Extensively researched and compellingly told, it introduces us to the passionate drama and violent upheaval of eleventh-century Europe. The world as we know it, and the English language, would have been vastly different were it not for the driving ambition of one man: William the Conqueror. But conquerors are made, not born, and William was made in fire and blood. How does a boy become a man, surviving a tumultuous and terrifying childhood? And how does that man become a legend? William Rising plunges us into this world of danger and betrayal, of choosing sides and dying for absolutes. It follows the creation of a conqueror, as he grows up abandoned, learns to fight at an early age for anything he hopes to keep, and is sculpted into a remorseless, far-sighted, ruthlessly efficient soldier and statesman. From his origins as an orphaned, penniless bastard boy, to his personal and political trials by fire, to the climactic battle with his rebellious barons where he finally comes of age, the young duke increasingly establishes himself as a force to be reckoned with. But as the shadowy intrigues of English politics, and the all-consuming question of an heir for a childless king, begin to draw him into their web, it may just be that William of Normandy has a destiny far greater than even he has ever dreamed.

    This is great new saga about an archer and his family who fought for gold and treasure in an effort to rise in cruel and difficult feudal times - and how they did it. It will appeal to the fans of Bernard Cornwell, Jeffrey Archer, C.S. Forester. De Melo, Griff Hosker, Peter Darman, and Jerry Auteri. This is British and English action & adventure of the medieval war & military historical fiction variety at its action-packed best.

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    He watched his father ascend the ranks within the academy to become one of the most respected warriors in the kingdom. The only thing he has ever wanted is to become an academy student and follow the path of his father. Unfortunately, only the best can enter the academy and Justan is a horrible fighter. Everyone tells him that he is more suited to scholarly work than swordplay. In desperation he hurls himself into training, eager to overcome the doubters and walk into the academy triumphant, unaware that secretive powers plot to disrupt his plans. Meanwhile, an evil wizard of immense power is using magic to twist the bodies of the creatures of the land and transform them into monsters. With these creatures and the peoples of the wilds, he is building an army . . . Ogres and dragons, warriors and wizards are destined to clash, their fates guided by The Bowl of Souls.

     Now Lord Barnard is dead and his son, Lord Charles, has come home from the crusades with the last of their men -- and Simon is not among them. Lord Charles claims Simon died saving his life. Melisende suspects there is more to the story. Left to fend for herself and her two young children, Melisende is determined to discover what really happened to Simon at the battle for Acre. The truth is far stranger and more unsettling than she could ever have imagined. If you enjoy true-to-life historical fiction based on real events, with all the passion, drama, and heartache of life in Medieval Europe, you’ll love The Lode Stone, written by multi-award-winning author Jane Ann McLachlan.

    These interviews are compiled in Scout, Atticus, and Boo, the perfect companion to one of the most important American books of the 20th Century. Scout, Atticus, and Boo will also feature a foreword from acclaimed writer Wally Lamb.

    ducked into his classroom at the Iowa Writer’s Workshop in September of 1965, his jokes drew only weak laughter and a few rolled eyes. But workshop student Loree Rackstraw was quietly impressed by this “great bear of a man” and his down-to-earth sensibilities about writing.That fall, an impossible romance began between the then-unknown author and his student—a brief affair that matured into a joyful, lifelong friendship. Rackstraw distills four decades of memories and Vonnegut’s letters to her into an affectionate memoir that crackles with the creative energy of one of America’s most beloved writers.Rackstraw’s unique perspective on Vonnegut’s life and how it shaped his famous works portrays a deeply humane man who looked for the humor and absurdity in life in order to survive. And then there are Vonnegut’s own letters: Whether energetic about new projects or frustrated with the “game” of writing and selling “a gazoolian copies,” Vonnegut writes with the playful imagination and generous, accessible brilliance that have always been his trademarks.

    They opened up new worlds and cast light on all the complexities she encountered in this one.She was whisked away to Narnia – and Kirrin Island – and Wonderland. She ventured down rabbit holes and womble burrows into midnight gardens and chocolate factories. She wandered the countryside with Milly-Molly-Mandy, and played by the tracks with the Railway Children. With Charlotte’s Web she discovered Death and with Judy Blume it was Boys. No wonder she only left the house for her weekly trip to the library or to spend her pocket money on amassing her own at home.In Bookworm, Lucy revisits her childhood reading with wit, love and gratitude. She relives our best-beloved books, their extraordinary creators, and looks at the thousand subtle ways they shape our lives. She also disinters a few forgotten treasures to inspire the next generation of bookworms and set them on their way.Lucy brings the favourite characters of our collective childhoods back to life – prompting endless re-readings, rediscoveries, and, inevitably, fierce debate – and brilliantly uses them to tell her own story, that of a born, and unrepentant, bookworm.

    And yet at the same time, like another masterpiece of fiction, James Joyce's Ulysses, it's been deemed endlessly complex and filled with impenetrable mysteries. Now, however, in the first book-length investigation of Wolfe's literary puzzlebox, Robert Borski takes you inside the twisting corridors of the tetralogy and along the way reveals his solutions to many of the novel's conundrums and riddles, such as who really is Severian's lost twin sister (almost certainly not who you think) and why he believes the novel's main character may not even be the torturer Severian. Furthermore, and in essay after essay, Borski demonstrates how a single master key will unlock many of the book's secret relationships--all in the attempt to guide you through the labyrinth that is Gene Wolfe's BOOK OF THE NEW SUN.

    Revenge is ripe on his tongue, and he means to have it. His younger sister was raped by an English bastard, and he was going to make him pay even if it meant he had to execute his vengeance on the miscreant's younger, innocent sister. An eye for an eye was the way he saw it.Madeleine Wynton lived her life simply. She had her father and three older brothers, whom she loved dearly. Her life was calm, and while it may seem boring to others, it satisfied her and gave her purpose. She aspired to enter the abbey where she would further serve others. A life of service would surely save her and her mother’s souls from purgatory, wouldn’t it? That was the plan, that is, until she was kidnapped for ransom. Luck wasn't always on her side, but fortunately for her that day, it was. A rather large, intimidating, and surly Highlander came to her rescue. He took her back to the Highlands, promising to send word to her father that she was safe and ready to return home. The more time she spent with Connor and his family, though, the more she began to question everything she always held as truth. Connor was going to make the English reprobates pay, and not even those wide innocent eyes resting above that sharp tongue of Maddie's, was going to make him abandon his intentions. He was not only sending word to Maddie’s father in the form of a ransom, but he also intended to seduce the Englishwoman into his bed. The revenge would taste sweeter if she willingly gave herself to him. Regrettably, Connor didn’t anticipate falling for Maddie’s stubbornness, wit, or charm. It was a dilemma further complicated by his need to keep her safe from one man who wanted to kidnap Maddie for ransom, and another who bought her from her father. Connor needed to keep his secret if he wanted to spend his life with Maddie. Secrets have a way of coming to light no matter how hard you try to keep them in the dark, and his will have everyone questioning the life they thought they knew. Can the love Connor and Maddie nurtured on a net of lies survive the fall when the deceit unravels, or will their love be a casualty of vengeance?The Highlander Who Saved Me is a stand-alone historical romance novel that will have you holding on through twists and turns. The Heart of a Highlander…where the only thing fiercer than a warrior’s battle cry, is the way that he loves…

    John's Cluniac monastery in Lewes. Nestled in the baby's clothing is gold and ruby crucifix of tremendous value, which puzzles the prior. The boy is named Nicodemus (Nick), and is raised by highly educated monks. Unlike other monastic orders that believe in hard labor, the Cluniacs employ servants in order to dedicated more time to study. Groomed since boyhood to be a warrior monk, Nick is ready to fight for God in the Second Crusade. The only thing that stands in his way is pretty Gwen, the daughter of a kitchen maid who constantly haunts his thoughts and stirs forbidden desires. Nick and many other crusaders board a ship heading for Dartmouth, but a storm veers it off course and they arrive in Lisbon, instead. There he meets the wealthy and powerful Lord Richard Fitzwilliam of Kent, who eventually hands Nick the key to unlock the secrets of his true identity and allow him to take his rightful place in English society. Now he must choose between God and Gwen. From the feudal nobility of Medieval England to the exciting recapture of Lisbon from the Moors, and the bloody battlefields of the exotic East, Forbidden is a tale of Honor, Desire, Denial, Love, and Destiny, which can sometimes be cruel…

    13,000 first printing.

    In addition to the Pulitzer Prize he was awarded for his reviews in The Washington Post, he picked up an Edgar from the Mystery Writers of America for his most recent book, On Conan Doyle.Dirda's latest volume collects fifty of his witty and wide-ranging reflections on literary journalism, book collecting, and the writers he loves. Reaching from the classics to the post-moderns, his allusions dance from Samuel Johnson, Ralph Waldo Emerson and M. F. K. Fisher to Marilynne Robinson, Hunter S. Thompson, and David Foster Wallace. Dirda's topics are equally diverse: literary pets, the lost art of cursive writing, book inscriptions, the pleasures of science fiction conventions, author photographs, novelists in old age, Oberlin College, a year in Marseille, writer's block, and much more, not to overlook a few rants about Washington life and American culture. As admirers of his earlier books will expect, there are annotated lists galore—of perfect book titles, great adventure novels, favorite words, essential books about books, and beloved children's classics, as well as a revealing peek at the titles Michael keeps on his own nightstand.

    But incorporating historical events and figures into a shapely narrative is no simple task. The acclaimed novelist Christopher Bram examines how writers as disparate as Gabriel García Márquez, David McCullough, Toni Morrison, Leo Tolstoy, and many others have employed history in their work.Unique among the "Art Of" series, The Art of History engages with both fiction and narrative nonfiction to reveal varied strategies of incorporating and dramatizing historical detail. Bram challenges popular notions about historical narratives as he examines both successful and flawed passages to illustrate how authors from different genres treat subjects that loom large in American history, such as slavery and the Civil War. And he delves deep into the reasons why War and Peace endures as a classic of historical fiction. Bram's keen insight and close reading of a wide array of authors make The Art of History an essential volume for any lover of historical narrative.

    For the next ten years, Hornby’s incandescently funny "Stuff I’ve Been Reading” chronicled a singular reading life — one that is measured not just in "books bought” and "books read,” as each column begins, but in the way our feelings toward Celine Dion say a lot about who we are, the way Body Shop Vanilla Shower Gel can add excitement to our days, and the way John Updike might ruin our sex lives. Hornby’s column is both an impeccable, wide-ranging reading list and an indispensable reminder of why we read.