Trapped in a small, poverty-ridden town in 1933, under pressure from his father to go into the family business, seventeen-year-old Dominic Molise yearns to fulfill his own dreams.

    What begins as a story of a young married woman's turbulent affair with an older man rapidly devolves into a feverish, lyrical crash course in the anatomy of obsession. When Yaara meets Aryeh, her father's boyhood friend, she is instantly drawn to his impassive and archly assured presence. It is not long before she forsakes her devoted and well-meaning husband for the powerful, mysterious older man who seems to embody all that she lacks: will, strength, and the key to her parents' inaccessible pasts. They embark on a heated affair that soon spirals toward the destructive as Yaara finds that the things in Aryeh that attract her also repel her with equal intensity. With shocking immediacy, Shalev lays bare Yaara's struggle to navigate extreme terrain ranging from the sublime to the grotesque, the sacred to the profane, the liberating to the all-consuming. Love Life is cerebral, seductive, provocative, and profound.

    These are useful skills in the lawless backcountry of Brazil, where ruthless land barons called "colonels" feud with bands of outlaw cangaceiros, trapping innocent residents in the cross fire.Emília, whose knowledge of the world comes from fashion magazines and romance novels, dreams of falling in love with a gentleman and escaping to a big city.Luzia also longs to escape their little town, where residents view her with suspicion and pity. Scarred by a childhood accident that left her with a deformed arm, the quick-tempered Luzia finds her escape in sewing and in secret prayers to the saints she believes once saved her life.But when Luzia is abducted by a group of cangaceiros led by the infamous Hawk, the sisters' quiet lives diverge in ways they never imagined. Emília stumbles into marriage with Degas Coelho, the son of a doctor whose wealth is rivaled only by his political power.She moves to the sprawling seaside city of Recife, where the glamour of her new life is soon overshadowed by heartache and loneliness. Luzia, forced to trek through scrubland and endure a nomadic existence, proves her determination to survive and begins to see the cangaceiros as comrades, not criminals.In Recife, Emília must hide any connection to her increasingly notorious sister. As she learns to navigate the treacherous waters of Brazilian high society, Emília sees the country split apart after a bitter presidential election. Political feuds extend to the countryside, where Luzia and the Hawk are forced to make unexpected alliances and endure betrayals that threaten to break the cangaceiros apart. But Luzia will overcome time and distance to entrust her sister with a great secret—one Emília vows to keep. And when Luzia's life is threatened, Emília will risk everything to save her.An enthralling novel of love and courage, loyalty and adventure, that brings to life a faraway time and place, The Seamstress is impeccably drawn, rich in depth and vision, and heralds the arrival of a supremely talented new writer.

    This wry tale follows bumbling bureaucrat Walter F. Starbuck from Harvard to the Nixon White House to the penitentiary as Watergate’s least known co-conspirator. But the humor turns dark when Vonnegut shines his spotlight on the cold hearts and calculated greed of the mighty, giving a razor-sharp edge to an unforgettable portrait of power and politics in our times.

    According to the ancient historian Josephus, two women and five children survived. Based on this tragic and iconic event, Hoffman's novel is a spellbinding tale of four extraordinarily bold, resourceful, and sensuous women, each of whom has come to Masada by a different path. Yael's mother died in childbirth, and her father, an expert assassin, never forgave her for that death. Revka, a village baker's wife, watched the horrifically brutal murder of her daughter by Roman soldiers; she brings to Masada her young grandsons, rendered mute by what they have witnessed. Aziza is a warrior's daughter, raised as a boy, a fearless rider and an expert marksman who finds passion with a fellow soldier. Shirah, born in Alexandria, is wise in the ways of ancient magic and medicine, a woman with uncanny insight and power. The lives of these four complex and fiercely independent women intersect in the desperate days of the siege. All are dovekeepers, and all are also keeping secrets - about who they are, where they come from, who fathered them, and whom they love.

    The stories range from Grossman’s first success, “In the Town of Berdichev,” a piercing reckoning with the cost of war, to such haunting later works as “Mama,” based on the life of a girl who was adopted at the height of the Great Terror by the head of the NKVD and packed off to an orphanage after her father’s downfall. The girl grows up struggling with the discovery that the parents she cherishes in memory are part of a collective nightmare that everyone else wants to forget. The Road also includes the complete text of Grossman’s harrowing report from Treblinka, one of the first anatomies of the workings of a death camp; “The Sistine Madonna,” a reflection on art and atrocity; as well as two heartbreaking letters that Grossman wrote to his mother after her death at the hands of the Nazis and carried with him for the rest of his life. Meticulously edited and presented by Robert Chandler, The Road allows us to see one of the great figures of twentieth-century literature discovering his calling both as a writer and as a man.

    From this intimate perspective we see New York’s humble beginnings as a tiny Indian fishing village, the arrival of Dutch and British merchants, the Revolutionary War, the emergence of the city as a great trading and financial center, the convulsions of the Civil War, the excesses of the Gilded Age, the explosion of immigration in the late nineteenth and early twentieth centuries, the trials of World War II, the near demise of New York in the 1970s and its roaring rebirth in the 1990s, and the attack on the World Trade Center. A stirring mix of battle, romance, family struggles, and personal triumphs, New York: The Novel gloriously captures the search for freedom and opportunity at the heart of our nation’s history.

    It is the timeless story of a young Marine lieutenant, Waino Mellas, and his comrades in Bravo Company, who are dropped into the mountain jungle of Vietnam as boys and forced to fight their way into manhood. Standing in their way are not merely the North Vietnamese but also monsoon rain and mud, leeches and tigers, disease and malnutrition. Almost as daunting, it turns out, are the obstacles they discover between each other: racial tension, competing ambitions, and duplicitous superior officers. But when the company finds itself surrounded and outnumbered by a massive enemy regiment, the Marines are thrust into the raw and all-consuming terror of combat. The experience will change them forever.Written over the course of thirty years by a highly decorated Vietnam veteran, Matterhorn is a visceral and spellbinding novel about what it is like to be a young man at war. It is an unforgettable novel that transforms the tragedy of Vietnam into a powerful and universal story of courage, camaraderie, and sacrifice: a parable not only of the war in Vietnam but of all war, and a testament to the redemptive power of literature.A graduate of Yale University and a Rhodes Scholar at Oxford University, Karl Marlantes served as a Marine in Vietnam, where he was awarded the Navy Cross, the Bronze Star, two Navy Commendation Medals for valor, two Purple Hearts, and ten air medals. This is his first novel. He lives in rural Washington State.

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    To his surprise, when he found the house he was greeted by Dalia Ashkenazi Landau, a nineteen-year-old Israeli college student, whose family fled Europe for Israel following the Holocaust. On the stoop of their shared home, Dalia and Bashir began a rare friendship, forged in the aftermath of war and tested over the next thirty-five years in ways that neither could imagine on that summer day in 1967. Based on extensive research, and springing from his enormously resonant documentary that aired on NPR’s Fresh Air in 1998, Sandy Tolan brings the Israeli-Palestinian conflict down to its most human level, suggesting that even amid the bleakest political realities there exist stories of hope and reconciliation.

    Fania, a 16 year old survivor of a program in the Ukraine, arrives in Israel with her uncle, her deranged brother, and her unwanted baby - a product of rape. She meets Yehiel, a 26 year old widower and father of two. Fania moves in with Yehiel and throws herself into the life of a peasant woman, trying to squeeze a living out of the stony ground despite hunger and disease. Wearing Arab robes, she breaks into the male-dominated world of commerce, politics, and even defense.

    This beautiful collection is the product of years of full-time research by a team of British and American scholars and represents the most thorough examination ever undertaken of the nature and authority of Shakespeare's work. The editors reconsidered every detail of the text in the light of modern scholarship and they thoroughly re-examined the earliest printed versions of the plays, firmly establishing the canon and chronological order of composition. All stage directions have been reconsidered in light of original staging, and many new directions for essential action have been added. This superb volume also features a brief introduction to each work as well as an illuminating General Introduction. Finally, the editors have added a wealth of secondary material, including an essay on language, a list of contemporary allusions to Shakespeare, an index of Shakespearean characters, a glossary, a consolidated bibliography, and an index of first lines of the Sonnets.Compiled by the world's leading authorities, packed with information, and attractively designed, The Oxford Shakespeare is the gold standard of Shakespearean anthologies.

    His two earliest, and perhaps most accessible, successes—A Portrait of the Artist as a Young Man and Dubliners—are here brought together in one volume. Both works reflect Joyce’s lifelong love-hate relationship with Dublin and the Irish culture that formed him.In the semi-autobiographical Portrait, young Stephen Dedalus yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book’s inventive style is apparent from its opening pages, a record of an infant’s impressions of the world around him—and one of the first examples of the “stream of consciousness” technique.Comprising fifteen stories, Dubliners presents a community of mesmerizing, humorous, and haunting characters—a group portrait. The interactions among them form one long meditation on the human condition, culminating with “The Dead,” one of Joyce’s most graceful compositions centering around a character’s epiphany. A carefully woven tapestry of Dublin life at the turn of the last century, Dubliners realizes Joyce’s ambition to give his countrymen “one good look at themselves.” Kevin J. H. Dettmar is Professor of English and Cultural Studies at Southern Illinois University Carbondale. He is the author or editor of a half-dozen books on James Joyce, modernist literature, and rock music. He is currently finishing a term as President of the Modernist Studies Association.--back cover

    Her husband, however, possesses no such grace, and he rules Moscow as he does his wife, with a cold, hard fist.For Pavel and his bride, though, living in Sankt Peterburg means sharing a crowded cellar with other families, and being barely able to afford bread. Nevertheless, they are full of optimism, for their grandparents were serfs and this young couple is the first to leave the countryside to seek a better existence.However, after an explosive confrontation between peaceful demonstrators and tsarist soldiers, the lives of Ella and Pavel take two very different turns, but the fire of revolutionary Russia eventually links their fates forever.Robert Alexander once again masterfully combines the power of true history and riveting storytelling to bring this fascinating and legendary period to life.

    The year is 1777 and the four Weber sisters, daughters of a musical family, share a crowded, artistic life in a ramshackle house. While their father scrapes by as a music copyist and their mother secretly draws up a list of prospective suitors in the kitchen, the sisters struggle with their futures, both marital and musical--until twenty-one-year-old Wolfgang Mozart walks into their lives. Bringing eighteenth-century Europe to life with unforgiving winters, yawning princes, scheming parents, and the enduring passions of young talent, Stephanie Cowell's richly textured tale captures a remarkable historical figure--and the four young women who engage his passion, his music, and his heart.