After meeting an I rishwoman in London and moving to Dublin, Bill Barich—a “blow-in,” or stranger, in Irish parlance—found himself looking for a traditional I rish pub to be his local. There are nearly twelve thousand pubs in Ireland, so he appeared to have plenty of choices. He wanted a pub like the one in John Ford’s classic movie, The Quiet Man, offering talk and drink with no distractions, but such pubs are now scare as publicans increasingly rely on flat-screen televisions, rock music, even Texas Hold ’Em to attract a dwindling clientele. For Barich, this signaled that something deeper was at play—an erosion of the essence of Ireland, perhaps without the Irish even being aware. A Pint of Plain is Barich’s witty, deeply observant portrait of an Ireland vanishing before our eyes. Drawing on the wit and wisdom of Flann O’Brien (the title comes from one of his poems), James Joyce, Brendan Behan, and J. M. Synge, Barich explores how I rish culture has become a commodity for exports for such firms as the I rish Pub Company, which has built some five hundred “authentic” Irish pubs in forty-five countries, where “authenticity is in the eye of the beholder.” The tale of Arthur Guinness and the famous brewery he founded in the mid-eighteenth century reveals the astonishing fact that more stout is sold in Nigeria than in Ireland itself. While 85 percent of the I rish still stop by a pub at least once a month, strict drunk-driving laws have helped to kill business in rural areas. Even traditional I rish music, whose rich roots “connect the past to the present and close a circle,” is much less prominent in pub life. I ronically, while I rish pubs in the countryside are closing at the alarming rate of one per day, plastic I PC-type pubs are being born in foreign countries at the exact same rate. From the famed watering holes of Dublin to tiny village pubs, Barich introduces a colorful array of characters, and, ever pursuing craic, the ineffable Irish word for a good time, engages in an unvarnished yet affectionate discussion about what it means to be Irish today.

    Within three generations of the foundation of the Belgian Royal House in 1831, Coburgs had tarried into almost every royal family in Europe. Perhaps the most extraordinary thing about the throne of Belgium is that it ever came into being: created after the successful rebellion against the Dutch, handed to an imported German prince, it was hoped, without much enthusiasm, that it would weld together a new nation of disparate and quarrelsome elements. It has survived to the present, in an era which has seen older and seemingly more secure dynasties vanish. The first Coburg of Belgium, Leopold I, as that 'Dear Uncle' to whom Queen Victoria was so abjectly devoted in the early years of her reign. Cheated by the death of his first wife, Charlotte, Princess of Wales, daughter of George IV and Queen Caroline, from becoming Prince Consort to the Queen of England, the resilient Leopold of Saxe-Coburg not only became the constitutional monarch of Belgium but married the daughter of the King of France. With this the Coburgs were well launched on a climb from their petty German principality to position of enormous world power. Leopold I's son, Leopold II, vastly enriched the family fortunes by his avaricious plunder of the Congo and scandalised Europe with his sexual promiscuity. In fact, not until the reign of 'Albert of the Belgians' (1909-34) and his beloved Queen Elisabeth, did the royal Coburgs prove themselves a very endearing family.

    1 bestselling author of The Cow Book.

    Written in an entertaining, educational and assessible style, this biography is an accurate and well-researched portrayal of the man.

    The chafing restrictions of a typical upbringing in upper-class, small town Alabama simply did not apply to Zelda, who was described as an unusual child and permitted to roam the streets with little supervision. Zelda refused to blossom into a typical 'Southern belle' on anyone's terms but her own and while still in high school enjoyed the status of a local celebrity for her shocking behavior. Everybody in town knew the name Zelda Sayre. Queen of the Montgomery social scene, Zelda had a different beau ready and willing to show her a good time for every day of the week. Before meeting F. Scott Fitzgerald, Zelda's life was a constant pursuit of pleasure. With little thought for the future and no responsibilities to speak of, Zelda committed herself fully to the mantra that accompanied her photo in her high school graduation book: "Why should all life be work, when we all can borrow. Let's think only of today, and not worry about tomorrow." But for now Zelda was still in rehearsal for her real life to begin, a life she was sure would be absolutely extraordinary. Zelda Sayre married F. Scott Fitzgerald on the 3rd of April 1920 and left sleepy Montgomery behind in order to dive headfirst into the shimmering, glamourous life of a New York socialite. With the publication of Scott's first novel, This Side of Paradise, Zelda found herself thrust into the limelight as the very epitome of the Flapper lifestyle. Concerned chiefly with fashion, wild parties and flouting social expectations, Zelda and Scott became icons of the Jazz Age, the personification of beauty and success. What Zelda and Scott shared was a romantic sense of self-importance that assured them that their life of carefree leisure and excess was the only life really worth living. Deeply in love, the Fitzgeralds were like to sides of the same coin, each reflecting the very best and worst of each other. While the world fell in love with the image of the Fitzgeralds they saw on the cover of magazines, behind the scenes the Fitzgerald's marriage could not withstand the tension of their creative arrangement. Zelda was Scott's muse and he mercilessly mined the events of their life for material for his books. Scott claimed Zelda's memories, things she said, experiences she had and even passages from her diary as his possessions and used them to form the basis of his fictional works. Zelda had a child but the domestic sphere offered no comfort or purpose for her. The Flapper lifestyle was not simply a phase she lived through, it formed the very basis of her character and once the parties grew dull, the Fitzgeralds' drinking became destructive and Zelda's beauty began to fade, the world held little allure for her. Zelda sought reprieve in work and tried to build a career as a ballet dancer. When that didn't work out she turned to writing but was forbidden by Scott from using her own life as material. Convinced that she would never leave her mark on the world as deeply or expressively as Scott had, Zelda retreated into herself and withdrew from the people she knew in happier times. The later years of Zelda's life were marred by her detachment from reality as, diagnosed with schizophrenia, Zelda spent the last eighteen years of her life living in and out of psychiatric hospitals. As Scott's life unraveled due to alcohol abuse, Zelda looked back on the years they had spent together, young and wild and beautiful, as the best of her life. She may have been right but she was wrong about one thing, Zelda did leave her mark on the world and it was a deep and expressive mark that no one could have left but her. Zelda Fitzgerald: The Biography

    A new memoir from the author of Irish bestseller Staring at Lakes, which was received the Book of the Year Award at the BGE Irish Book Awards 2013

    to the gritty realism of Saving Private Ryan, the films of Steven Spielberg have captured the imagination of the world. Renowned critic Richard Schickel now gives us the definitive illustrated monograph on this Oscar®-winning Hollywood icon, whose long and glittering career few directors have equaled.  Spielberg is one of the most influential and inspirational minds in cinema, and Schickel provides perceptive analysis of nearly 40 years' worth of work, with illuminating film-by-film commentary on such masterpieces as the underwater thriller, Jaws; the high-speed adventures of Indiana Jones; the harrowing Schindler's List; sci-fi classic Close Encounters of the Third Kind; and the recent releases Tintin and War Horse. The book culminates with the long-awaited Lincoln and features over 250 dynamic images, plus revealing behind-the-scenes photos from DreamWorks's archives.

    In the early eighteenth century, the Pirate Republic was home to some of the great pirate captains, including Blackbeard, "Black Sam" Bellamy, and Charles Vane. Along with their fellow pirates—former sailors, indentured servants, and runaway slaves—this "Flying Gang" established a crude but distinctive democracy in the Bahamas, carving out their own zone of freedom in which servants were free, blacks could be equal citizens, and leaders were chosen or deposed by a vote. They cut off trade routes, sacked slave ships, and severed Europe from its New World empires, and for a brief, glorious period the Republic was a success.

    It is also more open to balanced examination now--at the end of its long war in the north of Ireland--than it was even a few years ago.Richard English's brilliant book offers a detailed history of the IRA, providing invaluable historical depth to our understanding of the modern-day Provisionals, the more militant wing formed in 1969 dedicated to the removal of the British Government from Northern Ireland and the reunification of Ireland.English examines the dramatic events of the Easter Rising in 1916 and the bitter guerrilla war of 1919-21, the partitioning of Ireland in the 1920s, and the Irish Civil War of 1922-23. Here, too, are the IRA campaigns in Northern Ireland and Britain from the 1930s through the 1960s. He shows how the Provisionals were born out of the turbulence generated by the 1960s civil rights movement, and examines the escalating violence that introduced British troops to the streets of Northern Ireland.He also examines the split in the IRA that produced the Provisionals, the introduction of internment in 1971, and the tragedy of Bloody Sunday in 1972. He then discusses the struggle over political status, culminating in the Hunger Strikes of the early 1980s and describes the Provisionals' emergence as a more committed political force throughout that decade, a politicization that made possible the peace process that has developed over the last decade.English offers a dazzling synthesis of the motives, actions and consequences of the IRA. Neither romanticizing the IRA nor condemning them outright, this is a balanced, definitive treatment of one of the world's leading revolutionary movements.

    He presents the ideological innovations and ethnic cleansings that abetted the spread of modern nationalism but also examines recent statesmanship that has allowed national interests to be channeled toward peace.“A work of profound scholarship and considerable importance.”—Timothy Garton Ash, St. Antony’s College, University of Oxford“Timothy Snyder’s style is a welcome reminder that history writing can be—indeed, ought to be—a literary pursuit.”—Charles King, Times Literary Supplement“A brilliant and fascinating analysis of the subtleties, complexities, and paradoxes of the evolution of nations in Eastern Europe. It has major implications for all of us who want to understand the processes of state collapse and nation-building in the world.”—Samuel P. Huntington, Harvard Academy for International and Area Studies“Snyder’s ultimate query in this fresh and stimulating look at the path to nationhood is how the bitter experiences along the way, including the bitterest—ethnic cleansing—are to be overcome.”—Robert Legvold, Foreign Affairs

    This is a vividly-written, compelling narrative placing events in Ireland in the wider context of a world in turmoil after the ending of a global war: one that saw the collapse of empires and the rise of fascist Italy and communist Russia. Walsh shows how developments in Europe and America had a profound effect on Ireland, influencing the attitudes and expectations of combatants and civilians. Walsh also brings to life what Irish people who were not fully involved in the fighting were doing - the plays they went to, the exciting films they watched in the new cinemas, the books they read and the work they did. The freedom from Britain that most of them wanted was, when it came, a bitter disappointment to a generation aware of the promise of modernity.

    The royal mistress was at the center of that world -- admired for her beauty and sensuality; feared for the power she wielded; even vilified, envied, and resented. In times when women had very little power, the royal mistress had enormous influence, and yet she is seldom mentioned in official histories. In Cupid and the King, Her Royal Highness Princess Michael of Kent recounts the stories of five very different women, each of whom became a celebrated -- or notorious -- courtesan: Nell Gwyn, the bawdy, vivacious orange seller turned actress who endeared herself to Charles II -- and the country -- with her wit and down-to-earth manner Madame de Pompadour, the extravagant, elegant maitresse-en-titre of Louis XV who became one of the great patrons of her time while enraging the people of France Marie Walewska, who became Napoleon's mistress to save her country Lola Montez, the flamboyant, scandalous Irish beauty who reinvented herself as a Spanish aristocrat to win the heart of Ludwig I of Bavaria Lillie Langtry, the legendary beauty immortalized by the most famous artists of her day and the only woman to completely monopolize Edward, Prince of Wales, later Edward VII Written with an insider's keen understanding of court life and filled with delicious details born of impeccable research, Cupid and the King explores a little-known chapter of the history of women's roles in the royal bedrooms of Europe.

    Anselmi covers the bands and musicians that have impacted those styles most―Black Sabbath, Candlemass, Melvins, Eyehategod, Godflesh, Neurosis, Saint Vitus, and many others―while diving into the cultural doom that has spawned such music, from the bombing of Birmingham and hurricane devastation of New Orleans to glaring economic inequality, industrial alienation, climate change, and widespread addiction. Along the way, Anselmi interweaves the musical experiences that have led him to proudly identify as one of the doomed.

    This meticulously researched true-crime tale reads like a quintessential Victorian thriller and is perfect for fans of The Suspicions of Mr Whicher.One morning in November 1856 George Little, the chief cashier of the Broadstone railway terminus in Dublin, was found dead, lying in a pool of blood beneath his desk. His head had been almost severed; a knife lay nearby, but strangely the office door was locked, apparently from the inside. This was a deed of almost unheard-of brutality for the peaceful Irish capital: while violent crime was commonplace in Victorian London, the courts of Dublin had not convicted a single murderer in more than thirty years.From the first day of the police investigation it was apparent that this was no ordinary case. Detectives struggled to understand how the killer could have entered and then escaped from a locked room, and why thousands of pounds in gold and silver had been left untouched at the scene of the crime. Three of Scotland Yard’s most celebrated sleuths were summoned to assist the enquiry, but all returned to London baffled. It was left to Superintendent Augustus Guy, the head of Ireland's first detective force, to unravel the mystery.Five suspects were arrested and released, with every step of the salacious case followed by the press, clamouring for answers. Under intense public scrutiny, Superintendent Guy found himself blocked at almost every turn. But then a local woman came forward, claiming to know the murderer….

    For almost four centuries this astonishing story of a woman’s absolute power over the Vatican has been successfully buried—until now.