Incredibly, after the war her heroism, like that of many others, was suppressed by communist Poland and remained virtually unknown for 60 years. Unknown, that is, until three high school girls from an economically depressed, rural school district in southeast Kansas stumbled upon a tantalizing reference to Sendler's rescues, which they fashioned into a history project, a play they called Life in a Jar. Their innocent drama was first seen in Kansas, then the Midwest, then New York, Los Angeles, Montreal, and finally Poland, where they elevated Irena Sendler to a national hero, championing her legacy of tolerance and respect for all people. Life in a Jar: The Irena Sendler Project is a Holocaust history and more. It is the inspirational story of Protestant students from Kansas, each carrying her own painful burden, each called in her own complex way to the history of a Catholic woman who knocked on Jewish doors in the Warsaw ghetto and, in Sendler's own words, "tried to talk the mothers out of their children." Inspired by Irena Sendler, they are living examples of the power of one person to change the world and models for young people everywhere.*****60% of the sales of this book are donated to the Irena Sendler/Life in a Jar Foundation. The foundation promotes Irena Sendler's legacy and encourages educators and students to emulate the project by focusing on unsung heroes in history to teach respect and understanding among all people, regardless of race, religion, or creed.

    Raised Catholic, Cordelia Edvardson had little in common with her fellow inmates, some of whom despised her as a "German swine." Singled out for punishment, she was selected to act as a secretary for the monstrous "angel of Auschwitz," Josef Mengele. Impressionistic and naïve, Edvardson's third-person memoir retains a highly effective childlike quality ("she had learned that anything can happen, no matter what and no matter when, and for inexplicable reasons") that holds even in the most horrifying episodes. After World War II ended, Edvardson moved to Sweden, where this book was first published. She then converted to Judaism and moved to Israel.

    Risa was shipped together with many other Jews to the Oradea Ghetto and from there to the Plaszow Labor Camp and later to the Ober-Altstadt Labor camp. And even this was not enough… Risa was sent to the Auschwitz Death Camp to be slaughtered! But, she survived!Having survived, she met her husband – Mordechai Tzvi and they created a family which included 4 sons, 22 grandkids and 34 great-grandkids!Had anyone told Risa Shtauber during 1944-1945 that she would celebrate her 90th birthday in Israel surrounded by her sons, grandkids and great-grandkids, she would tell them to stop fantasizing.But in 2016, this came to be!And today, at the age of 94 and living her life in Israel, she still feels victorious when remembering those horrible years!

    Dedicated to the American Seventh Army, this work originally appeared in Polish in an edition of 10,000 numbered copies, unspecified numbers of which were bound in material cut from concentration camp stripes and from SS uniforms.The inspiration for writing a book which could tell the truth about Auschwitz came from the conditions in immediately-post-war Munich in which the authors found themselves, and was articulated by Janusz Nel Siedlecki in his 1994 memoir, Beyond Lost Dreams: "As the one common enemy disappeared, so vanished all moral rules and restraints. Individuals, as well as large groups, competed for food, recognition, and a better life. The polish people were divided into innumberable factions .... The survivors carried forth their banners of "martyrdom" and sowed the seeds of future legends. They wanted glory -- I wanted to bear witness for the tortured, gassed, burnt; for all the unknown, unnamed, already forgotten dead."The publication history of We Were in Auschwitz reflects both the physical chaos that followed the end of the war in Europe and the political situation in Poland and in the U.S. Having written the book in their requisitioned apartment in Munich, the authors neededAmerican permission to publish it. "There was no printing without an official permit, and no permit for anything unessential, " Siedlecki wrote in Beyond Lost Dreams, "Cigarettes opened the gates of Bruckmann, the famous printers of Munich. My crude camp-German clinched the deal at pre-war prices."According the Siedlecki, the book immediately met with mixed reaction: "Praise from the Polish Western press, but, for debunking the 'heroes, ' vicious threats from many ex-prisoners." Meanwhile, the group of authors started to disperse. Tadeusz Borowski returned to Poland in May 1946; Krystyn Olszewski also returned to Poland, while Siedlecki emigrated to England. Anatol Girs left Munich for the U.S. in 1947, bringing with him the remaining copies of the book with high hopes of selling them to the Polish-American community. However, this immigrant community was hostile to Borowski's association with the communist regime on his return to Poland. Unable to pay the cost of storing the copies he had brought, Girs was forced to destroy most of them, keeping only a few.

    In SHOOT TO KILL he reveals his own military background: how he joined the elite 2nd Battalion, the Parachute Regiment and later, the SAS. Told he would fail the arduous training regime, he proved them all wrong and earned his 'wings' and red beret. Michael Asher served in Northern Ireland with the Paras at the height of the IRA campaigns of the 1970s. He witnessed the impact of using highly-motivated assault troops in 'peacekeeping operations'. His depiction of the strengths and weaknesses of the British Army's elite airborne forces comes from his personal experience of everyday life for ordinary soldiers. From the Paras to the SAS and then service with the Special Patrol Group in Northern Ireland, Michael Asher's military odyssey eventually led him to leave the forces for a new life in the Sudanese desert. This is a unique military memoir of a precocious and perceptive young man who joined the toughest army regiment in the world. Michael Asher served in the Parachute Regiment and SAS. A fluent Arab speaker, he has lived for years among the Bedouin peoples. He is a Fellow of the Royal Society of Literature. Endeavour Press is the UK's leading independent publisher of digital books.

    Running, starved and shoeless, through the streets of Budapest, ALL THE PRETTY SHOES is the story she survived to write.“Marika Roth’s narrative holds us captive throughout one hell of a ride: betrayal, sexual predators, love affairs, modeling career, kidnapping of her children... Not to be missed!” —Tova Laiter, Producer, The Scarlett Letter and Varsity Blues“A story about the indomitable spirit of a woman faced with unimaginable horrors and impossible odds. Roth tells her extraordinary tale with clarity and a remarkable lack of self-pity.” —Jillian Lauren, Author, SOME GIRLS: MY LIFE IN A HAREM“I remember Marika calling to say she’d discovered a memorial to the atrocity she’d witnessed … I googled it and suddenly the draft of her memoir in my hands felt very, very heavy. This is a powerful book about overcoming the ongoing, chronic victimization that is all too often the prolonged second act of the refugee ordeal.” —Robert Morgan Fisher, Award-Winning Writer“…plucks at an emotional inner chord and serves as a portrayal of hope for the human condition.” —Stefan Pollack, The Pollack PR Marketing Group“I have read books about how people suffered during WWII, like Imre Kertesz who won the Nobel Prize, but none moved me as much as ALL THE PRETTY SHOES. Roth’s style, the way she narrated how cruel life can be, without judging others, truly brought tears to my eyes.” —Vivian Nagy, Hungary“A story of self-discovery, wonderfully told, full of such drama that one can hardly believe that an innocent little girl could endure so much. I couldn’t put it down!” —Mary Stokes-Rees, China“The story of Anne Frank cannot even compare to what Marika went through. A book all teenagers and young adults should read.” —Shelia Durfey, Independent

    After 60 years of silence, 'The Diary of Mary Berg' is poised at last to gain the appreciation and widespread attention that it so richly deserves, and is certain to take it’s place alongside 'The Diary of Anne Frank' as one of the most significant memoirs of the twentieth century. From love to tragedy, seamlessly combining the everyday concerns of a growing teenager with a unique commentary on life in one of the darkest contexts of history. This is a work remarkable for its authenticity, detail, and poignancy. But it is not only as a factual report on the life and death of a people that 'The Diary of Mary Berg' ranks with the most noteworthy documents of the Second World War. This is the personal story of a life-loving girl’s encounter with unparalleled human suffering, a uniquely illuminating insight into one of the darkest chapters of history. Mary Berg was imprisoned in the ghetto from 1940 to 1943. Unlike so many others, she survived the war, having been rescued in a prisoner-of-war exchange due to her mother’s dual Polish-American nationality. Berg's diary was published in 1945 when she was still only 19, in an attempt to alert the world to the Nazi atrocities in Poland, when it was described as "one of the most heartbreaking documents yet to come out of the war" by the /New Yorker/. After the war, Berg remained in America in quiet anonymity.

    By the time he was 18, Sonnenfeldt had grown up in Germany, escaped to England, been deported to Australia as a "German enemy alien", arrived in the U.S., and joined the U.S. army. By age 22 he had fought in the Battle of the Bulge and helped liberate the Dachau concentration camp, when he was appointed chief interpreter for the American prosecution of Nazi war criminals at the Nuremberg trials. During his service, he spent pretrial time with Hermann Goering as well as other top Nazi leaders like von Ribbentrop, Rudolph Hoess, and Julius Streicher, the infamous editor of the anti-Semitic Der Sturmer. An engineer in later life, he was a principal developer of color TV and computer technology and a key player in NASA's preparation of the first moon shot.

    Only a few hundred of them survived the war. In The Girls of Room 28, ten of these children—mothers and grandmothers today in their seventies—tell us how they did it. The Jews deported to Theresienstadt from countries all over Europe were aware of the fate that awaited them, and they decided that it was the young people who had the best chance to survive. Keeping these adolescents alive, keeping them whole in body, mind, and spirit, became the priority. They were housed separately, in dormitory-like barracks, where they had a greater chance of staying healthy and better access to food, and where counselors (young men and women who had been teachers and youth workers) created a disciplined environment despite the surrounding horrors. The counselors also made available to the young people the talents of an amazing array of world-class artists, musicians, and playwrights–European Jews who were also on their way to Auschwitz. Under their instruction, the children produced art, poetry, and music, and they performed in theatrical productions, most notably Brundibar, the legendary “children’s opera” that celebrates the triumph of good over evil. In the mid-1990s, German journalist Hannelore Brenner met ten of these child survivors—women in their late-seventies today, who reunite every year at a resort in the Czech Republic. Weaving her interviews with the women together with excerpts from diaries that were kept secretly during the war and samples of the art, music, and poetry created at Theresienstadt, Brenner gives us an unprecedented picture of daily life there, and of the extraordinary strength, sacrifice, and indomitable will that combined—in the girls and in their caretakers—to make survival possible.

    As one of five children of divorced parents, he was bright enough to get a scholarship to a direct-grant school, but spent his holidays as a plumbers' mate for his uncles to bring in some much-needed extra income. Yet he spent 13 years and 11 days in government, including long and influential spells as Home Secretary and Foreign Secretary. This is the story of how he got there.His memoirs offer a unique insight into the complex, sometimes self-serving but always fascinating world of British politics and reveals the toll that high office takes but also, more importantly, the enormous satisfaction and extraordinary privilege of serving both your constituents and your country.Straw’s has been a very public life, but he reveals the private face, too, and offers readers a vivid and authoritative insight into the Blair/Brown era and, indeed, the last forty years of British politics.

    He envisions leading the modest life of a teacher and father. Yet present-day reality collides painfully with memory, leaving Offutt in the midst of an adventure he never imagined: the search for a home that no longer exists. Interwoven with this bittersweet homecoming tale are the wartime stories of Offutt's parents-in-law, Arthur and Irene. An unlikely friendship develops between the eighty-year-old Polish Jew and the forty-year-old Kentucky hillbilly as Arthur and Offutt share comfort in exile, reliving the past at a distance. With masterful prose, Offutt combines these disparate accounts to create No Heroes, a profound meditation on family, home, the Holocaust, and history.

    One woman’s letters stood out: those from Valy—Valerie Scheftel. Her grandfather’s lover who had remained behind when he fled Europe six months after the Nazis annexed Austria.Valy’s name wasn’t unknown to her—Wildman had once asked her grandmother about a dark-haired young woman whose images she found in an old photo album. “She was your grandfather’s true love,” her grandmother said at the time, and refused any other questions. But now, with the help of the letters, Wildman started to piece together Valy’s story. They revealed a woman desparate to escape and clinging to the memory of a love that defined her years of freedom.Obsessed with Valy’s story, Wildman began a quest that lasted years and spanned continents. She discovered, to her shock, an entire world of other people searching for the same woman. On in the course of discovering Valy’s ultimate fate, she was forced to reexamine the story of her grandfather’s triumphant escape and how this history fit within her own life and in the process, she rescuing a life seemingly lost to history.

    Jonas Noreika, remembered as “General Storm,” had resisted his country’s German and Soviet occupiers in World War II, surviving two years in a Nazi concentration camp only to be executed in 1947 by the KGB. His granddaughter, growing up in Chicago, was treated like royalty in her tightly knit Lithuanian community. But in 2000, when Silvia traveled to Lithuania for a ceremony honoring her grandfather, she heard a very different story—a “rumor” that her grandfather had been a “Jew-killer.” The Nazi’s Granddaughter is Silvia’s account of her wrenching twenty-year quest for the truth, from a beautiful house confiscated from its Jewish owners, to familial confessions and the Holocaust tour guide who believed that her grandfather had murdered members of his family. A heartbreaking and dramatic story based on exhaustive documentary research and soul-baring interviews, The Nazi’s Granddaughter is an unforgettable journey into World War II history, intensely personal but filled with universal lessons about courage, faith, memory, and justice.

    Zywulska born in 1914 as Sonia Landau. During the German occupation of Poland, she was displaced with her Jewish family to the Warsaw Ghetto in 1941. She escaped from the Ghetto and became active in the Polish resistance movement. Under her new name, Zywulska, she was captured by the Nazis in 1943 and sent to Auschwitz. There is always the danger that we will forget things that are best not forgotten. Certainly, some things should be permanently recorded so that posterity will remember what we would prefer to erase from our memories. This is the story of a woman who was imprisoned for a number of years in Auschwitz, the notorious death camp. What she saw there makes medieval genocides look like child’s play. This is her memoir, and she shows not only her own courage but also her fellow prisoners’ fierce will to live. Half-starved, suffering from lice, scabies and dysentery and mowed down by typhus and pneumonia, they worked in fields of icy slush and mud and registered new arrivals—hundreds of thousands of women from Holland, Greece, Italy and Hungary, who did not know where they were or why they had been seized. That she survived and finally managed to escape to tell the tale is one of many reasons why this book should be published and widely read. Most of her companions were murdered so that they could not bear witness. Written just after the author’s escape and published in 1946, I Survived Auschwitz was the first ever book to emerge about the camp and therefore occupies an important place in Holocaust literature. In certain parts of this book you will notice changes made by Poland’s communist censors after 1945. Due to these interventions, the book has become an unintentional double witness to the 20th century’s two most dreadful totalitarian regimes. I Survived Auschwitz was published in cooperation with the Auschwitz-Birkenau State Museum. With additional footnotes, 26 percent increase in text, and 45 photos taken during war, the new edition is greatly expanded compared to the original 1946 English version. The book was translated from the Polish, Przeżyłam Oświęcim, by Lech Czerski and Sheila Callahan based on an initial translation by Krystyna Cenkalska.

    In the darkest years of Nazi occupation and genocide, Etty Hillesum remained a celebrant of life whose lucid intelligence, sympathy, and almost impossible gallantry were themselves a form of inner resistance. The adult counterpart to Anne Frank, Hillesum testifies to the possibility of awareness and compassion in the face of the most devastating challenge to one's humanity. She died at Auschwitz in 1943 at the age of twenty-nine.