Justinian, the great law-giver, appears as a hateful tyrant, wedded to an ex-prostitute, Theodora; and Belisarius, the brilliant general whose secretary Procopius had been, is seen as the pliable dupe of his wife Antonina, a woman as corrupt and scheming as Theodora herself.

    In what is by far his most famous and influential work, Plutarch reveals the character and personality of his subjects and how they led ultimately to tragedy or victory. Richly anecdotal and full of detail, Volume I contains profiles and comparisons of Romulus and Theseus, Numa and Lycurgus, Fabius and Pericles, and many more powerful figures of ancient Greece and Rome. The present translation, originally published in 1683 in conjunction with a life of Plutarch by John Dryden, was revised in1864 by the poet and scholar Arthur Hugh Clough, whose notes and preface are also included in this edition. Publisher: Modern Library 2001 Author: Plutarch Translated by: John Dryden Volume: 1 Format: 816 pages, paperback ISBN: 9780375756764Theseus, Romulus, Lycurgus, Numa, Solon, Poplicola, Themistocles, Camillus, Pericles, Fabius, Alcibiadas, Coriolanes, Timoleon, Aemilius Paulus, Pelopidas, Marcellus, Aristides, Marcus Cato, Philopoemen, Flaminius, Pyrrhus, Caius Marius, Lysander, Sylla, Cimon, Lucullus, Nicias, Crassus

    Yet although no other individual has attracted so much speculation across the centuries, Alexander himself remains an enigma. Curtius' History offers a great deal of information unobtainable from other sources of the time. A compelling narrative of a turbulent era, the work recounts events on a heroic scale, detailing court intrigue, stirring speeches and brutal battles--among them, those of Macedonia's great war with Persia, which was to culminate in Alexander's final triumph over King Darius and the defeat of an ancient and mighty empire. It also provides by far the most plausible and haunting portrait of Alexander we possess: a brilliantly realized image of a man ruined by constant good fortune in his youth.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father.Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.

    Bryn Mawr Commentaries have been admired and used by Greek and Latin teachers at every level for twenty years. They provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation. The volumes in the series are modestly priced and remain in print indefinitely. The text in each volume is in either the original Greek or Latin, with grammatical and lexical commentary in English.

    Here is a new Loeb Classical Library edition of the great Roman poet's Odes and Epodes, a fluid translation facing the Latin text. Horace took pride in being the first Roman to write a body of lyric poetry. For models he turned to Greek lyric, especially to the poetry of Alcaeus, Sappho, and Pindar; but his poems are set in a Roman context. His four books of odes cover a wide range of moods and topics. Some are public poems, upholding the traditional values of courage, loyalty, and piety; and there are hymns to the gods. But most of the odes are on private themes: chiding or advising friends; speaking about love and amorous situations, often amusingly. Horace's seventeen epodes, which he called iambi, were also an innovation for Roman literature. Like the odes they were inspired by a Greek model: the seventh-century imabic poetry of Archilochus. Love and political concerns are frequent themes; here the tone is generally that of satirical lampoons. In his language he is triumphantly adventurous, Quintilian said of Horace;Content:Odes* Book I* Book II* Book III* Book IVHymn for a New AgeEpodes

    His exact dates are unknown, but he has often been considered a younger contemporary of Homer. This volume of the new Loeb Classical Library edition offers a general introduction, a fluid translation facing an improved Greek text of Hesiod's two extant poems, and a generous selection of testimonia from a wide variety of ancient sources regarding Hesiod's life, works, and reception.In "Theogony" Hesiod charts the history of the divine world, narrating the origin of the universe and the rise of the gods, from first beginnings to the triumph of Zeus, and reporting on the progeny of Zeus and of goddesses in union with mortal men. In "Works and Days" Hesiod shifts his attention to the world of men, delivering moral precepts and practical advice regarding agriculture, navigation, and many other matters; along the way he gives us the myths of Pandora and of the Golden, Silver, and other Races of Men.

    The Enneads bring together Neoplatonism--mystic passion and ideas from Greek philosophy--together with striking variants of the Trinity and other central Christian doctrines, to produce a highly original synthesis.

    Some of the major tales in the 'Fall of Troy' are: how the Amazonian Queen, Penthesileia, died for Troy; the death of Memnon; how Apollo slayed Achilles; and the death of Paris.

    He travelled widely in most of Asia Minor, Egypt (as far as Assuan), North Africa, Syria, the country north of the Black Sea, and many parts of the Aegean Sea and the mainland of Greece. He lived, it seems, for some time in Athens, and in 443 went with other colonists to the new city Thurii (in South Italy), where he died about 430. He was 'the prose correlative of the bard, a narrator of the deeds of real men, and a describer of foreign places' (Murray).Herodotus's famous history of warfare between the Greeks and the Persians has an epic dignity which enhances his delightful style. It includes the rise of the Persian power and an account of the Persian empire; a description and history of Egypt; and a long digression on the geography and customs of Scythia. Even in the later books on the attacks of the Persians against Greece there are digressions. All is most entertaining and produces a grand unity. After personal inquiry and study of hearsay and other evidence, Herodotus gives us a not uncritical estimate of the best that he could find.The Loeb Classical Library edition of Herodotus is in four volumes.

    The eloquent and dramatic epic poem captures the terrible anger of Achilles, "the best of the Achaeans," over a grave insult to his personal honor and relates its tragic result--a chain of consequences that proves devastating for the Greek forces besieging Troy, for noble Trojans, and for Achilles himself. The poet gives us compelling characterizations of his protagonists as well as a remarkable study of the heroic code in antiquity. The works attributed to Homer include the two oldest and greatest European epic poems, the Odyssey and the Iliad. These have been published in the Loeb Classical Library for three quarters of a century, the Greek text facing a faithful and literate prose translation by A. T. Murray. William F. Wyatt now brings the Loeb's Iliad up to date, with a rendering that retains Murray's admirable style but is written for today's readers.

    Not all the passages have survived, but in those that have the depth and diversity of genius are manifest. From a vicious, vituperative biography of Tiberius to the more straightforward accounts of Gaius (Caligula), Claudius and Nero, which reveal an extraordinary gift for pictorial description, the Annals carry conviction both as a work of art and as a history. Michael Grant's tranlation of The Annals is a fine one. It captures the emotional patriotism of Tacitus's moral tone, offset by a lucid understanding that Rome is doomed, and conveys with vigor the lives of the great emperors who laid the foundations of modern Europe.

    Dover examines the two versions of the play, recounts the history of the text, and analyzes a number of problems surrounding the play's overall interpretation, including the Greek notion of right and wrong, the purpose of the chorus, and Aristophanes' sexual jokes.

    [captures] the relentless urgency of Lucretius' didacticism, his passionate conviction and proselytizing fervour.' --The Classical Review

    Suetonius Tranquillus, born ca. 70 CE), son of a military tribune, was at first an advocate and a teacher of rhetoric, but later became the emperor Hadrian's private secretary, 119-121. He dedicated to C. Septicius Clarus, prefect of the praetorian guard, his "Lives of the Caesars." After the dismissal of both men for some breach of court etiquette, Suetonius apparently retired and probably continued his writing. His other works, many known by title, are now lost except for part of the "Lives of Illustrious Men" (of letters).Friend of Pliny the Younger, Suetonius was a studious and careful collector of facts, so that the extant lives of the emperors (including Julius Caesar the dictator) to Domitian are invaluable. His plan in "Lives of the Caesars" is: the emperor's family and early years; public and private life; death. We find many anecdotes, much gossip of the imperial court, and various details of character and personal appearance. Suetonius's account of Nero's death is justly famous.The Loeb Classical Library edition of Suetonius is in two volumes. Both volumes were revised throughout in 1997-98, and a new Introduction added.