In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

    Using a range of approaches from bitter realism to demented fantasy, Irvine Welsh is able to evoke the essential humanity, well hidden as it is, of his generally depraved, lazy, manipulative, and vicious characters. He specializes particularly in cosmic reversals--God turns a hapless footballer into a fly; an acid head and a newborn infant exchange consciousnesses with sardonically unexpected results--always displaying a corrosive wit and a telling accuracy of language and detail. Irvine Welsh is one hilariously dangerous writer and he is bound to create a sensation. Includes the following stories: "The Shooter""Eurotrash""Stoke Newington Blues""Vat '96""A Soft Touch""The Last Resort on the Adriatic""Sexual Disaster Quartet""Snuff""A Blockage in the System""Wayne Foster""Where the Debris Meets the Sea""Granny's Old Junk""The House of John Deaf""Across the Hall""Lisa's Mum Meets the Queen Mum""The Two Philosophers""Disnae Matter""The Granton Star Cause""Snowman Building Parts for Rico the Squirrel""Sport for All""The Acid House"A Smart Cunt: a novella

    Alone in his apartment, he reads stories aloud to the point he has them memorized. Sometimes he fantasizes that he wrote them. Sometimes, when they’re his very favorite stories, he’ll fantasize about reading them in front of an audience and taking credit for them. The audience in these fantasies always loves him and gives him the respect he deserves.David Sedaris didn’t write the stories in Children Playing Before a Statue of Hercules . But he did read them. And he liked them enough to hand pick them for this collection of short fiction. Featuring such notable writers as Lorrie Moore, Alice Munro, Joyce Carol Oates, Jean Thompson, and Tobias Wolff, Children Playing Before a Statue of Hercules includes some of the most influential and talented short story writers, contemporary and classic.Perfect for fans who suffer from Sedaris fever, Children Playing Before a Statue of Hercules will tide them over and provide relief.2 hrs 56 mins

    In Ninety-Nine Stories of God, she takes on one of mankind’s most confounding preoccupations: the Supreme Being.This series of short, fictional vignettes explores our day-to-day interactions with an ever-elusive and arbitrary God. It’s the Book of Common Prayer as seen through a looking glass—a powerfully vivid collection of seemingly random life moments. The figures that haunt these stories range from Kafka (talking to a fish) to the Aztecs, Tolstoy to Abraham and Sarah, O. J. Simpson to a pack of wolves. Most of Williams’s characters, however, are like the rest of us: anonymous strivers and bumblers who brush up against God in the least expected places or go searching for Him when He’s standing right there. The Lord shows up at a hot-dog-eating contest, a demolition derby, a formal gala, and a drugstore, where he’s in line to get a shingles vaccination. At turns comic and yearning, lyric and aphoristic, Ninety-Nine Stories of God serves as a pure distillation of one of our great artists.

    In her deft hands, “relationships and mundane activities take on mythic qualities” (The Wall Street Journal).In this collection, Bender’s unique talents sparkle brilliantly in stories about people searching for connection through love, sex, and family—while navigating the often painful realities of their lives. A traumatic event unfolds when a girl with flowing hair of golden wheat appears in an apple orchard, where a group of people await her. A woman plays out a prostitution fantasy with her husband and finds she cannot go back to her old sex life. An ugly woman marries an ogre and struggles to decide if she should stay with him after he mistakenly eats their children. Two sisters travel deep into Malaysia, where one learns the art of mending tigers who have been ripped to shreds.In these deeply resonant stories—evocative, funny, beautiful, and sad—we see ourselves reflected as if in a funhouse mirror. Aimee Bender has once again proven herself to be among the most imaginative, exciting, and intelligent writers of our time.

    Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg's trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Spain, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the thoughts we reveal to no one but ourselves.In "Lizards," a man mutes his wife's anxieties by giving her a La Croix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and violent consequences, while in "Karolina," a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother.I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what's left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too close. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of "Slumberland," "that border between magic and annihilation," and further establishes herself as a defining fiction writer of our time.

    A woman flees the scene of her husband's heart attack, leaving her entire past behind her. Striving to master colour and line, a painter discovers the resolution to his artistic problems when a beautiful and magical water snake appears in his pool. And a wealthy Englishwoman gradually loses her identity while wandering through a shopping mall. Elegantly crafted and suffused with boundless wisdom, these bewitching tales are a testament to a writer at the height of her powers.

    Caught at moments of change, Chabon's men and women, children and husbands and wives, all face small but momentous decisions. They are caught in events that will crystallize and define their lives forever, and with each, Michael Chabon brings his unique vision and uncanny understanding of our deepest mysteries and our greatest fears.

    Here, wolf-like girls are reformed by nuns; a family makes its living wrestling alligators in a theme park; and little girls sail away on crab shells. Filled with stunning inventiveness and heart, St. Lucy’s Home for Girls Raised by Wolves introduces a radiant new writer.

    Whether he's dropping into the lives of two teachers―and their love lost and found―in "Nine Inches", documenting the unraveling of a dad at a Little League game in "The Smile on Happy Chang's Face", or gently marking the points of connection between an old woman and a benched high school football player in "Senior Season", Perrotta writes with a sure sense of his characters and their secret longings.Nine Inches contains an elegant collection of short fiction: stories that are as assured in their depictions of characters young and old, established and unsure, as any written today.

    An outstanding array—52 pieces in all—of selected fiction from the multiple-award-winning, #1 New York Times bestselling author Neil Gaiman, curated by his readers around the world, and introduced with a foreword by Booker Prize-winning author Marlon JamesSpanning Gaiman’s career to date, The Neil Gaiman Reader: Selected Fiction is a captivating collection from one of the world’s most beloved writers, chosen by those who know his work best: his devoted readers. A brilliant representation of Gaiman's groundbreaking, entrancing, endlessly imaginative fiction, this captivating volume includes excerpts from each of his five novels for adults —Neverwhere, Stardust, American Gods, Anansi Boys, and The Ocean at the End of the Lane—and nearly fifty of his short stories. Impressive in its depth and range, The Neil Gaiman Reader: Selected Fiction is both an entryway to Gaiman’s oeuvre and a literary trove Gaiman fans old and new will return to many times over.

    The birthplace and graveyard of American myths and dreams, the city harbours a group of people trapped between the beauty of their surroundings and their own moral impoverishment. This novel is a chronicle of their voices.

    Megan Mayhew Bergman's twelve stories capture the surprising moments when the pull of our biology becomes evident, when love or fear collide with good sense, or when our attachment to an animal or wild place can't be denied. In "Housewifely Arts," a single mother and her son drive hours to track down an African Gray Parrot that can mimic her deceased mother's voice. A population control activist faces the ultimate conflict between her loyalty to the environment and her maternal desire in "Yesterday's Whales." And in the title story, a lonely naturalist allows an attractive stranger to lead her and her aging father on a hunt for an elusive woodpecker. As intelligent as they are moving, the stories in Birds of a Lesser Paradise are alive with emotion, wit, and insight into the impressive power that nature has over all of us.

    From the surreal to the mundane, these stories exhibit his ability to transform the full range of human experience in ways that are instructive, surprising, and relentlessly entertaining. Here are animated crows, a criminal monkey, and an iceman, as well as the dreams that shape us and the things we might wish for. Whether during a chance reunion in Italy, a romantic exile in Greece, a holiday in Hawaii, or in the grip of everyday life, Murakami’s characters confront grievous loss, or sexuality, or the glow of a firefly, or the impossible distances between those who ought to be closest of all.

    Each subsequent collection—Through the Safety Net, A Relative Stranger, and Believers—was further confirmation of his mastery: his gift for capturing the immediate moment, for revealing the unexpected in the ordinary, for showing how the smallest shock can pierce the heart of an intimacy. Gryphon brings together the best of Baxter’s previous collections with seven new stories, giving us the most complete portrait of his achievement.  Baxter once described himself as “a Midwestern writer in a postmodern age”: at home in a terrain best known for its blandness, one that does not give up its secrets easily, whose residents don’t always talk about what’s on their mind, and where something out of the quotidian—some stress, the appearance of a stranger, or a knock on the window—may be all that’s needed to force what lies underneath to the surface and to disclose a surprising impulse, frustration, or desire. Whether friends or strangers, the characters in Baxter’s stories share a desire—sometimes muted and sometimes fierce—to break through the fragile glass of convention. In the title story, a substitute teacher walks into a new classroom, draws an outsized tree on the blackboard on a whim, and rewards her students by reading their fortunes using a Tarot deck. In each of the stories we see the delicate tension between what we want to believe and what we need to believe.  By turns compassionate, gently humorous, and haunting, Gryphon proves William Maxwell’s assertion that “nobody can touch Charles Baxter in the field that he has carved out for himself.”