After Callie is exonerated, she begins to receive threatening notes from the girl who accused her, and as these notes become desperate, Rebecca feels compelled to intervene. As she tries to save this unbalanced girl, Rebecca remembers her own intense betrayals and best-friendships as a teenager, when her failure to understand those closest to her led to tragedy. She'll do anything to make this story end differently. But Rebecca doesn’t understand what's happening or who is truly a victim, and now Callie is in terrible danger.This raw and beautiful story about the intensity of adolescent emotions and the complex identity of a teenage girl looks unflinchingly at how cruelty exists in all of us, and how our worst impulses can estrange us from ourselves - or even save us.

    . . real or otherwise.Budo is lucky as imaginary friends go. He's been alive for more than five years, which is positively ancient in the world of imaginary friends. But Budo feels his age, and thinks constantly of the day when eight-year-old Max Delaney will stop believing in him. When that happens, Budo will disappear.Max is different from other children. Some people say that he has Asperger's Syndrome, but most just say he's "on the spectrum." None of this matters to Budo, who loves Max and is charged with protecting him from the class bully, from awkward situations in the cafeteria, and even in the bathroom stalls. But he can't protect Max from Mrs. Patterson, the woman who works with Max in the Learning Center and who believes that she alone is qualified to care for this young boy.

    She is raising her teenage son Zac, coping with an absent husband and caring for her ageing, temperamental and alcoholic mother, as well as holding down her own job. But when Zac begins to suspect that he has a secret sibling, Sasha realises that she must relive the events of a devastating night which she has done her best to forget for the past nineteen years. Sasha’s mother, Annie, is old and finds it difficult to distinguish between past and present and between truth and lies. As Annie sinks deeper back into her past, she revisits the key events in her life which have shaped her emotionally. Through it all, she remains convinced that her dead husband Joe is watching and waiting for her. But there’s one thing she never told him, and as painful as it is for her to admit the truth, Annie is determined to go to Joe with a guilt-free conscience. As the plot unfurls, traumas are revealed and lies uncovered, revealing long-buried secrets which are at the root of Annie and Sasha’s fractious relationship. The novel spans several decades, telling the history of the Stein family from the turn of the twentieth century to the present day. Speaking of her inspiration for her novel, Deborah says; ‘My own mother was evacuated at the age of five during World War Two and my father was a young man working as an ARP warden. This novel is purely fictitious, but I wanted to explore the traumas that many ordinary people of the war generation suffered, experiences which would be quite unimaginable to many of us today and then to contrast them with the issues we all face in the modern day.’Deborah Stone read English Literature at Durham University. She lives in North London with her husband, two sons and her dog.

    Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

    Others don't see it, but I do.The enchanted place is an ancient stone prison, viewed through the eyes of a death row inmate who finds escape in his books and in re-imagining life around him, weaving a fantastical story of the people he observes and the world he inhabits. Fearful and reclusive, he senses what others cannot. Though bars confine him every minute of every day, he marries magical visions of golden horses running beneath the prison, heat flowing like molten metal from their backs, with the devastating violence of prison life.Two outsiders venture here: a fallen priest, and the Lady, an investigator who searches for buried information from prisoners' pasts that can save those soon-to-be-executed. Digging into the background of a killer named York, she uncovers wrenching truths that challenge familiar notions of victim and criminal, innocence and guilt, honour and corruption-ultimately revealing shocking secrets of her own.

    To the Power of Three is just one of those reasons. Lippman’s brilliant and disturbing tale of three inseparable high school girlfriends in an affluent Baltimore suburb who share dark secrets literally until death, To the Power of Three is this “writing powerhouse” (USA Today), who has “exploded the boundaries of the mystery genre to become one of the most significant social realists of our time” (Madison Smartt Bell) operating at the very top of her game. Not merely crime fiction, but fiction that gets to the deep psychological, emotional, and human roots of a terrible crime, Lippman’s novel is one that will not be easily forgotten—a must read for fans of Kate Atkinson, Tana French, Jodi Picoult, and Harlan Coben

    After all, she heard strange voices that drove her to commit suicide. But Sophie doesn’t believe that Nell would take her own life, and she’s convinced that Nell’s doctor knows more than he’s letting on.As Sophie starts to piece together Nell’s last days, every lead ends in a web of lies. And the deeper Sophie digs, the more danger she’s in—because now she’s hearing the same haunting whispers. Sophie’s starting to think she’s going crazy too. Or worse, that maybe she’s not….

    But somehow Delaney survived - despite the brain scans that show irreparable damage. Everyone wants Delaney to be fine, but she knows she's far from normal. Pulled by strange sensations she can't control or explain, Delaney now finds herself drawn to the dying, and when she meets Troy Varga, a boy who recently emerged from a coma with the same abilities, she is relieved to share this strange new existence. Unsure if her altered brain is predicting death or causing it, Delaney must figure out if their gift is a miracle, a freak of nature - or something else much more frightening...

    Alex survives; Cass doesn’t. Consumed by grief, Alex starts cutting school and partying, growing increasingly detached. The future she’d planned with her friend is now meaningless to her.Meg Carmody is heartbroken for her daughter, even as she’s desperate to get Alex’s life back on track. The Birches, a boarding school in New Hampshire, promises to do just that, yet Alex refuses to go. But when Meg finds a bag of pills hidden in the house, she makes a fateful call to a transporter whose company specializes in shuttling troubled teens to places like The Birches, under strict supervision. Meg knows Alex will feel betrayed—as will her estranged husband, who knows nothing of Meg’s plans for their daughter.When the transport goes wrong—and Alex goes missing—Meg must face the consequences of her decision and her deception. But the hunt for Alex reveals that Meg is not the only one keeping secrets.

    It seems like she's seeing things. Like a dead body in her swimming pool. Frantic messages on her walls. A reflection that is not her own. It's almost as if someone—or something—is trying to send her a message.Meanwhile, a killer is stalking Los Angeles—a killer who reenacts famous movie murder scenes. Could Willa's strange visions have to do with these unsolved murders? Or is she going crazy? And who can she confide in? There's Marnie, her new friend who may not be totally trustworthy. And there's Reed, who's ridiculously handsome and seems to get Willa. There's also Wyatt, who's super smart but unhealthily obsessed with the Hollywood Killer.All Willa knows is, she has to confront the possible-ghost in her house, or she just might lose her mind . . . or her life.Acclaimed author Katie Alender puts an unforgettable twist on this spine-chilling tale of murder, mystery, mayhem—and the movies.

    After months of accepting his lame excuses and strange behavior, his wife has had enough. She demands that he see a therapist, and George, desperate to save his unraveling marriage and redeem himself as a father and husband, reluctantly agrees. As he delves into his childhood memories, he begins to recall things he hasn’t thought of in twenty years. Events, people, and strange situations come rushing back. The odd, rambling letters his father sent home before he died. The jovial mother who started dating too soon after his father’s death. A boy who appeared one night when George was lonely, then told him secrets he didn’t want to know. How no one believed this new friend was real and that he was responsible for the bad things that were happening. Terrified by all that he has forgotten, George struggles to remember what really happened in the months following his father’s death. Were his ominous visions and erratic behavior the product of a grief-stricken child’s overactive imagination (a perfectly natural reaction to the trauma of loss, as his mother insisted)? Or were his father’s colleagues, who blamed a darker, more malevolent force, right to look to the supernatural as a means to end George’s suffering? Twenty years later, George still does not know. But when a mysterious murder is revealed, remembering the past becomes the only way George can protect himself–and his young family.A psychological thriller in the tradition of Donna Tartt’s The Secret History–with shades of The Exorcist–the smart and suspenseful A Good and Happy Child leaves you questioning the things you remember and frightened of the things you’ve forgotten.From the Hardcover edition.

    or her undoing.Tara is gorgeous, affluent, and forty. She lives in an impeccably restored Russian Hill mansion in San Francisco. Once a widow, twice divorced, she's a woman with a past she prefers keeping to herself.Enter Cavin Lattimore. He's handsome, kind, charming, and the surgeon assigned to Tara following a ski accident in Lake Tahoe. In the weeks it takes her to recover, Cavin sweeps her off her feet and their relationship blossoms into something Tara had never imagined possible. But then she begins to notice some strange things: a van parked outside her home at odd times, a break-in, threatening text messages and emails. She also starts to notice cracks in Cavin's seemingly perfect personality, like the suppressed rage his conniving teenage son brings out in him, and the discovery that Cavin hired a detective to investigate her immediately after they met.Now on crutches and housebound, Tara finds herself dependent on the new man in her life—perhaps too much so. She's handling rocky relationships with her sister and best friend, who are envious of her glamour and freedom; her prickly brother-in-law, who is intimidated by her wealth and power; and her estranged mother. However perfect Tara's life appears, things are beginning to get messy.Writing in beautiful prose, Ellen Hopkins unveils a new style while evoking her signature poetic form that readers fell in love with in Collateral and Triangles.

    

    In fact, she never thought she would escape her small and peculiar hometown. When We Were Animals is Lumen's confessional: as a well-behaved and over-achieving teenager, she fell beneath the sway of her community's darkest, strangest secret. For one year, beginning at puberty, every resident "breaches" during the full moon. On these nights, adolescents run wild, destroying everything in their path.Lumen resists. Promising her father she will never breach, she investigates the mystery of her community's traditions and the stories erased from the town record. But the more we learn about the town's past, the more we realize that Lumen's memories are harboring secrets of their own.A gothic coming-of-age tale for modern times, When We Were Animals is a dark, provocative journey into the American heartland.

    When Eve falls for the secretive, charming Dom in Switzerland, their whirlwind relationship leads them to Les Genévriers, an abandoned house set among the fragrant lavender fields of the South of France. Each enchanting day delivers happy discoveries: hidden chambers, secret vaults, a beautiful wrought-iron lantern. Deeply in love and surrounded by music, books, and the heady summer scents of the French countryside, Eve has never felt more alive.But with autumn’s arrival the days begin to cool, and so, too, does Dom. Though Eve knows he bears the emotional scars of a failed marriage—one he refuses to talk about—his silence arouses suspicion and uncertainty. The more reticent Dom is to explain, the more Eve becomes obsessed with finding answers—and with unraveling the mystery of his absent, beautiful ex-wife, Rachel.Like its owner, Les Genévriers is also changing. Bright, warm rooms have turned cold and uninviting; shadows now fall unexpectedly; and Eve senses a presence moving through the garden. Is it a ghost from the past or a manifestation of her current troubles with Dom? Can she trust Dom, or could her life be in danger?Eve does not know that Les Genévriers has been haunted before. Bénédicte Lincel, the house’s former owner, thrived as a young girl within the rich elements of the landscape: the violets hidden in the woodland, the warm wind through the almond trees. She knew the bitter taste of heartbreak and tragedy—long-buried family secrets and evil deeds that, once unearthed, will hold shocking and unexpected consequences for Eve.