Fay has gone back to primary documents: Shostakovich's many letters, concert programs and reviews, newspaper articles, and diaries of his contemporaries. An indefatigable worker, he wrote his arresting music despite deprivations during the Nazi invasion and constant surveillance under Stalin's regime. Shostakovich's life is a fascinating example of the paradoxes of living as an artist under totalitarian rule. In August 1942, his Seventh Symphony, written as a protest against fascism, was performed in Nazi-besieged Leningrad by the city's surviving musicians, and was triumphantly broadcast to the German troops, who had been bombarded beforehand to silence them. Alone among his artistic peers, he survived successive Stalinist cultural purges and won the Stalin Prize five times, yet in 1948 he was dismissed from his conservatory teaching positions, and many of his works were banned from performance. He prudently censored himself, in one case putting aside a work based on Jewish folk poems. Under later regimes he balanced a career as a model Soviet, holding government positions and acting as an international ambassador with his unflagging artistic ambitions. In the years since his death in 1975, many have embraced a view of Shostakovich as a lifelong dissident who encoded anti-Communist messages in his music. This lucid and fascinating biography demonstrates that the reality was much more complex. Laurel Fay's book includes a detailed list of works, a glossary of names, and an extensive bibliography, making it an indispensable resource for future studies of Shostakovich.

    While Vladimir Putin has been president and prime minister of Russia, the Kremlin has deployed the security services to intimidate the political opposition, reassert the power of the state, and carry out assassinations overseas. At the same time, its agents and spies were put beyond public accountability and blessed with the prestige, benefits, and legitimacy lost since the Soviet collapse.The security services have played a central— and often mysterious—role at key turning points in Russia during these tumultuous years: from the Moscow apartment house bombings and theater siege, to the war in Chechnya and the Beslan massacre. The security services are not all-powerful; they have made clumsy and sometimes catastrophic blunders. But what is clear is that after the chaotic 1990s, when they were sidelined, they have made a remarkable return to power, abetted by their most famous alumnus, Putin.

    The sudden and dramatic change left many people adrift and uncertain—but also full of a tentative but tenacious hope. Returning again and again to the provincial hinterlands of this rapidly evolving country from 1992 to 2008, Susan Richards struck up some extraordinary friendships with people in the middle of this historical drama. Anna, a questing journalist, struggles to express her passionate spirituality within the rules of the new society. Natasha, a restless spirit, has relocated from Siberia in a bid to escape the demands of her upper-class family and her own mysterious demons. Tatiana and Misha, whose business empire has blossomed from the ashes of the Soviet Union, seem, despite their luxury, uneasy in this new world. Richards watches them grow and change, their fortunes rise and fall, their hopes soar and crash.   Through their stories and her own experiences, Susan Richards demonstrates how in Russia, the past and the present cannot be separated. She meets scientists convinced of the existence of UFOs and mind-control warfare. She visits a cult based on working the land and a tiny civilization founded on the practices of traditional Russian Orthodoxy. Gangsters, dreamers, artists, healers, all are wondering in their own ways, “Who are we now if we’re not communist? What does it mean to be Russian?” This remarkable history of contemporary Russia holds a mirror up to a forgotten people. Lost and Found in Russia is a magical and unforgettable portrait of a society in transition.

    Galina’s artist father Mikhail has been kept away from the front to help save the treasures of the Hermitage. Its cellars could now provide a safe haven, provided Mikhail can navigate the perils of a portrait commission from one of Stalin’s colonels. Nearly 40 years later, Galina herself is a teacher at the Leningrad Art Institute. What ought to be a celebratory weekend at her forest dacha turns sour when she makes an unwelcome discovery. The painting she embarks upon that day will hold a grim significance for the rest of her life, as the old Soviet Union makes way for the new Russia and Galina’s familiar world changes out of all recognition. Warm, wise and utterly enthralling, Molly Gartland’s debut novel guides us from the old communist world, with its obvious terrors and its more surprising comforts, into the glitz and bling of 21st-century St. Petersburg. Galina’s story is at once a compelling page-turner and an insightful meditation on ageing and nostalgia.

    This work, which was published for the general public in the Western world a year after it was sent to its intended audience, beseeched the Soviet Union's authorities to Give them their ideology! Let the Chinese leaders glory in it for a while. And for that matter, let them shoulder the whole sackful of unfulfillable international obligations, let them grunt and heave and instruct humanity, and foot all the bills for their absurd economics (a million a day just to Cuba), and let them support terrorists and guerrillas in the Southern Hemisphere too if they like. The main source of the savage feuding between us will then melt away, a great many points of today's contention and conflict all over the world will also melt away, and a military clash will become a much remoter possibility and perhaps won't take place at all"--

    A prophetic play from pre-Revolutionary Russia.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Breathtaking and unputdownable, this story of courage and survival is perfect for fans of Before We Were Yours, Sold on a Monday and The Orphan’s Tale.1944, East Prussia. When the war comes to twelve-year-old Agnes’ village, she finds herself stuck between two terrifying armies. Everyone in her town has been forced to fight for the Nazis, and as the Red Army approaches every innocent woman and child is made to leave their home. Then tragedy strikes and Agnes and her brother Dieter find themselves completely alone in a vast, isolated woodland. Though she is terrified, Agnes knows that she must protect her brother, no matter the cost…Cambridge, present day. When her beloved grandfather dies, Freya is distraught. Not only has she lost the man who helped raise her, but she knows the story of his time as a pilot in World War Two, and her family’s history, is gone forever. But then Freya meets her new next-door neighbour Agnes, whose accent is just like her grandfather’s. She has a framed picture of a snow-covered castle that looks strangely familiar, and a weather-beaten image of a little blonde boy in braces and boots.Agnes vowed never to tell the painful story of the young boy who risked everything for her, even if Freya believes Agnes may hold the key to unlocking her own family’s secrets. But what Freya doesn’t realise is that Agnes’ past has the power to change everything she ever thought she knew about her family…

    Communist Party privilege protected her from the mass starvation and purges that haunted Russia, but she did not escape tragedy—the loss of everyone she loved, including her mother, two brothers, aunts and uncles, and a lover twice her age, deliberately exiled to Siberia by her father.As she gradually learned about the extent of her father’s brutality after his death, Svetlana could no longer keep quiet and in 1967 shocked the world by defecting to the United States—leaving her two children behind. But although she was never a part of her father’s regime, she could not escape his legacy. Her life in America was fractured; she moved frequently, married disastrously, shunned other Russian exiles, and ultimately died in poverty in Wisconsin.With access to KGB, CIA, and Soviet government archives, as well as the close cooperation of Svetlana’s daughter, Rosemary Sullivan pieces together Svetlana’s incredible life in a masterful account of unprecedented intimacy. Epic in scope, it’s a revolutionary biography of a woman doomed to be a political prisoner of her father’s name. Sullivan explores a complicated character in her broader context without ever losing sight of her powerfully human story, in the process opening a closed, brutal world that continues to fascinate us.Illustrated with photographs.

    Is Journalism Worth Dying For? is a long-awaited collection of her final writing.Beginning with a brief introduction by the author about her pariah status, the book contains essays that characterize the self-effacing Politkovskaya more fully than she allowed in her other books. From deeply personal statements about the nature of journalism, to horrendous reports from Chechnya, to sensitive pieces of memoir, to, finally, the first translation of the series of investigative reports that Politkovskaya was working on at the time of her murder—pieces many believe led to her assassination.Elsewhere, there are illuminating accounts of encounters with leaders including Lionel Jospin, Tony Blair, George W. Bush, and such exiled figures as Boris Berezovsky, Akhmed Zakaev,  Vladimir Bukovsky. Additional sections collect Politkovskaya’s non-political writing, revealing her delightful wit, deep humanity, and willingness to engage with the unfamiliar, as well as her deep regrets about the fate of Russia.

    Overy's engrossing book provides extensive details of teh slaughter, brutality, bitterness and destruction on the massive front from the White Sea to the flank of Asia.--Chicago Tribune The Russian war effort to defeat invading Axis powers, an effort that assembled the largest military force in recorded history and that cost the lives of more than 25 million Soviet soldiers and civilians, was the decisive factor for securing an Allied victory. Now with access to the wealth of film archives and interview material from Russia used to produce the ten-hour television documentary Russia's War, Richard Overy tackles the many persuasive questions surrounding this conflict. Was Stalin a military genius? Was the defense of Mother Russia a product of something greater than numbers of tanks and planes--of something deep within the Russian soul?

    No previous book, however, has explored the regime's effect on people's personal lives, what one historian called "the Stalinism that entered into all of us." Now, drawing on a huge collection of newly discovered documents, The Whisperers reveals for the first time the inner world of ordinary Soviet citizens as they struggled to survive amidst the mistrust, fear, compromises, and betrayals that pervaded their existence.Moving from the Revolution of 1917 to the death of Stalin and beyond, Orlando Figes re-creates the moral maze in which Russians found themselves, where one wrong turn could destroy a family, or perversely, end up saving it. He brings us inside cramped communal apartments, where minor squabbles could lead to fatal denunciations; he examines the Communist faithful, who often rationalized even their own arrest as a case of mistaken identity; and he casts a humanizing light on informers, demonstrating how, in a repressive system, anyone could easily become a collaborator.A vast panoramic portrait of a society in which everyone spoke in whispers--whether to protect their families and friends, or to inform upon them--The Whisperers is a gripping account of lives lived in impossible times.

    He likes to sit in the window, watch the birds, and eat three square meals a day. But what's a regular house cat to do if he falls in love with a beautiful street cat who has some very strange - and really rather dangerous - demands? Baguette must travel back through the Ocean of Time to the lost island of Catlantis. He must find a way to save the nine lives of all cats before it is too late. And he must outwit the wicked black cat Noir, who is hot on his tail. Only then can he hope to win the paw of Purriana...

    On Stalin's Team overturns this view, revealing that behind Stalin was a group of loyal men who formed a remarkably effective team with him from the late 1920s until his death in 1953. Drawing on extensive original research, Sheila Fitzpatrick provides the first in-depth account of this inner circle and their families. She vividly describes how these dedicated comrades-in-arms not only worked closely with Stalin, but also constituted his social circle. Stalin's team included the wily security chief Beria; Andreev, who traveled to provincial purges while listening to Beethoven on a portable gramophone; and Khrushchev, who finally disbanded the team four years after Stalin's death. Taking readers from the cataclysms of the Great Purges and World War II to the paranoia of Stalin's final years, On Stalin's Team paints an entirely new picture of Stalin within his milieu--one that transforms our understanding of how the Soviet Union was ruled during much of its existence.

    Their “motherland” has been the battlefield where some of the largest armies have clashed, the most savage battles have been fought, and the highest death tolls paid. Having prevailed over the Mongol hordes and vanquished Napoleon and Hitler, many Russians believe that no country on earth has sacrificed so much for the world. In Russia: The Story of War Gregory Carleton explores the belief in exceptionalism that pervades Russian culture and politics and shows how Russians have forged a distinct identity rooted in war.While outsiders view Russia as an aggressor, Russians themselves see a country surrounded by enemies, poised in a permanent defensive crouch as it fights off one invader after another. Time and again, history has called upon Russia to play the savior―of Europe, of Christianity, of civilization itself―and Russia’s victories, especially over the Nazis in World War II, have come at immense cost. Even its defeats, always suffered on behalf of just causes in this telling, have become a source of pride.War is the unifying thread of Russia’s national epic, the factor that transcends its wrenching ideological transformations from the archconservative Russian Empire to the radical-totalitarian Soviet Union to the pseudo-democratic Russian Federation. Today, as Vladimir Putin’s Russia asserts itself in ever bolder ways, knowing how the nation’s war-torn past inflects its self-image is essential to understanding Russia’s sense of place in history and in the world.