Her powers were unremarkable compared to the amazing abilities of the costumed icons that populate the Marvel Universe. In a city of Marvels, Jessica Jones never found her niche. Now a chain-smoking, self-destructive alcoholic with a mean inferiority complex, Jones is the owner and sole employee of Alias Investigations - a small, private-investigative firm specializing in super-human cases. In her inaugural arc, Jessica's life immediately becomes expendable when she uncovers the potentially explosive secret of one hero's true identity. But her wit, charm and intelligence just may help her survive through another day. Thrust into the midst of a conspiracy that reaches the highest levels, has Jessica burned too many bridges to turn to old friends for help? Plus: Jessica travels to upstate New York to investigate the disappearance of a teenage girl rumored to be a mutant in a prejudiced small town, goes on a date with the Astonishing Ant-Man, teams up with Jessica Drew, the original Spider-Woman; and confronts the demons of her past. Collects Alias #1-28, What If? Jessica Jones had Joined the Avengers.

    The first issue, #0, was released in October 1994 by Fantagraphics Books, and a second issue, #1, was released the following January. A third issue (#2) was announced in the pages of other Fantagraphics publications and solicited in Previews but was never published. "I Was Killing When Killing Wasn't Cool", a color short story with a markedly different art style originally intended for issue #2, appeared instead in the anthology Zero Zero. In a 2010 interview, Columbia recalled that the unfinished issue "looked so different that it just didn’t look right, it didn’t look consistent, and it didn’t feel right to keep putting out that same comic book, to try to tell a story where the style is mutating."[1] The series' title is taken from a passage in the William S. Burroughs book Exterminator! (in the chapter "Short Trip Home"). The passage in question is quoted briefly in a story from issue #0, also titled "The Biologic Show".Each issue of The Biologic Show contains several short stories and illustrated poems. Many of the pieces deal with disturbing subject matter such as mutilation, incest, and the occult. Issue #0 introduces three of Columbia's recurring characters: the hapless, Koko the Clown-like Seymour Sunshine in the opening story "No Tomorrow If I Must Return", and the sibling duo Pim and Francie in "Tar Frogs". (Both "Tar Frogs" and the aforementioned "The Biologic Show" had originally appeared in the British comics magazine Deadline but were partially redrawn for Columbia's solo book.) Issue #1 is dominated by the 16-page Pim and Francie story "Peloria: Part One", intended as the start of an ongoing serial. It includes another character, Knishkebibble the Monkey-Boy, who reappears in Columbia's later work. Upon the demise of The Biologic Show Fantagraphics announced that Peloria would be released as a stand-alone graphic novel,[2] but this plan was also abandoned.

    Designing a suit for himself and taking the name "Kick-Ass," Dave decides to make his dreary existence more exciting - and maybe even help some people in the process. But with no special powers and outmatched by New York City's most hardened criminals, Kick-Ass might be in for a little more than he bargained for. With his super-hero secret identity gaining fans due to a popular viral video, and other masked vigilantes beginning to make their presence felt in the city, Dave knows that his extracurricular activity is dangerous, maybe even stupid - but he's got the itch, and it ain't going away.COLLECTING: Kick-Ass 1-8

    Accepting their demented challenge, Batman is forced to live and endure the personal hells of the Joker, Scarecrow, Poison Ivy, Two-Face, and many other sworn enemies in order to save the innocents and retake the prison. During his run through this absurd gauntlet, the Dark Knight's own sanity is placed in jeopardy. This special anniversary edition trade paperback also reproduces the original script with annotations by Morrison and editor Karen Berger.

    It is the chronicle of a girlhood and adolescence at once outrageous and familiar, a young life entwined with the history of her country yet filled with the universal trials and joys of growing up.Edgy, searingly observant, and candid, often heartbreaking but threaded throughout with raw humor and hard-earned wisdom--Persepolis is a stunning work from one of the most highly regarded, singularly talented graphic artists at work today.

    But she wasn't exactly one of the guys, either. She was somewhere in between. But with the forces of middle school, high school, parents, friendship, and romance pulling her this way and that, "the middle" wasn't exactly an easy place to be.Tomboy follows award-winning author and artist Liz Prince through her early years and explores—with humor, honesty, and poignancy—what it means to "be a girl."

    (Aramis has forsaken his musketeering ways, and Porthos...well, Porthos isn't around any more. Don't ask.) All this changes when one day the Martians attack Earth. Suddenly there is a need for swashes to be buckled, and Athos leaps back into the fray with a vengeance. Robots, evil alien emperors, beautiful alien princesses, rayguns vs. swords, treachery, secret corridors, insanely cool-looking robots...The Last Musketeer is vintage sci-fi adventure with a unique twist from an internationally acclaimed cartoonist.

    Nick Hammond and Anastasia Collins are the Mystery Society -- and bring new meaning to "underground cult" status! Stealthily avoiding the authorities, this skulduggery duo spend their time and money righting wrongs committed in the world's underbellies.