Soon buried under a pile of bills, laundry, and three-dollar bottles of wine, it quickly became clear that she had no idea what she was doing. But hey, what twentysomething does?In Don’t Worry, It Gets Worse, Nugent shares what it takes to make the awkward leap from undergrad to "mature and responsible adult that definitely never eats peanut butter straight from the jar and considers it a meal.” From trying to find an apartment on the black hole otherwise known as Craigslist to the creative maneuvering needed to pay off student loans and still enjoy happy hour, Nugent documents the formative moments of being a twentysomething with a little bit of snark and a lot of heart. Based on her popular Tumblr blog The Frenemy, Don’t Worry, It Gets Worse is a love note to boozin’, bitchin’ ladies everywhere.

    Many of today’s top-selling fantasy authors, from Patrick Rothfuss to George R. R. Martin to Christopher Paolini credit Tad with being the inspiration for their own series.Now, twenty-four years after the conclusion of Memory, Sorrow, and Thorn, Tad returns to his beloved universe and characters with The Witchwood Crown, the first novel in the long-awaited sequel trilogy, The Last King of Osten Ard.Thirty years have passed since the events of the earlier novels, and the world has reached a critical turning point once again. The realm is threatened by divisive forces, even as old allies are lost, and others are lured down darker paths. Perhaps most terrifying of all, the Norns—the long-vanquished elvish foe—are stirring once again, preparing to reclaim the mortal-ruled lands that once were theirs....

    An app, visor and wristband will virtually transport you to an exotic destination where adventure can be pursued without the complications—or consequences—of real life.Regan is an Elusion insider. Or at least she used to be. Her father invented the program, and her best friend, Patrick, heir to the tech giant Orexis, is about to release it nationwide. But ever since her father’s unexpected death, Regan can’t bear to Escape, especially since waking up from the dream means crashing back to her grim reality.Still, when there are rumors of trouble in Elusion—accusations that it’s addictive and dangerous— Regan is determined to defend it. But the critics of Elusion come from surprising sources, including Josh, the handsome skeptic with his own personal stakes. As Regan investigates the claims, she discovers a disturbing web of secrets. She will soon have to choose between love and loyalty…a decision that will affect the lives of millions.Suspense, thrills, and romance fuel this near-future story about the seductive nature of a perfect virtual world, and how far one girl will go to uncover the truth behind the illusions.

    She sings solos at church, babysits her nephew after school, and spends every Friday night hanging out at her best friend Devon’s house. It’s only when Amber goes exploring in the woods near her home, singing camp songs with the hikers she meets on the Appalachian Trail, that she feels free—and when the bigger world feels just a little bit more in reach.When Amber learns about an audition at the North Carolina School of the Arts, she decides that her dream—to sing on bigger stages—could also be her ticket to a new life. Devon’s older (and unavailable) brother, Will, helps Amber prepare for her one chance to try out for the hypercompetitive arts school. But the more time Will and Amber spend together, the more complicated their relationship becomes . . . and Amber starts to wonder if she’s such a good girl, after all.Then, in an afternoon, the bottom drops out of her family’s world—and Amber is faced with an impossible choice between her promise as an artist and the people she loves. Amber always thought she knew what a good girl would do. But between “right” and “wrong,” there’s a whole world of possibilities.

    It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory  "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review

    He rocked my shoulder. “Listenup,” he said, pointing to the screen. I propped up to peer past the bowl of old maids to see Mr. O’Hara, redder than usual, lecturing Scarlett.“'. . . land is the only thing in the world worth workin’ for, worth fi ghtin’ for, worth dying for, because land is the only thing that lasts!'"Sarah Stonich’s family had once owned land—an island in Lake Vermilion that was lost after the Depression—and while her father still managed to give his daughters the quintessential Minnesota cabin experience, it was on a patch of leased land.Long after her father passed away, a newly divorced Stonich fi nds herself yearning for a piece of land to call her own, that perfect spot on a lake, tall pines, a sense of permanence, a legacy for her son, and a connection to her paternal heritage.“Perfect” turns out to be roadless, raw wilderness near where her immigrant grandparents settled a century before and where the family name is now a postscript. Stonich recalls stories of her relatives, meets admirable and remarkable characters in the community, considers another go at love, and, finally, builds a small cabin. But when “progress” threatens to slice her precious patch of land in half, she must come to terms with the fact that a family legacy is no less valuable with or without a piece of earth. Sarah Stonich is the author of the internationally acclaimed novels These Granite Islands and The Ice Chorus.

    The guitarist and de facto leader of the Grateful Dead was a gregarious talker, keenly engaged with the new world exploding around him. In 1972, Garcia was visited by Charles Reich, a Yale law professor, and Jann Wenner, the founder of Rolling Stone. Garcia was just thirty-one years old but already viewed--to his lasting dismay--as a social avatar for the new sensibility sweeping the land, an anarchist streak with a populist undercurrent that had roots in Ken Kesey's pranksters, the writers of the Beat Generation, and the libertine tradition of the American transcendentalists. In this interview, Garcia reveals how he is a combination of these and other influences, a high-school dropout and autodidact blessed with a gift for eloquent turns of phrase and a refreshing directness. He speaks of the saga of the Grateful Dead and his hoodlum youth growing up in San Francisco's Mission district. He delves into fascinating discourses on the music that shaped his own playing and writing, and freely discusses his use of drugs and explains why he felt it was important to stay high. Like the Grateful Dead's best music, Garcia: A Signpost to New Space is familiar, friendly, and inviting.

    "Punk "was the Bible of the urban counterculture movement. It not only gave punk music its name, but influenced the East Village art scene and steered the punk aesthetic and attitude. "The Best of Punk Magazine" includes high-quality reprints of hard-to-find original issues, as well as rare and unseen photos, essays, interviews, and even handwritten contributions from the likes of Andy Warhol, Lou Reed, Debbie Harry, the Ramones, the Sex Pistols, Lester Bangs, Legs McNeil, Lenny Kaye, and many more. For collectors, lifelong punks, and those just discovering what punk is all about, this is the chance see the history of the movement come back to life.

    Graham Lock writes from the perceptual plane of insight and dedication-coupled with a keen wit and a dynamic intellect.