The house hasn’t been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It’s idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.One hundred and fifty years earlier, a huge oak tree was felled in front of the cottage during a raging storm. Beneath it lies a young man with a shock of red hair, presumed dead—surely no one could survive such an accident. But the red-haired man is alive, and after a brief convalescence is taken in by the family living in the cottage and put to work in the fields. The children all love him, but the eldest daughter, Eliza, has her reservations. There’s something about the red-haired man that sits ill with her. A presence. An evil.Back in the present, weeks after moving to the cottage and still drowning beneath the weight of insurmountable grief, Mary Coles starts to sense there’s something in the house. Children’s whispers, footsteps from above, half-caught glimpses of figures in the garden. A young man with a shock of red hair wandering through the orchard.Has Mary’s grief turned to madness? Or have the events that took place so long ago finally come back to haunt her…?

    Hours later, she’s dead down by the creek and Mama swears she heard her arguing with someone before it happened.When I arrive, my clumsiness brings about a near-death experience, and suddenly, I’m seeing and hearing ghosts everywhere. Even Aunt Willa’s cat is talking to me.Uncovering the truth behind the family curse is hard enough, but my gift makes me a target for an angry ghost who’s trying to ruin the biggest event Thornhollow has ever seen…and she’ll stop at nothing to do it.I’m convinced my aunt’s death was no accident, and if I don’t acknowledge the fact ghosts are real and I can commune with them, I may never discover who murdered her…or stop the deadly poltergeist now haunting me.

    She is also rich, clumsy, a virgin, and she can see dead people - a gift that she believes is a curse. A visit from a recently murdered spirit starts a sequence of events that means that Mary can no longer ignore the ghosts that taunt her. She finds herself surrounded by spirits, ghosts, and ghouls, the jet-setting types that she despises, a handsome detective inspector who sends her senses soaring and her temper flaring, and above all of this, her life is in danger! Can Mary come to terms with the gift of being a medium before time runs out and more dead bodies are found?Excerpt:The high pitched scream echoed with needle-sharp pain in Mary’s ears. She wanted to wrap her arms around her head; but was unable to, due to the spirit’s weight bearing down on her body holding her in place. "Oh my God!" she silently screamed, unable to shout due to the pressure on her chest. "What is it, oh dear God, what is it?"'Death Whispers', is the first book in the 'Mary Howard Supernatural Mysteries Series', from the author Charmain Marie Mitchell.

    He knows he is a lucky man. Life changing injuries forced Jack into semi-retirement, but he now spends his days fulfilling what has become a lifetime passion; investigating reports of paranormal activity. These cases have led to his experiencing a number of unexplained incidents; though he also has his own cross to bear when it comes to the bizarre. Since the accident which almost ended him, Jack has developed a tendency to experience out-of-body events, and these unaccountable bouts of astral projection are now presenting questions of their own.When a young woman turns up at Jack's door, claiming her home is infested with troublesome spirits, his investigation leads to a haunted cottage, the restless dead, and the revelation of a maleficent force that will forever change Jack's perception of reality.

    There he finds a manuscript, and from the moment his mother catches him in the act, Gerard Freeman's life is irrevocably changed. What is the invisible, ever-present threat from which his mother strives so obsessively to protect him? And why should stories written a century ago entwine themselves ever more closely around events in his own life? Gerard's quest to unveil the mystery that shrouds his family, and his life, will lead him from Mawson to London, to a long-abandoned house and the terror of a ghost story come alive.

    There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again.Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?

    When seventeen-year-old Andrew Taylor is transplanted from his American high school to a British boarding school—a high-profile academy for the sons of England’s finest—his father hopes that the boy’s dark past will not follow him from across the Atlantic. But blood, suspense, and intrigue quickly surround Andrew once again as he finds himself struggling with a deadly mystery left unsolved by a student from Harrow School’s past—the enigmatic poet Lord Byron.

    

    It is a region rich in stark beauty--and supernatural lore. The harsh landscape, with its rocky seaside cliffs and thundering surf and miles of dark, mysterious forest farther inland, lends itself to the ghost story. Overlaying the ghost tales gathered in this book is a sense of unspeakable horror and malice.

    When Bailey and Bodhi Taylor move in and begin renovations, the house seems perfect. But things move on their own, screams echo from the basement, and Bailey sees a shadowy figure out of the corner of her eye. Is the house haunted? And if it is, what does the ghost want with Bailey?

    Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories.Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story.Also includes two afterwords: Andrew Martin's Within These Walls: How the Abbeys and Houses of England Inspired the Ghost Story, and Katherine Davey's A Gazetteer of English Heritage Hauntings, properties which are said to be haunted, including the eight locations which inspired the stories in this book.

    It tells the story of a family under siege. From the time the Dandy family moved to their "home in the country" in 1970 until they fled it in 1974, they were plagued but unexplainable and terrifying events. When they tell you ghosts can't harm you, take it with a grain of salt. Perhaps they can't affect you directly but they can sure cause incidents that can kill. The book is told in semi-diary form to keep it in (hopefully) order. If you don't believe in the paranormal, you'd better not read this book. If you want to learn something, by all means read it and learn.

    Bob's father, mining magnate Lucas McCord, helped build Bisbee in the early 20th century.Chelsea discovers an old box camera in a dusty trunk, the film still inside. Sfjhe uses it to photograph the town. Is it her imagination, or does the stench of death emanate from the camera’s inner workings?And when Chelsea looks through a viewfinder wavy with age, she sees children in gunny sack clothes, their eyes dark and grainy. Children from the 1920’s. She sees a young man and woman at a train station that no longer exists. The same young woman appears in each of the camera's photographs.As the past superimposes itself on the present, Chelsea learns the secret of her powerful family’s dark legacy. With one click of the shutter, she has unleashed a pure and hungry evil that will consume everyone she loves. Pitted against a supernatural force and stalked by a psychopathic killer, Chelsea rediscovers her capacity to love as she fights to save her beloved uncle–and herself. “Skillfully blending elements of mystery, horror and a nice touch of irony, DARKSCOPE weaves a fascinating spell. 4 ½ stars."---Frank A. Loporto, Rave Reviews“Buy the book and send it to people you want to visit here. If they aren’t scared away by the plot, they’ll soon come in.”---Bisbee Gazette

    The lure of the Island has made it the top tourist destination in the state of Michigan. However, Mackinac Island holds many secrets. These secrets come in many forms—some from beyond the grave, others passed down for hundreds of years.If you have been to Mackinac Island many times before, or you have not yet visited this gem of the Great Lakes, the stories in this book will both inform and entertain you.Inside this book you will not only find many of the Island's ghost stories, legends, and tragic tales, but also a brief history describing each location. In addition, stories from the Straits of Mackinac, including deadly shipwrecks, ghost ships, and other tragedies, are included. Last, for those unfamiliar with ghostly phenomena, you will find a chapter with a crash course introduction to the who, what, when, why, and where of ghosts.

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.