http://www.baenebooks.com/chapters/97...

    And when one had been in the vicinity small valuable objects disappeared. A robot's idea of order was to stack everything into one pile. Nonetheless, Bibleman had to order lunch from robots, since vending ranked too low on the wage scale to attract humans.

    Written may 1948.First published in Saturn, October 1957 as The Elephant Circuit.First collected into The Unpleasant Profession of Jonathan Hoag, 1959.

    Lovecraft. Written in August–September 1923, it was first published in Weird Tales, March 1924.The story is narrated by the scion of the Delapore family, who has moved from Massachusetts to his ancestral estate in England, known as Exham Priory. On several occasions, the protagonist and his cats hear the sounds of rats scurrying behind the walls. Upon investigating further, he finds that his family maintained an underground city for centuries and that the inhabitants of the city fed on human flesh, even going so far as to raise generations of human cattle, who eventually began to de-evolve due to their sub-human living conditions.

    Among the noteworthy contributors and their works are Stephen King's "The End of the Whole Mess," "The Pedestrian" by Ray Bradbury, and Arthur C. Clarke's "No Morning After." The first-ever apocalyptic fantasy about global warming, "The End of the World," appears here, in translation from Eugene Mouton's 1872 French-language original. "The Pretence," by Ramsey Campbell, questions the nature and structure of everyday life in the aftermath of a doomsday prediction. In addition, thought-provoking stories by Philip K. Dick, Kurt Vonnegut, Jr., Greg Bear, Erica L. Satifka, and others offer an end-of-the-world extravaganza for fans of science fiction, horror, and fantasy."These doomsday tales are highly original, thought provoking, and reality questioning. Recommended as a collection for fans of intriguing and eccentric sci-fi!" — Read Well

    It's not available anywhere else, and for a limited time, each download from Audible benefits educational charities at DonorsChoose.org.A few words from Neil: "Why tell ghost stories? Why read them or listen to them? Why take such pleasure in tales that have no purpose but, comfortably, to scare?"I don't know. Not really. It goes way back. We have ghost stories from ancient Egypt, after all, ghost stories in the Bible, classical ghost stories from Rome (along with werewolves, cases of demonic possession, and of course, over and over, witches). We have been telling each other tales of otherness, of life beyond the grave, for a long time; stories that prickle the flesh and make the shadows deeper and, most important, remind us that we live, and that there is something special, something unique and remarkable, about the state of being alive. Happy Halloween!""'What kind of story would you like me to tell you?' 'Well,' he said, thoughtfully, 'I don't think it should be too scary, because then when I go up to bed, I will just be thinking about monsters the whole time. But if it isn't just a little bit scary, then I won't be interested. And you make up scary stories, don't you?'"So begins this subtle, witty, deceptive little tale from master storyteller Neil Gaiman. Lock the doors, turn off the lights, and enjoy!Included in the anthology Impossible Monsters, edited by Kasey Lansdale.

    

    

    It was the first story by George R. R. Martin to be nominated for Hugo Award and Nebula Award.Recently it was included in published in 2003 GRRM anthology Dreamsongs collection: A RRetrospective (Volume I).

    It was first published in the May 17, 1952 issue of The New Yorker,[1] and was later featured in the collection Skin and Other Stories, published in 2000. It was adapted for television as part of Anglia Television's Tales of the Unexpected, broadcast on March 8, 1980.

    This story was originally published in Asimov's Science Fiction magazine in March 2007. It is available in The Best of Elizabeth Bear.

    Scott Fitzgerald's first book of short stories, Flappers and Philosophers, published in 1920 after his debut novel, This Side of Paradise. The main character, Samuel Meredith, is a man who, as Fitzgerald says, "is certain that at various times in his life hitable qualities were in his face, as surely as kissable qualities have ever lurked in a girl's face." From boarding school to the business world, he gets into confrontations that lead to him being punched in the face, and these four major conflicts in his life lead him to be the type of man about whom the narrator eventually says, "At the present time no one that I know has the slightest desire to hit Samuel Meredith...."

    This story was originally published in 1950 as "Death-by-Rain" in the magazine Planet Stories, and then in the collection The Illustrated Man. The story tells of four men who have crashed on a planet where it is always raining. As they try to reach the safety of the Sun Domes, they end up being driven insane by the endless rains.The story was republished in several collections and was incorporated into a film also titled The Illustrated Man.-- Wikipedia

    In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and often funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. In “Confido” a laboratory assistant’s magical invention promises to put his family on easy street at last. But is a machine that gives voice to our innermost thoughts and unspoken grievances really the key to happiness–or a direct line to despair? “Confido” and the thirteen other never-before-published pieces that comprise Look at the Birdie serve as an unexpected gift for devoted readers who thought that Kurt Vonnegut’s unique voice had been stilled forever–and provide a terrific introduction to his short fiction for anyone who has yet to experience his genius.