One sleeping bag and a storm that leaves them without power will set into motion a few events that have been waiting to occur.

    While her mother lies on the couch in a hypochondriac haze and her sister aspires to be on The Real World, Trisha struggles to find her own place among the neon signs, theme restau­rants, and cookie-cutter chain stores of her hometown.  After being hired and abruptly fired from the most popular clothing shop at the local mall, Trisha befriends a chain-smoking misfit named Rose, and her life shifts into manic overdrive. A “postmillennial, class-adjusted My So-Called Life” (Publishers Weekly), Rose of No Man’s Land is brim­ming with snarky observations and soulful musings on contemporary teenage America.

    Each story has an illustration by an artist identifying as part of the LGBTQ+ community. Compiled by Juno Dawson, author of THIS BOOK IS GAY and CLEAN.A celebration of LGBTQ+ talent, PROUD is a thought-provoking, funny, emotional read.Contributors: Steve Antony, Dean Atta, Kate Alizadeh, Fox Benwell, Alex Bertie, Caroline Bird, Fatti Burke, Tanya Byrne, Moïra Fowley-Doyle, Frank Duffy, Simon James Green, Leo Greenfield, Saffa Khan, Karen Lawler, David Levithan, Priyanka Meenakshi, Alice Oseman, Michael Lee Richardson, David Roberts, Cynthia So, Kay Staples, Jessica Vallance, Kristen Van Dam and Kameron White.Following A CHANGE IS GONNA COME, winner of the YA BOOK PRIZE SPECIAL ACHIEVEMENT AWARD 2018

    But how is she ever going to find a girlfriend in Duluth, Minnesota?When she meets a group of kids who are telling a science fiction story online and gets invited down to the Twin Cities, she gets more attention than she ever expected, from two very different girls: charming Sierra and troublesome Blake.Blake helps Lauren understand that she’s not the crazy one in her life. But Blake's attention—and insights into life and living with bipolar disorder—threaten to destroy everything Lauren has created for herself, including her relationship with Sierra.

    Sometimes it’s a sprinkle, and sometimes it’s a deluge. This is the wetter one.Drew Keen is not a people-person. No surprise, she’s lived in the Northwoods for the last decade, living simply and working freelance photography jobs for National Geographic. Finally, the loneliness persuades her to attend her college reunion, intent on reconnecting with the one that got away.Amber Richards has gone to every class reunion, hoping to see Drew, who fell off the grid after their graduation led to an inevitable breakup. She didn't expect Drew to be there this year either.She also didn't expect to spend her reunion time with an old flame, running away from her in the Northwoods.

    I want nothingto reveal feeling but feeling--as in freedom,or the knowledge of peace in a realm beyond,or the sound of water poured in a bowl.--from "Gravity and Center" In his sixth collection of poetry, Henri Cole deepens his excavations of autobiography and memory. "I don't want words to sever me from reality," he asserts, and these poems--often hovering within the realm of the sonnet--combine a delight in the senses with the rueful, the elegiac, the harrowing. Many confront the human need for love, the highest function of our species. But whether writing about solitude or the desire for unsanctioned love, animals or flowers, the dissolution of his mother's body or war, Cole maintains a style that is neither confessional nor abstract. And in Blackbird and Wolf, he is always opposing disappointment and difficult truths with innocence and wonder.

    A woman, betrayed, terrified, sold into indenture to pay her village's debts and struggling to survive in a spirit world.A dragon, among the last of her kind, cold and aloof but desperately trying to make a difference.When failed scholar Yên is sold to Vu Côn, one of the last dragons walking the earth, she expects to be tortured or killed for Vu Côn's amusement. But Vu Côn, it turns out, has a use for Yên: she needs a scholar to tutor her two unruly children. She takes Yên back to her home, a vast, vertiginous palace-prison where every door can lead to death. Vu Côn seems stern and unbending, but as the days pass Yên comes to see her kinder and caring side. She finds herself dangerously attracted to the dragon who is her master and jailer. In the end, Yên will have to decide where her own happiness lies—and whether it will survive the revelation of Vu Côn’s dark, unspeakable secrets...

    Corral is the 2011 recipient of the Yale Series of Younger Poets award, joining such distinguished previous winners as Adrienne Rich, W. S. Merwin, and John Ashbery. Corral is the first Latino poet to win the competition.Seamlessly braiding English and Spanish, Corral's poems hurtle across literary and linguistic borders toward a lyricism that slows down experience. He employs a range of forms and phrasing, bringing the vivid particulars of his experiences as a Chicano and gay man to the page. Although Corral's topics are decidedly sobering, contest judge Carl Phillips observes, "one of the more surprising possibilities offered in these poems is joy."From "Self-Portrait with Tumbling and Lasso"I'm a cowboy        riding barebackMy soul is        whirlingabove my head like a lasso.        My right handa pistol. My left        automatic. I'm knockingon every door.        I'm coming on strong . . .

    Raised within the Albiyan university’s walls she has dedicated her life to the pursuit of knowledge. Preferring to hole up in the library than seek adventure elsewhere, she has grown accustomed to her comfortable routine… until the day everything changes. When she unwittingly awakens a sleeping dragon’s egg, Adairia is thrust into unfamiliar territory. Never having dreamed of dragons she is forced to seek out guidance from the exhilarating Isla, last direct descendent of the royal family and companion to a century-old dragon. Together they must navigate the surprises to come; for beyond the prospect of a new-born dragon Albiyon is about to face a dangerous conspiracy that threatens the peace of their realm.Flames of Albiyon is a story of friendship, love, and acceptance that celebrates queer identity.

    Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna WarrenThis debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary.Antique BookThe sky was crazed with swallows.We walked in the frozen grassof your new city, I was gauzed with sleep.Trees shook down their gaudy nests.The ceramic pots were caparisoned with snow.I was jealous of the river,how the light broke it, of the skeinof windows where we saw ourselves.Where we walked, the ice crackedlike an antique book, openingand closing. The leavesbeneath it were the marbled pages.Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.

    At least professionally.She's a well-respected relationship expert with two books published and another on the way.She's also a regular on TV talk shows and podcasts.Life is good, until it starts to fall apart, and as Alex's 40th birthday approaches, she starts to question everything.At 28, Payton isn't where she thought she'd be.Her dreams of becoming a doctor are long gone, and Payton still has medical school loans to pay back even if she doesn't have anything to show for it.Payton never stayed in relationships for long, preferring the freedom of dating and playing the field, but when she meets Alex, Payton is immediately drawn to her.Both Alex and Payton are at a crossroads in their lives and getting into a relationship was not what either of them had planned on, but the infatuation and the chemistry is undeniable, and the two women can't stay away from one another.Will Alex risk her career and everything she's built professionally to come out?Can Payton wait for Alex to make that decision?Find out in this steamy age gap lesbian romance.Read for free with Kindle Unlimited

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    These poems mourn the dead by turning memories over and over like an old coin, by invoking other poets, by appropriating the language of technology, of instruction, of diagram, of electrical engineering, and of elegy itself. Devastating, cheeky, allusive, hallucinatory: this is Queyras at her most powerful.'Like the central conceptual apparatus, Queyras is smart and insightful in her work to expand and challenge the nature of language and poetry . . . Lend Queyras your ears, your minds, your hearts, your Time. She will reward you, repeatedly.' – The Rumpus'A collection of gorgeous and cantankerous poems that ask testy questions of all contemporary poets, and for this, the book is a must-read.' – The Globe and Mail'This year's most devastating and enlightening Canadian poetry collection.' – Telegraph-Journal

    He is the author of The Darker Fall and Want and teaches at the MFA Program for Writers at Warren Wilson College.

    The richly textured novel details Gutke Gurvich’s odyssey from her apprenticeship as a midwife in a Russian shtetl to her work in the suffrage movement in New York. Interwoven with her tale is that Chava Meyer, who was attended by Gurvich at her birth and grew up to survive the pogrom that took the lives of her parents. Throughout the book, historical background plays a large part: Jewish faith and traditions, the practice of midwifery, the horrific conditions in prerevolutionary Russia and New York sweatshops, and the determined work of labor unionists and suffragists.