Through a caravan, the novel explores the whole of India of the 8th century A.D. covering the political, economical, artistic and spiritual life of the country. It uses some historical persons like Shankaracharya, Mandanamishra, Ubhaya Bharati and Kumarila Bhatta and institutions like Nalanda. It is a unique novel translated into Sanskrit and received by Sanskrit scholars like a work originally written in Sanskrit It is translated into Hindi and in English published by Oxford University Press,Chennai.

    The author has put together promising stories for every alphabet that are guaranteed to scare you out of your wits and question the presence of the supernatural.Pick up the book as the night crawls by for feeling those chills creeping up your skin and your heart beating out of your chest.

    A four-part organization covers: Some Primal and Bygone Religions, The Religions of South Asia, The Religions of E

    Entitled Songs in Time of War, Shared Ground, The Traveller and Seven Elements, the libretti take us all over the world - from Chinese and Indian poetry, to the beauty and quietness of the Wiltshire rectory where English poet George Herbert lived and died.Spanning centuries of creativity and humanity, the poems that form these libretti pulse with life, energy and inspired brilliance.They are accompanied by four pieces of calligraphy by the author.

    It’s about where they go from here, the changes they see in themselves and in other people in their lives and the choices they make. The choices make affects their relationships and shapes their personality.

    Sixty-eight-year-old Noni Appa finds herself drawn to a married man – ‘Why do people have to define relationships, underline each word till the paper gives way beneath,’ she wonders. Bablu Kewat becomes obsessed with sanitary napkins much to his family’s horror, and a young woman keeps checking the weather forecast as she meticulously plans each of her five weddings. Funny, observant and wise, this is storytelling at its most irresistible.

    A Man's search for his own self among a web of complex relationships, Girish Karnad’s Hayavadana was influenced by Thomas Mann’s The Transposed Heads, which in turn is borrowed from one of the Sanskrit Kathasaritasagara stories. Culture defines society and Karnad’s plays are a reflection of the culture in our society. Focusing on our folk culture, he takes inspiration from mythology and folklore. With Hayavadana, Karnad has taken us back to the myths and legends of the Hindu religion.

    Through the grueling course of circumstances, he is subjected to the bitter tests of life, where he fails to justify his one decision of parting ways with Mahek. But, when Mahek flashes out of his life, leaving him all alone, the guilt of not been forgiven by her, ruins his soul; and that frustration leads him into seclusion, devoid of even his best buddies Rohan and Rahul. Failed love, broken friendship, a hurt ego and lost soul Raj is doomed to darkness. With no ray of hope ahead, just when Raj is about to give up on life, he come across a note, written to him by his favorite professor, "Never give up Raj… Because… Every Raindrop is a Hope" which brings Raj face to face with his own self. Why Love that makes Life beautiful, turns into Satan? Why friendship one fine day loses all its meaning? Why on the crowded roads of Mumbai city, Raj finds himself walking all alone? Will Raj challenge Life and fight back with the sword of Hope or will he take the easy way out by succumbing to the arduous tests of time. ****************************************** About the Authors: Mansi Sharma Having a zeal to sail the vessel, till the river runs dry in the chase of her dreams; Mansi is a person who takes the challenges and surprises that life and destiny throws at her, with courage. Nesting big dreams from her childhood in the Beautiful City of Chandigarh, post her Graduation in Physics (Hons.) from PU, she moved to Pune for her Masters. An MBA Graduate from SCIT, Pune, Mansi is presently working in one of the top Indian Telcos. With a slice of painter, dash of an avid reader, a writer and an unexplored poet, she is an emotional and sensitive person. Sankalp Kohli Born and brought up in Kanpur, Sankalp is an MBA Graduate from NMIMS, Mumbai. An entrepreneurial soul with an imprint of a perfectionist, he is a workaholic, who believes in turning every single moment of life into something constructive and fruitful. Being an avid reader since the beginning, he eventually began giving his thoughts and ideas, the wings of words in the form of blogs. He is a person who holds his parents above all, especially his mother. All his dreams and aspirations are driven by his wish to make his parents feel proud. Other bestsellers from General Press: A Lot Like Love, Love Happens only Once, The Girl I Last Loved.

    The noble prince, accompanied by his brother Lakshmana and wife Sita, leaves for the forests. When Sita is abducted by Ravana, the demon-king of Lanka, it triggers off a series of events starting with the search for her and culminating in the cataclysmic battle between Rama and Ravana. What unfolds in between is a remarkable tale of divine reincarnations, fierce demons, powerful kings, magical weapons and amazing creatures ? all woven into the extraordinary and keystone Indian epic of good and evil, love and enmity, boons and curses, hardship and destiny. These retelling of the Ramayana, written especially for young readers by the inimitable Upendrakishore Ray Chowdhury, and checked and proofed originally by none other than Rabindranath Tagore.

    At the Taj Mahal, she meets Alan Davies, a charming Welshman. But a terrorist attack on Mathura’s renowned Krishna temple turns them into fugitives from justice and the duo must decipher a series of complex cryptographs and unearth the illustrious Shyamantaka that belonged to Surya, the Sun God, to prove their innocence. Joined in their quest by an elderly Frenchman, Anton Blanchard, the duo race against time in helicopters, motor boats and yachts. In hot pursuit are the brilliant and daring SP Nisha Sharma and the most ruthless terrorist organizations. Before she realizes it, Sangeeta is trapped in a world of betrayal, deceit and horror. Fast-paced and gripping, The Curse of Surya will keep you hooked and on the edge of your seat while you unravel one of the biggest mysteries in 5000 years.

    Supernatural magic is what our ancestors used in order to explain the world before they developed the scientific method. The ancient Egyptians explained the night by suggesting the goddess Nut swallowed the sun. The Vikings believed a rainbow was the gods’ bridge to earth. The Japanese used to explain earthquakes by conjuring a gigantic catfish that carried the world on its back—earthquakes occurred each time it flipped its tail. These are magical, extraordinary tales. But there is another kind of magic, and it lies in the exhilaration of discovering the real answers to these questions. It is the magic of reality—science.Packed with clever thought experiments, dazzling illustrations and jaw-dropping facts, The Magic of Reality explains a stunningly wide range of natural phenomena. What is stuff made of? How old is the universe? Why do the continents look like disconnected pieces of a puzzle? What causes tsunamis? Why are there so many kinds of plants and animals? Who was the first man, or woman? This is a page-turning, graphic detective story that not only mines all the sciences for its clues but primes the reader to think like a scientist as well.Richard Dawkins, the world’s most famous evolutionary biologist and one of science education’s most passionate advocates, has spent his career elucidating the wonders of science for adult readers. But now, in a dramatic departure, he has teamed up with acclaimed artist Dave McKean and used his unrivaled explanatory powers to share the magic of science with readers of all ages. This is a treasure trove for anyone who has ever wondered how the world works. Dawkins and McKean have created an illustrated guide to the secrets of our world—and the universe beyond—that will entertain and inform for years to come.

    There are stories of love and desire, adventure and magic, destructive gods, helpless humans, fantastical creatures, resourceful witches and the origins of birds and animals. This is a world of extremes, and one that resonates deeply with our own: mysterious diseases devastate cities; environmental disasters tear lives apart; women habitually suffer violence at the hands of men.Unlike in many previous collected myths, female characters take centre stage - Athena, Helen, Circe, Penelope and others weave these stories into elaborate imagined tapestries. In Charlotte Higgins's thrilling new interpretation, their tales combine to form a dazzling, sweeping epic of storytelling, and a magnificent work of scholarship and imagination.'Startlingly fresh... This excellent book should delight many generations of story lovers to come.' Guardian

    The author draws on the powerful imagery of painting, sculpture, and literature in this celebration of the Hindu goddess.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    The very same morning, Karthik, an up and coming young businessman is found shot dead in his car in the middle of the road — the only witness to the incident being his employee Drishti who was in the car with him at the time. The responsibility of getting behind the root of both incidents falls on Inspector Satyajit, an intrepid and honest police officer, and his team who get cracking on both cases immediately. But as the investigation proceeds further, the incidents and the stories of those involved get increasingly confused and murkier. What illegal deals was Karthik involved in? Did these deals cause his untimely death? How is all this connected to the housewife who was killed the same morning? What is the part played by the mysterious Gun Club in all these events? Follow Satyajit as he attempts to uncover these dubious questions.