of fascinating detail, Daniel Wolff's tour across thirteen decades of the Fourth of July in Asbury Park captures all the allure and heartbreak of the American dream reduced to blight and decay, with gentrification as the one hope for a return to its glory days.

    She has no intention of going home this Christmas but then gets the extraordinary opportunity to meet with an elusive author about adapting a worldwide bestselling book into a play. The only snag? The meeting is to take place in Kinsley's home town over the Christmas break.Kinsley never expects to come face-to-face with Gunner the minute she gets home, and she certainly doesn't anticipate slipping on ice and taking him with her where she finds herself gazing like an idiot into his piercing blue eyes. No way is Kinsley going to fall for him again! Gunner broke her heart and she swears she'll never forgive him!Will Kinsley obtain her lifelong goal of writing a play for Broadway, or will she end up rewriting her heart instead?

    This Christmas, however, he is well down the road towards spontaneous self-destruction. Unwitting at first, Jude has progressively alienated his band and driven away the love of his life. Tonight, the night before Christmas Eve, he has broken the final taboo during a disastrous gig. Yet Jude doesn't see how badly his life has derailed, not until a ghostly procession of legends passes through his bedroom with a series of vivid and powerful wake-up calls. Will the Spirits help Jude put the friendship, love, and rock music back into his Christmas? Spirits of Christmas is a modern-day rock'n'roll adaption of Charles Dickens' classic A Christmas Carol. This novella will enchant romance readers, rock lovers, fans of ghost stories, and everybody who adores the festive season.

    By turns irreverent, joyous, darkly comic, passionate, and polemical, The Year Before the Flood juxtaposes the city’s crowded calendar of parties, festivals, and parades with the murderousness of its poverty and its legacy of racism. Along the way, Sublette opens up windows of American history that illuminate the present: the trajectory of Mardi Gras from pre–Civil War days, the falsification of Southern history in movies, the city’s importance to early rock and roll, the complicated story of its housing projects, the uniqueness of its hip-hop scene, and the celebratory magnificence of the participatory parades known as second lines. With a grand, unforgettable cast of musicians and barkeeps, scholars and thugs, vibrating with the sheer excitement of New Orleans, The Year Before the Flood is an affirmation of the power of the city’s culture and a heartbreaking tale of loss that definitively establishes Ned Sublette as a great American writer for the 21st century.

    Based on Foxfire students' interviews with neighbors and family members, the memories shared here are from a simpler time, when gifts were fewer but perhaps more precious, and holiday tables were laden with traditional favorites. More than just reminiscences, however, A Foxfire Christmas includes instructions for recreating many of the ornaments, toys, and recipes that make up so many family traditions, from Chicken and Dumplings to Black Walnut Cake, and from candy pulls to corn husk dolls and hand-whittled toy cars. The students who created this book attended Rabun County High School, where the innovative Foxfire program originated, in the mountains of northeast Georgia. They conducted the interviews, shot and developed most of the photographs and edited the final manuscript.

    For decades Tom carved out a life for himself in shadows. He built an international music career and became a father, he battled demons and addiction, and he waited, hoping for the lies to cease and the truth to emerge. It would. And when it did, it would sweep up the St. Lawrence River to the Mohawk reserves of Quebec, on to the heights of the Manhattan skyline. With a rare gift for storytelling and an astonishing story to tell, Tom writes with unflinching honesty and extraordinary compassion about his search for the truth. It's a story about scars, about the ones that hurt us, and the ones that make us who we are.From Beautiful Scars Even as a kid my existence as the son of Bunny and George Wilson seemed far-fetched to me. When I went over it in my head, none of it added up. The other kids on East 36th Street in Hamilton used to tell me stories of their mothers being pregnant and their newborn siblings coming home from the hospital. Nobody ever talked about Bunny's and my return from the hospital. In my mind my birth was like the nativity, only with gnarly dogs and dirty snow and a chipped picket fence and old blind people with short tempers and dim lights, ashtrays full of Export Plain cigarette butts and bottles of rum. Once, when I was about four, I asked Bunny, "How come I don't look anything like you and George? How come you are old and the other moms are young?" "There are secrets I know about you that I'll take to my grave," she responded. And that pretty well finished that. Bunny built up a wall to protect her secrets, and as a result I built a wall to protect myself.

    Ambrose, a dual biography of two great nineteenth century warriors, General Custer and Crazy Horse, culminating in the Battle of Little Bighorn.

    He quickly realized that Katrina was not the most interesting thing about New Orleans, not by a long shot. The most interesting question, which struck him as he watched residents struggling to return, was this: Why are New Orleanians—along with people from all over the world who continue to flock there—so devoted to a place that was, even before the storm, the most corrupt, impoverished, and violent corner of America?Here’s the answer. Nine Lives is a multivoiced biography of this dazzling, surreal, and imperiled city through the lives of nine characters over forty years and bracketed by two epic storms: Hurricane Betsy, which transformed the city in the 1960’s, and Katrina, which nearly destroyed it. These nine lives are windows into every strata of one of the most complex and fascinating cities in the world. From outsider artists and Mardi Gras Kings to jazz-playing coroners and transsexual barkeeps, these lives are possible only in New Orleans, but the city that nurtures them is also, from the beginning, a city haunted by the possibility of disaster. All their stories converge in the storm, where some characters rise to acts of heroism and others sink to the bottom. But it is New Orleans herself—perpetually whistling past the grave yard—that is the story’s real heroine. Nine Lives is narrated from the points of view of some of New Orleans’s most charismatic characters, but underpinning the voices of the city is an extraordinary feat of reporting that allows Baum to bring this kaleidoscopic portrait to life with brilliant color and crystalline detail. Readers will find themselves wrapped up in each of these individual dramas and delightfully immersed in the life of one of this country’s last unique places, even as its ultimate devastation looms ever closer. By resurrecting this beautiful and tragic place and portraying the extraordinary lives that could have taken root only there, Nine Lives shows us what was lost in the storm and what remains to be saved.

    Now back in print and updated with a new afterword by Lawrence Gushee, Mister Jelly Roll will enchant a new generation of readers with the fascinating story of one of the world's most influential composers of jazz. Jelly Roll's voice spins out his life in something close to song, each sentence rich with the sound and atmosphere of the period in which Morton, and jazz, exploded on the American and international scene. This edition includes scores of Jelly Roll's own arrangements, a discography and an updated bibliography, a chronology of his compositions, a new genealogical tree of Jelly Roll's forebears, and Alan Lomax's preface from the hard-to-find 1993 edition of this classic work. Lawrence Gushee's afterword provides new factual information and reasserts the importance of this work of African American biography to the study of jazz and American culture.