Their relationship was far from ordinary, but she wouldn't have had it any other way. Her joy only grows with the births of Ame and Yuki, who have inherited their father's unique ability to transform. But life is full of both joy and hardship, and Hana is left to bring up her little wolves on her own. Raising human children is hard enough...but how will she handle their wild side, too?In this novelization of his award-winning Wolf Children film, acclaimed director Mamoru Hosoda provides a deeper look at the emotional trials and triumphs of a very unique little family.

    When 15-year-old student Megumi fails to arrive home from school her mother calls on her dead husband's best friend for help. Shiga abandons his mountain refuge and enters the city to look for the girl - and with the police investigation at a standstill, Shiga has to go it alone.

    It was a period of upheaval and change as the rulers carved out their territories and clan politics were full of intrigue, rivalry and betrayals. The samurai were still valued for their swordsmanship, and were a cut above the peasants, artisans, and merchants in the social hierarchy. Without battles to fight, however, they struggled to retain their sense of pride and meaning in life as they devoted themselves to mundane jobs, marriage and family. The occasional flash of the sword and samurai discipline were tempered by the unexpected intrusion of human interaction. Sympathies, conspiracies, kindnesses, enmities-all kinds of odd relationships were formed and conflicts resolved in surprising ways. These tales are colorful, atmospheric, exciting, tender, violent and gently ironic.The Bamboo Sword and Other Samurai Tales is published as part of the Japanese Literature Publishing Project (JLPP), which is run by the Japanese Literature Publishing and Promotion Center (J-Lit Center) on behalf of the Agency for Cultural Affairs of Japan.

    Here some of Japan’s best and most representative writers chronicle and re-create the impact of this tragedy on the daily lives of peasants, city professionals, artists, children, and families. From the “crazy” iris that grows out of season to the artist who no longer paints in color, the simple details described in these superbly crafted stories testify to the enormity of change in Japanese life, as well as in the future of our civilization. Included are “The Crazy Iris” by Masuji Ibuse, “Summer Flower” by Tamiki Hara, “The Land of Heart’s Desire” by Tamiki Hara, “Human Ashes” by Katsuzo Oda, “Fireflies” by Yoka Ota, “The Colorless Paintings” by Ineko Sata, “The Empty Can” by Kyoko Hayashi, “The House of Hands” by Mitsuharu Inoue, and “The Rite” by Hiroko Takenishi.

    As it depicts Katsu stealing, brawling, indulging in the pleasure quarters, and getting the better of authorities, it also provides a refreshing perspective on Japanese society, customs, economy, and human relationships. From childhood Katsu was given to mischief. He ran away from home, once at thirteen, making his way as a beggar on the great trunk road between Edo and Kyoto, and again at twenty, posing as the emissary of a feudal lord. He eventually married and had children but never obtained official preferment and was forced to supplement a meager stipend by dealing in swords, selling protection to shopkeepers, and generally using his muscle and wits. Katsu's descriptions of loyalty and kindness, greed and deception, vanity and superstition offer an intimate view of daily life in nineteenth-century Japan unavailable in standard history books. Musui's Story will delight not only students of Japan's past but also general readers who will be entranced by Katsu's candor and boundless zest for life.

    Based on the author's own experiences and on stories passed down from generation to generation, the book chronicles the disappearing world—and courageous rebirth—of this little-understood people.Kayano describes with disarming simplicity and frankness the personal conflicts he faced as a result of the tensions between a traditional and a modern society and his lifelong efforts to fortify a living Ainu culture. A master storyteller, he paints a vivid picture of the Ainus' ecologically sensitive lifestyle, which revolved around bear hunting, fishing, farming, and woodcutting.Unlike the few existing ethnographies of the Ainu, this account is the first written by an insider intimately tied to his own culture yet familiar with the ways of outsiders. Speaking with a rare directness to the Ainu and universal human experience, this book will interest all readers concerned with the fate of indigenous peoples.

    Written with artless simplicity and quiet humor, The Tosa Diary is the story of a fifty-five day journey by ship from Tosa to Kyoto in AD 935.

    Routledge is an imprint of Taylor & Francis, an informa company.

    The year is 1986, and the strange communal life of this foursome, extending over half a year, from the end of winter to midsummer, makes up the plot,such as it is, of Plainsong, as this ersatz family finds itself growing closer, and lifecontinues—quietly—around them. Part of the generation that grew to prominence following the success of baby boomers like Haruki Murakami, KazushiHosaka’s work chronicles the small moments, the moments without conflict,that most novels work to elide. His characters talk, work, exist; their story is onewhere the tiniest occurrence takes on the proportions of a grand drama.

    As Yuki descends deeper and deeper into her own psyche, she catches glimpses of her true nature.A brisk, bristling story of survivor's guilt, treacherous sex, and unexpected redemption, Outlet opens the door to a spiritual dimension that is both new and age-old. The climax is mind-blowing.

    Chikamatsu is thought to have written the first major tragedies about the common man. This edition of four of his most important plays includes three popular domestic dramas and one history play. Chikamatsu's domestic dramas are accurate reflections of Japanese society at the time: his characters are samurai, farmers, merchants, and prostitutes who speak colloquially, and who people the shops, streets, teahouses, and brothels that constituted their daily environment. The heroes and heroines of these plays gain their tragic stature from their conflicts with society. "The Love Suicides at Sonezaki" and "The Love Suicides at Amijima" became so popular that they actually initiated a vogue for love suicides, both in life and onstage. Donald Keene's translation of the original text is presented here with an introduction and a new preface to aid readers in their comprehension and enjoyment of the plays.PrefaceIntroductionThe Love Suicides at Sonezaki (Sonezaki Shinju)The Battles of Coxinga (Kokusenya Kassen)The Uprooted Pine (Nebiki No Kadomatsu)The Love Suicides at Amijima (Shinju ten no Amijima)Appendix 1: A Note on Prostitution in Chikamatsu's PlaysApendix 2: Contemporary Puppet Performances of Chikamatsu's PlaysBibliography

    Yanagita is best remembered as the founder of Japanese folklore studies, and Ronald Morse transcends time to bring the reader a marvelous guide to Tono, Yanagita, and his enthralling tales. In this 100th Anniversary edition, Morse has completely revised his original translation, now out of print for over three decades. Retaining the original's great understanding of Japanese language, history, and lore, this new edition will make the classic collection available to new generations of readers.

    Despite the fact that he's kind of a screw-up, the competition to hook up with him is fierce, and hilarious cat-fights ensue. An already tumultuous living situation escalates to an uproar when Keitaro and the girls get the news that their home will transform into a commercial inn, with strangers from outside their school as guests!

    Their discussion is moderated by the imperturbable Master Nankai, who loves nothing more than to drink and argue politics. The fiction of the drinking bout allowed Chomin to debate freely topical political issues, in a discussion that offers an astute analysis of contemporary European politics and a prophetic vision of Japan's direction. This lucid and precise translation of a delightful work has been designated one of the UNESCO series of classics of world literature.

    Against a history of relative inattention on the part of Western translators to modern Asian critical theory, this first English publication is sure to have a profound effect on current cultural criticism in the West. It is both the boldest critique of modern Japanese literary history to appear in the post-war era and a major theoretical intervention, which calls into question the idea of modernity that informs Western consciousness.In a sweeping reinterpretation of nineteenth-and twentieth-century Japanese literature, Karatani Kojin forces a reconsideration of the very assumptions underlying our concepts of modernity. In his analysis, such familiar terms as origin, modern, literature, and the state reveal themselves to be ideological constructs. Karatani weaves many separate strands into an argument that exposes what has been hidden in both Japanese and Western accounts of the development of modern culture. Among these strands are: the "discovery" of landscape in painting and literature and its relation to the inwardness of individual consciousness; the similar "discovery" in Japanese drama of the naked face as another kind of landscape produced by interiority; the challenge to the dominance of Chinese characters in writing; the emergence of confessional literature as an outgrowth of the repression of sexuality and the body; the conversion of the samurai class to Christianity; the mythologizing of tuberculosis, cancer, and illness in general as a producer of meaning; and the "discovery" of "the child" as an independent category of human being.A work that will be important beyond the confines of literary studies, Karatani's analysis challenges basic Western presumptions of theoretical centrality and originality and disturbs the binary opposition of the "West" to its so-called "other." Origins of Modern Japanese Literature should be read by all those with an interest in the development of cultural concepts and in the interrelating factors that have determined modernity.