Their hunt for a slippery serial killer is complicated by interference from their superiors, and the FBI, and a ruthless City Hall fixer, and a brutal Mob boss. Because this is a story about how Chicago works, and the marketing of fine art.

    Gretchen White is a specialist in antisocial personality disorders and violent crimes. She’s helped solve enough prominent cases for detective Patrick Shaughnessy that her own history is often overlooked: Gretchen is an admitted sociopath once suspected of killing her aunt. Shaughnessy still thinks Gretchen got away with murder. It’s not going to happen again.When a high-profile new case lands on Shaughnessy’s desk, it seems open and shut. Remorseless teenager Viola Kent is accused of killing her mother. Amid stories of childhood horrors and Viola’s cruel manipulations, the bad seed has already been found guilty by a rapt public. But Gretchen might be seeing something in Viola no one else does: herself.If Viola is a scapegoat, then who really did it? And what are they hiding? To find the truth, Gretchen must enter a void that is not only dark and cold-blooded, but also frighteningly familiar.

    He lives in a small brick Tudor close to campus with his art buyer wife, Diane. His life is quiet, ordinary even. And he likes it that way. But it wasn't always quiet. Jake's distant past was a life on the streets, inflicting damage and suffering on more people than he can count. And now someone from his past, it seems, has come looking for him.A raw, gripping thriller about the price paid for past sins, John Rector's third novel is a live wire that crackles with the intensity of a man with nothing left to lose. When two men attack Jake in a parking lot and cut off his finger, he tries to dismiss it as an unlucky case of being in the wrong place at the wrong time. But when events take a more sinister turn and Diane goes missing, Jake knows he can no longer hide from the truth. As he embarks on a mission to find his wife, he realizes his dark past is refusing to stay buried and that his future is about to unfold in ways he could never have imagined.

    While out celebrating with a group of friends a few nights before the wedding, Michael suddenly and unexpectedly finds himself enclosed in a coffin equipped only with a flashlight, a dirty magazine, a walkie-talkie, and a tiny breathing tube. It's all in good fun — payback for the grief his mates suffered due to his own penchant for tomfoolery — that is until the four are killed in a drunk driving accident just moments after leaving Michael completely alone and buried alive.Detective Superintendent Grace—himself dealing with the pain of losing his wife—is brought on to the case when Ashley reports Michael missing. Suspicions are raised when Michael's only friend not at the bachelor party refuses to cooperate, and Ashley's faithfulness—not to mention her increasingly mysterious past—are suddenly thrown in to question. As Superintendent Grace soon discovers, one man's disaster is another man's fortune.

    But just as she’s decided to call for help, something stops her. The next day, she wakes up to the news that one of the girls—beautiful, green-eyed Anna Ballard—has disappeared.A year later, Anna is still missing. Ella is wracked with guilt over what she failed to do, and she’s not the only one who can’t forget. Someone is sending her threatening letters—letters that make her fear for her life.Then an anniversary appeal reveals that Anna’s friends and family might have something to hide. Anna’s best friend, Sarah, hasn’t been telling the whole truth about what really happened that night—and her parents have been keeping secrets of their own.Someone knows where Anna is—and they’re not telling. But they are watching Ella.Listening Length: 8 hours and 26 minutes

    Bruno -- as he is affectionately nicknamed -- may be the town's only municipal policeman, but in the hearts and minds of its denizens, he is chief of police.Bruno is a former soldier who has embraced the pleasures and slow rhythms of country life -- living in his restored shepherd's cottage; patronizing the weekly market; sparring with, and basically ignoring, the European Union bureaucrats from Brussels. He has a gun but never wears it; he has the power to arrest but never uses it. But then the murder of an elderly North African who fought in the French army changes everything and galvanizes Bruno's attention: the man was found with a swastika carved into his chest.Because of the case's potential political ramifications, a young policewoman is sent from Paris to aid Bruno with his investigation. The two immediately suspect militants from the anti-immigrant National Front, but when a visiting scholar helps to untangle the dead man's past, Bruno's suspicions turn toward a more complex motive. His investigation draws him into one of the darkest chapters of French history -- World War II, a time of terror and betrayal that set brother against brother. Bruno soon discovers that even his seemingly perfect corner of la belle France is not exempt from that period's sinister legacy.

    Attorney Vicki Allegretti goes to meet a confidential informant and finds herself facing a loaded 9 mm Glock semiautomatic weapon, wielded by a panicky teenager. Violence is the last thing this neophyte lawyer expects. The case is easy, the kind given to new ADAs to help them cut their teeth. Yet almost before she has time to react, her partner is dead, shot in the chest.From that high-octane introduction to her job, Vicki vows to continue with the case, protect her informant, and find the shadowy figure behind the death of her partner. This decision will take her to the depths of the federal detention center’s “bowl,” to a row house on the street where she grew up, and to the posh suburbs where her parents now live. Set against the gritty backdrop of a modern American city and imbued with Lisa Scottoline’s trademark style and wit, Cater Street is the story of a determined young lawyer seeking justice.

    Dead faces set in grimaces and shouts. Faces howling, whistling, moaning, crying, hissing. Hazel pinned them to the wall and stood back. It was a silent opera of ghosts. Detective Inspector Hazel Micallef has lived all her days in the small town of Port Dundas and is now making her way toward retirement with something less than grace. Hobbled by a bad back and a dependence on painkillers, and feeling blindsided by divorce after nearly four decades of marriage, sixty-one-year-old Hazel has only the constructive criticism of her old goat of a mother and her own sharp tongue to buoy her. But when a terminally ill Port Dundas woman is gruesomely murdered in her own home, Hazel and her understaffed department must spring to life. And as one terminally ill victim after another is found—their bodies drained of blood, their mouths sculpted into strange shapes—Hazel finds herself tracking a truly terrifying serial killer across the country while everything she was barely holding together begins to spin out of control.Through the cacophony of her bickering staff, her unsupportive superiors, a clamoring press, the town’s rumor mill, and her own nagging doubts, Hazel can sense the dead trying to call out. But what secret do they have to share? And will she hear it before it’s too late?In The Calling, Inger Ash Wolfe brings a compelling new voice and an irresistible new heroine to the mystery world.

    But Miss Wonderley is in fact the beautiful and treacherous Brigid O'Shaughnessy, and when Spade's partner Miles Archer is shot while on Thursby's trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a treasure worth killing for, before the Fat Man finds him?

    . .When she wakes up, she's very cold. Colder than she's ever been in her life. She can't move or speak. And then she sees him. The one who took her. And before she dies, she wishes she could scream. . .Is About To Become. . .Former movie star Jenna Hughes left Hollywood for an isolated farm in Oregon to get away from fame. But someone has followed her--an obsessed fan whose letters are personal and deeply disturbing. And while Jenna's already shaken up by what she's seen on paper, she'd be terrified if she knew what Sheriff Shane Carter is investigating. It's a shocking case that started with the discovery of a dead woman in the woods. Now two more women are missing, one of whom bears a striking resemblance to Jenna. . .Her Worst Nightmare. . .

    He's working a routine case, complete with hours of tedious surveillance, when he sees something that shakes him to the core. There, with the subject, is a little blond girl wearing a pink top and denim shorts—the same outfit worn by Tracy Turner, a six-year-old abducted the day before. When the police are skeptical of Ballard's report—and with his history, who can blame them?—it's the beginning of the most important case of his life.

    It doesn't take long for Knighthorse to realize that not all is as it seems at tranquil Huntington High, from a band director who preys on the innocent to a vice-principal with a secret agenda of her own. Not to mention someone's hired a professional killer to keep Knighthorse permanently off the case.As the investigation continues, Knighthorse's personal life is shattered by the discovery of new evidence relating to his mother's unsolved murder, a murder dating back twenty years. Reeling from the discovery, a determined Jim Knighthorse sets out to bring two killers to justice.

    But trouble is Chicago private eye V.I. Warshawski's specialty. Her client says he's the prominent banker, John Thayer. Turns out he's not. He says his son's girlfriend, Anita Hill, is missing. Turns out that's not her real name. V.I.'s search turns up someone soon enough -- the real John Thayer's son, and he's dead. Who's V.I.'s client? Why has she been set up and sent out on a wild-goose chase? By the time she's got it figured, things are hotter -- and deadlier -- than Chicago in July. V.I.'s in a desperate race against time. At stake: a young woman's life.

    But which one?They meet at a local tavern in the small town of Belleville, Delaware. Polly is set on heading west. Adam says he’s also passing through.Yet she stays and he stays—drawn to this mysterious redhead whose quiet stillness both unnerves and excites him. Over the course of a punishing summer, Polly and Adam abandon themselves to a steamy, inexorable affair. Still, each holds something back from the other—dangerous, even lethal, secrets that begin to accumulate as autumn approaches, feeding the growing doubts they conceal.Then someone dies. Was it an accident, or part of a plan? By now, Adam and Polly are so ensnared in each other’s lives and lies that neither one knows how to get away—or even if they want to. Is their love strong enough to withstand the truth, or will it ultimately destroy them?Something—or someone—has to give.Which one will it be?

    Back again to tie up loose ends and care for her ailing father, Nic is soon plunged into a shocking drama that reawakens Corinne’s case and breaks open old wounds long since stitched.The decade-old investigation focused on Nic, her brother Daniel, boyfriend Tyler, and Corinne’s boyfriend Jackson. Since then, only Nic has left Cooley Ridge. Daniel and his wife, Laura, are expecting a baby; Jackson works at the town bar; and Tyler is dating Annaleise Carter, Nic’s younger neighbor and the group’s alibi the night Corinne disappeared. Then, within days of Nic’s return, Annaleise goes missing.Told backwards—Day 15 to Day 1—from the time Annaleise goes missing, Nic works to unravel the truth about her younger neighbor’s disappearance, revealing shocking truths about her friends, her family, and what really happened to Corinne that night ten years ago.Like nothing you’ve ever read before, All the Missing Girls delivers in all the right ways. With twists and turns that lead down dark alleys and dead ends, you may think you’re walking a familiar path, but then Megan Miranda turns it all upside down and inside out and leaves us wondering just how far we would be willing to go to protect those we love.