Used in many colleges as an introduction to the saint. Beautiful translation and story from the French edition.

    Why did Kurt Cobain write "Polly", his graphic anti-rape song? What is "Teen Spirit"? Who is Floyd the Barber? As Chuck Crisafulli answers these questions he chronicles Nirvana's rise to fame and the emergence of grunge. 90 full-color and b&w photos.

    Hef's Little Black Book conjures the legendary lifestyle of Hugh M. Hefner as never before, a treasure trove of urbane lore, wry advice, and time-honored wisdom spanning the realms of romance, hedonism, ambition, business, dreams, and, of course, sex. From the pursuit of Love to the politics of the Bedroom, from the inspiration of a single idea to the emergence of a sprawling international corporation built on self-belief, Hef provides an invaluable guide to anyone who has ever thought big.Accompanied by tantalizing, never-before-seen photographs, the gateway to Hugh Hefner's Dream World of Cool awaits you. If you don't swing, don't ring.

    Did they bring their treasure to North America, as some legends say? This definitive work about the Templars and their presumed hidden knowledge addresses many such fascinating questions, with rare photos from the Rosslyn Chapel Museum (Scotland) included.

    But is it really as simple as that? Kevin Rodgers has his doubts, and in this fascinating inside account of the financial world over the past three decades, he explains why. Taking us from the days when traders still shouted their deals down the phone to the silent modern world of computer trading, he shows how, far more than the pursuit of personal gain, it has been the pursuit of ever-more sophisticated systems, algorithms and financial models that has undermined banking and made it chronically unstable. He also shows how, by their very nature, the computers on which modern finance now so completely depend are hopelessly ill-equipped to forestall a future crash. Both a very personal and evocative account of how banking has changed since the 1980s, and a masterclass in how it actually works, Why Aren't They Shouting also offers a nuanced, if alarming, glimpse into its likely future.

    He should have died. Doctors advised that if he did survive, there would be little of him left. If that wasn't enough, he went on to contract MRSA as a result of an operation to his skull and spent six months in hospital. Initially, Edwyn couldn't speak, read, write, walk, sit up, or feed himself. He had lost all movement in his right side and was suffering from aphasia—an inability to use or understand language. When he initially recovered consciousness the only words he could say were 'Grace,' 'Maxwell,' 'yes,' and 'no.' But with the help of his partner Grace and their 18-year-old son Will, Edwyn fought back. Slowly, and with monumental effort, he began to teach his brain to read and speak all over again—with some areas of his mind it was if he had been a slate wiped literally clean. Through a long and arduous road of therapy he began to re-inhabit his body until he could walk again. Grace's story is an intimate and inspiring account of what you do to survive when your husband is all but taken away without warning by a stroke.

    A child prodigy as a pianist and a virtuoso conductor of symphonics and operas, Barenhoim has known and worked with many of the most distinguished and exciting musicians of the 20th century, including Rubinstein, Furtwangler, Zubin Meta, Pierre Boulez, Fisher-Diskau, Pablo Casals, and not least his wife, Jacqueline du Pre. Recent years have included his work at the annual Wagner festival Bayreuth; in Berlin at the rebirth of the State Opera House; taking over from George Solti's 22-year regin in Chicago; his summer festival in Weimar, Germany, where young Arabs and Israelis can play music together; and his worldwide travels. Barenboim has revised and updated his memoir, giving us trenchant thoughts on Israel today, the problems facing young musicians, and the changing world of music at the beginning of the 21st century.-One of the world's greatest musicians, Barenboim has a dedicated following who will be interested in reading about his life in his own words.-Barenboim was married to celebrated cellist Jacqueline du Pre, the subject of the controversial film Hilary and Jackie.-His championship of peaceful coexistence with Palestinians is highly controversial, as is his insistence on playing Wagner in Israel.

    His earlier visits allow him to compare his "chosen homeland" to a past time and a fundamentally unchanged zone, neglected by Franco and Spain itself. At once, then, "Nijar Country" doubles time and space, the first of its many such doublings.Walls graffitied FRANCO, FRANCO, FRANCO preside over destitution, hopeless hopes, and labored lives ended before death, so inhabitants dream of escaping, some having returned only to recall cities regretfully. One boy, pointedly named Juan, implores the narrator (our Juan?) to take him away. The boy may embody a past Juan of whom the present man is avatar--and what about the other Juans in the book?Readers of Goytisolo's later books, such as "Juan the Landless," may be surprised by "Nijar Country"'s precociously complex counterpoint, so deftly manipulated as to possibly escape detection.Goytisolo has written other "travelogs," each accomplishing multiple purposes. Here his vocabulary and grammar sound Nijar's soulful culture. Peter Bush's flexible translation admirably hurdles such potential obstacles of diction and expression.

    --"Andy Grundberg"~The world is so visually complicated that the word "banal" scarcely is very intelligent to use. All days are similar, no matter what part of this planet we're in. --"William Eggleston"

    But when the self-proclaimed Aryan begins to act out his murderous fantasies, the city is gripped by fear of The Crosskiller!

    What she hasn't done is find a direction for her life. And her father has given her an ultimatum: settle down and get a job, or he'll get one for her. She loves photography and she loves Newport, so a job as a photographer on a renovation project seems like the perfect choice.Restoration architect Bruce Stafford has discovered a forgotten mansion, fallen into ruin as an abandoned boardinghouse. Gilbert House is just the kind of challenge he enjoys, and he's managed to assemble some of the best young craftspeople in the business.Except for one. The historical society has sent an airheaded intern to serve as project photographer. And when he learns Geordie is not an intern but a paid member of the team, taken on as a favor to one of their supporters, he's livid.Humiliated, Geordie's first impulse is to run, but she's come to love Gilbert House and its history. This is where she wants to be. It's time to face her fears and insecurities and stand up to Bruce and her father. It's time to stop running. Geordie Holt has come home for good.

    Penguin have published each of Phinn's four books and in The School Inspector Calls, he reveals how even a jaded school inspector can be left speechless by straight-talking children.

    Burt Lancaster is known to audiences around the world as the electrifying performer of Gunfight at the O.K. Corral, From Here to Eternity, and Birdman of Alcatraz, among many others. Kate Buford brings to life his vivid, memorable on-screen presence as well as the off-screen life he kept intensely private. The first writer to win cooperation from Lancaster's widow and close friends, Buford has written the intimate story of one of the last great unexamined Hollywood lives, capturing both the golden boy and the husband, philanderer, and sometime bisexual. Buford's portrait is compelling, comprehensive, intelligent—and definitive.

    Then Willow's quiet world turns upside down when nature photographer Noah Phelps crosses her path and discovers she can fly...Noah quickly learns there is more to fairies than just flying. Gifted with magical powers far beyond his Wiccan charms, Willow is also a woman with issues and a haunting past. When local bully Chester Jones reignites a long-standing feud, Willow turns to her "mere human" friend for help and finds love as well.Willow is the most delightful, mysterious, feisty, irritating, yet lovable woman Noah has ever known. At his urging, she seeks the answer to the mystery of her parents' death and Jones's sudden interest in her woodland home. Fairy magic, Wiccan spells, and the Jones brand of folk magic crisscross the ether, as a race ensues to find the clues hidden in the woods.After Willow casts her spell, you will believe in fairies..

    Here Friedlander focuses on the role of his own physical presence in his images. He writes: "At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to those feelings." Here readers can witness this progression as Friedlander appears in the form of his shadow, or reflected in windows and mirrors, and only occasionally fully visible through his own camera. In some photos he visibly struggles with the notion of self-portraiture, desultorily shooting himself in household mirrors and other reflective surfaces. Soon, though, he begins to toy with the pictures, almost teasingly inserting his shadow into them to amusing and provocative effect--elongated and trailing a group of women seen only from the knees down; cast and bent over a chair as if seated in it; mirroring the silhouette of someone walking down the street ahead of him; or falling on the desert ground, a large bush standing in for hair. These uncanny self-portraits evoke a surprisingly full landscape of the artist's life and mind. This reprint edition of Lee Friedlander: Self Portrait contains nearly 50 duotone images and an afterword by John Szarkowski, former Director of the Department of Photography at The Museum of Modern Art.