With sharp wit and relentless questioning, Shapero crafts poems a reader can, if not believe in, then trust--to level with us, to surprise us, and to stay with us long after we put the book down. No Object is a fast ride you will not easily forget.

    When Hannah discovers that Shadrach has been sold to a dog food factory, she decides to mount a heroic rescue and enlist the help of her two younger brothers.From the beginning, their plans go seriously wrong. By the time they've argued with the repulsive Wuff Stuff man, hidden Shadrach in a church and in a caravan, and floated him on a mussel barge, they're in desperate need of rescuing themselves.

    Tell a lie. Protect the family. At all costs.A compulsively readable suspense thriller from Ngaio Marsh Award shortlisted author, Nikki Crutchley, which will keep you guessing and reading up until late into the night. Iluka has been the only home that 18-year-old Ana has ever known. The beautiful wild pine plantation overlooking the Pacific Ocean where her grandfather builds furniture, her aunt runs an artists' retreat and her uncle tends the land, is paradise, a private idyll safe from the outside world.But the place holds a violent secret and when a stranger arrives, Ana will need to make a choice: to protect everything - and everyone - she holds dear or tell the truth and destroy it all.An atmospheric, suspenseful, dark and twisty thriller in the tradition of Daphne du Maurier, Paula Hawkins, Anna Downes and JP Pomare.'An enthralling thriller, as beautiful and deadly as an ocean storm ... Crutchley achieves a perfect balance as she draws the reader into an eerie world filled with secrets, lies and twisted love.' Rose Carlyle, The Girl in the Mirror'Many things make this thriller stand out ... Crutchley's meticulous writing and propulsive storytelling give the book a strange power' North and South

    Narrated by Jon's former home, the lone caravan, Squashed Possums reveals what it's like to live in the wild through four seasons, including New Zealand's coldest winter in decades. Dr Jock Phillips, NZ historian and author “I thoroughly enjoyed it! What an interesting story” Giles Milton, author of White Gold and Nathaniels Nutmeg “The caravan narrator – yes, a first. May it sell in the millions” Discover how Jon finds himself reversing off the edge of a cliff, meet the Maori chef who survived 9/11, the pioneers who paved the way, and catch sight of the elusive kiwi bird. Encounter hedgehogs that fly, possums that scream, and perhaps most importantly, the lone caravan with a story to tell...

    33 poems, over 70 minutes, very high quality recording on cassette or CD.

    She plunges deep into her inner world, shadowing the progression of the disease. Reality takes on sharp edges: the swell of cancer and its retreat with chemo. Her inner corporeal reality versus her outer manifestation of health, vitality, and femininity. Holding fast to the great love of her life, while preparing to leave him behind. Contemplating who she was before cancer, and who she is now.Starkly honest and wholly profound, Not One of These Poems Is About You distills life to its essence. Teva Harrison continues to gift the world with her clear-eyed insight and her open heart.

    Dark secrets line her past, and a serious illness forces her to accept the assistance of Dan Harvey—a stranger in her new ward. As she finds herself becoming closer to Dan, Kiri wonders if she will ever be worthy of the love of a good man. The last thing Dan wants is a serious relationship right now. But the beautiful, complex Kiri enters his carefully constructed world, and he can’t refuse his growing feelings for her. When Dan learns of Kiri’s secrets, he realizes that together they must confront her past or their relationship will be forever torn apart. In a novel as memorable and dramatic as the New Zealand landscape, Pamela Reid has crafted a tender story of two souls who struggle to find ultimate redemption through forgiveness, acceptance, and the power of true love.

    This book shows how, despite the overwhelming unhappiness of her childhood, Janet Frame climbed out of an abyss to take control of her life and become one of the great writers of her time.

    There are three things he needs: the stone, the blood and a hand of hate. The three people he has manipulated from afar to bring these things to him are on their way. They have no way of knowing what lies in store.The Faltha War might have ended, but for three great continents - and their gods - the war for immortality has only just begun.

    S. Merwin. The book is an intriguing set of variations on the theme of identity. Arnold plays on the idea of the shell as both the dazzling surface of the self and a hard case that protects the self against the assaults of the world. His poems narrate amatory and culinary misadventures. “Friendships based on food,” Arnold writes, “are rarely stable”—this book is full of wildly unstable and bewitching friendships and other significant relations.

    This brilliant new collection is the recipient of the National Book Critics Circle Award and the Eric Mathieu King Award from the Academy of American Poets. Ordinary Words captures a unique vision of “Americana” marked by Stone’s characteristic wit, poignancy, and lyricism. The poet addresses the environment, poverty, and aging with fearless candor and surprising humor. Sister poet to Nobel Prize-winner Wislawa Syzmborska, Ruth Stone offers a view of her country and its citizens that is tender and wacky, filled with hard political truths as well as love, beauty, cruelty, and sorrow. Ruth Stone is a poet of the people, and poet’s poet. Her following is devoted and ever-growing. Ordinary Words shows that poetry is about everyday life, our life. Poems are set in Rutland, Vermont; Indianapolis; Chattanooga; Houston; Boise; and Troy, New York (where celluloid collars were made). Stone’s subjects are trailer parks, state parks, prefab houses, school crossing guards, bears, snakes, hummingbirds, bottled water, Aunt Maud, Uncle Cal, lost love, dry humping at the Greyhound bus terminal, and McDonald’s as a refuge from loneliness. Her heroes are dead husbands, wild grandmothers, struggling daughters: ordinary Americans leading simple and extraordinary lives.

    Militant Tūhoe separatists are active in the area, and with its cloying mist and steep ravines, the forest is a treacherous place in winter. Yet nothing has prepared Taine for the true danger that awaits them. Death incarnate. They backtrack toward civilisation, stalked by a prehistoric creature intent on picking them off one by one. With their weapons ineffective, the babysitting job has become a race for survival. Desperate to bring his charges out alive, Taine draws on ancient tribal wisdom. Will it be enough to stop the nightmare? And when the mist clears, will anyone be left?

    In 1915, when he was 33, Baxter was arrested, sent to prison, then shipped under guard to Europe, where he was forced to the front line against his will. Punished to the limits of his physical and mental endurance, Baxter was stripped of all dignity, beaten, starved, and left for dead. In a final attempt to discredit him, authorities consigned him to a mental institution, an experience that would haunt him for the rest of his life.Against the backdrop of troops being mindlessly slaughtered at the whim of upper-echelon officers, We Will Not Cease is a story of extreme bravery and ultimate resolve. Archibald Baxter's lonely fight against the war to end all wars is a nightmare that Kafka could have penned -- except that the story is true.

    . . . Each poem adds its incisive particulars to the general stoic wreck; but what startles, then reassures in all this canon of the inconsolable, the unsanctified, the dispossessed, is Hugo’s poetics, the analogy of language to experience. . . . Richard Hugo is such an important poet because the difficulties inherent in his art provide him a means of saying what he has to say. It is no accident that he must develop a negative in order to produce a true image.”

    were written within earshot of David Kirby's Old World masters, Shakespeare and Dante. From the former, Kirby takes the compositional method of organizing not only the whole book but also each separate section as a dream; from the latter, a three-part scheme that gives the book rough symmetry. Long-lined and often laugh-out-loud funny, Kirby's poems are ample steamer trunks into which the poet seems to be able to put just about anything--the heated restlessness of youth, the mixed blessings of self-imposed exile, the settled pleasures of home. As the poet Philip Levine says, "The world that Kirby takes into his imagination and the one that arises from it merge to become a creation like no other, something like the world we inhabit but funnier and more full of wonder and terror. He has evolved a poetic vision that seems able to include anything, and when he lets it sweep him across the face of Europe and America, the results are astonishing."