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    A young widow and mother, her services were engaged in the 1860's by King Mongkut of Siam to help him communicate with foreign governments and be the tutor to his children and favored concubines. Stepping off the steamer from London, Anna found herself in an exotic land she could have only dreamed of lush landscape of mystic faiths and curious people, and king's palace bustling with royal pageantry, ancient custom, and harems. One of her pupils, the young prince Chulalongkorn, was particularly influenced by Leonowens and her Western ideals. He learned about Abraham Lincoln and the tenets of democracy from her, and years later he would become Siam's most progressive king. He guided the country's transformation from a feudal state to a modern society, abolshing slavery and making many other radical reforms.Weaving meticulously researched facts with beautifully imagined scenes, Margret Landon recreates an unforgettable portrait of life in a forgotten extotic land. Written more than fifty years ago, and translated into dozens of languages, Anna and the King of Siam (the inspiration for the magical play and film The King and I)continues to delight and enchant readers around the world.

    Though brought together in a friendship that neither jealousy nor violence could shatter, the Hazards and the Mains are torn apart by the storm of events that has divided the nation.

    Here you will also meet Allison Beals and her twenty-five eels; Danny O'Dare, the dancin' bear; the Human Balloon; and Headphone Harold.So come, wander through the Nose Garden, ride the Little Hoarse, eat in the Strange Restaurant, and let the magic of Shel Silverstein open your eyes and tickle your mind.

    From the moment young Jim Hawkins first encounters the sinister Blind Pew at the Admiral Benbow Inn until the climactic battle for treasure on a tropic isle, the novel creates scenes and characters that have fired the imaginations of generations of readers. Written by a superb prose stylist, a master of both action and atmosphere, the story centers upon the conflict between good and evil - but in this case a particularly engaging form of evil. It is the villainy of that most ambiguous rogue Long John Silver that sets the tempo of this tale of treachery, greed, and daring. Designed to forever kindle a dream of high romance and distant horizons, Treasure Island is, in the words of G. K. Chesterton, 'the realization of an ideal, that which is promised in its provocative and beckoning map; a vision not only of white skeletons but also green palm trees and sapphire seas.' G. S. Fraser terms it 'an utterly original book' and goes on to write: 'There will always be a place for stories like Treasure Island that can keep boys and old men happy.'

    The result is a refreshingly unique perspective on Austen and her work and a beautifully nuanced exploration of gender, creativity, and domesticity."--Amanda Foreman, bestselling author of Georgianna, Duchess of DevonshireTake a trip back to Jane Austen's world and the many places she lived as historian Lucy Worsley visits Austen's childhood home, her schools, her holiday accommodations, the houses--both grand and small--of the relations upon whom she was dependent, and the home she shared with her mother and sister towards the end of her life. In places like Steventon Parsonage, Godmersham Park, Chawton House and a small rented house in Winchester, Worsley discovers a Jane Austen very different from the one who famously lived a 'life without incident'. Worsley examines the rooms, spaces and possessions which mattered to her, and the varying ways in which homes are used in her novels as both places of pleasure and as prisons. She shows readers a passionate Jane Austen who fought for her freedom, a woman who had at least five marriage prospects, but--in the end--a woman who refused to settle for anything less than Mr. Darcy. Illustrated with two sections of color plates, Lucy Worsley's Jane Austen at Home is a richly entertaining and illuminating new book about one of the world’s favorite novelists and one of the subjects she returned to over and over in her unforgettable novels: home.

    Including his late poems in free rhythms from the years between 1801 and 1806, the period just prior to his hospitalization for insanity.

    C.S. Lewis cites William Morris as one of his favorite authors and J.R.R. Tolkein admits to being influenced greatly by Morris' fantasies. The hero of this romance is named Golden Walter, son of Bartholomew Golden, a great merchant in the town of Langton on Holm. Tired of his mundane life, Walter sets out on a sea voyage, anxious to see and learn more of the outside world, eventually winning for himself the kingdom of Stark-Wall and the love of a beautiful maiden.

    The potatoes are black and rotten, and the people have nothing to eat. Eily, Michael and Peggy are alone in their cottage. Their parents went out in search of work and food, but never returned. Now the children must fend for themselves. Desperate to avoid being sent to the workhouse, they set out on a journey to find their great-aunts. On their journey, they encounter the devastation caused by famine people scrabbling for food, abandoned children, soup kitchens, beggars, disease, wild dogs, death. Led by twelve-year-old Eily, the children use all their strength and ingenuity to survive and find their way to Castletaggart.

    Reid took the title of "Captain" because that was what his men called him during that war, although he was never promoted to that rank. The importance of Reid's books with this background is that they were among the first in the Wild West genre. (Nick Hodson)According to Wikipedia: "Thomas Mayne Reid (April 4, 1818 - October 22, 1883), was an Irish-American novelist. "Captain" Reid wrote many adventure novels akin to those written by Frederick Marryat and Robert Louis Stevenson. He was a great admirer of Lord Byron. These novels contain action that takes place primarily in untamed settings: the American West, Mexico, South Africa, the Himalayas, and Jamaica."

    

    From shopkeepers to kings, everyone wants the help of Sherlock Holmes, but can he solve these mysteries?

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    Two of Hardy's best works are included in this volume.

    New Hardcover with dust jacket