Not just a job for Ruby, it's a crusade and one she wants to bring to the High Street. Psychic Surveys is born. Based in Lewes, East Sussex, Ruby and her team of freelance psychics have been kept busy of late. Specialising in domestic cases, their solid reputation is spreading - it's not just the dead that can rest in peace but the living too. All is threatened when Ruby receives a call from the irate new owner of Highdown Hall. Film star Cynthia Hart is still in residence, despite having died in 1958. Winter deepens and so does the mystery surrounding Cynthia. She insists the devil is blocking her path to the light long after Psychic Surveys have 'disproved' it. Investigating her apparently unblemished background, Ruby is pulled further and further into Cynthia's world and the darkness that now inhabits it. For the first time in her career, Ruby's deepest beliefs are challenged. Does evil truly exist? And if so, is it the most relentless force of all?

    With stirring imagination and an eye for colorful detail, award-winner Matthew Thayer transports readers back to a European continent that is a sea of green, a sensory overload of natural beauty. Home to woolly mammoth, hairy rhino, wolf pack and forests without end, it is a land unspoiled.There is also danger and adventure at every turn. The book series 30,000 B.C. Chronicles begins with Bordeaux. Strong women, brave men and despicable villains, the characters rise to meet the many challenges of the ancient world. The memories they share of home and the scarred Earth they left behind paint an intriguing picture of mankind’s future.

    To understand any psychoanalyst's work--both as a clinician and as a writer--we should ask what he or she loves, because psychoanalysis is about the unacceptable and about love, two things that we may prefer to keep apart, but that Freud found to be inextricable. If it is possible to talk about psychoanalysis as a scandal, without spuriously glamorizing it, then one way of doing it is simply to say that Freud discovered that love was compatible, though often furtively, with all that it was meant to exclude. There are, in other words--and most of literature is made up of these words--no experts on love. And love, whatever else it is, is terror.In a manner characteristically engaging and challenging, charming and maddening, Adam Phillips teases out the complicity between desire and the forbidden, longing and dread. His book is a chronicle of that all-too-human terror, and of how expertise, in the form of psychoanalysis, addresses our fears--in essence, turns our terror into meaning.It is terror, of course, that traditionally drives us into the arms of the experts. Phillips takes up those topics about which psychoanalysis claims expertise--childhood, sexuality, love, development, dreams, art, the unconscious, unhappiness--and explores what Freud's description of the unconscious does to the idea of expertise, in life and in psychoanalysis itself. If we are not, as Freud's ideas tell us, masters of our own houses, then what kind of claims can we make for ourselves? In what senses can we know what we are doing? These questions, so central to the human condition and to the state of psychoanalysis, resonate through this book as Phillips considers our notions of competence, of a professional self, of expertise in every realm of life from parenting to psychoanalysis. Terrors and Experts testifies to what makes psychoanalysis interesting, to that interest in psychoanalysis--which teaches us the meaning of our ignorance--that makes the terrors of life more bearable, even valuable.

    Chris was universally recognized as the best pro wrestling had to offer: a decent, humble, and devoted family man loved and admired by all who knew him. Nobody could have predicted the horrific events of June 22-24, 2007 when Chris strangled his wife and seven-year old son before committing suicide. RING OF HELL is the true story of Benoit's journey through the destructive, dysfunctional, and bizarre pro wrestling industry and the catastrophic physical and mental breakdown that led to his grisly end.

    The novel is narrated in first-person streams of thought by a sharp-tongued poet with an irreverently honest voice. She is visiting professor of Slavic studies at Harvard and her exposure to American values and behaviors conspires with her yearning to break free from Ukrainian conventions. In her despair over a recently ended affair, she turns her attention to the details of her lover’s abusive behavior. In detailing the power her Ukrainian lover wielded over her, and in admitting the underlying reasons for her attraction to him, she begins to see the chains that have defined her as a Ukrainian woman – and in doing so, exposes and calls into question her country’s culture of fear and repression at the very time that it wrestled its way toward independence.“Oksana Zabuzhko is a well-known Ukrainian poet of the younger generation as well as a literary critic and translator. Fieldwork in Ukrainian Sex, her debut in the genre of the novel, marks the emergence of a powerful new voice in Ukrainian belles-lettres. This work immediately strikes the reader with its novelty of form and with the original way it presents eternal issues like love, life, and creativity, intertwining them with uniquely Ukrainian themes.” — Slavic and East European Journal“Language — any language — that’s what I would call the capital love of my life: nothing else has the power to synthesize music and myth, two things without which the world would be a totally unlivable place.” — Oksana ZabuzhkoFieldwork in Ukrainian Sex was first published in Ukraine in 1996, unleashing a storm of controversy and propelling the author to national fame. It topped the bestseller list in Ukraine for more than ten years, making it the most successful Ukrainian-language book of the nineties in every regard. Today, Oksana Zabuzhko is one of the few authors in Ukraine (and the only Ukrainian-language writer) to make a living exclusively from her writing.

    Now, you can enjoy the full taste of your favorite fried foods—without any of the guilt—when you whip up easy meals in minutes with The Super Easy Air Fryer Cookbook.

    Her life was everything she wanted it to be; until one fateful night changed everything – leaving her broken and without direction. Nearly a year later, she still has little faith in anyone or anything. Desperate to reclaim her life’s ambition, she takes an unexpected offer that promises to solve all her problems. But as Mia moves forward, she’s faced with obstacles she couldn’t have foreseen. The biggest of them lies within the mystery of Ethan Fitzgerald; a man who affects her like no other, but who she should avoid pursuing, at all costs. On a mission himself, Ethan Fitzgerald didn’t care who he pissed off on his road to fulfill his mother’s dying wish. He relied on himself, and was closed off to the world around him – until Mia Ryan walked through his door. Normally one to avoid messy emotions, Ethan’s world is turned upside down by Mia, and he can’t seem to get enough of her. There are lines you can cross that will change the course of your life forever …

    Perfect for the fans of Jane Costello and Milly Johnson. Lizzie Greene is about to lose everything when her husband suddenly dies and his debts come to light. To make ends meet she opens up her quirky old house to be used as a set for a film based on a bestselling romance novel. Her life and household are turned upside down when a whole cast of colourful characters enters her family's lives: from an enigmatic author, a handsome location scout, a brooding director, to a heart-throb leading man, never mind her now ex-mother-in-law camped out in her drive. As Lizzie delves deeper into the film's book, all is not as it seems. Will her desire to save her house and unravel the secrets of the past lead to new love, or to mortal danger?

    In a country where the law punishes and outlaws all forms of sex outside marriage, as well as homosexuality and prostitution, women have only two options for their sexual identities: virgin or wife. Sex and Lies is an essential confrontation with Morocco's intimate demons and a vibrant appeal for the universal freedom to be, to love and to desire.

    Manual for teaching yourself and your partner about sex.

    In the Caribbean sun, the champagne flows and the games of pain and pleasure never stop. Lisa is the perfectionist. Elliot, the client. In their meeting, they discover that Eden is a state of heart and mind where innocence and love can be recaptured.

    Craven. A psychopath takes Trick or Treating a step too far. And a woman's dream of a quiet life is shattered by a knock on the door.Afraid Of The Shadows is a collection of gripping- sometimes funny, always spooky- short stories from some of the biggest names in crime fiction.From possessed sweaters to creepy wardrobes and disco shape shifters, there’s something for everyone in this Halloween bucket of short story goodies making it the perfect companion to snuggle up with as the nights draw in. Though be warned, you might want to leave the lights on...****************************************************************CONTRIBUTORSAfraid Of The Shadows is brought to you by twenty bestselling crime and thriller writers who between them have topped the Sunday Times and Amazon charts, won the Crime Writers’ Association Diamond Dagger Award, Gold Dagger Award and New Blood Dagger Award, the Bath Novel Award, the UK National Book Awards and the WHSmith Best Crime Author of All Time Award.Special guests:M.W. CravenPeter JamesT.M. LoganMatt WesolowskiTrevor WoodRachael BlokElle Croft (Shortlisted for the 2021 CWA Short Story Dagger Award)Heather CritchlowJames Delargy (Shortlisted for the 2021 CWA Short Story Dagger Award)Clare EmpsonJo FurnissT.E. KinseyN.J. MackayS.R. MastersPhoebe MorganDominic Nolan (Shortlisted for the 2021 CWA Short Story Dagger Award)Robert Scragg (Shortlisted for the 2021 CWA Short Story Dagger Award)Victoria Selman (Shortlisted for the 2021 CWA Short Story Dagger Award)Kate SimantsAdam Southward (Longlisted for the 2021 CWA Short Story Dagger Award)****************************************************************Profits from the sale of Afraid Of The Shadows will be donated to the Barnardo's Children in Crisis Covid AppealThis delivers practical and emotional support to vulnerable children caught in a downward spiral of deprivation as a result of the coronavirus crisis.Children and families across the UK are increasingly in or on the brink of poverty as a result of coronavirus.The impact of the second wave is pushing a generation of the most vulnerable children into a downward spiral of deprivation. With your support Barnardo’s can deliver the practical and emotional support families in crisis need.

    Lost Girls is a portrait of unsolved murders in an idyllic part of America, of the underside of the Internet, and of the secrets we keep without admitting to ourselves that we keep them.

    They are told that in the name of sexual consent and feminist empowerment, they must proclaim their desires clearly and confidently. Sex researchers tell us that women don't know what they want. And men are on hand to persuade women that what they want is, in fact, exactly what men want. In this environment, how can women possibly know what they want—and how can they be expected to?In this elegantly written, searching book Katherine Angel surveys medical and psychoanalytic understandings of female desire, from Freud to Kinsey to present-day science; MeToo-era debates over consent, assault, and feminism; and popular culture, TV, and film to challenge our assumptions about female desire. Why, she asks, do we expect desire to be easily understood? Why is there not space for the unsure, the tentative, the maybe, the let's just see? In contrast to the endless exhortation to know what we want, Angel proposes that sex can be a conversation, requiring insight, interaction, and mutual vulnerability—a shared collaboration into the unknown.In this crucial moment of renewed attention to violence and power, Angel urges that we remake our thinking about sex, pleasure, and autonomy without any illusions of perfect self-knowledge. Only then will we bring about Michel Foucault's sardonic promise, in 1976, that "tomorrow sex will be good again."