It's a dazzling performance ...That film made me get out the chess set I'd abandoned three years earlier. It made me search through East Anglia for a blue-eyed boy suffering from wealth-ennui. I never found one, but my chess and my nails were outstanding for a thirteen year old.' Lexicographer, chess master and hedonist, Rose is down on her luck when she meets Jamie, a guy she beat at chess twelve years previously who has never recovered from losing the game or forgotten the sight of Rose's perfectly manicured nails poised to strike over the chess board. She's destitute, he's loaded and terrified of losing her again. They strike a bargain: in return for chess he will keep her. What is it like being a kept woman in the 21st century? Rose is about to find out. She's also about to learn that disguising your moves in chess can lead to victory, but doing the same thing in love leads to disaster.

    The proper use of pawns — of paramount importance in chess strategy — sometimes even puzzles experienced players. This profoundly original and stimulating book by an International Master and prolific chess writer offers superb instruction in pawn play by isolating its elements and elaborating on various aspects. After a lucid exposition of the fundamentals and the basic formations of one or two pawns that virtually constitute the keys to winning chess strategy, the reader is shown a multitude of examples demonstrating the paramount significance of elements of pawn manipulation. The author’s masterly explanation makes it perfectly clear to the beginner as well as the advanced player how the fate of a game depends on pawn formation and how pawn power holds the proceedings under its remote control. Over 180 games and diagrams illustrate the author’s theory and make it easy to follow the points made in the text.Hans Kmoch played with distinction in several international tournaments and is the author of a number of books and columns on chess and chess tournaments.“We consider it the best publication on chess strategy since the end of World War II.” — Die Welt.

    Laszlo went on to prove his theory by raising three exceptional female chess players - Susan Polgar achieved the GM title at 21, Judit Polgar at 15, and sister Sofia is a strong IM. While Laszlo certainly maintains an above-average IQ, biological predisposition alone cannot explain these results. The Polgar sisters developed their impressive chess skills in a favorable environment conducive to very diligent, hard work.------------------------------------------------------------László Polgár (born 1946 in Gyöngyös), is a Hungarian chess teacher and father of the famous "Polgár sisters": Zsuzsa, Zsófia, and Judit. He authored well-known chess books such as Chess: 5334 Problems, Combinations, and Games and Reform Chess, a survey of chess variants.László is an expert on chess theory and owns over 10,000 chess books. He is interested in the proper method of rearing children, believing that "geniuses are made, not born". Before he had any children, he wrote a book entitled Bring Up Genius!, and sought a wife to help him carry out his experiment. He found one in Klara, a schoolteacher, who lived in a Hungarian-speaking enclave in Ukraine. He married her in the USSR and brought her to Hungary. He home-schooled their three daughters, primarily in chess, and all three went on to become strong players. An early result was Susan's winning the Budapest Chess Championship for girls under 11 at the age of four. Also his daughter, Judit, could defeat him at chess when she was just five.http://en.wikipedia.org/wiki/L%C3%A1s...

    Learn the mysteries of Mr Fantastic's past as he searches for his time-tramping father, revealing his pre-FF invasion-foiling credentials in a fight against a monster in the classic Marvel style.

    It was nominated for the Hugo Award for Best Novel in 1966. It is a sociological story of urban class warfare and political intrigue, taking place in the fictional South American capital city of Vados. It explores the idea of subliminal messages as political tools, and it is notable for having the structure of the famous 1892 chess game between Wilhelm Steinitz and Mikhail Chigorin. The structure is not coincidental, and plays an important part in the story.

    Her prowess at the game is matched only by her rivals’ desire to defeat her, or, worse, avenge their losses. When an international championship threatens Grace’s safety, a bevy of security experts are hired to look after her, but only one is her personal, close-duty bodyguard, courtesy of Ironclad Solutions, Inc. Sam Knight knows nothing about chess, but he knows that Grace is working to achieve something important, and he vows to shelter her from those who mean her harm. In the course of his duties, he realizes there’s more going on than a simple chess match between rivals, and his fragile client is all too aware of the stakes. When she leans on him for emotional support, attraction battles with professionalism and Sam finds his self-discipline wavering. Soon the complexity of their relationship resembles a chess board, where one questionable move can ruin everything—or win a game that could resonate around the world.

    Rufus, a twelve-year-old chess prodigy, is recruited by a shady showman named Maelzel to secretly operate a mechanical chess player called the Turk. The Turk wows ticket-paying audience members and players, who do not realize that Rufus, the true chess master, is hidden inside the contraption. But Rufus’s job working the automaton must be kept secret, and he fears he may never be able to escape his unscrupulous master. And what has happened to the previous operators of the Turk, who seem to disappear as soon as Maelzel no longer needs them? Creeping suspense, plenty of mystery, and cameos from Edgar Allan Poe and P. T. Barnum mark Gary Blackwood’s triumphant return to middle grade fiction.

    The author recalls the adventure and danger of his espionage activities during the Second World War as a British agent posing as a Nazi supporter.

     He is speaking not in the colloquial sense of the phrase "making money," but rather the actual production of money as a commodity in the whole economic life. The choice of the money we use in exchange is not something that needs to be established and fixed by government. In fact, his thesis is that a government monopoly on money production and management has no ethical or economic grounding at all. Legal tender laws, bailout guarantees, tax-backed deposit insurance, and the entire apparatus that sustains national monetary systems, has been wholly unjustified. Money, he argues, should be a privately produced good like any other, such as clothing or food. In arguing this way, he is disputing centuries of assumptions about money for which an argument is rarely offered. People just assume that government or central banks operating under government control should manage money. Hulsmann explores monetary thought from the ancient world through the middle ages to modern times to show that the monopolists are wrong. There is a strong case in both economic and ethical terms for the idea that money production should be wholly private. He takes on the "stabilization" advocates to show that government management doesn't lead to stability but to inflation and instability. He goes further to argue against even the theoretical case for stabilization, to say that money's value should be governed by the market, and that that the costs associated with private production are actually an advantage. He chronicles the decline of money once nationalized, from legally sanctioned counterfeiting to the creation of paper money all the way to hyperinflation. In his normative analysis, the author depends heavily on the monetary writings of 14th century Bishop Nicole Oresme, whose monetary writings have been overlooked even by historians of economic thought. He makes a strong case that "paper money has never been introduced through voluntary cooperation. In all known cases it has been introduced through coercion and compulsion, sometimes with the threat of the death penalty. ... Paper money by its very nature involves the violation of property rights through monopoly and legal-tender privileges." The book is also eerily prophetic of our times: Consider the current U.S. real-estate boom. Many Americans are utterly convinced that American real estate is the one sure bet in economic life. No matter what happens on the stock market or in other strata of the economy, real estate will rise. They believe themselves to have found a bonanza, and the historical figures confirm this. Of course this belief is an illusion, but the characteristic feature of a boom is precisely that people throw any critical considerations overboard. They do not realize that their money producer the Fed has possibly already entered the early stages of hyperinflation, and that the only reason why this has been largely invisible was that most of the new money has been exported outside of the U.S... Because a paper-money producer can bail out virtually anybody, the citizens become reckless in their speculations; they count on him to bail them out, especially when many other people do the same thing. To fight such behavior effectively, one must abolish paper money. Regulations merely drive the reckless behavior into new channels. Hulsmann has provided not only a primer in understanding our times, but a dramatic extension of the work of Menger, Mises, Hayek, Rothbard, and others to map ou

    In 1960, Adolf Eichmann, a master chess player, is arrested in Buenos Aires, extradited to Israel, and hanged. Years later, a dying Polish count casts doubt on Eichmann's identity, leaving behind a manuscript with clues that tie the three men together. A gripping novel of imposture and identity, Shadow Without a Name is a harrowing parable of our century of chaos, where individual will is swamped by the cult of personality and destinies hang on a game of chess.

    On a hot afternoon in the autumn of 1950, a trusted colleague knocked at their door, held up a finger for silence, then began scribbling a note: Go now. Leave the lights on, walk out, don't look back. Born and raised in the Bronx and recruited to play football at Mississippi State, Morris Cohen fought for the Loyalists in the Spanish Civil War and with the U.S. Army in World War II. He and his wife, Lona, were as American as football and fried chicken, but for one detail: they'd spent their entire adult lives stealing American military secrets for the Soviet Union. And not just any military secrets, but a complete working plan of the first atomic bomb, smuggled direct from Los Alamos to their Soviet handler in New York. Their associates Julius and Ethel Rosenberg, who accomplished far less, had just been arrested, and the prosecutor wanted the death penalty. Did the Cohens wish to face the same fate? Federal agents were in the neighborhood, knocking on doors, getting close. So get out. Take nothing. Tell no one. In Operation Whisper, Barnes Carr tells the full, true story of the most effective Soviet spy couple in America, a pair who vanished under the FBI's nose only to turn up posing as rare book dealers in London, where they continued their atomic spying. The Cohens were talented, dedicated, worldly spies-an urbane, jet-set couple loyal to their service and their friends, and very good at their work. Most people they met seemed to think they represented the best of America. The Soviets certainly thought so.

    She knows she has to do her homework . . . but she gets distracted. She knows she can't just say whatever thought comes into her head . . . but sometimes she can't help herself. She know she needs to focus . . . but how can she do that when the people around her are always chewing gum loudly or making other annoying noises?It's starting to be a problem—not just in school, but when Clea's playing chess or just hanging out with her best friend. Other kids are starting to notice. When Clea fails one too many tests, her parents take her to be tested, and she finds out that she has ADHD, which means her attention is all over the place instead of where it needs to be.Clea knows life can't continue the way it's been going. She's just not sure how you can fix a problem that's all in your head. But that's what she's going to have to do, to find a way to focus.

    Who could go through a door which had been bricked up and paneled over for two hundred years, leaving an old man to a hideous death?Edward Stevens smiled at their fears of the supernatural - until he read a manuscript on female murderers. On one of the pages was a clear photograph of a woman. Under it, in small letters, had been printed:Marie D'AubrayGuillotined for Murder, 1861Edward Stevens was looking at a photograph of his own wife.

    It can be played by boys of every age from twelve to one hundred and fifty - and even later if the limbs remain sufficiently supple - by girls of the better sort, and by a few rare and gifted women. This is to be a full History of Little Wars from its recorded and authenticated beginning until the present time, an account of how to make little warfare, and hints of the most priceless sort for the recumbent strategist.

    By Boucher, Effinger, Ellison, Friesner, Resnick, Sheckley, Silverberg, Zelazny, and more.Stories in the collection:As Is by Robert SilverbergThe Same to You Doubled by Robert SheckleyThe Egg of the Glak by Harvey JacobsBeibermann's Soul by Mike ResnickThimgs by Theordore R. CogswellMs. Lipshutz and the Goblin by Marvin KayeUnferno by George Alec EffingerUnicorn Variations by Roger ZelaznyYes Sir That's My by Daniel P. DernPlease Stand By by Ron GoulartBottle Party by John CollierMy Mother Was a Witch by William TennDjinn, NO Chaser by Harlan EllisonUp the Wall by Esther M. FriesnerTrouble With Water by Horace L. GoldSavage Breasts by Nina Kiriki HoffmanOr the Grasses Grow by Avram DavidsonSnulbug by Anthony Boucher