From giant monsters to burning satire to period piece epics and everything in between, PopGun crosses the protected borders of every genre, fulfilling the desires of all hungry for the pungent taste of creativity. Deviating from the tired mold of abstract anthologies, PopGun places entertainment on the front lines, reinforced with unique storytelling and an incredible array of art.

    Collects THE FIX #5-8.

    Chapters are peppered with ballpoint pen riots, cowboy wars, and really bad Victorian practical jokes. Structured around the different locations in our home and daily life—the kitchen, the bathroom, the office, and the grocery store—award-nominated illustrator Andy Warner traces the often surprising and sometimes complex histories behind the items we often take for granted. Readers learn how Velcro was created after a Swiss engineer took his dog for a walk; how a naval engineer invented the Slinky; a German housewife, the coffee filter; and a radical feminist and anti-capitalist, the game Monopoly. This is both a book of histories and a book about histories. It explores how lies become legends, trade routes spring up, and empires rise and fall—all from the perspective of your toothbrush or toilet.

    Seagle interview and sketch material from Becky Cloonan! Adam Chamberlain is a 20-year-old youth minister, a best-selling author, and most important, the head of a rabid national virginity movement. But practicing virgin or not, Adam is about to lose it when his girlfriend is killed.

    Winner of the Pulitzer Prize, Justice has been hailed by his contemporary Anthony Hecht as “the supreme heir of Wallace Stevens.” In poems that embrace the past, its terrors and reconciliations, Justice has become our poet of living memory. The classic American melancholy in his titles calls forth the tenor of our collective passages: “Bus Stop,” “Men at Forty,” “Dance Lessons of the Thirties,” “The Small White Churches of the Small White Towns.” This master of classical form has found in the American scene, and in the American tongue, all those virtues of our literature and landscape sought by Emerson and Henry James. For half a century he has endeavored, with painterly vividness and plainspoken elegance, to make those local views part of the literary heritage from which he has so often taken solace, and inspiration.School Letting Out(Fourth or Fifth Grade)The afternoons of going home from schoolPast the young fruit trees and the winter flowers.The schoolyard cries fading behind you then,And small boys running to catch up, as thoughIt were an honor somehow to be near—All is forgiven now, even the dogs,Who, straining at their tethers, used to bark,Not from anger but some secret joy.From the Hardcover edition.

    As in his Pulitzer Prize-winning Maus, cartoonist Spiegelman presents a highly personalized, political, and confessional diary of his experience of September 11 and its aftermath. In 10 large-scale pages of original, hard-hitting material (composed from September 11, 2001 to August 31, 2003), two essays, and 10 old comic strip reproductions from the early 20th century, Spiegelman expresses his feelings of dislocation, grief, anxiety, and outrage over the horror of the attacks—and the subsequent "hijacking" of the event by the Bush administration to serve what he believes is a misguided and immoral political agenda. Readers who agree with Spiegelman's point of view will marvel at the brilliance of his images and the wit and accuracy of his commentary. Others, no doubt, will be jolted by his candor and, perhaps, be challenged to reexamine their position.The central image in the sequence of original broadsides, which returns as a leitmotif in each strip, is Spiegelman's Impressionistic "vision of disintegration," of the North Tower, its "glowing bones...just before it vaporized." (As downtown New Yorkers, Spiegelman and his family experienced the event firsthand.) But the images and styles in the book are as fragmentary and ever-shifting as Spiegelman's reflections and reactions. The author's closing comment that "The towers have come to loom far larger than life...but they seem to get smaller every day" reflects a larger and more chilling irony that permeates In the Shadow of No Towers. Despite the ephemeral nature of the comic strip form, the old comics at the back of the book have outlasted the seemingly indestructible towers. In the same way, Spiegelman's heartfelt impressions have immortalized the towers that, imponderably, have now vanished. —Silvana Tropea

    The Anarchists' Convention is his first short story collection, providing a prism of America through fifteen stories. These everyday people -- a kid on the road heading west, aging political activists, a lonely woman in Boston -- go about their business with humor and resilience, dealing more in possibility than fact. In the widely anthologized and O. Henry Award-winning "I-80 Nebraska," Sayles perfectly renders the image of a pill-popping trucker who has become a legend of the road.

    The life of a gay and Jewish Nazi-fighter. A gender reveal party that tears apart reality. These are the just some of the comics you'll find in this massive queer comics anthology from The Nib.Be Gay, Do Comics is filled with dozens of comics about LGBTQIA experiences, ranging from personal stories to queer history to cutting satire about pronoun panic and brands desperate to co-opt pride. Brimming with resilience, inspiration, and humor, an incredible lineup of top indie cartoonists takes you from the American Revolution through Stonewall to today's fights for equality and representation.Featuring more than 30 cartoonists including Hazel Newlevant, Joey Alison Sayers, Maia Kobabe, Matt Lubchansky, Breena Nuñez, Sasha Velour, Shing Yin Khor, Levi Hastings, Mady G, Bianca Xunise, Kazimir Lee, and many, many more!

    Just what the hell has happened to his career-?! His marriage?! His life?! Hey, it's nothing that a drink can't fix. It's after one such night of debauchery with artist GREG HINKLE that the project really comes into its own. Quite literally. Because Airboy himself appears to set the two depraved comic book creators on the straight and narrow. But no one in this story has their life go according to plan. Read the entire series in one hardcover collected volume, which features a brand new story dealing with the reaction to the comic's initial publication that doesn't turn out the way anyone expects...least of all Robinson and Hinkle. A satirical look into the comic book industry paired with the debauchery of Hunter S. Thompson's Fear and Loathing in Las Vegas.

    Shenon uncovers startling new information about the inner workings of the 9/11 Commission & its relationship with the Bush White House. The Commission will change the understanding of the 9/11 investigation & of the attacks themselves.

    Here the reader is offered a glimpse of Mark Twain's sustained creative process, in what many critics consider the finest fiction of his later years. Begun in 1897 and revised first in 1902 and then 1908, the third version was the only manuscript titled The Mysterious Stranger. These texts offer a rare opportunity to observe Mark Twain's sustained literary struggle with a central theme.

    Mediocre at best.”—Donald Trump, 1989A NEW YORK TIMES BEST SELLER!He tried to warn us. Ever since the release of the first Trump-for-President trial balloon in 1987, Doonesbury’s Garry Trudeau has tirelessly tracked and highlighted the unsavory career of the most unqualified candidate to ever aspire to the White House. It’s all there—the hilarious narcissism, the schoolyard bullying, the loathsome misogyny, the breathtaking ignorance; and a good portion of the Doonesbury cast has been tangled up in it.  Join Duke, Honey, Earl, J.J., Mike, Mark, Roland, Boopsie, B.D., Sal, Alice, Elmont, Sid, Zonker, Sam, Bernie, Rev. Sloan, and even the Red Rascal as they cross storylines with the big, orange airhorn who’s giving the GOP such fits.Garry Trudeau is the “sleazeball” “third-rate talent” who draws the “overrated” comic strip Doonesbury, which “very few people read.” He lives in New York City with his wife Jane Pauley, who “has far more talent than he has."

    Then came the Iran-Contra scandal, and his once-charmed presidency began coming apart. This explosive book provides the first authoritative account of Reagan's second term White House--a book that is both a gripping narrative and a carefully documented investigation. 8-page photo insert.

    His greatest moments have come tagging along with John Constantine -- as a chauffeur. His home life is nothing special, and his beloved London is becoming a soulless metropolis. In middle age, Chas is stuck in a rut. But Chas is a master of "The Knowledge," the elaborate system of routes and landmarks which every London cabbie must memorize. Until now, The Knowledge has been just a tool for Chas. But now, he's about to discover a more sinister significance of The Knowledge. An ominous entity from London's grim history has reemerged, and only someone with The Knowledge can stop it. Is Chas up to the task, on his own?From the feverish mind of Simon Oliver (THE EXTERMINATORS, GEN 13) with lush artwork by Goran Sudzuka (Y: THE LAST MAN, LADY CONSTANTINE), THE KNOWLEDGE is Chas's chance to make his own mark on the dark universe of HELLBLAZER.

     Featuring all-new original recipes prepared by Bourdain, plus a guide to the ghostly legendary spirits behind these horrifying tales. This horror anthology is sure to please--and scare! On a dark, haunted night, a Russian Oligarch dares a circle of international chefs to play the samurai game of 100 Candles--where each storyteller tells a terrifying tale of ghosts, demons and unspeakable beings--and prays to survive the challenge.Inspired by the Japanese Edo period game of Hyakumonogatari Kaidankai, Hungry Ghosts reimagines the classic stories of yokai, yorei, and obake, all tainted with the common thread of food.Including stellar artists Sebastian Cabrol, Vanesa Del Rey, Francesco Francavilla, Irene Koh, Leo Manco, Alberto Ponticelli, Paul Pope, and Mateus Santolouco as well as amazing color by Jose Villarrubia, a drop-dead cover by Paul Pope.