She had arranged for a ride through the campus bulletin board at the University of Michigan in Ann Arbor, where she was one of a handful of pioneering women students at the law school. Her body was found the following morning just inside the gates of a small cemetery fourteen miles away, shot twice in the head and strangled. Six other young women were murdered around the same time, and it was assumed they had all been victims of alleged serial killer John Collins, who was convicted of one of these crimes not long after. Jane Mixer's death was long considered to be one of the infamous Michigan Murders, as they had come to be known. But officially, Jane's murder remained unsolved, and Maggie Nelson grew up haunted by the possibility that the killer of her mother's sister was still at large.In an instance of remarkable serendipity, more than three decades later, a 2004 DNA match led to the arrest of a new suspect for Jane's murder at precisely the same time that Nelson was set to publish a book of poetry about her aunt's life and death - a book she had been working on for years, and which assumed her aunt's case to be closed forever.The Red Parts chronicles the uncanny series of events that led to Nelson's interest in her aunt's death, the reopening of the case, the bizarre and brutal trial that ensued, and the effects these events had on the disparate group of people they brought together. But The Red Parts is much more than a "true crime" record of a murder, investigation, and trial. For into this story Nelson has woven an account of a girlhood and early adulthood haunted by loss, mortality, mystery, and betrayal, as well as a look at the personal and political consequences of our cultural fixation on dead (white) women.

    His first book, In Xanadu, became an instant backpacker's classic, winning a stream of literary prizes. City of Djinns and From the Holy Mountain soon followed, to universal critical praise. Yet it is India that Dalrymple continues to return to in his travels, and his fourth book, The Age of Kali, is his most reflective book to date. The result of 10 year's living and traveling throughout the Indian subcontinent, The Age of Kali emerges from Dalrymple's uneasy sense that the region is slipping into the most fearsome of all epochs in ancient Hindu cosmology: "the Kali Yug, the Age of Kali, the lowest possible throw, an epoch of strife, corruption, darkness, and disintegration." "The brilliance of this book lies in its refusal to reflect any cultural pessimism. Dalrymple's love for the subcontinent, and his feel for its diverse cultural identity, comes across in every page, which makes its chronicles of political corruption, ethnic violence, and social disintegration all the more poignant. The scope of the book is particularly impressive, from the vivid opening chapters portraying the lawless caste violence of Bihar, to interviews with the drug barons on the North-West Frontier, and Dalrymple's extraordinary encounter with the Tamil Tigers in Sri Lanka. Some of the most fascinating sections of the book are Dalrymple's interviews with Imran Khan and Benazir Bhutto in Pakistan, which read like nonfiction companion pieces to Salman Rushdie's bitterly satirical Shame. The Age of Kali is a dark, disturbing book that takes the pulse of a continent facing some tough questions. --Jerry Brotton, Amazon.co.uk

    In the grand tradition of 19th-century scoundrelas, explorers and romantics, Africa strikes him as the ideal place to find solitude and anonymity in the face of a personal crisis.What follows is Peter's journey from one end of the Dark Continent to the other. Travelling the fabled Cape Town to Cairo route by any means of transport he can blag (or if he must, pay) his way onto, it's an epic trek that sees our intrepid Antipodean experience everything from the southernmost city in Africa to the Pyramids, vast game parks and thundering falls, cosmopolitan cities and tiny villages as he journeys through the very heart of Africa. And travelling on his own, it's inevitable that Peter falls in with a motley cast of characters and has a myriad misadventures: including coming face to face with a wild Hyena with very bad breath, crossing the treacherous Sani Pass, the highest in Africa, narrowly escaping a riot by hiding in a coffin shop, saving oil-covered Penguins in South Africa, acting as an extra in a WW2 epic, not to mention dodging 20,000 single woman trying to catch the eye of the king of Swaziland during the annual Reed Dance. And then there was the time when he was kicked out of Robert Mugabe's birthday bash at gunpoint...

    In this brave and searingly frank memoir, she describes those first horrifying moments and her long journey since. She has written an engrossing, unsentimental, beautifully poised account: as she struggles through the first months following the tragedy, furiously clenched against a reality that she cannot face and cannot deny; and then, over the ensuing years, as she emerges reluctantly, slowly allowing her memory to take her back through the rich and joyous life she’s mourning, from her family’s home in London, to the birth of her children, to the year she met her English husband at Cambridge, to her childhood in Colombo; all the while learning the difficult balance between the almost unbearable reminders of her loss and the need to keep her family, somehow, still alive within her.

    Welcome to a chronicle of broken hearts, fervid pursuits, passionate friendships, deranged letter-writing, the allure of the bottle, the singular charms of musicians, the lost song of youth, and three very awkward evenings with varying prostitutes--exactly zero percent of which the author's parents will want to read. Add to that a slightly misguided attempt to give real-life friends and ex-lovers a 'right of reply' to the stories they appear in and it's fair to say an extended stint in the Witness Protection Program beckons.Confessional, voyeuristic, painful, hilarious and heartfelt, You'll Be Sorry When I'm Dead reveals the acerbic wit, unflinching gaze and razor-sharp insight of a writer at the height of her powers-or the unhinged fantasies of a dangerous mind with not enough to do.

    Blandings Builds His Dream House" in this lively and entertaining account of a couple's year building their dream house in Mexico.In 2004, Barry Golson wrote an award-winning article for "AARP" magazine about Mexican hot spots for retirees longing for a lifestyle they couldn't afford in the United States. A year later, he and his wife Thia were taking part in the growing trend of retiring abroad. They sold their Manhattan apartment, packed up their SUV, and moved to one of those idyllic hot spots, the surfing and fishing village of Sayulita on Mexico's Pacific coast.With humor and charm, Golson details the year he and his wife spent settling into their new life and planning and building their dream home. Sayulita -- population 1,500, not including stray dogs or pelicans -- is a never-dull mixture of traditional Mexican customs and new, gringo-influenced change. Before long, the Golsons had been absorbed into the rhythms and routines of village life: they adopted a pair of iguanas named Iggy Pop and Iggy Mom, got sick and got cured by a doctor who charged them sixteen dollars a visit, made lasting friends with Mexicans and fellow expatriates, and discovered the skill and artistry of local craftsmen.But their daily lives were mostly dedicated to the difficult yet satisfying process of building their house. It took them almost six months to begin building -- nothing is simple (or speedy) in Mexico -- and incredibly, they completed construction in another six. They engaged a Mexican architect, builder, and landscape designer who not only built their home but also changed their lives; encountered uproariously odd bureaucracy; and ultimately experienced a lifetime's worth of education about the challenges and advantages of living in Mexico.The Golsons lived (and are still living) the dream of many -- not only of going off to a tropical paradise but also of building something beautiful, becoming a part of a new world, making lasting friends, and transforming their lives. As much about family and friendship as about house-building, "Gringos in Paradise" is an immensely readable and illuminating book about finding a personal paradise and making it a home.

    Aside from 10 kilograms of practicalities, she also lugged a load of sins in her swag.In the tradition of medieval believers, or scammers, who paid others to carry their sins to holy places, and so buy forgiveness, Ailsa asked her colleagues and friends to donate a sin. She then shouldered them across country, being taunted and tempted by them along the way, and trying to discover the mysteries of faith. What is faith? Did she have it? Could she get it? Would she know it if she saw it?Sinning across Spain celebrates the call of the road, the possibilities for connection, and the simple act of putting one foot down – and then the other, and repeat – for more than a thousand kilometres of dusty road.

    Eloquent, astute, nimble with history and deftly amusing, Travels in a Thin Country established Sara Wheeler as one of the very best travel writers in the world.

    There was the location: an impoverished, nuclear waste-riddled area of the American Midwest. There was her mother, a woman who speaks almost entirely in strange koans and warnings of impending danger. Above all, there was her gun-toting, guitar-riffing, frequently semi-naked father, who underwent a religious conversion on a submarine and discovered a loophole which saw him approved for the Catholic priesthood by the future Pope Benedict XVI - despite already having a wife and children.When the expense of a medical procedure forces the 30-year-old Patricia to move back in with her parents, husband in tow, she must learn to live again with her family's simmering madness, and to reckon with the dark side of a childhood spent in the bosom of the Catholic Church. Told with the comic sensibility of a brasher, bluer Waugh or Wodehouse, this is at the same time a lyrical and affecting story of how, having ventured into the underworld, we can emerge with our levity and our sense of justice intact.

    Recounts how the author, an Austrian, escaped from an English internment camp in India in 1943 and spent the next seven years in Tibet, observing its social practices, religion, politics, and people.

    So when James Campbell's cousin Heimo Korth asked him to spend a summer building a cabin in the rugged Interior, Campbell hesitated about inviting his fifteen-year-old daughter, Aidan, to join him: Would she be able to withstand clouds of mosquitoes, the threat of grizzlies, bathing in an ice-cold river, and hours of grueling labor peeling and hauling logs?But once there, Aidan embraced the wild. She even agreed to return a few months later to help the Korths work their traplines and hunt for caribou and moose. Despite windchills of 50 degrees below zero, father and daughter ventured out daily to track, hunt, and trap. Under the supervision of Edna, Heimo's Yupik Eskimo wife, Aidan grew more confident in the woods.Campbell knew that in traditional Eskimo cultures, some daughters earned a rite of passage usually reserved for young men. So he decided to take Aidan back to Alaska one final time before she left home. It would be their third and most ambitious trip, backpacking over Alaska's Brooks Range to the headwaters of the mighty Hulahula River, where they would assemble a folding canoe and paddle to the Arctic Ocean. The journey would test them, and their relationship, in one of the planet's most remote places: a land of wolves, musk oxen, Dall sheep, golden eagles, and polar bears.At turns poignant and humorous, Braving It is an ode to America's disappearing wilderness and a profound meditation on what it means for a child to grow up--and a parent to finally, fully let go.

    But, after a broken engagement and a broken heart, he desperately needed a change of scenery. The ambitious plan he cooked up went a bit overboard in that department; Knighton set out to visit every single one of America's National Parks, from Acadia to Zion. Leave Only Footprints is the memoir of his year spent traveling across the United States, a journey that yielded his "On the Trail" series, which quickly became one of CBS Sunday Morning's most beloved segments. In this smart, informative, and often hilarious book, he'll share how his journey through these natural wonders, unchanged by man, ended up changing his worldview on everything from God to politics to love and technology. Whether it's waking up early for a naked scrub in an Arkansas bathhouse or staying up late to stargaze along our loneliest highway, Knighton goes behind the scenery to provide an unfiltered look at America. In the tradition of books like A Walk in the Woods or Turn Right at Machu Picchu, this is an irresistible mix of personal narrative and travelogue-some well-placed pop culture references, too-and a must-read for any of the 331 million yearly National Parks visitors.

    The following winter, her dismembered remains were found buried in a seaside cave. The seven months in between had seen a massive search for the missing girl, involving Japanese policemen; British private detectives; Australian dowsers; and Lucie's desperate, but bitterly divided, parents. As the case unfolded, it drew the attention of prime ministers and sado-masochists, ambassadors and con-men, and reporters from across the world. Had Lucie been abducted by a religious cult, or snatched by human traffickers? Who was the mysterious man she had gone to meet? And what did her work, as a "hostess" in the notorious Roppongi district of Tokyo, really involve?Richard Lloyd Parry, an award-winning foreign correspondent, followed the case since Lucie's disappearance. Over the course of a decade, he traveled to four continents to interview those caught up in the story, fought off a legal attack in the Japanese courts, and worked undercover as a bartender in a Roppongi strip club. He talked exhaustively with Lucie's friends and family and won unique access to the Japanese detectives who investigated the case. And he delved into the mind and background of the man accused of the crime--Joji Obara, described by the judge as "unprecedented and extremely evil." With the finesse of a novelist, he reveals the astonishing truth about Lucie and her fate. People Who Eat Darkness is, by turns, a non-fiction thriller, a courtroom drama, and the biography of both a victim and a killer. It is the story of a young woman who fell prey to unspeakable evil, and of a loving family torn apart by grief. And it is a fascinating insight into one of the world's most baffling and mysterious societies, a light shone into dark corners of Japan that the rest of the world has never glimpsed before.

     A relatable must-read for anyone who has lost a loved one, this memoir lights the way to afterlife and afterdeath where forgiveness supersedes pain, blame, remorse and regret. In her effort to understand the generational effects of alcoholism and subsequent dysfunctional adult relationships, Marlayna takes her youngest son and her father's ashes on a personal journey, embarking on an emotional voyage to both physical and mental states of being. She confronts her own existence as a mother and a daughter, seeking and ultimately finding peace with her disappointment, anger, failed marriage, and complex relationships with her own four children.

    I wish that you will visit Iran so you will see for yourself about my country. WE ARE NOT TERRORISTS!!! Please come to my city, Shiraz. It is very famous as the friendliest city in Iran, it is the city of poetry and gardens and wine!!!Your Persian friend,HabibIntrigued, Lois decides to ignore the official warnings against travel (and the warnings of her friends and family) and sets off alone on a 3,000 mile ride from Tabriz to Shiraz, to try to uncover the heart of this most complex and incongruous country. Along the way, she meets carpet sellers and drug addicts, war veterans and housewives, doctors and teachers - people living ordinary lives under the rule of an extraordinarily strict Islamic government.Revolutionary Ride is the story of a people and a country. Religious and hedonistic, practical and poetic, modern and rooted in tradition - and with a wild sense of humour and appreciation of beauty despite the comparative lack of freedom - this is the true story of real contemporary Iran.