Together with Yoko Ono Lennon, they have also made available the full transcripts (including all the outtakes) of the television and video series The Beatles Anthology. Through painstaking compilation of sources worldwide, John Lennon's words are equally represented in this remarkable volume. Furthermore, The Beatles have opened their personal and management archives specifically for this project, allowing the unprecedented release of photographs which they took along their ride to fame, as well as fascinating documents and memorabilia from their homes and offices. What a book The Beatles Anthology is! Each page is brimming with personal stories and rare vintage images. Snapshots from their family collections take us back to the days when John Lennon, Paul McCartney, George Harrison and Richard Starkey were just boys growing up in Liverpool. They talk in turn about those early years and how they came to join the band that would make them known around the world as John, Paul, George and Ringo. Then, weaving back and forth, they tell the astonishing story of life as The Beatles: the first rough gigs, the phenomenon of their rise to fame, the musical and social change of their heyday, all the way through to their breakup. From the time Ringo tried to take this drum kit home on the bus to their much anticipated audience with Elvis, from the making of the Sgt. Pepper album to their last photo session together at John's house, The Beatles Anthology is a once-in-a-lifetime collection of The Beatles' own memories.Interwoven with these are the recollections of such associates as road manager Neil Aspinall, producer George Martin and spokesman Derek Taylor. And included in the vast array of photographs are materials from both Apple and EMI, who also opened their archives for this project. This, indeed, is the inside story, providing a wealth of previously unpublished material in both word and image.Created with their full cooperation, The Beatles Anthology is, in effect, The Beatles' autobiography. Like their music has been a part of so many of our lives, it's warm, frank, funny, poignant and bold. At last, here is The Beatles' own story.

    His journals reveal an artist who loved music, who knew the history of rock, and who was determined to define his place in that history. Here is a mesmerizing, incomparable portrait of the most influential musician of his time.

    It contains a discography, gig list and a full set of lyrics.

    In the insightful How Music Works, Byrne offers his unique perspective on music - including how music is shaped by time, how recording technologies transform the listening experience, the evolution of the industry, and much more.

    It purposely makes the two biggest developments in end-user music in the last 30 years irrelevant. Zaireeka is not mobile. It is not personal. It is not solitary, cannot be easily controlled, and can't easily be consumed in small doses. So another way to think of Zaireeka is as a one-off piece of technology that comes in a highly inconvenient dead-end format, which is a rather extraordinary kind of thing for a rock band to make. The Flaming Lips' 1997 album Zaireeka is one of the most peculiar albums ever recorded, consisting of four CDs meant to be played simultaneously on four CD players. Approaching this powerful and complex art-rock masterpiece from multiple angles, Mark Richardson's prismatic study of Zaireeka mirrors the structure the work itself. Thoughts on communal listening and the "death of the album" are interspersed with the story of the Zaireeka's creation (with assistance from Wayne Coyne) and an in-depth analysis of the music, leading to a complete picture of a record that proved to be a watershed for both the band and adventurous music fans alike.

    A faint, swirling effect intensifies with each bass kick and, by the eighth one, the ears have prepped themselves for the metal mayhem they are about to receive. When it all drops, and the joyous onslaught of a hundred guitars is finally realized, you'll have to forgive your ears for being duped into a false sense of security, because it's that second intensified drop a few seconds later — the one where yet more guitars manifest and Andrew W.K. slam-plants his vocal flag by screaming the song's titular line — that really floods the brain with endorphins, serotonin, dopamine, and whatever else formulates invincibility.Polished to a bright overdubbed-to-oblivion sheen, the party-preaching I Get Wet didn't capture the zeitgeist of rock at the turn of the century; it captured the timelessness of youth, as energized, awesome, and unapologetically stupid as ever. With insights from friends and unprecedented help from the mythological maniac himself — whose sermon and pop sensibilities continue to polarize — this book chronicles the sound's evolution, uncovers the relevance of Steev Mike, and examines how Andrew W.K.'s inviting, inclusive lyrics create the ultimate shared experience between artist and audience.

    Few other rock stars have managed to combine her swagger, sexiness, stage presence, knack for putting words to music, gorgeous voice and just all-around kick-assedness into such a potent and alluring package. From “Tatooed Love Boys” and “Brass in Pocket” to “Talk of the Town” and “Back on the Chain Gang,” her signature songs project a unique mixture of toughness and vulnerability that millions of men and women have related to. A kind of one- woman secret tunnel linking punk and new wave to classic guitar rock, she is one of the great luminaries in rock history.   Now, in her no-holds-barred memoir Reckless, Chrissie Hynde tells, with all the fearless candor, sharp humor and depth of feeling we’ve come to expect, exactly where she came from and what her crooked, winding path to stardom entailed. Her All-American upbringing in Akron, Ohio, a child of postwar power and prosperity. Her soul capture, along with tens of millions of her generation, by the gods of sixties rock who came through Cleveland—Mitch Ryder, David Bowie, Jeff Back, Paul Butterfield and Iggy Pop among them. Her shocked witness in 1970 to the horrific shooting of student antiwar protestors at Kent State. Her weakness for the sorts of men she calls “the heavy bikers” and “the get-down boys.” Her flight from Ohio to London in 1973 essentially to escape the former and pursue the latter. Her scuffling years as a brash reviewer for New Musical Express, shop girl at the Malcolm McLaren and Vivienne Westwood boutique 'Craft Must Wear Clothes But The Truth Loves To Go Naked', first-hand witness to the birth of the punk movement, and serial band aspirant. And then ,at almost the last possible moment, her meeting of the three musicians who comprised the original line-up of The Pretenders, their work on the indelible first album “The Pretenders,” and the rocket ride to “Instant” stardom, with all the disorientation and hazards that involved. The it all comes crashing back down to earth with the deaths of lead guitarist James Honeyman Scott and bassist Peter Farndon, leaving her bruised and saddened, but far from beaten. Because Chrissie Hynde is, among other things, one of rock’s great survivors.   We are lucky to be living in a golden age of great rock memoirs. In the aptly titled Reckless, Chrissie Hynde has given us one of the very best we have. Her mesmerizing presence radiates from every line and page of this book.

    But while his songs and music have been endlessly discussed and analyzed, Jeff has rarely talked so directly about himself, his life, or his artistic process.Until now. In his long-awaited memoir, Jeff will tell stories about his childhood in Belleville, Illinois; the St. Louis record store, rock clubs, and live-music circuit that sparked his songwriting and performing career; and the Chicago scene that brought it all together. He also talks in-depth about his collaborators in Uncle Tupelo, Wilco, and more; and writes lovingly about his parents; wife, Susie; and sons, Spencer and Sammy.

    You won't be able to put it down once you get started."- Chris Jericho, Talk is Jericho (Westwood One)"Fink is one of, if not the foremost authority on all things AC/DC… [Bon: The Last Highway] reads as a cross between an Agatha Christie–like novel and CSI–influenced approach to dissecting the physical evidence and outstanding questions related to the public story revolving around Bon’s death. I cannot recommend this book enough. Whether you love AC/DC, just like them or are just interested in rock ’n’ roll in general this is an amazing story."- Metal Geezers"Bon: The Last Highway by Jesse Fink is one of the most impressive biographies I've ever read. It is an absolute masterpiece that features more sources and research than most college textbooks. I was floored by the amount of effort and research that Jesse poured into this project."In the case of Bon Scott, both his tragic death and (potentially) his greatest lyrical work have been totally distorted for the sake of the legends that surround AC/DC. Jesse's book is one long re-examination of those legends, and he makes mince-meat out of most of the band's official stories... his work here is profoundly impressive."- Play That Rock’n’Roll "After being made aware of the previous poor attempts to tell Bon's story, I decided to read Bon: The Last Highway. Fink's book deserves 10 out of 10 for effort in gathering all the information possible.... Theory Two [about how Bon died] could not be any closer to the truth. I know, because I was there."- Joe Fury, Bon Scott's friend who went to the hospital in London when Bon was declared dead-on-arrivalBooks of the Year - Planet Rock (UK)Books of the Year - Herald Sun (Australia)Books of the Year - Loud Online (Australia)Books of the Year - All Music Books (USA)Books of the Year - InQuire, University of Kent (UK)Praise for Bon: The Last Highway by Jesse Fink:"A fascinating portrait of a troubled man with a serious alcohol addiction... the literary equivalent of a road movie." - Ronan McGreevy, Irish Times"One of 2017's most essential rock reads." - al.com (Alabama)"Over the years Bon Scott has become an untouchable rock god; but this book digs deeper. It's something that hasn't really been done before... it's a whole new look on the troubled frontman and a fine biography." - Jyrki "Spider" Hamalainen, Vive Le Rock (UK)"After being made aware of the previous poor attempts to tell Bon's story, I decided to read Bon: The Last Highway. Fink's book deserves 10 out of 10 for effort in gathering all the information possible.... Theory Two [about how Bon died] could not be any closer to the truth. I know, because I was there." - Joe Fury, Bon Scott's friend who went to the hospital in London to identify Bon's body"Hand-on-heart clarity and the haze of memory merge here to do justice to what is both a celebratory and cautionary tale... you will learn much on this road trip. You already know the soundtrack."- RTE (Republic of Ireland)"Jesse Fink is a very courageous writer... a fact-rich, exciting book that reads in places like a crime story. Investigative journalism at its best." - Metal Glory (Germany)"Just like the object of his desire (it is his second book on AC/DC), Fink is prone to perfectionism. He meticulously dedicates himself to the last three years in the life of Ronald Belford Scott ... Fink's book is a real gift for the fans of the tragically and much too early deceased singer." - Classic Rock (Germany)"Of the 20-plus books written about AC/DC, this one comes closest to the truth about how former singer Bon Scott died and his uncredited legacy as a songwriter... not just for fans, this is equal parts cautionary tale and meticulously researched document." - Courier Mail (Australia)"Fink's book meticulously explores the man and the many myths about Scott's life and death, and his hell of a ride in between." - Herald Sun (Australia)"A literary masterpiece." - Soundanalyse (Germany)"One of the most important publications on AC/DC... Fink has become something of an AC/DC detective and shines light on parts of the AC/DC story which have always been dimly lit. Music fans around the world have been waiting for this book - and it does not disappoint." - Denis Gray, Australian Rock Show"I read this book in seven hours, with a 20-minute break for dinner, and put it down almost breathless at the non-biased, staggering research. Bon: The Last Highway is probably one of the best books I've ever read - on anything! And I read a lot. This book goes up to 11! Extremely well done. A magnificent book." - Paul Chapman, guitarist, UFO"Crossing continents and tracking key figures down, Fink's work is impressive; his book is exhaustively investigative and engrossing." - Exclaim "Painstakingly researched." - Dangerous Minds"Phenomenal." - Sirius XM VOLUME "Debatable""Brilliant writing, many revelations. A must-read. Astonishingly good reporting." - Lori Majewski, SiriusXM VOLUME "Feedback""A great page-turner... a riveting read." - The Rockpit (Australia)"Jesse Fink is not the first writer to suggest there's something fishy about the official version of [Bon] Scott's death and its aftermath, but no one else has offered such a plausible or exhaustively researched alternative theory... vindicating old-school journalistic rigour, Fink compiled a vast testimony from multiple sources and invites the reader to decide where the truth lies, Rashomon-style. This is no easy task: key witnesses are either dead, like [Alistair] Kinnear, or their memories are clouded by the fog of war, like UFO's Paul Chapman and Pete Way. But as with his previous book, the absence of co-operation from the AC/DC inner circle has been to Fink's benefit... [he has] effectively undertaken the detective work that wasn't conducted at the time. It's a dense, tangled tale but Fink reveals the humanity behind the myth: Bon was a flawed, conflicted character, trapped in a persona, who ultimately chose the path he took and got unlucky." - Keith Cameron, MOJO"The most extensively researched book on AC/DC ever... it's outstanding. If you thought you knew Bon Scott, think again. This is as close as anyone is ever gonna get to the complete truth behind the legend, warts and all." - B.J. Lisko, Canton Repository, Ohio"The most in-depth investigation into what happened to Bon Scott on the night of his death you'll ever read." - Rich Davenport, Rich Davenport's Rock Show"This one-man investigation, born of respect for the truth and for Scott as a human being, blazes a new trail." - Joe Bonomo, author of AC/DC's Highway To Hell (33 1/3 Series)"Jesse Fink has done rock fans a great service. He dispels the many myths about how AC/DC's Bon Scott lived and died, and in doing so, brings to life one of the most influential, memorable, and complex figures in rock history." - Greg Renoff, author of Van Halen Rising"Fink leaves no stone unturned in this deep biography of Bon Scott." - Publishers Weekly "Amazing... the most in-depth researched book on Scott's final years ever written. The story of Bon's last days on earth has never been properly told...until now. This book is good enough it has me waiting for the movie." - Classic Rock Revisited

    Dig Me Out was the band's third studio album, but the first one written and recoded with Weiss. It inaugurated Sleater-Kinney into a lineup that would span its two-decade career.This 33 1/3 follows the narrative of Dig Me Out from its inception in Olympia to its recording in Seattle and its reception across the United States. It's anchored in a short period of time – roughly from mid-1996 to mid-1998 – but it encompasses a series of battles over meaning that continued to preoccupy Sleater-Kinney in the coming decades. The band wrestled with the media about how they would be presented to the public, it contended with technicians about how their sound would be heard in clubs, and they struggled with pervasive social hierarchies about how their work would be understood in popular culture. The only instance where the band didn't have to put up much of a fight was when it came to their fans. The acclaim Sleater-Kinney received from their listeners in the late 1990s, and continue to receive today, speaks to a need for icons who challenged normative notions of culture and gender. This story of Dig Me Out chronicles how Sleater-Kinney won the fight to define themselves on their own terms – as women and as musicians – and, in the process, how they redefined the parameters of rock.

    Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn’t until five years later, with the seemingly overnight success of Nirvana’s “Smells Like Teen Spirit,” that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion.Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge’s big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle’s cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley.Drawn from more than 250 new interviews—with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more — and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.

    It chronicles the back-story of Greenwich Village in the early days of the folk music explosion, when Dylan was honing his skills and she was in the ring with him.A shy girl from Queens, Suze Rotolo was the daughter of Italian working-class Communists. Growing up at the start of the Cold War and during McCarthyism, she inevitably became an outsider in her neighborhood and at school. Her childhood was turbulent, but Suze found solace in poetry, art, and music. In Washington Square Park, in Greenwich Village, she encountered like-minded friends who were also politically active. Then one hot day in July 1961, Suze met Bob Dylan, a rising young musician, at a folk concert at Riverside Church. She was seventeen, he was twenty; they were young, curious, and inseparable. During the years they were together, Dylan was transformed from an obscure folk singer into an uneasy spokesperson for a generation.Suze Rotolo’s story is rich in character and setting, filled with vivid memories of those tumultuous years of dramatic change and poignantly rising expectations when art, culture, and politics all seemed to be conspiring to bring our country a better, freer, richer, and more equitable life. She writes of her involvement with the civil rights movement and describes the sometimes frustrating experience of being a woman in a male-dominated culture, before women’s liberation changed the rules for the better. And she tells the wonderfully romantic story of her sweet but sometimes wrenching love affair and its eventual collapse under the pressures of growing fame.A Freewheelin’ Time is a vibrant, moving memoir of a hopeful time and place and of a vital subculture at its most creative. It communicates the excitement of youth, the heartbreak of young love, and the struggles for a brighter future.

    The author traces the story of Kate Bush's career, from her up-bringing in the Essex countryside through her first forays into music with a series of home recordings, to her number one debut album that propelled her to international stardom.

    Interspersed with pages from Alexa's notebooks and many a photo of a good night out, It appears in real cloth, with hand-crafted marbled endpages covered in polkadots, stripy head and tail bands, and luxiouriously creamy paper. Witty, charming and with a refreshingly down-to-earth attitude, It is a must-have for anyone who loves fashion, worries about growing up, or loves just about everything Alexa Chung.

    How can such sublime work have been produced by a man who (when we can discern his personality at all) seems so ordinary, so opaque—and occasionally so intemperate? John Eliot Gardiner grew up passing one of the only two authentic portraits of Bach every morning and evening on the stairs of his parents’ house, where it hung for safety during World War II. He has been studying and performing Bach ever since, and is now regarded as one of the composer’s greatest living interpreters. The fruits of this lifetime’s immersion are distilled in this remarkable book, grounded in the most recent Bach scholarship but moving far beyond it, and explaining in wonderful detail the ideas on which Bach drew, how he worked, how his music is constructed, how it achieves its effects—and what it can tell us about Bach the man. Gardiner’s background as a historian has encouraged him to search for ways in which scholarship and performance can cooperate and fruitfully coalesce. This has entailed piecing together the few biographical shards, scrutinizing the music, and watching for those instances when Bach’s personality seems to penetrate the fabric of his notation. Gardiner’s aim is “to give the reader a sense of inhabiting the same experiences and sensations that Bach might have had in the act of music-making. This, I try to show, can help us arrive at a more human likeness discernible in the closely related processes of composing and performing his music.” It is very rare that such an accomplished performer of music should also be a considerable writer and thinker about it. John Eliot Gardiner takes us as deeply into Bach’s works and mind as perhaps words can. The result is a unique book about one of the greatest of all creative artists.