Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    The New Voices of Fantasy tethers some of the fastest-rising talents of the last five years. Their tales were hand-picked by the legendary Peter S. Beagle (The Last Unicorn) and genre expert Jacob Weisman (The Treasury of the Fantastic).So go ahead, join the Communist revolution of the honeybees. The new kids got your back.

    This collection will whisk you from Christmas season in steampunk London to Yule celebrations with the coven to Hanukkah celebrations with a supernatural twist. Battle Krampus, ghosts, vampires, demons, and a hell of an eggnog hangover in this special collection of paranormal, horror, urban fantasy, and steampunk holiday tales.PEPPERMINT AND PENTACLES: A Steampunk Christmas Fairy Tale by Melanie KarsakHELL'S SILVER BELLS by Margo Bond CollinsA HARKER CHRISTMAS by Erin HayesPOINSETTIAS and POLTERGEISTS: A Southern Stones Short by Blaire EdensHEARTLESS IN NEW ORLEANS by Pauline CreedenALL IS BRIGHT by Jayne FuryMISTLETOE AND MONSTERS by Katie HayozTHAT OLD FAMILIAR FEELING by S. K. Gregory'TWAS THE NIGHT by Evan WintersHOLIDAY MAGIC by Carrie L. WellsFESTIVAL OF GASLIGHTS by Bokerah BrumleyTHE GHOST OF CHRISTMAS PAST by Anna AlbergucciDAWN by T.K. BradleyTHE TOWN IN THE MOUNTAIN by Angelique Archer & J. MillsEGGNOG & EXORCISM by Deb Christie & Margo Bond CollinsHIGH TIDE HOLIDAY by Ella Malone

    The stories include:Anything can be Dangerous ~ the simple things in life can kill.Through the Valley of Death ~ a dark vampire story that will make you remember fear. The Finger ~ zombie literature has never been so extraordinary.Feeding Frenzy ~ lunchtime in a place called Hell. Husk ~ this is what people are saying about Husk:“Matt Hults delivers a crackling, creepy tale. A fast-paced read with a generous body count, ‘Husk’ will make your skin crawl.”—Scott Nicholson, Bestselling author of They Hunger“Remember the first time you read Joe Lansdale’s The Drive-In, or Freezer Burn? Remember how exhilarated you felt as you tore through the pages as Lansdale kept knocking your jaw to the floor with his endless inventiveness, unexpected belly-laughs, and those even more unexpected moments of terror and pathos? Miss that feeling of being completely at the mercy of a writer’s imagination and boundless energy for his subject? Fret no more, friends—you now have Matt Hults’s Husk. This sucker is the real thing, an in-your-face, rollicking, scary, funny, and unexpectedly poignant potpourri of a horror story, an unabashed and unapologetic throwback to the early pulps infused with a vindictive modern-day sensibility that will have your head spinning and your mouth hanging open. It doesn’t get any more fun than this.”—Gary A. Braunbeck, winner of the Bram Stoker Award and International Horror Guild Award, author of Coffin County and Destinations Unknown“Suspenseful and gruesome, with just the right leavening of hopefulness and nod-wink humor.”—Dr. Kim Paffenroth, Bram Stoker Award Winner for Dying to Live.“Husk is wild, bloody, scary, action-packed, and entertaining as hell. Matt Hults seems to be having a blast telling his tale, and I had a blast going along for the ride. Great fun!”—Jeff Strand, Bram Stoker Nominated Author of PRESSURE"'Husk' is a chilling and relentless tale that will make you want to check your closets, lock your windows and keep an eye in your review mirror...but don't think that'll save you!"––Fran Friel, Bram Stoker Nominated Author of Mama's Boy“Husk is violent, intense and terrifying. The characters are as real as you and I, and every triumph is rapturous while every death is harrowing. Matt Hults proves himself as a master of the genre with his striking debut novel. It will leave you feeling skinned alive and dying for more.”—Joel A. Sutherland, Bram Stoker Nominated Author of Frozen Blood“I have come across some pretty mind-blowing demons on paper, on the big screen, and especially in my mind. But the ‘Husk’ Matt Hults created in this his first novel breaks all my thresholds for fear, and believe me I have built some pretty sound barriers in my time.”—Giovanna Lagana, author of With Black & White Comes the Grey

    This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky's most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room's previous occupant; the fingers of a celebrated pianist's right hand run away to spend a night alone on the city streets; a man's lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.An NYRB Classics Original

    Now, for the first time, that fiction has been gathered together in one place, ready to be enjoyed one twisting, tangled tale at a time. Her work crosses genres and subverts expectations.Meet the mad scientists of “Laughter at the Academy” and “The Tolling of Pavlov’s Bells.” Glory in the potential of a Halloween that never ends. Follow two very different alphabets in “Frontier ABCs” and “From A to Z in the Book of Changes.” Get “Lost,” dress yourself “In Skeleton Leaves,” and remember how to fly. All this and more is waiting for you within the pages of this decade-spanning collection, including several pieces that have never before been reprinted. Stories about mermaids, robots, dolls, and Deep Ones are all here, ready for you to dive in. This is a box of strange surprises dredged up from the depths of the sea, each one polished and prepared for your enjoyment. So take a chance, and allow yourself to be surprised.Enjoy.

    "I Was a Teenage Bigfoot" takes place circa Deadbeat. "Bigfoot on Campus" takes place between Turn Coat and Changes.Chicago wizard-for-hire Harry Dresden is used to mysterious clients with long hair and legs up to here. But when it turns out the long hair covers every square inch of his latest client’s body, and the legs contribute to a nine-foot height, even the redoubtable detective realizes he’s treading new ground. Strength of a River in His Shoulders is one of the legendary forest people, a Bigfoot, and he has a problem that only Harry can solve. His son Irwin is a scion, the child of a supernatural creature and a human. He’s a good kid, but the extraordinary strength of his magical aura has a way of attracting trouble.In the three novellas that make up Working For Bigfoot, collected together for the first time here, readers encounter Dresden at different points in his storied career, and in Irwin’s life. As a middle-schooler, in “B Is for Bigfoot,” Irwin attracts the unwelcome attention of a pair of bullying brothers who are more than they seem, and when Harry steps in, it turns out they have a mystical guardian of their own. At a fancy private high school in “I Was a Teenage Bigfoot,” Harry is called in when Irwin grows ill for the first time, and it’s not just a case of mono. Finally, Irwin is all grown up and has a grown-up’s typical problems as a freshman in college in “Bigfoot on Campus,” or would have if typical included vampires.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    One of the most acclaimed writers in the field, Zelazny's rare ability to mix fantastical dream imagery with the real-life hardware of science fiction has won him more than a score of Hugo and Nebula nominations. He creates characters who live to haunt the reader beyond the page and who inhabit worlds both enchanting and disturbing--dazzling and memorable.7 • Introduction (The Last Defender of Camelot) • essay by Robert Siverberg11 • Comes Now the Power • (1966) • short story by Roger Zelazny18 • For a Breath I Tarry • (1966) • novelette by Roger Zelazny65 • The Engine at Heartspring's Center • (1974) • short story by Roger Zelazny76 • Halfjack • (1979) • short story by Roger Zelazny83 • Home is the Hangman • [Nemo] • (1975) • novella by Roger Zelazny165 • Permafrost • (1986) • novelette by Roger Zelazny195 • LOKI 7281 • (1984) • short story by Roger Zelazny204 • Mana from Heaven • [Magic Goes Away] • (1983) • novelette by Roger Zelazny250 • 24 Views of Mt. Fuji, by Hokusai • [Cthulhu Mythos] • (1985) • novella by Roger Zelazny329 • Come Back to the Killing Ground, Alice, My Love • [Kalifriki] • (1992) • novella by Roger Zelazny388 • The Last Defender of Camelot • (1979) • novelette by Roger Zelazny

    In these spine-tingling tales of battles in the sky - and in the psyche - he draws on his own experiences and those of his friends and colleagues to convey the bizarre reality of a pilot's existence. From the nervy jollity of life in the Ops room and the Mess in 'Death of an Old Old Man' to the nightmarish horror of being shot down in 'A Piece of Cake', or the infectious madness of war in 'Someone Like You', these stories capture with chilling clarity the experience of living with the daily possibility of extinction.--back cover

    And that's a scary place to be.

    Whether it wanted to or not. When the Amplitur and their allies stumbled upon the races called the Weave, the Purpose seemed poised for a great leap forward. But the Weave's surprising unity also gave it the ability to fight the Amplitur and their cause. And fight it did, for thousands of years.Will Dulac was a New Orleans composer who thought the tiny reef off Belize would be the perfect spot to drop anchor and finish his latest symphony in solitude. What he found instead was a group of alien visitors, a scouting party for the Weave, looking for allies among what they believed to be a uniquely warlike race, Humans.Will tried to convince the aliens that Man was fundamentally peaceful, for he understood that Human involvement would destroy the race. But all too soon, it didn't matter. The Amplitur had discovered Earth...

    The Warmaster’s forces are split and deadlocked on two separate fronts, haemorrhaging momentum, men and materiel. A series of ambitious covert operations is planned across the sector – their aim to break the stalemate so the Imperial forces can move forward once more. Key players in this shadow war are Colonel-Commissar Gaunt and the Tanith First-and-Only. Will the bravery and cunning of this infamous regiment tip the balance in the Imperium’s favour? This omnibus edition comprises the novels Blood Pact and Salvation's Reach along with four short stories that continue the story after the events of the novels and set up the next stage of the Tanith First's adventures.CONTENTSBlood PactSalvation's ReachFamilyYou Never KnowGhosts and Bad ShadowsKillbox READ IT BECAUSE These two novels and four short stories throw the Ghosts into danger once again and will set you up nicely to move on into The Warmaster and The Anarch.

    Here, Campbell explores what kinds of problems mankind might face as our horizons expand. The third in a series of collections of Campbell’s short stories includes some of Campbell’s favorite stories, and some of his earliest. A brand new author’s note accompanies each story.“Lady Be Good” is one of Campbell’s most popular stories, winner of Analog Magazine’s “AnLab” reader poll for Best Short Story and cited in Gardner Dozois' Year’s Best SF. The Lady Be Good is an old ship, running obscure routes, not all on the right side of the law, with her loyal first officer Kilcannon and reclusive captain. When Kilcannon decides to rescue the survivors of an attack on a Vestral Company ship, a mysterious new passenger thanks him by asking difficult questions about the Lady, with unexpected answers.In “Kyrie Eleison,” the Verio shipwrecked centuries ago on an out-of-the-way planet, and the descendants of the ship’s survivors have gotten along as well as they can by following the orders that were passed on to them. But those orders weren’t intended to govern life on the planet’s surface, and when the Bellegrange arrives on a rescue mission, her captain will have to reckon with the unexpected social order on the planet.In “Do No Harm”, a ship is so technologically advanced that it can repair itself--but turning over the keys might not be the best idea. And in “Down the Rabbit Hole,” a series of failed attempts at faster-than-light travel lead to a novel approach: sending an untested Naval captain out in a space ship to see if he can figure out what’s gone wrong.With eleven stories in all, AD ASTRA is the most multi-faceted introduction to the short fiction of Jack Campbell, and an essential complement to his bestselling book-length work.