Over 200 selections embrace a wide range of themes and motifs: meditations on the meaning of existence, celebrations of life's joys, appreciations of the natural world, and many more."To My Dear and Loving Husband," written by America's first poet of note, Anne Bradstreet (1612-1672), appears here, along with "On Imagination," by Phillis Wheatley (1753-1784), America's first great black woman poet. Selections also include more than a dozen beloved works by Emily Dickinson as well as masterly verses by Hilda Doolittle, Gwendolyn Brooks, Edna St. Vincent Millay, Amy Lowell, Emma Lazarus, and numerous lesser-known authors.A superb introduction to America's women poets, this engaging collection offers an inexpensive and rewarding resource for students, teachers, and all lovers of fine poetry.

    Haunted by the assault, she hides from the world, finding solace in her mathematical theories. A few years later, her intellectual brilliance is discovered and she leaves conflict-stricken Pakistan for a better education in Melbourne, where she finds herself placed with Kate—a successful plastic surgeon facing emotional insecurities of her own.   Malika and Kate’s lives slowly intertwine as they find within each other what each has lacked alone. At first, Kate’s skills appear to offer a simple solution to Malika’s anguish, but when tragedy strikes, the price of beauty is found to be much higher than either of them could have known.  As Swallows Fly is a poignant portrayal of survival, identity and empowerment in a culture dominated by the pursuit of perfection. In a captivating and unforgettable debut, McMahon asks what might be possible if we have the courage to be flawed.

    

    Senior Constable Andrew Rich claims he ‘had no choice’ other than to shoot 24-year-old Elijah Holcombe — Elijah had run at him roaring with a knife, he tells police.Some witnesses to the shooting say otherwise, though, and this act of aggression doesn't fit with the sweet, sensitive, but troubled young man that Elijah's family and friends knew him to be. The shooting devastates Elijah's family and the police officer alike.So what happened in that Armidale laneway — and how could it have been avoided? Waiting for Elijah is the culmination of journalist Kate Wild's six-year investigation — an investigation that not only seeks to answer these questions, but also poses some vitally important ones of its own: Why is it still taboo to talk about mental illness in our society? Is it fair to expect police to be first responders in mental health crises? If the community insists this job belongs to police, how can these interactions be improved?Written with clear-eyed compassion and a compelling narrative drive, Waiting for Elijah is an account of a tragedy that didn’t have to happen. It is also an intense, forensic deconstruction of the extended legal proceedings that followed, and a heartbreaking portrait of a family’s grief.

    It left the business of rock stardom to rock stars. But by 1992 alternative rock had spawned a revolution in music and style that transformed youth culture and revived a moribund music industry. Five years later, alternative rock was over, leaving behind a handful of dead heroes, a few dozen masterpieces, and a lot more questions than answers. What, if anything, had the alternative revolution meant? And had it been possible - as so many of its heroes had insisted - for it to be both on MtV and under the radar? Had it used the machinery of corporate rock to destroy corporate rock? In ENtERtAIN US! Craig Schuftan takes you on a journey through the nineties - from Sonic Youth's 'Kool thing' to Radiohead's 'Kid A', NEVERMIND to ODELAY, Madchester to Nu-Metal, Lollapalooza to Woodstock '99 - narrated in the voices of the decade's most important artists. this is the story of alternative rock - the people who made it, the people who loved it, the industry that bought and sold it, and the culture that grew up in its wake - in the last decade of the twentieth century.

    Crowds of tourists mix with the locals, enjoying the glorious surroundings and the play of light on water. But each of the four carries a complicated history from elsewhere; each is haunted by past intimacies, secrets and guilt: Ellie is preoccupied by her sexual experiences as a girl, James by a tragedy for which he feels responsible, Catherine by the loss of her beloved brother in Dublin and Pei Xing by her imprisonment during China's Cultural Revolution. Told over the course of a single Saturday, Five Bells describes four lives which chime and resonate, sharing mysterious patterns and symbols. But it is a fifth person, a child, whose presence at the Quay haunts the day and who will overshadow everything that unfolds. By night-time, when Sydney is drenched in a rainstorm, each life has been transformed.Five Bells is a novel of singular beauty and power by one of Australia's most gifted novelists.

    So when she hears about a job teaching four children on a massive cattle property in North Queensland, she decides to throw caution - and her teaching job - to the winds.When Lucy arrives at Charlotte's Creek Station she finds a family in crisis. To make matters worse, the four children she's been charged with educating are very spirited, not always cooperative, and dismally behind in their schooling.To Lucy, the only person who seems to be keeping Charlotte's Creek afloat is the family's gruff stockman, Ted. With his support and encouragement Lucy throws herself into the day-to-day activities of the station and makes excellent progress with the children.Though Lucy and Ted's feelings for each other grow, Ted can't see any future for them because of his lack of prospects. As the family divisions at Charlotte's Creek prove insurmountable and the property looks set to be put on the market, Lucy faces returning to the city and leaving Ted behind. . .By the betselling author of Redstone Station, this is the story of a strong young woman stepping into the unknown, trying to make things work, and finding love.

    Miller discovers that he is also searching for a defining part of himself, formed by his relation to Max Blatt, but whose significance will remain obscure until he finds Max, complete, in his history. With Max, Miller the novelist has written a wonderful work of non-fiction, as fine as the best of his novels. Always a truth-seeker, he has rendered himself vulnerable, unprotected by the liberties permitted to fiction. Max is perhaps his most moving book, a poignant expression of piety, true to his mentor's injunction to write with love.' Raimond Gaita, award-winning author of Romulus, My FatherI began to see that whatever I might write about Max, discover about him, piece together with those old shards of memory, it would be his influence on the friendships of the living that would frame his story in the present.According to your 1939 Gestapo file, you adopted the cover names Landau and Maxim. The name your mother and father gave you was Moses. We knew you as Max. You had worked in secret. From an early age you concealed yourself - like the grey box beetle in the final country of your exile, maturing on its journey out of sight beneath the bark of the tree.You risked death every day. And when at last the struggle became hopeless, you escaped the hell and found a haven in China first, and then Australia, where you became one of those refugees who, in their final place of exile, chose not death but silence and obscurity.Alex Miller followed the faint trail of Max Blatt's early life for five years. Max's story unfolded, slowly at first, from the Melbourne Holocaust Centre's records then to Berlin's Federal Archives. From Berlin, Miller travelled to Max's old home town of Wroclaw in Poland. And finally in Israel with Max's niece, Liat Shoham, and her brother Yossi Blatt, at Liat's home in the moshav Shadmot Dvora in the Lower Galilee, the circle of friendship was closed and the mystery of Max's legendary silence was unmasked.Max is an astonishing and moving tribute to friendship, a meditation on memory itself, and a reminder to the reader that history belongs to humanity.'A wonderful book. It is a story that needs to be heard.' Jay Winter, Charles J. Stille Professor of History, Yale University'It is a beautiful and haunting book…There is something sacred about this story, this delicate act of remembrance…There is a slow, elegant circling in the book's storytelling, as if those precious shards are held up to the light and turned to reveal their facets. But there is a compelling journey of discovery too, not so much into the light as into the darkness, into Max's silence. In Max, the reader becomes engaged in a fascinating, visceral wrestling with facts, the power of the imagination and the character of truth…This book so beautifully evokes the power of places in shaping our consciousness and perception.' - Tom Griffiths. Emeritus Professor, ANU

    Charlotte's interviews with a wide range of well-known writers range in topic from the subject matter of the writers' work to quite intricate - and intimate - revelations about the ways in which they work. Charlotte's subjects are frank about the failures and successes, the struggles and triumphs of the writing life, and extremely generous in their revelations. A must-read for writers and readers.

    The main character, Ruby, refugee of a massacre, shelters in the woods where she befriends an Irishman trapper.The poems convey how fear of discovery is overcome by the need for human contact which, in a tense unravelling of events, is forcibly challenged by an Aboriginal lawman. The natural world is richly observed and Ruby's courtship is measured by the turning of the seasons.

    He is "singular among his peers in his ability to convey with a deceptive lightness the paradoxes of human emotion," says Publishers Weekly, and Robert Hass, in the Washington Post Book World, takes special note of Lux's "bitter wit, the kind of irony that comes with a quick, impatient intelligence."

    A shack perched halfway up a hill in an other-world of bizarre shadow plants and dark sentinel trees . . . Every road had been leading here, to this place.'Greta's partner Joel grew up with five brothers and a sister in a feisty household on an isolated NT property. But he doesn't talk about those days-not the deaths of his sister and mother, nor the origin of the scars that snake around his body.Now, many years later, he returns with Greta and their three young boys to prepare the place for sale. The boys are quick to settle in, and Joel seems preoccupied with work, but Greta has a growing sense of unease, struggling in the build-up's oppressive heat and living in the shadow of the old, burned-out family home. She knows she's a stranger in this uncanny place, with its eerie and alluring landscape, hostile neighbour, and a toxic dam whose clear waters belie its poison. And then there's the mysterious girl living rough whom Greta tries to befriend.Determined to make sense of it all, Greta is drawn into Joel's unspoken past and confronted by her own. Before long the curlew's haunting cry will call her to face the secrets she and Joel can no longer outrun.

    But despite his lack of recognition, Mr. Hennen...has simply gone about his calling with humility and gratitude in a culture whose primary crop has become fame. He just watches, waits and then strikes, delivering heart-buckling lines.” —Dana Jennings, The New York Times"As with Ted Kooser, Tom Hennen is a genius of the common touch. . . . They are amazingly modest men who early accepted poetry as a calling in ancient terms and never let up despite being ignored early on. They return to the readers a thousandfold for their attentions."—Jim Harrison, from the introduction"Many readers will appreciate this evocation of a life not as commonly portrayed in contemporary verse."—Library Journal"There is something of the ancient Chinese poets in Hennen, of Clare and Thoreau, although he is very much a contemporary poet."—Willow Springs"One of the most charming things about Tom Hennen's poems is his strange ability to bring immense amounts of space, often uninhabited space, into his mind and so into the whole poem."—Robert Bly"America is a country that loves its advertising. That loves its boxes we can put people and places into. We love 'Heartland' as opposed to 'Dustbowl.' We also love to be surprised. Rural Minnesota, as written by Tom Hennen in Darkness Sticks to Everything, is a world of realistic loneliness and lessons. It’s a collection of sincere poems about man and the land."—The Rumpus"Hennen is a master of the prose poem [who] can take little details, tiny details and make them universal."—River Falls Journal"What separates Hennen from many of his contemporaries is his willingness to identify with the natural world in a way that feels neither possessive nor self-serving, but simply (once again) sincere."—Basalt Magazine"There is something strong in all Tom Hennen's poems, an awareness and a clear, sure voice... I don't usually want to end by saying 'Buy this book,' but I'm going to say it this time: 'You should buy this book.'"—Fleda Brown, Interlochen Public Radio, "Michigan Writers on the Air"Tom Hennen gives voice to the prairie and to rural communities, celebrating—with sadness, praise, and astute observations—the land, weather, and inhabitants. In short lyrics and prose poems, he reveals the detailed strangeness of ordinary things. Gathered from six chapbooks that were regionally distributed, this volume is Hennen's long-overdue introduction to a national audience. Includes an introduction by Jim Harrison and an afterword by Thomas R. Smith."In Falling Snow at a Farm Auction"Straight pine chairComfortableIn anyone's company,Older than grandmotherIt enters the presentIts arms wide openWanting to hold another young wife.Tom Hennen, author of six books of poetry, was born and raised in rural Minnesota. After abandoning college, he married and began work as a letterpress and offset printer. He helped found the Minnesota Writer's Publishing House, then worked for the Department of Natural Resources wildlife section, and later at the Sand Lake National Wildlife Refuge in South Dakota. Now retired, he lives in Minnesota.

    Ned Kelly emerges as a man who hated conflict yet never escaped it. A thorough account of a most remarkable life. Author Biography: As an historical writer, IAN JONES has written for television and film, his work including THE SULLIVANS, AGAINST THE WIND, THE LAST OUTLAW and THE LIGHTHORSEMEN.

    Bestselling Maritme Biographer, Rob Mundle, is back on the ocean with a blockbuster. First Fleet tells the extraordinary story of the eighteenth century convoy of eleven ships that left England on 13th May 1787 for the 'land beyond the seas'. Aboard were seafarers, convicts, marines and a few good citizens - some 1300 hundred in all - who had been consigned to a virtually unknown land on the opposite side of the world where they would establish a penal colony, and a nation. The fleet stopped at Tenerife, Rio de Janeiro and Cape Town before sailing across the notorious and challenging Southern ocean, bound for Botany bay. Somehow all 11 ships arrived safely between 18 and 20 January 1788. But it's what happened during 252 days at sea while sailing halfway around the world, and subsequently on land, that is almost beyond belief. No nation has ever been founded in such a courageous and dangerous manner. It's the basis for one hell of an adventure