Intended to gather intelligence and carry out sabotage and assassinations, the unit consisted of Jews who were native to the Arab world and could thus easily assume Arab identities. In 1948, with Israel’s existence in the balance during the War of Independence, our spies went undercover in Beirut, where they spent the next two years operating out of a kiosk, collecting intelligence, and sending messages back to Israel via a radio whose antenna was disguised as a clothesline. While performing their dangerous work these men were often unsure to whom they were reporting, and sometimes even who they’d become. Of the dozen spies in the Arab Section at the war’s outbreak, five were caught and executed. But in the end the Arab Section would emerge, improbably, as the nucleus of the Mossad, Israel’s vaunted intelligence agency.Spies of No Country is about the slippery identities of these young spies, but it’s also about Israel’s own complicated and fascinating identity. Israel sees itself and presents itself as a Western nation, when in fact more than half the country has Middle Eastern roots and traditions, like the spies of this story. And, according to Friedman, that goes a long way toward explaining the life and politics of the country, and why it often baffles the West. For anyone interested in real-life spies and the paradoxes of the Middle East, Spies of No Country is an intimate story with global significance.

    But then Saddam Hussein invaded Iran and sealed off Iraq's borders to every man of military age -- including Shant. Suddenly forced onto the front lines, his two-week visit turned into a nightmare that lasted for ten years. 1001 Nights in Iraq presents a human story that provides unique insight into a country and culture that we only get a hint of in the headlines. After surviving the horrors of the Iran-Iraq War, Shant was then forced to fight on the front lines of Desert Storm without being given the proper equipment, including a gun, but miraculously survived to be captured by the Americans and become a POW. He underwent starvation, heavy interrogations, and solitary confinement, but what broke him in the end was his love affair with a female American soldier. Yet throughout this whole ordeal, Shant never lost his respect for people, his faith in God, or his sense of humor.

    From her friends, Hass learns the secrets of slipping across sealed borders and stealing through night streets emptied by curfews. She shares Gaza's early euphoria over the peace process and its subsequent despair as hope gives way to unrelenting hardship. But even as Hass charts the griefs and humiliations of the Palestinians, she offers a remarkable portrait of a people not brutalized but eloquent, spiritually resilient, bleakly funny, and morally courageous.Full of testimonies and stories, facts and impressions, Drinking the Sea at Gaza makes an urgent claim on our humanity. Beautiful, haunting, and profound, it will stand with the great works of wartime reportage.

    Alison Weir must be highly commended for throwing such a brilliantly hard light on the relationship between the United States and Israel. I hope this marvelous book gets all the attention it deserves." - Ambassador Andrew Killgore Soon after WWII, US statesman Dean Acheson warned that creating Israel on land already inhabited by Palestinians would "imperil" both American and all Western interests in the region. Despite warnings such as this one, President Truman supported establishing a Jewish state on land primarily inhabited by Muslims and Christians. Few Americans today are aware that US support enabled the creation of modern Israel. Even fewer know that US politicians pushed this policy over the forceful objections of top diplomatic and military experts. As this work demonstrates, these politicians were bombarded by a massive pro-Israel lobbying effort that ranged from well-funded and very public Zionist organizations to an "elitist secret society" whose members included Supreme Court Justice Louis Brandeis. AGAINST OUR BETTER JUDGMENT brings together meticulously sourced evidence to illuminate a reality that differs starkly from the prevailing narrative. It provides a clear view of the history that is key to understanding one of the most critically important political issues of our day.

    From his vantage point at the break-up of the old regime, Kapuscinski gives us a compelling history of conspiracy, repression, fanatacism, and revolution.

    policy has always emphasized the unbreakable bond between the two countries and our ironclad commitment to Israel's security. Today our ties to Israel are close--so close that when there are differences, they tend to make the news. But it was not always this way. Dennis Ross has been a direct participant in shaping U.S. policy toward the Middle East, and Israel specifically, for nearly thirty years. He served in senior roles, including as Bill Clinton's envoy for Arab-Israeli peace, and was an active player in the debates over how Israel fit into the region and what should guide our policies. In Doomed to Succeed, he takes us through every administration from Truman to Obama, throwing into dramatic relief each president's attitudes toward Israel and the region, the often tumultuous debates between key advisers, and the events that drove the policies and at times led to a shift in approach. Ross points out how rarely lessons were learned and how distancing the United States from Israel in the Eisenhower, Nixon, Bush, and Obama administrations never yielded any benefits and why that lesson has never been learned. Doomed to Succeed offers compelling advice for how to understand the priorities of Arab leaders and how future administrations might best shape U.S. policy in that light.

    Now one of the most isolated and fear ridden cities on earth, no-one is allowed to speak to western journalists or leave Raqqa, without IS’s permission. Those caught breaking the rules face death by beheading.Despite this, Mike Thomson, with the help of BBC’s Arabic Service, found a young man who is willing to risk his life to tell the world what is happening in his city. Part of a small anti-IS activist group, the diaries were written, encrypted and sent to a third country before being translated.The diarist’s father is killed and mother badly injured during an air strike, he is sentenced to 40 lashes for speaking out against a beheading, he sees a woman stoned to death. They show how every aspect of life is impacted – from the spiralling costs of food to dictating the acceptable length of trousers.At one point, the sale of televisions is banned. As Samer says, 'it seems it’s not enough to stop us talking to the outside world, now we can’t even look at it.’ Having seen friends and relatives butchered, his community’s life shattered and the local economy ruined by these hate-fuelled extremists, Samer believes he’s fighting back by telling the world what is happening to his beloved city.Raw, direct and profoundly affecting, The Raqqa Diaries is an important book by a brave young man, which allows unprecedented access to the brutal conditions that many Syrians are living under.

    It's not that she's an outcast (she might even be your friend or your wife, or your mother) so much as she's a social variable. Sometimes, she's the life of the party; others, she's the center of gossip. She's the unruly woman, and she's one of the most provocative, powerful forms of womanhood today. There have been unruly women for as long as there have been boundaries of what constitutes acceptable "feminine" behavior, but there's evidence that she's on the rise--more visible and less easily dismissed--than ever before. In Too Fat, Too Slutty, Too Loud, Anne Helen Petersen uses the lens of "unruliness" to explore the ascension of eleven contemporary powerhouses: Serena Williams, Melissa McCarthy, Abbi Jacobson, Ilana Glazer, Nicki Minaj, Kim Kardashian, Hillary Clinton, Caitlyn Jenner, Jennifer Weiner, and Lena Dunham. Petersen explores why the public loves to love (and hate) these controversial figures, each of whom has been conceived as "too" something: too queer, too strong, too honest, too old, too pregnant, too shrill, too much. With its brisk, incisive analysis, Too Fat, Too Slutty, Too Loud will be a conversation-starting book on what makes and breaks celebrity today.

    In these vivid memoirs, Lee takes a profoundly personal look back at the events that led to Singapore's independence and shaped its struggle for success. And, as always, he lets the chips fall where they may.In intimate detail, Lee recounts Singapore's unforgettable history. You'll be with Lee as he leads striking unionists against the colonial government; shares tea and rounds of golf with key players in Britain and Malaya; and drinks warm Anchor beer with leaders of the communist underground at secret midnight meetings. From British colonial rule through Japanese occupation in World War II, Communist insurrection, riots, independence -- and the struggles that followed -- few political memoirs anywhere have been this blunt, or this fascinating.Anyone interested in the political history of Singapore, Asia, and the modern world.

    So asserts Ayaan Hirsi Ali's profound meditation on Islam and the role of women, the rights of the individual, the roots of fanaticism, and Western policies toward Islamic countries and immigrant communities. Hard-hitting, outspoken, and controversial, "The Caged Virgin" is a call to arms for the emancipation of women from a brutal religious and cultural oppression and from an outdated cult of virginity. It is a defiant call for clear thinking and for an Islamic Enlightenment. But it is also the courageous story of how Hirsi Ali herself fought back against everyone who tried to force her to submit to a traditional Muslim woman's life and how she became a voice of reform. Born in Somalia and raised Muslim, but outraged by her religion's hostility toward women, Hirsi Ali escaped an arranged marriage to a distant relative and fled to the Netherlands. There, she learned Dutch, worked as an interpreter in abortion clinics and shelters for battered women, earned a college degree, and started a career in politics as a Dutch parliamentarian. In November 2004, the violent murder on an Amsterdam street of Dutch filmmaker Theo van Gogh, with whom Hirsi Ali had written a film about women and Islam called "Submission," changed her life. Threatened by the same group that slew van Gogh, Hirsi Ali now has round-the-clock protection, but has not allowed these circumstances to compromise her fierce criticism of the treatment of Muslim women, of Islamic governments' attempts to silence any questioning of their traditions, and of Western governments' blind tolerance of practices such as genital mutilation and forced marriages of female minors occurring in their countries.Hirsi Ali relates her experiences as a Muslim woman so that oppressed Muslim women can take heart and seek their own liberation. Drawing on her love of reason and the Enlightenment philosophers on whose principles democracy was founded, she presents her firsthand knowledge of the Islamic worldview and advises Westerners how best to address the great divide that currently exists between the West and Islamic nations and between Muslim immigrants and their adopted countries.An international bestseller -- with updated information for American readers and two new essays added for this edition -- "The Caged Virgin" is a compelling, courageous, eye-opening work.

    A loving marriage, the raising of four children, and a devotion to social and cultural causes marked her early years as queen, although there were already signs of grave national diversions on the horizon.Twenty years later the dream had turned into a nightmare: demonstrations and riots shook the country, and Farah and the Shah decided to leave in order to avoid bloodshed. With the hardcover publication of An Enduring Love, a New York Times bestseller (extended list) in 2004, Farah Diba, wife of the last emperor of Iran, broke her silence and told the wrenching story of her love for a man and his country. Her compelling memoir offers an intimate view of a time of upheaval, but stands above all as a powerful human document from one whose life was caught up in an epic and tragic national struggle.

    Born in 1905 to a wealthy family in the oil-boom city of Baku, at the edge of the czarist empire, Lev escaped the Russian Revolution in a camel caravan. He found refuge in Germany, where, writing under the names Essad Bey and Kurban Said, his remarkable books about Islam, desert adventures, and global revolution, became celebrated across fascist Europe. His enduring masterpiece, Ali and Nino–a story of love across ethnic and religious boundaries, published on the eve of the Holocaust–is still in print today.But Lev's life grew wilder than his wildest stories. He married an international heiress who had no idea of his true identity–until she divorced him in a tabloid scandal. His closest friend in New York, George Sylvester Viereck–also a friend of both Freud's and Einstein's–was arrested as the leading Nazi agent in the United States. Lev was invited to be Mussolini's official biographer–until the Fascists discovered his "true" identity. Under house arrest in the Amalfi cliff town of Positano, Lev wrote his last book–discovered in a half a dozen notebooks never before read by anyone–helped by a mysterious half-German salon hostess, an Algerian weapons-smuggler, and the poet Ezra Pound. Tom Reiss spent five years tracking down secret police records, love letters, diaries, and the deathbed notebooks. Beginning with a yearlong investigation for The New Yorker, he pursued Lev's story across ten countries and found himself caught up in encounters as dramatic and surreal, and sometimes as heartbreaking, as his subject's life. Reiss's quest for the truth buffets him from one weird character to the next: from the last heir of the Ottoman throne to a rock opera-composing baroness in an Austrian castle, to an aging starlet in a Hollywood bungalow full of cats and turtles.As he tracks down the pieces of Lev Nussimbaum's deliberately obscured life, Reiss discovers a series of shadowy worlds–of European pan-Islamists, nihilist assassins, anti-Nazi book smugglers, Baku oil barons, Jewish Orientalists–that have also been forgotten. The result is a thoroughly unexpected picture of the twentieth century–of the origins of our ideas about race and religious self-definition, and of the roots of modern fanaticism and terrorism. Written with grace and infused with wonder, The Orientalist is an astonishing book.

    The Munich Olympics. Palestinian members of the Black September group murder eleven Israeli athletes. Nine hundred million people watch the crisis unfold on television, witnessing a tragedy that inaugurates the modern age of terror and remains a scar on the collective conscience of the world.Back in Israel, Prime Minister Golda Meir vows to track down those responsible and, in Menachem Begin’s words, “run these criminals and murderers off the face of the earth.” A secret Mossad unit, code named Caesarea, is mobilized, a list of targets drawn up. Thus begins the Israeli response–a mission that unfolds not over months but over decades. The Mossad has never spoken about this operation. No one has known the real story. Until now.Award-winning journalist Aaron Klein’s incisive and riveting account tells for the first time the full story of Munich and the Israeli counterterrorism operation it spawned. With unprecedented access to Mossad agents and an unparalleled knowledge of Israeli intelligence, Klein peels back the layers of myth and misinformation that have permeated previous books, films, and magazine articles about the “shadow war” against Black September and other terrorist groups.Spycraft, secret diplomacy, and fierce detective work abound in a story with more drama than any fictional thriller. Burning questions are at last answered, including who was killed and who was not, how it was done, which targets were hit and which were missed. Truths are revealed: the degree to which the Mossad targeted nonaffiliated Black September terrorists for assassination, the length and full scope of the operation (far greater than previously suspected), retributive acts against Israel, and much more. Finally, Klein shows that the Israeli response to Munich was not simply about revenge, as is popularly believed. By illuminating the tactical and strategic purposes of the Israeli operation, Striking Back allows us to draw profoundly relevant lessons from one of the most important counterterrorism campaigns in history.

    From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You’ve got one.In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics-and that delivered us to this precarious, disorienting moment in history.West writes, “We were just a hair’s breadth from electing America’s first female president to succeed America’s first black president. We weren’t done, but we were doing it. And then, true to form—like the Balrog’s whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, ‘If I can’t have you, no one can’—white American voters shoved an incompetent, racist con man into the White House.”We cannot understand how we got here-how the land of the free became Trump’s America—without examining the chasm between who we are and who we think we are, without fact—checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.

    Her compelling and demanding collection The Death of Adam—in which she reflected on her Presbyterian upbringing, investigated the roots of Midwestern abolitionism, and mounted a memorable defense of Calvinism—is respected as a classic of the genre, praised by Doris Lessing as “a useful antidote to the increasingly crude and slogan-loving culture we inhabit.” In this new collection she returns to the themes which have preoccupied her work: the role of faith in modern life, the inadequacy of fact, the contradictions inherent in human nature. Clear-eyed and forceful as ever, Robinson demonstrates once again why she is regarded as a modern rhetorical master.