Kelly illuminates the radical subjects--slavery, poverty, feminism, the Church, evolution, among them--considered treasonous at the time, that Austen deftly explored in the six novels that have come to embody an age. The author reveals just how in the novels we find the real Jane Austen: a clever, clear-sighted woman "of information," fully aware of what was going on in the world and sure about what she thought of it. We see a writer who understood that the novel--until then seen as mindless "trash"--could be a great art form and who, perhaps more than any other writer up to that time, imbued it with its particular greatness.

    Bringing to life stories like that of Eunice Cole, tried for attacking a teenage girl with a rock and buried with a stake through her heart; Jane Jacobs, a Bostonian so often accused of witchcraft that she took her tormentors to court on charges of slander; and Increase Mather, an exorcism-performing minister famed for his knowledge of witches, this volume provides a unique tour through the darkest history of English and North American witchcraft, never failing to horrify, intrigue, and delight.

     With freedom secured, the general has been persuaded to accept a second term as president of the new nation. But in his heart he wants to go back to being a farmer. And being a farmer means he has slaves. Leading a nation is a demanding and often lonely business and Lady Washington is unable to persuade her husband to give up his public ‘duty’. At least she has help. Oney Judge is her ‘personal servant’ – and soon-to-be confidante. Oney is a ‘quadroon’ – three parts white and one part black. So, unlike the white people who so recently gained their independence from the Mother Country, Oney is not free. She is Lady Washington’s inherited property, though the word ‘slave’ is never spoken. Oney works in “the big house” at Mount Vernon, sewing dresses and serving tea. Lady Washington treats her as well as her own grandchildren. But though she is often mistaken as a Washington relative by visitors, Oney remains in bondage. In the spring of 1796, Lady Washington tells Oney that she will make her granddaughter Eliza a nice wedding gift. Oney soon discovers this does not mean sewing a negligee or a quilt for a gift. No, it means that she will be the gift. This is the day that Oney decides to escape – to put her forced bondage behind her and make her bid for freedom. On May 21, 1796, Oney walks straight past the Washingtons and out the front door. Although they make several attempts to capture her, she lives the rest of her life in freedom. Diana Rubino’s Oney: My Escape From Slavery is a painstakingly re-imagined account of a true and painful story told generations on. At its heart is the paradox of liberty – for an individual, for a race, for a nation. In a modern world where cultures and histories collide, it is a timely reminder of perspectives on ‘slavery’ and ‘freedom’ that we may have become blind to. It is a big, strong, uplifting book with a soul. Diana Rubino specialises in historical romance, sometimes with a touch of the paranormal, her favourite areas being Medieval and Renaissance England and all American history. A longtime member of Romance Writers of America, the Richard III Society, and the Aaron Burr Association, she recently completed a romantic thriller about Alexander Hamilton and biographical novels about Eliza Jumel Burr and Nathaniel Hawthorne’s wife Sophia. Piper G Huguley is a two-time Golden Heart® finalist and is the author of Migrations of the Heart, a three-book series of historical romances set in the early 20th century featuring African American characters. Huguley is also the author of the Home to Milford College series. Her new series Born to Win Men starts with A Champion’s Heart, which was named by Sarah MacLean of The Washington Post as a best romance novel selection for December 2016.

    She deregulated industry, brought the unions to their knees, privatized state-owned enterprises, waged war to defend the Falkland Islands, and teamed up with Ronald Reagan to win the Cold War. Her courage was remarkable and her character larger than life. She was a woman who brooked no fools, and her tongue could be rapier sharp. Here is the inspiring story of Britain's first and only woman prime minister.

    To what extent did King Henry VIII’s upbringing shape him into the tyrannical figure we know today? This concise, well-researched analysis sheds light on a little-known period of the infamous monarch’s life.

     In less than three weeks, Hitler achieved the most extraordinary military triumph of modern times: Holland, Luxembourg, and Belgium had been overrun; the French army was about to collapse; and the entire British Expeditionary Force, which had been sent across the Channel to help stop the Germans, was trapped against the sea at Dunkirk. Unless they could be rescued, Britain would be left without an army. ‘Dunkirk’ is the first book to present an overview of those awful days and show the effect the battle on the beaches was having on the rest of the world. It is also the day-by-day story of a great escape, of the transformation of a massive defeat into what would ultimately prove a disaster for Germany. “Norman Gelb demonstrates in Dunkirk how productive it is to focus on an individual operation or battle … Dunkirk is both a good adventure read and an instructive case study yielding modern lessons.” — JOHN LEHMAN, Former Secretary of the Navy, The Wall Street Journal “Norman Gelb finds fresh angles … Dunkirk stands as an exemplar of the perils of vacillation and the possibilities of action.” — The New York Times Book Review “Mr. Gelb has excavated beneath surface events, delved into political and psychological factors, and produced an intelligent, fast-moving narrative.” — PROFESSOR ARNOLD AGES, Baltimore Sun — “Vivid and comprehensive … Absorbing … Sets a high standard for other reconstructions” — Kirkus Reviews NORMAN GELB was born in New York and is the author of seven highly acclaimed books, including The Berlin Wall, Scramble: A Narrative History of the Battle of Britain, and Less Than Glory. He was, for many years, correspondent for the Mutual Broadcasting System, first in Berlin and then in London. He is currently the London correspondent for New Leader magazine. Endeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    . . since World War II, countless American students have been lured by that vision—and been transformed by their sojourn in the City of Light. Dreaming in French tells three stories of that experience, and how it changed the lives of three extraordinary American women.All three women would go on to become icons, key figures in American cultural, intellectual, and political life, but when they embarked for France, they were young, little-known, uncertain about their future, and drawn to the culture, sophistication, and drama that only Paris could offer. Yet their backgrounds and their dreams couldn’t have been more different. Jacqueline Bouvier was a twenty-year-old debutante, a Catholic girl from a wealthy East Coast family. Susan Sontag was twenty-four, a precocious Jewish intellectual from a North Hollywood family of modest means, and Paris was a refuge from motherhood, a failing marriage, and graduate work in philosophy at Oxford. Angela Davis, a French major at Brandeis from a prominent African American family in Birmingham, Alabama, found herself the only black student in her year abroad program—in a summer when all the news from Birmingham was of unprecedented racial violence.Kaplan takes readers into the lives, hopes, and ambitions of these young women, tracing their paths to Paris and tracking the discoveries, intellectual adventures, friendships, and loves that they found there. For all three women, France was far from a passing fancy; rather, Kaplan shows, the year abroad continued to influence them, a significant part of their intellectual and cultural makeup, for the rest of their lives. Jackie Kennedy carried her love of France to the White House and to her later career as a book  editor, bringing her cultural and linguistic fluency to everything from art and diplomacy to fashion and historic restoration—to the extent that many, including Jackie herself, worried that she might seem “too French.” Sontag found in France a model for the life of the mind that she was determined to lead; the intellectual world she observed from afar during that first year in Paris inspired her most important work and remained a key influence—to be grappled with, explored, and transcended—the rest of her life. Davis, meanwhile, found that her Parisian vantage strengthened her sense of political exile from racism at home and brought a sense of solidarity with Algerian independence. For her, Paris was a city of political commitment, activism, and militancy, qualities that would deeply inform her own revolutionary agenda and soon make her a hero to the French writers she had once studied.Kaplan, whose own junior year abroad played a prominent role in her classic memoir, French Lessons, spins these three quite different stories into one evocative biography, brimming with the ferment and yearnings of youth and shot through with the knowledge of how a single year—and a magical city—can change a whole life. No one who has ever dreamed of Paris should miss it.

    Revealing the young general's reasons for leading the expedition against Egypt in 1798 and showcasing his fascinating views of the Orient, Cole delves into the psychology of the military titan and his entourage. He paints a multi-faceted portrait of the daily travails of the soldiers in Napoleon's army, including how they imagined Egypt, how their expectations differed from what they found, and how they grappled with military challenges in a foreign land. Cole ultimately reveals how Napoleon's invasion, the first modern attempt to invade the Arab world, invented and crystallized the rhetoric of liberal imperialism.

    A vision from God, received in her parents' garden, instructed her to take up arms and help restore the kingdom of France. Without consulting her family, Joan left home on one of the most remarkable personal quests in history. As a young girl in a world of men, she faced unimaginable odds, yet her belief in her mission propelled her forward. Within months Joan was directing soldiers and bravely fighting for her nation. Before long she had become a national hero and was the guest of honor at her king's coronation. Yet fame ultimately became her undoing. The English shrewdly realized that Joan's demise and defamation would disgrace France and provide a more direct route to victory. Captured in war, Joan became a pawn in one of the longest and bloodiest wars in history.Since her death at the age of nineteen in 1431, Joan of Arc has maintained a remarkable hold on our collective imagination. She was a teenager of astonishing common sense and a national heroine who led men in battle as a courageous warrior. Yet she was also abandoned by the king whose coronation she secured, betrayed by her countrymen, and sold to the enemy. In this meticulously researched landmark biography, Donald Spoto expertly captures this astonishing life and the times in which she lived. Neither wife nor nun, neither queen nor noblewoman, neither philosopher nor stateswoman, Joan of Arc demonstrates that anyone who follows their heart has the power to change history.

    Seekers and sages travelled north and south, east and west, across mountains and along rivers, ignoring artificial boundaries, seeking and finding gods. Renowned mythologist Devdutt Pattanaik takes us on an insightful journey to thirty-two holy sites where ancient and modern deities unravel the complex and layered history, geography, and imagination of the land once known as ‘land of the Indian blackberry’ (Jambudvipa), ‘land of rivers’ (Sindhusthala in Sanskrit, or Hindustan in Persian), ‘expanse of King Bharata’ (Bharatvarsha, or Bharatkhanda), and even ‘abode of joy’ (Sukhavati to the Chinese).

    This is not a book about survival in a concentration camp. It is a book about "ordinary" people, maybe like you & me, on the peripheries of the Holocaust. It is a book about an ordinary man who is a young Polish Jewish doctor & it tells of the discrimination he faced leading up to WWII. It tells how his comfortable Polish middle class life is shattered first by the 1939 Soviet invasion showing the real face of the Stalinist regime & then by the Nazis in 1941 who are bent on exterminating a people merely because of their religious background. What to do? I ask myself how I would have reacted & I asked my father how he had the courage to choose to walk the line of a Jew hiding as a Christian. How brave was he? "Not brave at all" was his reply, "I just did what I had to do". It is also the story of two brave Christians, the doctor's girlfriend & a friend of hers, & how they chose to risk their lives & those of their families to prevent the unjust murder of another human being whose only crime was his ethnic background. I ask myself could I now do the same if this situation arose. The book is priced as low as possible to encourage people to read about an amazing account of survival through the love & selflessness of others in a very dark time of man's recent history. Two of the central figures of this book, Marian Golebiowski & Irena Szumska-Ingram have been honored by Jerusalem’s Yad Vashem Holocaust Museum with the Righteous Among the Nations award. See the Yom Ha’atzmaut 2010 speech by Dor Shapira of the Israeli Embassy to the Sydney NSWJBD in relation to Irena Sumska's award: http://www.google.com.hk/url?sa=t&... It is a story of love, adventure & human values, the fugitive "Jew in a Christian skin", under constant threat of exposure, precariously maintaining his false identity in a tiny rural community. finally we see Hellreich the penniless refugee, still supported by his faithful Irena, rebuilding his shattered career in Australia - a chapter of heartbreaking difficulties & heartwarming satisfaction. "...as gripping and human a story as any told about this tragic period in the history of man's inhumanity to man. I couldn't put it down. That it is told without bitterness and rancour makes it all the more powerful ... simply yet eloquently written." - Barry Cohen (former Australian Minister for the Arts, Heritage and the Environment) "... incredible faith and courage ... one of the most amazing stories to emerge from the wreckage and despair of the Holocaust." - L E Freeman in The Newcastle Herald Publisher's Note: My father, the author, passed from this world of natural causes in 2008 after what he described as a very interesting life. My hope in publishing his story is to document what happened to one man during these dark times & let him tell his story to all of you & not let it die with him. My father did not speak of his war years until I was 8, after many requests. It took him a lot longer to agree to write his story for the public. He was a modest man & did not think his story on the Holocaust's edges would be of interest, as per his Preface. All the Holocaust books I have read are valuable not for their literary merit but for the story they tell of barbarism, heroism, selfless help by others while endangering their own lives, & the wonderful strength & purity of th

    "To be a Frenchman means to fight for your country and its wine." -Claude Terrail, owner, Restaurant La Tour d'ArgentIn 1940, France fell to the Nazis and almost immediately the German army began a campaign of pillaging one of the assets the French hold most dear: their wine. Like others in the French Resistance, winemakers mobilized to oppose their occupiers, but the tale of their extraordinary efforts has remained largely unknown-until now. This is the thrilling and harrowing story of the French wine producers who undertook ingenious, daring measures to save their cherished crops and bottles as the Germans closed in on them. Wine and War illuminates a compelling, little-known chapter of history, and stands as a tribute to extraordinary individuals who waged a battle that, in a very real way, saved the spirit of France.

    . . insights whiz to and fro like meteorites."—John Russell, New York Times Book Review

    Violence in the Middle Ages, however, functioned differently, according to David Nirenberg. In this provocative book, he focuses on specific attacks against minorities in fourteenth-century France and the Crown of Aragon (Aragon, Catalonia, and Valencia). He argues that these attacks--ranging from massacres to verbal assaults against Jews, Muslims, lepers, and prostitutes--were often perpetrated not by irrational masses laboring under inherited ideologies and prejudices, but by groups that manipulated and reshaped the available discourses on minorities. Nirenberg shows that their use of violence expressed complex beliefs about topics as diverse as divine history, kinship, sex, money, and disease, and that their actions were frequently contested by competing groups within their own society.Nirenberg's readings of archival and literary sources demonstrates how violence set the terms and limits of coexistence for medieval minorities. The particular and contingent nature of this coexistence is underscored by the book's juxtapositions--some systematic (for example, that of the Crown of Aragon with France, Jew with Muslim, medieval with modern), and some suggestive (such as African ritual rebellion with Catalan riots). Throughout, the book questions the applicability of dichotomies like tolerance versus intolerance to the Middle Ages, and suggests the limitations of those analyses that look for the origins of modern European persecutory violence in the medieval past.

    . . A LARD raised his head. It was a pleasant voice, though a little drunken, and the words came clearly enough, a trifle blurred about the con sonants, to the high window of the Maison du Poirier. The window was open, for the June night was hot, and there were few noises after ten oclock in the Place du Parvis Notre Dame. Time goes by, And naught do I. Time comes again, . . . Et ne fais rien Abelards smile broadened. I am very sure, my friend, said he, that you do not. But at any rate he had found a good tune. The listeners ear was quick. He began not ing it on the margin of his manuscript, while his brain busied itself fitting Latin words to the original a pity to waste so good a tune and so profound a sentiment on a language that was the breath of a day, Fugit hora, Absque mora, Nihil facio . . . Not to that tune. The insinuating, if doomed, vernacu lar lilted again. Abelard realized that he was spoiling the 3 PETER ABELARD margin of his Commentary on Ezekiel, and turned back resolutely. Now, as Augustine says, our concern with any man is not with what eloquence he teaches, but with what evidence. But the thread of his argument was broken he got up and came over to the window. The singing had stopped, but he could see the tonsured head below him, glimmeringlike a mushroom in the dusk, while the legs tacked uncertainly across the broad pavement of the Parvis Notre Dame on their way to the cheerful squalors of the Petit Pont. Suddenly they halted the moon had come out from a drifting haze, and the singer, pausing on the edge of a pool of light, peered at it anxiously, and then lifted up his eyes. The voice rose again, chastened, this time in the venerable cadences of the hymn for dawn Jam lucis orto sidere Statini oportct bibere. The blasphemous pup, said Abelard. He leaned out, to hear the rest of it Now risen is the star of day. Let us arise and drink straightway. That we in peace this day may spend, Drink we and drink, nor make an end. This was a better parody, because a simpler, than the one he had made upon it himself ten years ago, to illus trate for his students the difference between the acci dents and the essential, the accidents being the words, the essential the tune. Lord, the Blessed Gosvins face when he began singing it Doubtless he would be the Blessed Gosvin some day so holy a youth could not fail of a 4 THE CLOISTER OF NOTRE DAME sanctified old age. St. Gosvin perhaps the youngster was Prior already at ... he had forgotten where. The im pudent, smooth-faced prig. Abelards mind was running down a channel it knew and did not like the moment in the classroom at St. Genevieve, when Gosvins reedy treble had interrupted the resonant voice from the rostrum with those innocent questionings, answered contemptuously, the masters eyes half averted and his mind less than half attentive, till the sudden horrid silence brought him to his senses and he realized that he was trapped, even as he had so often trapped that good old goat, William of Champeaux. He had recovered, magnificently but for the moment he had felt the hounds at his throat. And the cheering had been too vehement they knew. Somebody on the lie de Cite that night made a song about David and Goliath, not a very good song, but the name had stuck to him since, though not many remembered the origin of it. A pity, all the same, that Gosvin took to the cloister. It w r ould be very pleasant to have him lecturing to empty benches at St. Genevieve, while at Notre Dame the stu dents wedged open the doors and stood thick on the stairs...