Of course, that was all before—before Quinn stopped going to school, before his mom started sleeping on the sofa…and before Annabeth was killed in a car accident.Enter Geoff, Quinn’s best friend who insists it’s time that Quinn came out—at least from hibernation. One haircut later, Geoff drags Quinn to his first college party, where instead of nursing his pain, he meets a guy—a hot one—and falls hard. What follows is an upside-down week in which Quinn begins imagining his future as a screenplay that might actually have a happily-ever-after ending—if, that is, he can finally step back into the starring role of his own life story.

    So as he walks through the doors at St. Clare’s—a strict Catholic school—sporting a plaid tie, things can’t get much worse. His dad has just made the family move again, and Michael needs a friend. When a girl challenges their teacher in class, Michael thinks he might have found one, and a fellow nonbeliever at that. Only this girl, Lucy, is not just Catholic . . . she wants to be a priest.But Lucy introduces Michael to other St. Clare’s outcasts, and he officially joins Heretics Anonymous, where he can be an atheist, Lucy can be an outspoken feminist, Avi can be Jewish and gay, Max can wear whatever he wants, and Eden can practice paganism. After an incident in theology class, Michael encourages the Heretics to go from secret society to rebels intent on exposing the school’s hypocrisies. When Michael takes one mission too far—putting the other Heretics at risk—he must decide whether to fight for his own freedom, or rely on faith, whatever that means, in God, his friends, or himself.

    But as their neighborhood goes from rough-and-tumble to up-and-coming, suddenly filled with pretty coffee shops and boutiques, Nikki is thrilled while Maya feels like their home is slipping away. Suddenly, the sisters who had always shared everything must confront their dissenting feelings on the importance of their ethnic and cultural identities and, in the process, learn to separate themselves from the long shadow of their identity as twins.In her inspired YA debut, Renée Watson explores the experience of young African-American women navigating the traditions and expectations of their culture.

    But in the world of fashion, being fat is a cardinal sin. It doesn’t help that she’s constantly compared to her supermodel mother—and named after a dessert. Thanks to her job at a fashion blog, Cookie scores a trip to New York to pitch her portfolio and appeal for a scholarship, but her plans are put on standby when she’s declared too fat to fly. Forced to turn to her BFF for cash, Cookie buys a second seat on the plane. She arrives in the city to find that she’s been replaced by the boss’s daughter, a girl who’s everything she’s not—ultrathin and superrich. Bowing to society’s pressure, she vows to lose weight, get out of the friend zone with her crush, and put her life on track. Skinny. Cookie expected sunshine and rainbows, but nothing about her new life is turning out like she planned. When the fashion designer of the moment offers her what she’s always wanted—an opportunity to live and study in New York—she finds herself in a world full of people more interested in putting women down than dressing them up. Her designs make waves, but her real dream of creating great clothes for people of all sizes seems to grow more distant by the day. Will she realize that she’s always had the power to make her own dreams come true?

    The last thing she has left is her art, and not even Banksy himself could convince her to give that up.Out in the ’burbs, Julia paints anywhere she can, eager to claim some turf of her own. But Julia soon learns that she might not be the only vandal in town. Someone is adding to her tags, making them better, showing off—and showing Julia up in the process. She expected her art might get painted over by cops. But she never imagined getting dragged into a full-blown graffiti war.

    I know! Elders! I'm Eros, a.k.a. Cupid. The Goddess of Love. Until this morning, anyway.Now I'm stuck on Earth with no clue how to function as a human, and I can't even conjure up my magical bow and arrows to help me do my job. I've already met this amazing guy—Charlie, a new kid in school like me—but matching him up isn't as easy as I thought. Turns out opposites don't attract, nearly identicals don't attract, and giving a guy what he seems to want is just one big disaster. My sweet new friend Katrina might work, but she's got more complications than Medusa's hair, and a live-in boyfriend with a serious mean streak. Probably not the best idea to go there.If I don't make a match, I may never see Orion again. I have so much to lose, and only everything to gain.

    Again.Because sometimes there are problems bigger than this week’s end of the world, and sometimes you just have to find the extraordinary in your ordinary life.Even if your best friend is worshipped by mountain lions...

    Sure, she and her best (okay, only) friend, Sanger, will never be prom queens, but that’s just because the Central Austin Homeschool Cooperative doesn’t believe in proms. Or dancing. Still, Stevie and Sanger know how to create their own brand of fun.Enter Max Garza, the new boy next door. After a near-fatal accident, Max is determined to defy mortality with a checklist: 23 Ways to Fake My Death Without Dying. Dead set on carrying out fabricated demises ranging from impalement to spontaneous combustion, Max charms Stevie and Sanger into helping him with this two-month macabre mission. But as Stevie finds herself falling for Max, it becomes increasingly difficult to draw a line between his make-believe deaths and her real life.

    The sooner she and her best friends Enzo and Kit can get out of Houston and get into art school in New York City, the better. It’s been Piper’s dream her whole life, and now that senior year is halfway over, she’s never felt more ready.Who will you become?But in the final months before graduation, life’s got Piper a little more breathless. Things are weird with Kit and awful with Enzo; art school is looking increasingly impossible; three different guys have each claimed a different piece of Piper’s heart; and Piper’s sister’s tyrannical mental state seems to thwart every attempt at happiness for the Perish family. Piper’s art just might be enough to get her out. But is she strong enough—and brave enough—to seize that power, even if it means giving up what she’s always known?Be now. Then be bow. Be now, now, now.

    E. Endsley. They’re the books that brought her and her best friend Jenna together after Amelia’s father left and her family imploded. So when Amelia and Jenna get the opportunity to attend a book festival with Endsley in attendance, Amelia is ecstatic. It’s the perfect way to start off their last summer before college.In a heartbeat, everything goes horribly wrong. When Jenna gets a chance to meet the author and Amelia doesn’t, the two have a blowout fight like they’ve never experienced. And before Amelia has a chance to mend things, Jenna is killed in a freak car accident. Grief-stricken, and without her best friend to guide her, Amelia questions everything she had planned for the future.When a mysterious, rare edition of the Orman Chronicles arrives, Amelia is convinced that it somehow came from Jenna. Tracking the book to an obscure but enchanting bookstore in Michigan, Amelia is shocked to find herself face-to-face with the enigmatic and handsome N. E. Endsley himself, the reason for Amelia’s and Jenna’s fight and perhaps the clue to what Jenna wanted to tell her all along.

    A summer of culture and language, with no sports in sight.That turns out to be impossible, though, because her French partner is the exact kind of boy she was hoping to avoid. Eight weeks. 120 hours of class. 80 hours of conversation practice with someone who seems to exclusively wear baseball caps and jerseys.But Zeke in French is a different person than Zeke in English. And Abby can’t help but fall for him, hard. As Abby begins to suspect that Zeke is hiding something, she has to decide if bridging the gap between the distance between who she is and who he is, is worth the risk.

    Take Esther’s father, for instance: He’s an agoraphobe who hasn’t left the basement in six years. Then there’s her twin brother, Eugene, whose fear of the dark goes far beyond the things that go bump in the night. And her mother, Rosemary, is absolutely terrified of bad luck.As for Esther, she’s managed to escape the curse…so far. She doesn’t yet have a great fear because she avoids pretty much everything. Elevators, small spaces, crowds—anything that might trigger a phobia is off-limits and is meticulously recorded in her semi-definitive list of worst nightmares. Esther thinks she has it all figured out, until she’s reunited with an old elementary school classmate—and first crush—Jonah Smallwood. The encounter leaves her stranded at a bus stop and swindled out of her phone, all her cash, a Fruit Roll-Up she’d been saving, and her list—not to mention her dignity. But the theft is also the beginning of an unexpected friendship between the two, one that sends the pair on a journey of self-discovery as they try to break the curse that’s consumed Esther’s family. Together they face their greatest fears, one debilitating phobia at a time, only to discover the one fear they hadn’t counted on: love.

    Browne delivers a novel-in-verse about broken promises, fast rumors, and when growing up means growing apart from your best friend.

    Do good things and you'll be rewarded, do something bad and Karma will make sure you get what you deserve. But when Maddy’s boyfriend  cheats on her, nothing bad comes his way. That’s why Maddy  starts the Karma Club,  to clean up the messes that the universe has left behind. Sometimes, though, it isn’t wise to meddle with the universe. It turns out Karma often has plans of its own.

    She and her best friend have spent countless hours watching them and their jockeys practice on the track. It’s not just the thrill of the race. It’s the engineering of the horses and the way they’re programmed to seem so lifelike. The Titans are everything that fascinates Astrid, and nothing she’ll ever touch.She hates them a little, too. Her dad lost everything betting on the Titans. And the races are a reminder of the gap between the rich jockeys who can afford the expensive machines to ride, and the working class friends and neighbors of Astrid’s who wager on them.But when Astrid’s offered a chance to enter an early model Titan in this year’s derby, well, she decides to risk it all. Because for a girl from the wrong side of the tracks, it’s more than a chance at fame or money. Betting on herself is the only way she can see to hang on to everyone in the world she cares about.