But Vinia is tragically already married to Dryden's employer, Joe, manager of the Black Prince coal pit. Joe's jealousy over the growing connection between his wife and Dryden, sends Dryden into the arms of the beautiful and fiery Roberta Grant. But can Dryden ever truly forget Vinia?

    This collection gathers together the Nobel Prize-winning writer Samuel Beckett's English poems (including Whoroscope, his first published verse), English translations of poems by Eluard, Rimbaud, Apollinaire, and Chamfort, and poems in French, several of which are presented in translation.

    From an early age he witnessed violence, hatred and horror as Northern Ireland tore itself apart in civil strife. Kneecapping, brutal murders, and even public tarring-and-feathering were simply a fact of life for the children on the estate. He thought he knew which side he was on, but although raised as a Loyalist, he was hiding a troubling secret: that his disappeared mother - whom he'd always been told was dead - was a Roman Catholic, 'the enemy'.In a memoir of rare power, John explores the dark heart of Northern Irish sectarianism in the 70s and 80s. With searing honesty and native Belfast wit, he describes the light and darkness of his unique childhood, and his teenage journey through mod culture and ultra-Loyalism, before an escape from Belfast to London - where, still haunted by the shadow of his fractured family history - he began a turbulent and hedonistic adulthood.'A BELFAST CHILD' is a tale of divided loyalties, dark secrets and the scars left by hatred and violence on a proud city - but also a story of hope, healing and ultimate redemption for a family caught in the rising tide of the Troubles.©2020 John Chambers (P)2020 Bonnier Publishing

    He's hoping that three months researching an old cable station in a remote village on the south-west coast of Ireland will help him and his traumatised son finally move on from the accident that killed his wife.Meanwhile local hotel owner's daughter Annie Sullivan has communication problems of her own to deal with. Home on sabbatical from her life in London, she's keeping a secret from her dysfunctional family and trying to save them and the hotel from their latest drama.As summer draws to a close in Ballyanna, both Dan and Annie are forced to confront the pasts they've been escaping. But will they be able to grasp the future that lies ahead? The Summer Visitors is a heart-warming story about love, second chances and moving on.

    Art teacher Angie Newcastle’s life is all monotone.She wasn’t always this dull. She’d been an up-and-coming artist with the world at her feet. But after contracting the Wrong Man Syndrome and spending years doubting herself, she no longer recognizes herself.When she loses her job, she can’t afford to keep ignoring the obvious: her life needs a serious overhaul. And she knows exactly where to start: in Ireland, teaching art classes to her ex-pat cousin’s village community.Angie expected the golden fields beside her ancient Irish cottage to inspire her. She didn’t expect them to be populated by sheep sprayed with uplifting words. And she certainly didn’t expect anyone like their owner, reclusive sheep baron Carrick Fitzgerald, or the matchmaking ghost determined to bring them together.Neither want to find love—especially Angie, who’s on a self-imposed man-fast because she doesn’t want her life to take another nosedive. Only she slowly realizes that Carrick is the most unexpected of Prince Charmings and that he might help her make all her dreams come true.

    Fleeing her fanatical republican family, Molly O’Dowd arrives nearly penniless in London at the end of the nineteenth century. Plunged into the world of East End gambling houses and brothels, Molly invests what little money she has in a typing course, her only way out. This investment will lead her on the path to establishing herself as a woman of power and means.From the rough-and-tumble world of the London docks to the luxurious hotels and restaurants of the fashionable West End, Molly captures the temper of the times – the unrest of the labouring classes, the courage of the suffragette movement, the ravages of the First World War. Molly wins and loses in the tempestuous world of the capital but her energy and determination never flag and tides change when she meets a man who could match her in business… and in love. This rags-to-riches historical romance is perfect for fans of Lily Graham, Natalie Meg Evans and Fiona McIntosh.

    He had been savagely beaten to death with a baseball bat and brick while his children slept nearby. For his sister, Tracey Corbett-Lynch, and the rest of his family in Ireland it was just the beginning of the nightmare that would involve a custody battle for his orphaned children, an online hate campaign by Molly Martens and, ultimately, the gripping trial that would lead to her conviction, alongside her father, for his murder.My Brother Jason is the story of how this seemingly all-American girl from a picture-perfect family targeted the widowed Jason Corbett, becoming nanny to his children in a desperate bid to create the family and security she craved, thus setting in motion a series of events that would lead to Jason’s brutal killing by the woman he had once loved.Here, for the first time, Tracey Corbett-Lynch tells her family’s side of the story in a book that contains shocking revelations about Molly Marten’s history of strange behaviour and the lengths she was willing to go to in order to get custody of Jason’s children.With full access to Jason’s letters, emails, keepsakes and photographs, it is the story of how an ordinary, loving family was torn apart by the brutal murder of their beloved brother.

    Anthony Cronin’s account of life in post-war literary Dublin is as funny and colourful as one would expect from an intimate of Brendan Behan, Patrick Kavanagh and Myles na Gopaleen; but it is also a clear-eyed and bracing antidote to the kitsch that passes for literary history and memory in the Dublin of today. Cronin writes with remarkable subtlety of the frustrations and pathologies of this generation: the excess of drink, the shortage of sex, the insecurity and begrudgery, the painful limitations of cultural life, and the bittersweet pull of exile. We read of a comical sojourn in France with Behan, and of Cronin’s years in London as a literary editor and a friend of the writer Julian Maclaren-Ross and the painters Robert MacBryde and Robert Colquhoun. The generation chronicled by Cronin was one of wasted promise. That waste is redressed through the shimmering prose of Dead as Doornails, earning its place in Irish literary history alongside the best works of Behan, Kavanagh and Myles.

    My heart is broken and my failure is total.A bomb is born, lives and dies in a rural secondary school; Ireland becomes a dumping ground for corpses; one family’s genealogy begins in tragedy in 1574 and ends in something far worse in 2111; a strange tribal matriarchy on the banks of the River Boyne is threatened with extermination.Over the course of these stories, the world breaks down in an endless cycle of hunger, desperation, violence and domination, and we find a humanity left tender, collapsed, and full of a beautiful, primeval innocence.Fagan’s raw blend of verve, humour, imagination and warmth surges through these pages, revealing a world rendered both hopeful and disturbing, human and other, that is at once familiar and extraordinary.

    Unsettled explores racism, ableism, abuse and resistance as well as the bonds of community, family and friendship. As an Irish Traveller writing from a feminist perspective, McDonagh’s essays are rich and complex, raw and honest, and, above all else, uncompromising.Praise for UnsettledDon’t read this memoir in sorrow and outrage, read it because Rosaleen McDonagh is so proud, smart and ingenious, she will make you feel more properly alive. Beautifully written, this book beats back the darkness. It brings us all further on. — Anne EnrightMoving and eloquent, this collection is both the story of one woman’s life and a work of profound literary activism. — Emilie PineRosaleen’s story is her story. It’s a very important story and she has a right to tell it. Rosaleen demonstrates, contrary to some settled people’s opinion, that our community is matriarchal, our mothers are so resourceful, and we are not victims. The book is a testimony to the importance of identity and belonging. — Anne BurkeLike James Baldwin before her, this work is a ferociously honest exploration of the intricacies of racism, identity, sexuality, disability, grief, sensuality and marginalisation. It is also a beautiful piece of prose; honest and difficult and deeply moving. This book sees Rosaleen McDonagh masterfully taking all the parts of her life and fitting them together brilliantly for us. A must read. — Mark O’HalloranEmotive, honest and raw. Rosaleen McDonagh takes us on a journey of self acceptance, a journey that sees her face challenging obstacles and setbacks; as well as meeting friends and allies who help her to carve out a place in which she belongs. Unsettled is not only the recount of personal experiences but an authentic glimpse of Traveller life and culture as well as Rosaleen’s very sense of identity. — Michael Power

    Jimmy Rabbitte hates jazz, always has. But his wife Aiofe loves it, and Jimmy loves Aiofe. So when, in attempt to convert him, she buys him two tickets for a Keith Jarrett concert he decides to take Outspan, former member of Jimmy's band The Commitments, who has come back into his life after a chance meeting in the cancer clinic. Jarrett is famous for being intolerant of any noise at all - a cough, a sneeze, a wheeze - from the audience, stopping playing and shaming the perpetrator. And Outspan's diagnosis is lung cancer, it's pretty bad, and he needs an oxygen cylinder to breathe properly.Will Outspan create havoc? Will Jimmy learn to love jazz at last?

    These poems are written with the authority of classical myth, yet sound utterly contemporary: the poet's gaze - whether on the natural world or the details of his own life - is unflinching and clear, its utter seriousness leavened by a wry, dry and disarming humour. Alongside fine translations from Neruda and Montale and dynamic (and at times horrific) retellings of stories from Ovid, the poems in "The Wrecking Light" pitch the power and wonder of nature against the frailty and failure of the human. Ghosts sift through these poems - certainties become volatile, the simplest situations thicken with strangeness and threat - all of them haunted by the pressure and presence of the primitive world against our own, and the kind of dream-like intensity of description that has become Robertson's trademark. This is a book of considerable grandeur and sweep which confirms Robertson as one of the most arresting and powerful poets at work today.

    The electrifying behind-the-scenes account of a year that brought Ireland to the brink and back - the inside story of Ireland’s struggle to contain Covid-19.Based on a wealth of original research and over a hundred interviews with cabinet members, public health officials, frontline workers, and ordinary people on whom the crisis exacted a personal toll, A State of Emergency is the incendiary untold story of Ireland’s response to the biggest public health emergency of the past century.Ranging from the halls of Government Buildings, where conflict between the new Cabinet and its public health advisors threatened to derail the official response, to the frontlines of the containment effort itself, where doctors, nurses, and the communities they served found themselves pushed to breaking point, A State of Emergency is a landmark work of journalism and a riveting insider account of the struggle to bring Ireland back from the brink.

    'My only concern', John McGahern once said, 'is that I get the sentence right and describe my world clearly and deeply.''The Country Funeral' witnesses three brothers, John, Philly and Fonsie Ryan, as they travel west from Dublin to Gloria Bog - the heart of the territory where so many of McGahern's stories take place - to attend the funeral of their uncle. Depicting the customs and rituals of the day, McGahern exquisitely traces how the brothers react to the area in unexpected and tender ways, and face their own feelings about the transience of life.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    In these new poems, the ghosts of the past are conjured as part of the present day: the deceased beloved, the father long dead, the ailing mother, the victims of holocaust and war. With these spirits beside her, Gallagher confronts her own illness and mortality, and celebrates love and friendship in these spare lyrics and muscular narratives, each punctuated by her resilience and grace. Here is the new work by one of America's most accomplished poets.