The readings are recorded live at Peter Norton Symphony Space in New York City. The Selected Shorts radio series is a co-production of Symphony Space and WNYC, New York Public Radio, and is heard on public radio stations nationwide."

    Judith had neither. Her father had been a friend to Balthazar’s father. She was now an orphan, though she was no trembling waif-child. At twenty-two she was too old for such a designation. Nevertheless, the loss of her father and the subsequent funeral and the settling of his accounts had depleted their already meager purse. Judith’s father had gifted his only daughter fine frocks and hair combs, but that was years ago, before his luck turned, and the vast majority of such gifts had been sold.Judith found herself with a terribly small inheritance and no way to supplement this dismal income. That is, until she was summoned by Balthazar’s mother.

    The narrator describes the frustration that the people of the community have with the artist, who is not only painting over one of their favorite places to play, relax in the shade, and hold on to the memories of a lost friend, but the artist is unwilling to accept the hospitality from anyone who tries to offer her food, or find out what she is up to. When the narrator and Lou go out into the country to meet up with their grandmother, they learn about graffiti from dad and grandmother who are watching the news, and they decide that they are going to deface the painting when they return back to Taliaferro Street. When they return, however, they find that the mural was a beautiful picture that not only reminded the community of all of the things that they loved about the wall, but celebrated the vibrant cultural richness of their community.

    In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal).In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds.In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.

    Contentsvii • Introduction (Morning Child and Other Stories) • essay by Gardner Dozois1 • Morning Child • (1984) • shortstory by Gardner Dozois10 • A Special Kind of Morning • (1971) • novelette by Gardner Dozois59 • The Hanging Curve • (2002) • shortstory by Gardner Dozois73 • A Kingdom by the Sea • (1972) • novelette by Gardner Dozois103 • A Dream at Noonday • (1970) • shortstory by Gardner Dozois119 • Ancestral Voices • (1998) • novella by Gardner Dozois and Michael Swanwick191 • Fairy Tale • (2003) • shortstory by Gardner Dozois210 • The Peacemaker • (1983) • shortstory by Gardner Dozois230 • Machines of Loving Grace • (1972) • shortstory by Gardner Dozois237 • Chains of the Sea • (1973) • novella by Gardner Dozois

    Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a – well what?

    From the author of the Hugo-winning "Six Months, Three Days," a new wrinkle on the old story of three wishes, set after the end of the world.

    Now, for the first time, editors Jason Sizemore and Lesley Conner are collecting the award winning and nominated stories, those chosen by readers as Story of the Year, and their own personal favorites into one anthology. A Veil that wipes the experiences of war from soldiers’ memories. A witch who faces down both God and the devil to save a soul. A swaying dance that crosses the galaxy to transmit a message. A vampire caught in a web of politics and law by his responsibility to his family. Within this collection, you will find 21 stories that explore what it means to love, to regret, to be human. With stories by Ursula Vernon, Ken Liu, Rachel Swirsky, Sarah Pinsker, Rich Larson, and more, Best of Apex Magazine: Volume 1 brings readers some of the best stories Apex Magazine has published so far.Cover art by Adrian Borda.TABLE OF CONTENTSJackalope Wives by Ursula VernonGoing Endo by Rich LarsonCandy Girl by Chikodili EmelumaduIf You Were a Dinosaur, My Love by Rachel SwirskyAdvertising at the End of the World Keffy R.M. KehrliThe Performance Artist by Lettie PrellA Matter of Shapespace by Brian TrentFalling Leaves by Liz ArgallBlood from Stone by Alethea KontisSexagesimal by Katharine E.K. DuckettKeep Talking by Marie VibbertRemembery Day by Sarah PinskerBlood on Beacon Hill by Russell NicholsThe Green Book by Amal El-MohtarL’esprit de L’escalier by Peter M. BallStill Life (A Sexagesimal Fairy Tale) by Ian TregillisBuild a Dolly by Ken LiuMulto by Samuel MarzioliArmless Maidens of the American West by Genevieve ValentinePocosin by Ursula VernonShe Gave Her Heart, He Took Her Marrow by Sam Fleming

    Content advisory: violence

    Tolkien, it was also reprinted in My Favorite Fantasy Story, in The Oxford Book of Fantasy Stories, in The Mammoth Book of Comic Fantasy and was finally released as free online fiction.

    A thief, a candlemaker, an ex-mercenary, and a pig farmer walk into a trap…and what happens to them is no joke. When Riyria is hired to retrieve a jester’s treasure, Royce and Hadrian must match wits with a dwarf who proves to be anything but a fool. Difficult choices will need to be made, and in the end those who laugh last do so because they are the only ones to survive.This is a standalone short story of 7,200 words, originally published in the Unfettered anthology. No prior knowledge of The Riyria Revelations or The Riyria Chronicles is required to enjoy it to its fullest, making this a perfect introduction for new readers or a chance for Riyria veterans to spend a little more time with old friends. The Jester is a story of adventure, bonds of friendship, and a recognition that the choices we make dictates the future we find.

    "Not enough to be useful, you know. Just glimpses. My wife dead, things like that to keep me up late at night. I had this vision that I was going to be killed by forty men, all at once. But now that you're here, I see they're all you. Durzo Blint."Durzo Blint? Gaelan had never even heard the name.***Gaelan Starfire is a farmer, happy to be a husband and a father; a careful, quiet, simple man. He's also an immortal, peerless in the arts of war. Over the centuries, he's worn many faces to hide his gift, but he is a man ill-fit for obscurity, and all too often he's become a hero, his very names passing into legend: Acaelus Thorne, Yric the Black, Hrothan Steelbender, Tal Drakkan, Rebus Nimble.But when Gaelan must take a job hunting down the world's finest assassins for the beautiful courtesan-and-crimelord Gwinvere Kirena, what he finds may destroy everything he's ever believed in.Word count: ~17,000

    While there have been exceptions, many Oprah authors are no more writer's writers than Kenny G is a saxophonist's saxophonist.The best way to find the hottest, most influential writers writing would be (1) to read every issue of every magazine that publishes new fiction, and (2) to read every good book that comes out. Which would work fine if you were Burgess Meredith in that episode of "The Twilight Zone" where everyone in the world disappears except this bookish guy who's left alone -- o, lovely briar patch -- inside a library. (Six words of advice: Take good care of your glasses.) Absent that, what do you do?I've said it before (in this very space), and I'll say it again: The best possible way to keep tabs on what's up with North American fiction is to buy, year in and year out, each year's volume of The Best American Short Stories and Prize Stories: The O. Henry Awards. Both collections have been around for more than 80 years, have had their ups (mostly artistic) and downs (mostly commercial), but are both currently enjoying commercial heydays. During the 1970s, BASS's sales sank to a series-threatening 7,000 copies a year, before it hit on some bright ideas that saved it. Beginning in 1978, instead of one editor choosing everything himself (Edward O'Brien, from 1915 to 1940) or herself (Martha Foley, from 1941 to 1977), a series editor winnowed the 3,000 or so published stories each year down to a stack of 120 (a task, says current series editor Katrina Kenison that has become much harder the past couple years than it was when she began in 1991, when she had to scrape to find 120 she thought were terrific). Then a guest editor picks 20 stories to include (this year's, Amy Tan, seems to have done an especially able job and wrote a smart and delightful introduction). Beginning in 1983 (with an Anne Tyler-edited edition that was one of the series's strongest), BASS began to be published simultaneously in both hardback and paperback editions. And in 1987, it began to feature short comments by the writers, talking about their stories. BASS (better selling than O. Henry in recent years) began consistently to sell over 100,000 copies a year.O. HENRY's nadir came more recently. Coinciding with BASS's resurgence, O. Henry, in the 1980s, became the American short story's poor, quirky stepchild. (Not in a good way.) But it received a major overhaul in 1997. A single editor (now Larry Dark) still, as has typically been the case, picks the 20 stories to include. But now, O. Henry also includes a list of 50 short-listed stories (with brief synopses) and comments by the authors of each year's anointed 20. Furthermore, three guest jurors (this year, Sherman Alexie, Stephen King, and Lorrie Moore), pick from those 20 a first, second, and third prize. Sales have zoomed.You could read this year's editions of these two indispensable annuals and -- without breaking a sweat (with no effort more strenuous than feeling the hairs on the back of your neck stand up, though I did, as did Tan, read most of these stories on a StairMaster) -- glean this exemplary shorthand of whom you should be reading, circa 1998-1999.Most Valuable Player: Alice Munro. Why (aside from the fact that she's the greatest living writer in English): Her story, "Save the Reaper," certainly the best short story I read last year, is one of only two included in both the 1999 BASS and O. Henry. In awarding it third prize in O. HENRY, Moore (whose "People Like That Are the Only People Here" was the only story included in both the 1998 BASS and O. Henry) discerns the story's parallels not only with Flannery O'Connor's "A Good Man Is Hard to Find" but also with the myths of Eros, Demeter, and Hermes. Moore writes that, in contrast to the O'Connor masterpiece, "[a]s always in the fictional world of Munro, a character's fate pivots not on the penitential moment but on the erotic one."Neither annual allows any writer to be represented by more than one story (a custom that became a rule when both Munro and Richard Bausch landed two gems apiece in BASS 1990), but Munro's "Cortes Island" is short-listed for both and "Before the Change" is short-listed in O. Henry. All three stories are collected in her National Book Critics Circle Award-winning book The Love of a Good Woman.MVP Runners-Up: Annie Proulx, Pam Houston, Lorrie Moore.Why: All three are included in both volumes. Proulx's story "The Bunchgrass Edge of the World" is included in BASS and short-listed in O. Henry, "The Mud Below" in O. Henry and short-listed in BASS. Both are included in Proulx's collection Close Range, which includes two other stories honored in previous years ("Brokeback Mountain" and "The Half-Skinned Steer") and, even in an amazing year for short story collections, is one of the year's most talked-about books.Houston is the year's most-cited story writer, with four: "Cataract" is included in O. Henry; "The Best Girlfriend You Never Had" is included BASS; two other stories ("Then You Get Up and Have Breakfast" and "Three Lessons in Amazon Biology") are short-listed in BASS. All are included in her collection Waltzing the Cat.In addition to serving as an O. Henry juror, Moore has a story, "Real Estate," included in BASS, and her story "Lucky Ducks" is short-listed there. Both are from the exquisite Birds of America.Rookie of the Year: Jhumpa Lahiri.Why: Her funny, gentle, heartbreaking story "Interpreter of Maladies" -- about a nonjudgmental part-time translator/part-time cabdriver in India, who takes an American family sightseeing, gets a decorous crush on the woman, and leads the children into endangerment at the hands of hanuman monkeys -- is the only other story in both volumes. Although Lahiri's work has appeared in The New Yorker, this story originally ran in The Agni Review -- a good journal, but one you may not regularly read. Both annuals had picked it for inclusion before the publication of Lahiri's first book, also called Interpreter of Maladies. The book is, justly, one of the sleeper successes of the year."Our record of discovery is pretty good," says BASS's Kenison. "Chances are, year in and year out, you'll pick up a volume and read a story by someone you've never heard of. The next year, that writer's everywhere you look."This year, that's Lahiri.Also receiving votes are these 18 writers, an intriguing mix of veterans and new voices, also either short-listed or included in both volumes (and if you want to be the savviest reader on your block, you'll read more of these people's work): Poe Ballantine, T. Coraghessan Boyle, Michael Byers, Kiana Davenport, Chitra Divakaruni, Nathan Englander, Mary Gaitskill, Tim Gautreaux (whose "The Piano Tuner," included in BASS and collected in his new book, Welding with Children, is my favorite non-Munro story in either book), Heidi Julavitz, Sheila Kohler, David Long, Steven Millhauser, Kent Nelson, Cynthia Ozick, Melissa Pritchard, John Updike (he's very good), David Foster Wallace (he's very smart), Joy Williams.—Mark Winegardner

    Besides the acclaimed, Hugo-winning title piece and its influential prequels, the 36 stories include the British SF Association Award winner "Cube Root", and eight "Year's Best" and "Best Of" anthology choices. SF, fantasy, horror, and unclassifiable Langford weirdness ranging from 1975 to 2003.Contents: *Introduction (Different Kinds of Darkness) (2004) • essay by David Langford *Heatwave (1975) / short story by David Langford *Accretion (1977) / short story by David Langford *Connections (1978) / short story by David Langford *Training (1979) / short story by David Langford *The Final Days (1981) / short story by David Langford *Answering Machine (1982) / short story by David Langford * Hearing Aid (1982) / short story by David Langford * Wetware (1984) / short story by David Langford * Cube Root (1985) / short story by David Langford * Notes for a Newer Testament (1985) / short story by David Langford *In a Land of Sand and Ruin and Gold (1987) / short story by David Langford *Ellipses (1990) / short story by David Langford *A Surprisingly Common Omission (1990) / short fiction by David Langford *A Snapshot Album (1991) / short story by David Langford *Leaks (1991) / short story by David Langford *Waiting for the Iron Age (1991) / short story by David Langford *Blossoms That Coil and Decay (1992) / short story by David Langford *A Game of Consequences (1998) / short story by David Langford *Logrolling Ephesus (2003) / short fiction by David Langford *Too Good to Be (1983) / short story by David Langford *In the Place of Power (1984) / short story by David Langford *The Arts of the Enemy (1992) / short story by David Langford *As Strange a Maze as E'er Men Trod (1998) / short story by David Langford *Cold Spell (1980) / short story by David Langford *3.47 AM (1983) / short story by David Langford *The Facts in the Case of Micky Valdon (1989) / short story by David Langford *The Motivation (1989) / short story by David Langford *Encounter of Another Kind (1991) / short story by David Langford *The Lions in the Desert (1993) / short story by David Langford *Deepnet (1994) / short story by David Langford *Serpent Eggs (1994) / short story by David Langford *Blood and Silence (1995) / short story by David Langford *Blit [Blit] (1988) / short story by David Langford * What Happened at Cambridge IV [Blit] (1990) / short story by David Langford * comp.basilisk FAQ [Blit] (1999) / short fiction by David Langford (variant of Comp.Basilisk FAQ) *Different Kinds of Darkness [Blit] (2000) / short story by David Langford *Original Appearances (Different Kinds of Darkness) (2004) • essay by uncredited.

    And no story about a young writer struggling to launch his career ever matched its subject matter better than the tale behind Leonard's Western oeuvre.In 1950, fresh out of college -- having written two "pointless" stories, as he describes them -- Leonard decided he needed to pick a market, a big one, which would give him a better chance to be published while he learned to write. In choosing between crime and Westerns, the latter had an irresistible pull -- Leonard loved movies set in the West. As he researched deeper into settings, Arizona in the 1880s captured his imagination: the Spanish influence, the standoffs and shootouts between Apache Indians and the U.S. cavalry ...His first dozen stories sold for 2 cents a word, for $100 each. The rest is history.This first-ever complete collection of Leonard's thirty Western tales will thrill lovers of the genre, his die-hard fans, and everyone in between -- and makes a terrific study of the launch of a phenomenal career.From his very first story ever published -- "The Trail of the Apache" -- through five decades of classic Western tales, The Complete Western Stories of Elmore Leonard demonstrates again and again the superb talent for language and gripping narrative that has made Leonard one of the most acclaimed and influential writers of our time.