She's quick to dismiss the letter and focus instead on her busy day, amidst a preoccupied husband and eleven year-old-daughter. But the letter is only the beginning of a series of anonymous gifts, each more bizarre than the next, which shed light on a past long forgotten. Suspicious of her newfound admirer, Victoria soon finds herself trapped in a dangerous game of vengeance and betrayal, where her survival hangs in the very balance with every move that she makes.

    With characteristic narrative panache, Ackroyd immerses us in sixteenth-century Stratford and the rural landscape–the industry, the animals, even the flowers–that would appear in Shakespeare’s plays. He takes us through Shakespeare’s London neighborhood and the fertile, competitive theater world where he worked as actor and writer. He shows us Shakespeare as a businessman, and as a constant reviser of his writing. In joining these intimate details with profound intuitions about the playwright and his work, Ackroyd has produced an altogether engaging masterpiece.

    In Home, the Time Team expert explores the first nine thousand years of life in Britain, from the retreat of the glaciers to the Romans' departure. Tracing the settlement of domestic communities, he shows how archaeology enables us to reconstruct the evolution of habits, traditions and customs. But this, too, is Francis Pryor's own story: of his passion for unearthing our past, from Yorkshire to the west country, Lincolnshire to Wales, digging in freezing winters, arid summers, mud and hurricanes, through frustrated journeys and euphoric discoveries. Evocative and intimate, Home shows how, in going about their daily existence, our prehistoric ancestors created the institution that remains at the heart of the way we live now: the family.'Under his gaze, the land starts to fill with tribes and clans wandering this way and that, leaving traces that can still be seen today . . . Pryor feels the land rather than simply knowing it' - Guardian Former president of the Council for British Archaeology, Dr Francis Pryor has spent over thirty years studying our prehistory. He has excavated sites as diverse as Bronze Age farms, field systems and entire Iron Age villages. He appears frequently on TV's Time Team and is the author of The Making of the British Landscape, Seahenge, as well as Britain BC and Britain AD, both of which he adapted and presented as Channel 4 series.Show More Show Less

    Along the way, he has some fascinating tales to tell, making this a highly enjoyable read as well as a perceptive insight into our shared past, and vital for anyone who wants quickly and enjoyably to grasp the essential facts about Britain’s history.

    The Stuart Britain era, a notch on the timeline spanning roughly 1603-1714, is one of the most interesting times in the history of Britain. John Morrill's Stuart Britain: A Very Short Introduction brings us the major events, characters, and issues of the day. Special attention is given to the defeat King Charles I by the Parliamentary Army, and the successive waves of authoritarian Puritan, Protestant and Catholic rule which followed. Vividly illustrated and full of intriguing details, this is an ideal introduction to a fascinating time.

    This third edition introduces a new co-author, Nancy M. Wingfield, and has been fully updated to take into account recent and ongoing developments in the region.

    Each book contains descriptions of the period's food and clothes; customs and slang; occupations; common religious and political practices; and other historical details.

    Rebellious in spirit, conservative in philosophy, Nashe's brilliant and comic invective earned him a reputation as the 'English Juvenal' who 'carried the deadly stockado in his pen.' In its mingling of the devout and the bawdy, scholarship and slang, its brutality and its constant awareness of the immanence of death, his work epitomizes the ambivalence of the Elizabethans. Above all, Nashe was a great entertainer, 'his stories are told for pleasure in telling, his jokes are cracked for the fun of them, and his whole style speaks of a relish for living.'In addition to The Unfortunate Traveller, this volume contains Pierce Penniless, The Terrors of the Night, Lenten Stuff, and extracts from Christ's Tears over Jerusalem, The Anatomy of Absurdity, and other works.

    Highly popular and influential in the development of Elizabethan drama, it established a new genre in English theatre; the revenge play.

    The intellectual and spiritual worlds of women are also explored.Based on an abundance of research from the last twenty-five years, Medieval Women describes the diversity and vitality of English women's lives in the Middle Ages.

    He surveys new trends in theatre, including performance art, mixed-media stagings, multi-cultural theatre, feminism and theatre, dance theatre and ethnic drama, with a wealth of new illustrations and up-to-date reference material.

    Kenneth Morgan's Twentieth-Century Britain is a crisp analysis of the forces of consensus and conflict that have existed in Britain since the First World War. Using a wide variety of sources, including the records of political parties and recently released documents from Britain's Public Records Office, Kenneth Morgan covers the full scope of Britain's modern history while drawing thought-provoking comparisons with the post-war history of other nations. This penetrating analysis by a leading twentieth-century historian makes for fantastic reading for anyone interested in the development of modern Britain.

    Arguably, no literary work is more familiar to us. Everyone knows at least six words from Hamlet, and most people know many more. Yet the play—Shakespeare’s longest—is more than “passing strange,” and it becomes even more complex when considered closely.  Reading Hamlet alongside other writers, philosophers, and psychoanalysts—Carl Schmitt, Walter Benjamin, Freud, Lacan, Nietzsche, Melville, and Joyce—Simon Critchley and Jamieson Webster go in search of a particularly modern drama that is as much about ourselves as it is a product of Shakespeare’s imagination. They also offer a startling interpretation of the action onstage: it is structured around “nothing”—or, in the enigmatic words of the player queen, “it nothing must.”  From the illusion of theater and the spectacle of statecraft to the psychological interplay of inhibition and emotion, Hamlet discloses the modern paradox of our lives: how thought and action seem to pull against each other, the one annulling the possibility of the other. As a counterweight to Hamlet’s melancholy paralysis, Ophelia emerges as the play’s true hero. In her madness, she lives the love of which Hamlet is incapable. Avoiding the customary clichés about the timelessness of the Bard, Critchley and Webster show the timely power of Hamlet to cast light on the intractable dilemmas of human existence in a world that is rotten and out of joint.

    Everyone but him.Life for bonny and kind-hearted Kenna Gordon can't get much worse after her home, the Castle Inverness, is sieged and her beloved father is executed for treason.A hostage in Queen Mary's court, Kenna's life is forfeit and she must obey the monarch or risk death. Thus, when she is commanded to marry a stranger named Robert Fraser, a loyal countryman and the son of a Laird, Kenna is powerless to resist.Renowned warrior Robert is astonished by Kenna's beauty and his primal desires are soon unleashed. He doesn't care where she came from--he desires her regardless.Sadly, the court is not very fond of her. Suspicion follows her wherever she goes. Kenna's past continues to plague her and a mysterious enemy is resolute in their mission to ensure that Kenna's family's treachery is never forgotten.Will Robert succumb to the rumours too? Or will he be the only person standing in the way of Kenna and the gallows?Highlander's Haunted Past, has over 80,000 words packed with romance, treachery, and emotion set on the beautiful backdrop of the Scottish Highlands. Get your copy TODAY for 99c OR FREE With Kindle Unlimited! Enjoy!

    This edition offers his five major plays, which show the radicalism and vitality of his writing in the few years before his violent death. Tamburlaine Part One and Part Two deal with the rise to world prominence of the great Scythian shepherd-robber; The Jew of Malta is a drama of villainy and revenge; Edward II was to influence Shakespeare's Richard II. Doctor Faustus, perhaps the first drama taken from the medieval legend of a man who sells his soul to the devil, is here in both its A- and its B- text, showing the enormous and fascinating differences between the two. Under the General Editorship of Dr. Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. In addition, there is a scholarly introduction and detailed annotation.