Jill is pregnant, while the other three are already mothers. Sandy, at eighteen, is married. Tara, the product of a broken family, is raising her baby alone. Wanda, with her three-month-old, still manages to date despite the demands of motherhood.Though their situations are different, the girls are united by their baby love. When two childless women arrive from out of town, the young mothers quickly capture their attention. But just as the women's worlds begin to intertwine, a catastrophe threatens to sweep through town--and change their lives forever.

    Truthful and magical, his poetry has captivated both Greek and foreign readers. Aptly described by Charlotte Du Cann as 'the unlocker of ancient stones and sea voyages', Seferis was for Peter Levi 'one of the greatest writers in this century in any language...From Seferis it was possible to learn...what seriousness about poetry is'.

    This is, they find, 'an awfully long way'. We are gripped by the progress of the two rival teams as they struggle with the elements, each other and the mules who accompany them. Johns and his men take the western route, along a rocky scree, gossiping, bickering and grumbling as they go. Meanwhile, Tostig's men make their way along the dry riverbed, in the east. They are fewer, with just five men and ten mules, and better organised than their rivals. But with Johns' team keeping apace in the distance, the race is on to reach the Agreed Furthest Point...Refreshingly original, finely crafted, and with a unique and comic vision, Explorers of the New Century takes us on an adventure unlike any other.

    K. Rowling, Harry Potter and the Chamber of Secrets. The film was released on 15 November 2002 in the UK and North America and 28 November in AUS. Returning to work on the film were director Chris Columbus, screenwriter Steven Kloves, and producer David Heyman. Most of the major cast and crew from Philosopher's Stone (known as Sorcerer's Stone in the United States) returned for Chamber of Secrets, including child stars Daniel Radcliffe, Emma Watson, and Rupert Grint. However, it was the last appearance by Richard Harris as Dumbledore and the last Harry Potter film directed by Columbus. New key actors included Kenneth Branagh as Gilderoy Lockhart and Jason Isaacs as Lucius Malfoy.

    Jekyll and Mr. Hyde --The Suicide Club --The bottle imp --The body-snatcher --Olalla.

    In his mind what started as a joke is slowly becoming his �glorious and underrated mantra�. Ayden Kosacov is alive, and that is about all you can say. In the throws of a mundane and jejune life Ayden is slowly coming to the realization that if all his world is a stage than he wouldn�t care if he did or did not miss the final scenes. Through an almost �accidental� suicide attempt and the recovery that soon follows, Ayden learns that there is more to living than just being alive. Finding his way through diverse experiences and people he comes to terms with God, his family, and finally himself. The Orphaned Anything�s style of writing is in the likes of Dennis Johnson (Jesus� Son) and Dave Eggers (A Heartbreaking Work Of Staggering Genius) and yet designed to give life lessons, encouragement, and hope like books by Paulo Coelho (The Alchemist) and Donald Miller (Blue Like Jazz).

    His arrival at his destination, the legendary tower of Qabus, although a wonder in itself, it not nearly so amazing as the thoroughly captivating, at times zany, record of his adventures. In addition to its entertainment value, The Road to Oxiana also serves as a rare account of the architectural treasures of a region now inaccessible to most Western travellers. When Paul Fussell "rediscovered" The Road to Oxiana in his recent book Abroad, he whetted the appetite of a whole new generation of readers. In his new introduction, written especially for this volume, Fussell writes: "Reading the book is like stumbling into a modern museum of literary kinds presided over by a benign if eccentric curator. Here armchair travellers will find newspaper clippings, public signs and notices, official forms, letters, diary entries, essays on current politics, lyric passages, historical and archaeological dissertations, brief travel narratives (usually of comic-awful delays and disasters), and--the triumph of the book--at least twenty superb comic dialogues, some of them virtually playlets, complete with stage directions and musical scoring."

    Lines in the Sand

    'This idn't nothin', ' says Alison's grandmother, recalling a drought when the earth swallowed lambs, and the summer after the war when people got electric shocks off each other. But Alison knows her memory is lying: this is far worse. She feels that time has stopped just as she wants to enter the real world of adulthood. In fact, in the cruel heat of summer, time is creeping towards her, and closing in around the valley

    Volume 2. Introduction / by Loren D. Estleman --The hound of the Baskervilles --The valley of fear --His last bow : The adventure of Wisteria Lodge : The singular experience of Mr. John Scott Eccles ; The tiger of San Pedro ; The adventure of the cardboard box ; The adventure of the red circle ; The adventure of the Bruce-Partington plans ; The adventure of the dying detective ; The disappearance of Lady Frances Carfax ; The adventure of the devil's foot ; His last bow --The case-book of Sherlock Holmes : The adventure of the illustrious client ; The adventure of the blanched soldier ; The adventure of the Mazarin stone ; The adventure of the three gables ; The adventure of the Sussex vampire ; The adventure of the three Garridebs ; The problem of Thor Bridge ; The adventure of the creeping man ; The adventure of the lion's mane ; The adventure of the veiled lodger ; The adventure of Shoscombe old place ; The adventure of the retired colourman.

    Many of the other stories, like 'The Sidmouth Letters,' bring together past and present — with sometimes hilarious, sometimes disturbing, often intensely moving results.With quiet elegance and devastating accuracy, Jane Gardam probes many and varied lives. We meet a trio of Kensington widows, mean-spirited and middle-aged, paying improbable tribute to a long exploited nanny; we await — with dread — a stranger to tea in an English home; we witness the mercurial changes that take place in young love, and we watch as a bohemian, passionate past returns to tempt domestic bliss.

    They relish the joys of family gatherings; from preparing traditional holiday meals to organizing a wedding in which each of them is given a specific task -- whether it's sewing the bridal gown or preserving pickles as a gift to the newlyweds. Bound together by recipes, reminiscences and tangled relationships, these women are the foundation of a dignified, compassionate family--one that has learned to survive the hardships of emigration and assimilation in twentieth-century America.But as the century evolves, so does each succeeding generation. As the older women keep a tight hold on the family traditions passed from mother to daughter, the younger women are dealing with more modern problems, wounds not easily healed by the advice of a local priest or a kind word from mother.Amy is separated by four generations from her great-grandmother Rose, who emigrated from Poland. Rose's daughter Helen adjusted to the family's new home in a way her mother never could, while at the same time accepting the importance of Old Country ways. But Helen's daughter Ginger finds herself suffocating within the close-knit family, the first Marchewka woman to leave Detroit for the adventure of life beyond the reach of her mother and grandmother.It's in the American West that Giner raises her daughter Amy, uprooted from the safety of kitchens perfuned by the aroma of freshly baked poppy seed cake and pierogi made by hand by generations of women. But Amy is about to realize that there may be room in her heart for both the Old World and the New.

    Psychopathy is boring. Coldness is boring. She's interested in feeling, and when her stories turn violent (as they frequently do), it's with a surreal emotional barbarity that distorts the entire world. You can mop up blood with any fabric. Maggie's concern is with the wound left behind, because the wound never leaves-it haunts. As a result, each of these stories leaves a wound of its own. Some weep, watching as you try (and fail) to recover. Others laugh. But never without feeling."-B.R. Yeager, author of Negative Space"And once finished, I felt like my tongue had been misplaced, guts heavy and expanded ... gums numb with a tongue that'd been put elsewhere, my mouth clean around a pipe weaving up through pitch and shadow ... and well past ready, primed for delight, waiting but knowing I had already been filled to skin; crying shit, hearing piss, fingernails seeping bile, pores dribbling blood, soles slopping off and out to meet a drain mid-floor ..."-Christopher Norris, author of Hunchback '88

    In his fourteenth collection of poems, Pulitzer Prize winner Stephen Dunn reveals his concerns, ranging from meditations on salvation and time to the difficulties and pleasures of loving in this "already brutal century." In language that Gerald Stern has called "unbearably fearless and beautiful," Dunn continues to probe the elusive in the lives we live.

    Chosen by the distinguished scholar and critic, Dame Helen Gardner, the book makes available in one volume the full range and variety of English non-dramatic verse. Dame Helen Gardner reflected the critical consensus of the day in broadening her choices beyond those of Quiller-Couch's lyrical tastes, and the anthology balances poems that deal with public events and historic occasions with poems of private life, and religious, moral or political verse with satire and light verse. All the major poets are fully represented, and there are also superb works by lesser known poets, and many surprises among the favourites.