Then one of them gave him a sharp sword, which was crooked like a sickle, and which she fastened to the belt at his waist; and another gave him a shield, which was brighter than any looking-glass you ever saw; and the third gave him a magic pouch, which she hung by a long strap over his shoulder.

    edition. British publication by Hart-Davis, McGibbon Ltd ('76).-- A companion to The Best of Myles, Further Cuttings culls more scathing selections from "Cruiskeen Lawn", Flann O'Brien's column in the Irish Times written under the pseudonym Myles na Gopaleen.-- This volume covers the years 1947-1957 and finds O'Brien's alter ego clashing with the law on numerous charges, including larceny, using bad language, and marrying without the consent of his parents. It also includes several bizarre obituaries, witty criticisms of George Bernard Shaw, Sean O' Faolain, and other literary figures, the return of the preposterous "Brother", and the first article ever ascribed to Myles (published in 1940).

    Nick Antosca's THE GIRLFRIEND GAME is a tumble through the looking glass into a vortex of violence and desire. The 12 stories in the newest collection by the Shirley Jackson Award-winning author are brutal, urgent and unforgettable.In "Predator Bait," a decoy in a sex sting news show questions her job and the man who shares her bed. An undependable son watches his mother become a creature he hardly recognizes in "Amphibian." A young man plots the death of his girlfriend's killer in "Winter Was Hard."Antosca crafts surreal doomsday scenarios and otherworldly transformations alongside painfully articulate depictions of sexuality and animal impulse. The stories in THE GIRLFRIEND GAME are mesmerizing, leaving a haunting afterglow long after you close the book.

    Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work? (Jacketless library hardcover.)

    No emotion. No sympathy. Only emptiness. Piper McAdams’s life was normal. Career? Check. Boyfriend? Check. Friends? Check. One unsettling run in with a homeless man turns everything from normal to terrifying. She begins seeing…things. Things she can’t seem to explain or make any sense. As if things aren’t already getting out of hand, Piper receives news that the only family member she has is dead. She thinks maybe a trip across the country to her hometown will get her away from all the strange events happening. After a late night accident, Piper isn’t in her hometown burying her loved one. She’s in a town called Hell. All she wants to do is leave, but the people seem to be holding her there for some reason. A reason she feels threatens her life. Around every corner things become darker and scarier. Can she escape what is coming for her?

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

    With and introduction by Wallace Brockway.

    *** Volume 1 plays a key role in the plot of the US movie Sex and the City. *** This Volume 2 includes love poems written by Matthew Arnold, Alfred Austin, Samuel Alfred Beadle, William Blake, Christopher Brennan, Lord Byron, Robert Burns, John Clare, Samuel Taylor Coleridge, Henry Constable, William Cowper, Michael Drayton, George Eliot, Thomas Ford, Stephen Foster, Robert Frost, Thomas Frost, Norman Rowland Gale, Johann Wolfgang von Goethe, Alfred P. Graves, Robert Herrick, Leigh Hunt, Benjamin Jonson, John Keats, Richard Lovelace, Pablo Neruda, Edgar Allen Poe, and William Shakespeare.

    For all her skills, Deenah is unable to identify the strange forces at work on the injury.To save her master's life, Deenah must join the young Warder for the area, Kaern, and an aging veteran tracker, as they set out on a manhunt into hostile lands.Rating: PG (some violent scenes)7000 words (approx. 21-28 pages)

    

    In The Shadow Of The Vampire offers a close up view of her devotees and disciples, fangs and all. Over 100 photographs from Anne Rice's Memnoch Ball in New Orleans as well as other events serve as a portrait of this growing subculture. The photographs illustrate the themes the readers relate to in their fantasies and everyday lives and the extremes to which they will go to be close to their mentor. The subjects of the photographs, the fans themselves, explain in accompanying interviews their spiritual relationships to romance, eroticism, loneliness, bloodlust or outsider status of the characters in the book. From the people who sleep in coffins to the teenage Goth-rockers to the HIV-positive man who found a deep allegorical comfort in the vampire Lestat, their responses range from the burlesque to the sublime.

    Harshwardhana, the leader, believes they will win…Until he falls upon a sinister secret of the dark forces.Centuries later… Prithvi Sen is a regular college-going boy. His growth from childhood to adulthood has been plagued by an uncanny disease. Although medicines have it under control, Prithvi feels that the illness hasn’t revealed its truest nature yet. During his existential crisis, a drastic series of events occur and bring the most unexpected twist into his life. Could there be a link between Prithvi and the Dharmayodhas?

    In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    Psychopathy is boring. Coldness is boring. She's interested in feeling, and when her stories turn violent (as they frequently do), it's with a surreal emotional barbarity that distorts the entire world. You can mop up blood with any fabric. Maggie's concern is with the wound left behind, because the wound never leaves-it haunts. As a result, each of these stories leaves a wound of its own. Some weep, watching as you try (and fail) to recover. Others laugh. But never without feeling."-B.R. Yeager, author of Negative Space"And once finished, I felt like my tongue had been misplaced, guts heavy and expanded ... gums numb with a tongue that'd been put elsewhere, my mouth clean around a pipe weaving up through pitch and shadow ... and well past ready, primed for delight, waiting but knowing I had already been filled to skin; crying shit, hearing piss, fingernails seeping bile, pores dribbling blood, soles slopping off and out to meet a drain mid-floor ..."-Christopher Norris, author of Hunchback '88

    The wind whistling through the eves, carrying the voices of the dead. The figure glimpsed briefly through the cracked window of a derelict house. Editor Jonathan Oliver brings horror home with a collection of haunted house stories by some of the finest writers working in the horror genre, including Joe R. Lansdale, Sarah Pinborough, Lisa Tuttle, Christopher Priest, Adam L. G. Nevill, Nicholas Royle, Chaz Brenchley, Christopher Fowler, Gary Kilworth, Weston Ochse, Eric Brown, Tim Lebbon, Nina Allan, Stephen Volk, Paul Meloy and more.