These are useful skills in the lawless backcountry of Brazil, where ruthless land barons called "colonels" feud with bands of outlaw cangaceiros, trapping innocent residents in the cross fire.Emília, whose knowledge of the world comes from fashion magazines and romance novels, dreams of falling in love with a gentleman and escaping to a big city.Luzia also longs to escape their little town, where residents view her with suspicion and pity. Scarred by a childhood accident that left her with a deformed arm, the quick-tempered Luzia finds her escape in sewing and in secret prayers to the saints she believes once saved her life.But when Luzia is abducted by a group of cangaceiros led by the infamous Hawk, the sisters' quiet lives diverge in ways they never imagined. Emília stumbles into marriage with Degas Coelho, the son of a doctor whose wealth is rivaled only by his political power.She moves to the sprawling seaside city of Recife, where the glamour of her new life is soon overshadowed by heartache and loneliness. Luzia, forced to trek through scrubland and endure a nomadic existence, proves her determination to survive and begins to see the cangaceiros as comrades, not criminals.In Recife, Emília must hide any connection to her increasingly notorious sister. As she learns to navigate the treacherous waters of Brazilian high society, Emília sees the country split apart after a bitter presidential election. Political feuds extend to the countryside, where Luzia and the Hawk are forced to make unexpected alliances and endure betrayals that threaten to break the cangaceiros apart. But Luzia will overcome time and distance to entrust her sister with a great secret—one Emília vows to keep. And when Luzia's life is threatened, Emília will risk everything to save her.An enthralling novel of love and courage, loyalty and adventure, that brings to life a faraway time and place, The Seamstress is impeccably drawn, rich in depth and vision, and heralds the arrival of a supremely talented new writer.

    The posters—most of them never before published—feature barnstormers, gliders, and flying boats, the earliest passenger flights, the first luxury-liners, mail carriers, jets, and much more. Spanning a century and a half, they combine the popular art and the commerce of their eras, with both explored in the entertaining, informative text by a longstanding National Air and Space Museum curator. From 19th-century circus impresarios offering rides in gaudy hot-air balloons to the sleek 21st-century airliners, the posters provide a fascinating illustrated history of flight as it evolved from an exotic realm inhabited only by visionaries and daredevils into our modern world of speedy jets and frequent flyers—no longer extraordinary, perhaps, but still echoing with the exhilarating thrill and glamorous excitement captured here.Countless visitors to the museum’s traveling poster exhibition and the permanent exhibition "America by Air" will delight in the gorgeous and wonderful graphics collected in this appealing, affordable book—and so will aviation buffs, armchair travelers, and poster connoisseurs everywhere.

    This debate has been happening within ourorganisation since 2003. We have produced theoretical materials, establishedour thinking, learned from the successes and mistakes of our political practiceit was becoming increasingly necessary to further the debate and to formaliseit, spreading this knowledge both internally and externally. The document“Social Anarchism and Organisation” formalises our positions after all thesereflections. More than a purely theoretical document, it reflects theconclusions realised after five years of practical application of anarchism inthe social struggles of our people. The document is divided into 16 parts. Ithas already been published in Portuguese in a book co-published betweenFaísca and the FARJ.

    The war saw the tiny republic of Paraguay fighting against the combined forces of Argentina, Brazil and Uruguay. By the time the war ended, in March 1870, Paraguay's population had been reduced by more than half, and 80 per cent of the male population had been killed. Paraguay's leader in this war was Francisco Solano Lopez and by his side was his devoted lover, a girl from Ireland called Eliza Lynch. He was killed on the last day of the war and she buried him and their eldest son, who died trying to protect her, with her bare hands.