But when she meets Zinnia Paradiso, beautiful artist and free spirit, her definition of perfection isn’t so perfect anymore.

    But whispers from her past slowly begin to poison her new life and both she and Rebekah are lured into the most sinister of investigations.Hester and Rebekah find themselves crossing every boundary they've ever known in pursuit of truth, redemption and passion. But their trust in each other will be tested as a web of deceit begins to unspool, dragging them into the blackest heart of a city where something more depraved than either of them could ever imagine is lurking . . .

    This landmark work of scholarship offers an enlightening review of the shifting concept of "lesbian literature," followed by examples of six different genres: Romantic Friendship, Sexual Inversion, Exotic and Evil Lesbians, Lesbian Encoding, Lesbian Feminism, and Post-Lesbian Feminism.Faderman examines works as diverse as Willa Cather's My Antonia and Virginia Woolf's Orlando; poetry by Gertrude Stein and Amy Lowell; fiction by Carson McCullers, Helen Hull, and Alice Walker. In addition, Chloe Plus Olivia contains writing by men who focused on women's relationships. These writings are included in the early section of the book and were, in various ways, important to the development of lesbian literature, since men were far more likely than women to achieve publication in other centuries.It would be impossible to identify a single "great tradition" of lesbian writing, since it is in constant metamorphosis, reflecting changing social attitudes and women's voices. Chloe Plus Olivia, with its historical scope enhanced by Faderman's own personal search for a definition of lesbian literature, makes this the first book of its kind; it is certain to become the point of reference from which all subsequent studies of lesbian literature will begin.

    Ellie has no doubts about her strict religious upbringing until she falls in love with another girl at her grandmother's cottage. Aware that homosexuality clashes with Jewish observance, Ellie feels forced to either alter her sexuality or leave her community. Meanwhile, Ellie's mother, Chana, becomes convinced she has a messianic role to play, and her sister, Neshama, chafes against the restrictions of her faith. Ellie is afraid there is no way to be both gay and Jewish, but her mother and sister offer alternative concepts of God that help Ellie find a place for herself as a queer Jew.

    Why would a dancer provoke the wrath of an anonymous letter writer? And when her director hires ex-soldier Sam Weaver to be Alena's bodyguard, the dancer is furious. Having her privacy invaded and her independence ripped away mean that Alena hates Sam at first sight.Sam's reeling from a job gone wrong, an incident that means she's practically unemployable in the security field. A contract with Alena could be enough to prop up Sam's failing reputation. The only problem? Alena doesn't want her there and refuses to follow her instructions, meaning she's a risk that Sam might not be able to afford to take.Alena and Sam might be stuck with each other, but that doesn't mean they have to like each other. Unfortunately, the heart doesn't always listen to the head. And as danger races closer the two must decide just exactly what chances they're prepared to take.Love has to be about compromise, but what if you've never had to compromise before? Career-oriented Alena and controlling Sam are the last people in the world willing to change themselves for love. There's no reason they should be together and every reason they should stay apart, but can Alena and Sam end up in each others' arms anyway?Full of Grace is the second in the Monday's Child series of lesbian romance novels, and features a HEA ending. Monday's Child books can be read independently and in any order.

    When the opportunity arises for her to be the campaign manager of a man running for the United States Senate, she can hardly believe her luck. What she doesn’t expect is for the woman of her dreams to be her political rival. When Rachel Callum meets Andie McIntyre, she has only one goal: to get this woman on a date. But Andie has other plans that don’t involve self-assured Rachel. When it turns out that Rachel’s new job is to take Andie down, Rachel is left with a choice: her ambition or romance? Can Andie and Rachel put aside their political views and find love? STATE OF GRACE is a full-length, standalone romance novel with steamy sex scenes, no cheating, and a happily ever after. It’s light on politics and heavy on love.

    It’s not something they say. It’s something about their hands, the shape of their mouths, the way they look walking away from you."A collection that will beg you to be dogeared, coffee-stained, & shared.”—Amanda Lovelace, author of the princess saves herself in this oneHoneybee is an honest take on walking away and still feeling like you were walked away from. It’s about cutting love loose like a kite string and praying the wind has the decency to carry it away from you. It’s an ode to the back and forth, the process of letting something go but not knowing where to put it down. Honeybee is putting it down. It’s small town girls and plane tickets, a taste of tenderness and honey, the bandage on the bee sting. It’s a reminder that you are not defined by the people you walk away from or the people who walk away from you."A spine tingling, heart wrenching, goosebumps-across-your-skin experience."—Nikita Gill, author of Fierce FairytalesPerfect for fans of Caroline Kaufman, Atticus, Clementine von Radics, Nina LaCour, Adam Silvera, and Becky Albertalli; or anyone interested in bisexuality, heartbreak, running away from your problems, and coming out.Look for Trista Mateer's other book of poetry, Aphrodite Made Me Do It and her contribution to [Dis]Connected Volume 1: Poems & Stories of Connection and Otherwise.

    A unique and provocative anthology of lesbian writing, guaranteed to soothe the soulful and savage the soulless.

    In setting the stage for her extraordinary tale, she recreates the aura of turn-of-the-century Frankfurt, Boston, and Saratoga Springs and of an age when private passions were hidden below the surfaces of private selves. She recalls her marriage as a sheltered young woman to the brilliantly promising Robert Maclaren, his swift rise to international musical fame, the darker story of his angry silences, and eventually, the grim details of his illness and death. In the final phase of her story she tells of the late-blossoming passion she discovers with Anna, the serene nurse who tended Robert in his dying days, and about the artists' colony they found as a tribute to his life and work.

    She's the real deal, an Elemental with the power to control fire, earth, water, and air. But even though she lives in Salem, Massachusetts, her magic is a secret she has to keep to herself. If she's ever caught using it in front of a Reg (read: non-witch), she could lose it. For good. So, Hannah spends most of her time avoiding her ex-girlfriend (and fellow Elemental Witch) Veronica, hanging out with her best friend, and working at the Fly by Night Cauldron selling candles and crystals to tourists, goths, and local Wiccans. But dealing with her ex is the least of Hannah's concerns when a terrifying blood ritual interrupts the end-of-school-year bonfire. Evidence of dark magic begins to appear all over Salem, and Hannah's sure it's the work of a deadly Blood Witch. The issue is, her coven is less than convinced, forcing Hannah to team up with the last person she wants to see: Veronica.While the pair attempt to smoke out the Blood Witch at a house party, Hannah meets Morgan, a cute new ballerina in town. But trying to date amid a supernatural crisis is easier said than done, and Hannah will have to test the limits of her power if she's going to save her coven and get the girl, especially when the attacks on Salem's witches become deadlier by the day.

    When lightning strikes and Kokos is released, she finds herself in the world of the 20th century -- as the disgruntled employee of the multinational corporation, Mephistco. In order to keep her job and fulfill an ancient curse, Kokos must hunt down the descendant of the woman she was instructed to haunt centuries ago. No easy task, as that descendant happens to be Rainbow Rosenbloom -- London taxi-driver, film critic, lesbian, and niece to a pack of formidable aunts.As the hilarious tale unfolds, both Rainbow and her dybbuk discover that History still holds a few tricks up her sleeve.

    Her focus, for the past fourteen years, has been on making sure her daughter Dana has everything she needs. After losing her own mother at an early age, Kate vowed never to let her daughter feel that kind of loneliness — even if that means missing out on the love Kate truly desires. Joy Sizemore has been living the dream. As one of the top professional softball players in the world, her life is filled with great times on the field, exotic travel, and more than her fair share of post-game fun. But all of that changes when she suffers what might be a career ending injury. Forced to return home to her parent’s house to recover, Joy tries to forget her sorrows in the bottom of a bottle — with nearly tragic consequences. When Kate and Joy's lives unexpectedly collide they both have to decide whether they’ll give up on the game of love or stay on the field and try Playing For Keeps.

    You’re weightless. You’re stuck in between jumping and landing. You exist in midair. Your bones start to thin.” Growing up in a small town in the South, Julia and her childhood best friend Laura know the church as well as they know each other’s bodies—the California-shaped scar on Julia’s right knee, the tapered thinness of Laura’s fingers, the circumference of each other’s ponytails. When Laura’s family moves away in middle school and Julia gets a crush on the new priest’s daughter at their church, Julia starts to more fully realize the consequences of being anything but straight in the South. After college, when Julia and her best friend Kate wait tables at a rib joint in Julia’s hometown, they are forced to face the price of the secrets they’ve kept—from their families, each other, and themselves. From astronaut Sally Ride’s obituary, to a UFO Welcome Center, to a shark tooth collection, to DC Comic’s Gay Ghost, this memoir-in-essays draws from mythology, religion, popular culture, and personal experience to examine how coming out is not a one-time act. At once heartrending and beautiful, The Rib Joint explores how fear and loss can inhabit our bodies and, contrastingly, how naming our desire allows us to feel the heart beating in our chest.

    By day, she maintains an illusion of existential control, by way of obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting. Early in the detox, Rachel meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey. Pairing superlative emotional insight with unabashed vivid fantasy, Broder tells a tale of appetites: physical hunger, sexual desire, spiritual longing, and the ways that we as humans can compartmentalize these so often interdependent instincts. Milk Fed is a tender and riotously funny meditation on love, certitude, and the question of what we are all being fed, from one of our major writers on the psyche—both sacred and profane.

    Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar.